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Basilica
In Ancient Roman architecture, a basilica (Greek Basiliké) was a large public building with multiple functions that was typically built alongside the town's forum. The basilica was in the Latin West equivalent to a stoa in the Greek East. The building gave its name to the ''basilica'' architectural form. Originally, a basilica was an ancient Roman public building, where courts were held, as well as serving other official and public functions. Basilicas are typically rectangular buildings with a central nave flanked by two or more longitudinal aisles, with the roof at two levels, being higher in the centre over the nave to admit a clerestory and lower over the side-aisles. An apse at one end, or less frequently at both ends or on the side, usually contained the raised tribunal occupied by the Roman magistrates. The basilica was centrally located in every Roman town, usually adjacent to the forum and often opposite a temple in imperial-era forums. Basilicas were also ...
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Basilica Ulpia J Guadet 1867
In Ancient Roman architecture, a basilica (Greek Basiliké) was a large public building with multiple functions that was typically built alongside the town's Forum (Roman), forum. The basilica was in the Latin West equivalent to a stoa in the Greek East. The building gave its name to the ''basilica'' architectural form. Originally, a basilica was an ancient Roman architecture, ancient Roman public building, where courts were held, as well as serving other official and public functions. Basilicas are typically rectangular buildings with a central nave flanked by two or more longitudinal aisles, with the roof at two levels, being higher in the centre over the nave to admit a clerestory and lower over the side-aisles. An apse at one end, or less frequently at both ends or on the side, usually contained the raised Tribune (architecture), tribunal occupied by the Roman magistrates. The basilica was centrally located in every Roman town, usually adjacent to the forum and often opp ...
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Basilicas In The Catholic Church
Basilicas are Catholic Church, Catholic Church (building), church buildings that have a designation, conferring special privileges, given by the Pope. Basilicas are distinguished for ceremonial purposes from other churches. The building need not be a basilica in the architectural sense (a rectangular building with a central nave flanked by two or more longitudinal aisles). Basilicas are either major basilicas, of which there are four, all in the Diocese of Rome, or minor basilicas, of which there were 1,924 worldwide . Numerous basilicas are notable Shrine, shrines, often even receiving significant Pilgrimage, pilgrimages, especially among the many that were built above a ''confessio'' or the burial place of a martyr; although this term now usually designates a space before the high altar that is sunk lower than the main floor level (as in the case in St Peter's and St John Lateran in Rome) and that offer more immediate access to the burial places below. Some Catholic ...
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Ancient Roman Architecture
Ancient Roman architecture adopted the external language of classical ancient Greek architecture for the purposes of the ancient Romans, but was different from Greek buildings, becoming a new architectural style. The two styles are often considered one body of classical architecture. Roman architecture flourished in the Roman Republic and to an even greater extent under the Roman Empire, Empire, when the great majority of surviving buildings were constructed. It used new materials, particularly Roman concrete, and newer technologies such as the arch and the dome to make buildings that were typically strong and well engineered. Large numbers remain in some form across the former empire, sometimes complete and still in use today. Roman architecture covers the period from the establishment of the Roman Republic in 509 BC to about the 4th century AD, after which it becomes reclassified as Late Antique or Byzantine architecture. Few substantial examples survive from before about 100 ...
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Church (building)
A church, church building, church house, or chapel is a building used for Christian worship church service, services and Christian religion, Christian activities. The earliest identified Christian church is a house church founded between 233 AD and 256 AD. ''Church'' is also used to describe a Church (congregation), body or an assembly of Christian believers, while "the Church" may be used to refer to the worldwide Christian religious community as a whole. In traditional Christian architecture, the plan view of a church often forms a Christian cross with the centre aisle and seating representing the vertical beam and the Church architecture#Characteristics of the early Christian church building, bema and altar forming the horizontal. Towers or domes may inspire contemplation of the heavens. Modern churches have a variety of architectural styles and layouts. Some buildings designed for other purposes have been converted to churches, while many original church buildings have bee ...
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Clerestory
A clerestory ( ; , also clearstory, clearstorey, or overstorey; from Old French ''cler estor'') is a high section of wall that contains windows above eye-level. Its purpose is to admit light, fresh air, or both. Historically, a ''clerestory'' formed an upper level of a Roman basilica or of the nave of a Romanesque architecture, Romanesque or Gothic architecture, Gothic church (building), church, the walls of which rise above the rooflines of the lower aisles and which are pierced with windows. In addition to architecture, #Transportation, clerestories have been used in transportation vehicles such as buses and trains to provide additional lighting, ventilation, or headroom. History Ancient world Clerestories appear to originate in Egyptian temples, where the lighting of the hall of columns was obtained over the stone roofs of the adjoining aisles, through gaps left in the vertical slabs of stone. They appeared in Egypt at least as early as the Amarna Period. Minoan palaces ...
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Constantine The Great
Constantine I (27 February 27222 May 337), also known as Constantine the Great, was a Roman emperor from AD 306 to 337 and the first Roman emperor to convert to Christianity. He played a Constantine the Great and Christianity, pivotal role in elevating the status of Christianity in Rome, Edict of Milan, decriminalising Christian practice and ceasing Persecution of Christians in the Roman Empire, Christian persecution. This was a turning point in the Historiography of the Christianization of the Roman Empire, Christianisation of the Roman Empire. He founded the city of Constantinople (modern-day Istanbul) and made it the capital of the Empire, which it remained for over a millennium. Born in Naissus, a city located in the Roman province, province of Moesia Superior (now Niš, Serbia), Constantine was the son of Flavius Constantius, a Roman army officer from Moesia Superior, who would become one of the four emperors of the Tetrarchy. His mother, Helena, mother of Constantin ...
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Late Antiquity
Late antiquity marks the period that comes after the end of classical antiquity and stretches into the onset of the Early Middle Ages. Late antiquity as a period was popularized by Peter Brown (historian), Peter Brown in 1971, and this periodization has since been widely accepted. Late antiquity represents a cultural sphere that covered much of the Mediterranean world, including parts of Europe and the Near East.Brown, Peter (1971), ''The World of Late Antiquity (1971), The World of Late Antiquity, AD 150-750''Introduction Late antiquity was an era of massive political and religious transformation. It marked the origins or ascendance of the three major monotheistic religions: Christianity, rabbinic Judaism, and Islam. It also marked the ends of both the Western Roman Empire and the Sasanian Empire, the last Persian empire of antiquity, and the beginning of the early Muslim conquests, Arab conquests. Meanwhile, the Byzantine Empire, Byzantine (Eastern Roman) Empire became a milit ...
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Vitruvius The Ten Books On Architecture Basilica At Fano
Vitruvius ( ; ; –70 BC – after ) was a Roman architect and engineer during the 1st century BC, known for his multi-volume work titled . As the only treatise on architecture to survive from antiquity, it has been regarded since the Renaissance as the first book on architectural theory, as well as a major source on the canon of classical architecture. It is not clear to what extent his contemporaries regarded his book as original or important. He states that all buildings should have three attributes: , , and ("strength", "utility", and "beauty"), principles reflected in much Ancient Roman architecture. His discussion of perfect proportion in architecture and the human body led to the famous Renaissance drawing of the '' Vitruvian Man'' by Leonardo da Vinci. Little is known about Vitruvius' life, but by his own descriptionDe Arch. Book 1, preface. section 2. he served as an artilleryman, the third class of arms in the Roman military offices. He probably served as a senior o ...
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Nave
The nave () is the central part of a church, stretching from the (normally western) main entrance or rear wall, to the transepts, or in a church without transepts, to the chancel. When a church contains side aisles, as in a basilica-type building, the strict definition of the term "nave" is restricted to the central aisle. In a broader, more colloquial sense, the nave includes all areas available for the lay worshippers, including the side-aisles and transepts.Cram, Ralph Adams Nave The Catholic Encyclopedia. Vol. 10. New York: Robert Appleton Company, 1911. Accessed 13 July 2018 Either way, the nave is distinct from the area reserved for the choir and clergy. Description The nave extends from the entry—which may have a separate vestibule (the narthex)—to the chancel and may be flanked by lower side-aisles separated from the nave by an arcade. If the aisles are high and of a width comparable to the central nave, the structure is sometimes said to have three nave ...
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Architectural Form
In architecture, form refers to a combination of external appearance, internal structure, and the Unity (aesthetics), unity of the design as a whole, an order created by the architect using #Space and mass, space and mass. External appearance The external outline of a building includes its shape, size, color, and Texture (visual arts), texture, as well as relational property, relational properties, like position, orientation, and visual inertia (appearance of concentration and stability). Architects are primarily concerned with the shapes of the building itself (Contour drawing, contours, silhouettes), its openings (doors and windows), and enclosing planes (floor, walls, ceiling). Forms can have regular shape (stable, usually with an axis or plane of symmetry, like a triangle or pyramid), or irregular; the latter can sometimes be constructed by combining multiple forms (additive forms, composition) or removing one form from another (subtractive forms). Multiple forms can be org ...
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Tribune (architecture)
Tribune is an ambiguous – and often misused – architectural term, which can have several meanings. Today, it most often refers to a dais or stage-like platform or, in a vaguer sense, any place from which a speech can be prominently made. Etymology The English term ''tribune'' ("raised platform") was derived as early as 1762 from French (''tribune'') and Italian (''tribuna'') words. These in turn stemmed from Medieval Latin ''tribuna'' and from Classical Latin ''tribunal'', the elevated placing of a tribune's (or other Roman magistrate's) seat for official functions in the manner of a throne. Meanings * In ancient Rome, the term was used of a semicircular apse in a Roman basilica, with a raised platform, where a presiding magistrate (a tribune, or others) sat in an official chair. Subsequently, it applied generally to any raised structure from which speeches were delivered, including makeshift wooden structures in the Roman Forum and even the private box of the emperor ...
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