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Baseline (typography)
In European and West Asian typography and penmanship, the baseline is the line upon which most letters ''sit'' and below which descenders extend. In the example to the right, the letter 'p' has a descender; the other letters sit on the (red) baseline. Most, though not all, typefaces are similar in the following ways as regards the baseline: * capital letters sit on the baseline. The most common exceptions are the J and Q. *Lining figures (see Arabic numerals) sit on the baseline. *The following text figures have descenders: 3 4 5 7 9. *The following lowercase letters have descenders: g j p q y. * Glyphs with rounded lower and upper extents (0 3 6 8 c C G J o O Q) dip very slightly below the baseline ("overshoot") to create the optical illusion that they sit on the baseline, and rise above the x-height or capital height to create the illusion that they have the same height as flat glyphs (such as those for H x X 1 5 7). Peter Karow's ''Digital Typefaces'' suggests that typi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Typography Line Terms
Typography is the art and technique of arranging type to make written language legible, readable and appealing when displayed. The arrangement of type involves selecting typefaces, point sizes, line lengths, line-spacing (leading), and letter-spacing (tracking), as well as adjusting the space between pairs of letters (kerning). The term ''typography'' is also applied to the style, arrangement, and appearance of the letters, numbers, and symbols created by the process. Type design is a closely related craft, sometimes considered part of typography; most typographers do not design typefaces, and some type designers do not consider themselves typographers. Typography also may be used as an ornamental and decorative device, unrelated to the communication of information. Typography is the work of typesetters (also known as compositors), typographers, graphic designers, art directors, manga artists, comic book artists, and, now, anyone who arranges words, letters, numbers, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Penmanship
Penmanship is the technique of writing with the hand using a writing instrument. Today, this is most commonly done with a pen, or pencil, but throughout history has included many different implements. The various generic and formal historical styles of writing are called " hands" while an individual's style of penmanship is referred to as "handwriting". History Origins The earliest example of systematic writing is the Sumerian pictographic system found on clay tablets, which eventually developed around 3200 BC into a modified version called cuneiform which was impressed on wet clay with a sharpened reed. This form of writing eventually evolved into an ideographic system (where a sign represents an idea) and then to a syllabic system (where a sign represents a syllable). Developing around the same time, the Egyptian system of hieroglyphics also began as a pictographic script and evolved into a system of syllabic writing. Two cursive scripts were eventually created, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Descender
In typography and handwriting, a descender is the portion of a letter that extends below the baseline of a font. For example, in the letter ''y'', the descender is the "tail", or that portion of the diagonal line which lies below the ''v'' created by the two lines converging. In the letter ''p'', it is the stem reaching down past the ''o''. In most fonts, descenders are reserved for lowercase characters such as ''g'', ''j'', ''q'', ''p'', ''y'', and sometimes ''f''. Some fonts, however, also use descenders for some numerals (typically ''3'', ''4'', ''5'', ''7'', and ''9''). Such numerals are called old-style numerals. (Some italic fonts, such as Computer Modern italic, put a descender on the numeral ''4'' but not on any other numerals. Such fonts are not considered old-style.) Some fonts also use descenders for the tails on a few uppercase letters such as ''J'' and ''Q''. The parts of characters that extend above the x-height of a font are called ascenders. Descenders ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Typeface
A typeface (or font family) is the design of lettering that can include variations in size, weight (e.g. bold), slope (e.g. italic), width (e.g. condensed), and so on. Each of these variations of the typeface is a font. There are thousands of different typefaces in existence, with new ones being developed constantly. The art and craft of designing typefaces is called '' type design''. Designers of typefaces are called '' type designers'' and are often employed by '' type foundries''. In desktop publishing, type designers are sometimes also called ''font developers'' or ''font designers''. Every typeface is a collection of glyphs, each of which represents an individual letter, number, punctuation mark, or other symbol. The same glyph may be used for characters from different scripts, e.g. Roman uppercase A looks the same as Cyrillic uppercase А and Greek uppercase alpha. There are typefaces tailored for special applications, such as cartography, astrology or mathematics ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Majuscule
Letter case is the distinction between the letters that are in larger uppercase or capitals (or more formally ''majuscule'') and smaller lowercase (or more formally ''minuscule'') in the written representation of certain languages. The writing systems that distinguish between the upper and lowercase have two parallel sets of letters, with each letter in one set usually having an equivalent in the other set. The two case variants are alternative representations of the same letter: they have the same name and pronunciation and are treated identically when sorting in alphabetical order. Letter case is generally applied in a mixed-case fashion, with both upper and lowercase letters appearing in a given piece of text for legibility. The choice of case is often prescribed by the grammar of a language or by the conventions of a particular discipline. In orthography, the uppercase is primarily reserved for special purposes, such as the first letter of a sentence or of a proper ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Arabic Numerals
Arabic numerals are the ten numerical digits: , , , , , , , , and . They are the most commonly used symbols to write decimal numbers. They are also used for writing numbers in other systems such as octal, and for writing identifiers such as computer symbols, trademarks, or license plates. The term often implies a decimal number, in particular when contrasted with Roman numerals. They are also called Western Arabic numerals, Ghubār numerals, Hindu-Arabic numerals, Western digits, Latin digits, or European digits. The ''Oxford English Dictionary'' differentiates them with the fully capitalized ''Arabic Numerals'' to refer to the Eastern digits. The term numbers or numerals or digits often implies only these symbols, however this can only be inferred from context. It was in the Algerian city of Béjaïa that the Italian scholar Fibonacci first encountered the numerals; his work was crucial in making them known throughout Europe. European trade, books, and colonialism help ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Text Figures
Text figures (also known as non-lining, lowercase, old style, ranging, hanging, medieval, billing, or antique figures or numerals) are numerals designed with varying heights in a fashion that resembles a typical line of running text, hence the name. They are contrasted with lining figures (also called titling or modern figures), which are the same height as upper-case letters. Georgia is an example of a popular typeface that employs text figures by default. Design In text figures, the shape and positioning of the numerals vary as those of lowercase letters do. In the most common scheme, '' 0'', '' 1'', and '' 2'' are of x-height, having neither ascenders nor descenders; '' 6'' and '' 8'' have ascenders; and '' 3'', '' 4'', '' 5'', '' 7'', and '' 9'' have descenders. Other schemes exist; for example, the types cut by the Didot family of punchcutters and typographers in France between the late 18th and early 19th centuries typically had an ascending ''3'' and ''5'', a for ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lower Case
Letter case is the distinction between the letters that are in larger uppercase or capitals (or more formally ''majuscule'') and smaller lowercase (or more formally ''minuscule'') in the written representation of certain languages. The writing systems that distinguish between the upper and lowercase have two parallel sets of letters, with each letter in one set usually having an equivalent in the other set. The two case variants are alternative representations of the same letter: they have the same name and pronunciation and are treated identically when sorting in alphabetical order. Letter case is generally applied in a mixed-case fashion, with both upper and lowercase letters appearing in a given piece of text for legibility. The choice of case is often prescribed by the grammar of a language or by the conventions of a particular discipline. In orthography, the uppercase is primarily reserved for special purposes, such as the first letter of a sentence or of a proper noun ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Glyphs
A glyph () is any kind of purposeful mark. In typography, a glyph is "the specific shape, design, or representation of a character". It is a particular graphical representation, in a particular typeface, of an element of written language. A grapheme, or part of a grapheme (such as a diacritic), or sometimes several graphemes in combination (a composed glyph) can be represented by a glyph. Glyphs, graphemes and characters In most languages written in any variety of the Latin alphabet except English, the use of diacritics to signify a sound mutation is common. For example, the grapheme requires two glyphs: the basic and the grave accent . In general, a diacritic is regarded as a glyph, even if it is contiguous with the rest of the character like a cedilla in French, Catalan or Portuguese, the ogonek in several languages, or the stroke on a Polish " Ł". Although these marks originally had no independent meaning, they have since acquired meaning in the field of mathematic ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Leading
In typography, leading ( ) is the space between adjacent lines of type; the exact definition varies. In hand typesetting, leading is the thin strips of lead (or aluminium) that were inserted between lines of type in the composing stick to increase the vertical distance between them. The thickness of the strip is called leading and is equal to the difference between the size of the type and the distance from one baseline to the next. For instance, given a type size of 10 points and a distance between baselines of 12 points, the leading would be 2 points. The term is still used in modern page-layout software such as QuarkXPress, the Affinity Suite, and Adobe InDesign. Consumer-oriented word-processing software often talks of line spacing or, more accurately, interline spacing. Origins The word comes from lead strips that were put between set lines of lead type, hence the pronunciation "ledding" and not "leeding". The practice became popular in the eighteen ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Brahmic Scripts
The Brahmic scripts, also known as Indic scripts, are a family of abugida writing systems. They are used throughout the Indian subcontinent, Southeast Asia and parts of East Asia. They are descended from the Brahmi script of ancient India and are used by various languages in several language families in South, East and Southeast Asia: Indo-Aryan, Dravidian, Tibeto-Burman, Mongolic, Austroasiatic, Austronesian, and Tai. They were also the source of the dictionary order (''gojūon'') of Japanese ''kana''. History Brahmic scripts descended from the Brahmi script. Brahmi is clearly attested from the 3rd century BCE during the reign of Ashoka, who used the script for imperial edicts, but there are some claims of earlier epigraphy found on pottery in southern India and Sri Lanka. The most reliable of these were short Brahmi inscriptions dated to the 4th century BCE and published by Coningham et al. (1996). Northern Brahmi gave rise to the Gupta script during the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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