Augusta (album)
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Augusta (album)
''Augusta'' is an album by the country singer Willie Nelson and the big band singer Don Cherry. It was released in 1995 on Sundown Records. The title track is about the Masters Tournament. Track listing #"My Way" - 4:18 #"Augusta" - 2:46 #"One for My Baby (And One More for the Road)" - 4:09 #" Red Sails in the Sunset" - 2:53 #"Try a Little Tenderness" - 4:21 #"Tangerine" - 3:08 #" I Love You for Sentimental Reasons" - 2:55 #" Prisoner of Love" - 2:50 #"Tenderly" - 3:34 #"Maybe You'll Be There" - 4:15 #"Don't Go to Strangers" - 3:23 #"Night Life" - 2:35 #"Rainy Day Blues" - 3:05 Personnel *Willie Nelson Willie Hugh Nelson (born April 29, 1933) is an American country musician. The critical success of the album ''Shotgun Willie'' (1973), combined with the critical and commercial success of ''Red Headed Stranger'' (1975) and '' Stardust'' (197 ... - Guitar, vocals *Jay Orlando - Saxophone, soloist *Charlie Shaffer - Piano, arranger References 1995 albums Willie Ne ...
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Willie Nelson
Willie Hugh Nelson (born April 29, 1933) is an American country musician. The critical success of the album ''Shotgun Willie'' (1973), combined with the critical and commercial success of ''Red Headed Stranger'' (1975) and '' Stardust'' (1978), made Nelson one of the most recognized artists in country music. He was one of the main figures of outlaw country, a subgenre of country music that developed in the late 1960s as a reaction to the conservative restrictions of the Nashville sound. Nelson has acted in over 30 films, co-authored several books, and has been involved in activism for the use of biofuels and the legalization of marijuana. Born during the Great Depression and raised by his grandparents, Nelson wrote his first song at age seven and joined his first band at ten. During high school, he toured locally with the Bohemian Polka as their lead singer and guitar player. After graduating from high school in 1950, he joined the U.S. Air Force but was later discharged d ...
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Red Sails In The Sunset (song)
"Red Sails in the Sunset" is a popular song. Published in 1935, its music was written by Hugh Williams (pseudonym for Wilhelm Grosz) with lyrics by prolific songwriter Jimmy Kennedy. The song was inspired by the "red sails" of ''Kitty of Coleraine'', a yacht Kennedy often saw off the northern coast of Northern Ireland and by his adopted town Portstewart, a seaside resort in County Londonderry. The title of the song provides the inspiration for the Red Sails Festival held annually in Portstewart, Northern Ireland. Kennedy wrote the song while staying in Portstewart. The song was used in the Broadway production of ''Provincetown Follies'' which ran from November 3 until December 19, 1935, at the Provincetown Playhouse. Popular versions in 1935 were by Bing Crosby, Guy Lombardo, Mantovani and Jack Jackson. Another early version was recorded by Al Bowlly with Ray Noble and his Orchestra on September 18, 1935. Louis Armstrong also had a hit with the song in 1936. The song was reviv ...
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Night Life (Willie Nelson Song)
"Night Life" is a song written by country music singer-songwriter Willie Nelson. Nelson was inspired to write the song during one of his trips from his home in Pasadena, Texas, to his work, singing at the Esquire Ballroom in Houston. Due to financial issues, Nelson sold the song to guitar instructor Paul Buskirk for $150. The recording of the song was rejected by Pappy Daily, owner of Nelson's label, D Records. Daily believed that the song was not country. Encouraged by the amount of money he received for the song, Nelson decided to master it at another studio. To avoid legal actions, it was recorded as "Nite Life" under the artist name of "Paul Buskirk and the Little Men featuring Hugh Nelson." In 1963 Bellaire Records reissued the single under the original title of "Night Life," recrediting it to "Willie Nelson." Background and recording After his son Billy was born in 1958, struggling with financial issues, Nelson moved to Houston. On the way, Nelson stopped by the Esquire Ball ...
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Maybe You'll Be There
"Maybe You'll Be There" is a popular music, popular song composed by Rube Bloom, with lyrics written by Sammy Gallop. The song was published in 1947 in music, 1947. The recording by Gordon Jenkins was released by Decca Records as catalog number 24403. It first reached the Billboard magazine Best Seller chart on June 11, 1948 and lasted 30 weeks on the chart, peaking at No. 3. This recording was Jenkins' first charting record. The vocal on that recording featured the piano player Charlie LaVere, Charles LaVere. In the UK, a contemporary cover version by Steve Conway (singer), Steve Conway was released on Columbia Graphophone Company, Columbia. It has become a pop standard, recorded by many artists since its composition, with a well-known recording being by The Four Aces. Notable later recordings *Kay Starr - ''In a Blue Mood'' (1954) *June Christy - ''The Misty Miss Christy'' (1956) *Frank Sinatra - ''Where Are You? (Frank Sinatra album), Where Are You?'' (1957) *Jane Morgan - for h ...
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Tenderly
"Tenderly" is a popular song published in 1946 with music by Walter Gross and lyrics by Jack Lawrence. Written in the key of E as a waltz in time, it has since been performed in 4/4 and has become a popular jazz standard. Notable versions have been recorded by singers, such as Sarah Vaughan and Nat King Cole, and pianists, such as Art Tatum, Bill Evans and Peruchín. "Tenderly" was first recorded by Brazilian singer and pianist Dick Farney on June 15, 1947. Described as "a lovely waltz melody", Farney's version was positively received upon release in July 1947. The second recording was made by Sarah Vaughan on July 2, 1947. Her version entered the charts on November 15 and reached number 27. It has been described as "a ravishing rendition". The next versions were recorded by the orchestras of Randy Brooks and Charlie Spivak later that year. Singer Clark Dennis recorded the song in 1948. Vaughan re-recorded the song for MGM in 1950. The song has also become a Latin music sta ...
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Prisoner Of Love (1931 Song)
"Prisoner of Love" is a 1931 popular song, with music by Russ Columbo and Clarence Gaskill and lyrics by Leo Robin. Background Written in 1931, Leo Robin has related how publisher Con Conrad walked into his hotel room with Russ Columbo, and asked him to write words within the hour for a tune he had. Robin, who was on vacation, at first refused but Conrad explained that he wanted Columbo to demonstrate it to Flo Ziegfeld who needed a song for Helen Morgan in one of his shows. Robin then wrote the lyric, which he afterwards said he disliked, and the song was duly performed for Ziegfeld but he did not accept it. Russ Columbo, however, sang it on his radio show and recorded it on October 9, 1931 for Victor Records and it was very popular in 1932. Columbo also sang it in the 1933 short film ''That Goes Double''. In 1946 the song became a major hit for Billy Eckstine, Perry Como and the Ink Spots. Billy Eckstine version African-American crooner Billy Eckstine recorded his version wi ...
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I Love You For Sentimental Reasons
"(I Love You) for Sentimental Reasons" is a popular song written by Ivory "Deek" Watson, founding member of the Ink Spots and of the Brown Dots, and William "Pat" Best, founding member of the Four Tunes. The credits and Leeds Publishing Company list Watson as a co-writer. Best later claimed that Watson had nothing to do with the creation of the song, but Watson maintained in his late 1960s autobiography that he and Best wrote the song together, lyrics and music respectively. Best was a member of Watson's group, the Brown Dots. The song was published in 1945 and released by Watson's quartet with Joe King as lead vocalist on the Manor Records label (catalog No. 1041A). Hit versions The biggest-selling version by The King Cole Trio was released by Capitol Records as catalog number 304. It first reached the ''Billboard'' Best Seller chart on November 22, 1946 and lasted 12 weeks on the chart, peaking at number one. * The recording by Eddy Howard was released by Majestic Records as ...
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Tangerine (1941 Song)
The tangerine is a type of citrus fruit that is orange in color. Its scientific name varies. It has been treated as a separate species under the name ''Citrus tangerina'' or ''Citrus'' × ''tangerina'', or treated as a variety of ''Citrus reticulata'', the mandarin orange. ''Citrus tangerina'' is also treated as a synonym of ''Citrus deliciosa''. It is a group of orange-colored citrus fruit consisting of hybrids of mandarin orange varieties, with some pomelo contribution. The name was first used for fruit coming from Tangier, Morocco, described as a mandarin variety. Under the Tanaka classification system, ''Citrus tangerina'' is considered a separate species. Under the Swingle system, tangerines are considered a group of mandarin ('' C. reticulata'') varieties. Some differ only in disease resistance. The term is also currently applied to any reddish-orange mandarin (and, in some jurisdictions, mandarin-like hybrids, including some tangors). Tangerines are smaller and less ...
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Try A Little Tenderness
"Try a Little Tenderness" is a song written by Jimmy Campbell, Reg Connelly, and Harry M. Woods. Original version It was first recorded on December 8, 1932, by the Ray Noble Orchestra, with vocals by Val Rosing. Another version, also recorded in 1932, was made by Charlie Palloy & his Orchestra. Ted Lewis (Columbia 2748 D) and Ruth Etting (Melotone 12625) had hits with it in 1933. Bing Crosby also recorded it on January 9, 1933, for Brunswick Records. A version by Bob and Alf Pearson was also released in 1933. The song appeared on Frank Sinatra's debut album, ''The Voice of Frank Sinatra'', in 1946. Otis Redding version A popular version in an entirely new form was recorded by soul artist Otis Redding in 1966. Redding was backed on his version by Booker T. & the M.G.'s, and Stax staff producer Isaac Hayes worked on the arrangement. Bowman, Rob (1997). ''Soulsville U.S.A.: The Story of Stax Records.'' New York: Schirmer Trade. . Pg. 105-1072 Redding's recording features a slo ...
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One For My Baby (And One More For The Road)
"One for My Baby (and One More for the Road)" is a hit song written by Harold Arlen and Johnny Mercer for the movie musical '' The Sky's the Limit'' (1943) and first performed in the film by Fred Astaire. Background Harold Arlen described the song as "another typical Arlen tapeworm" – a "tapeworm" being the trade slang for any song which went over the conventional 32-bar length. He called it "a wandering song. yricistJohnny ercertook it and wrote it exactly the way it fell. Not only is it long – fifty-eight bars – but it also changes key. Johnny made it work." In the opinion of Arlen's biographer, Edward Jablonski, the song is "musically inevitable, rhythmically insistent, and in that mood of 'metropolitan melancholic beauty' that writer John O'Hara finds in all of Arlen's music." It was further popularized by Frank Sinatra. Sinatra recorded the song several times during his career: in 1947 with Columbia Records, in 1954 for the film soundtrack album '' Young at Heart'', ...
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