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Arrotino
The ''Arrotino'' (Italian - the "Blade-Sharpener"), or formerly the ''Scythian'', thought to be a figure from a group representing the '' Flaying of Marsyas'' is a Hellenistic-Roman sculpture ( Pergamene school) of a man crouching to sharpen a knife on a whetstone. The sculpture was excavated in the early sixteenth century, for it is recognizable in an inventory made after the death of Agostino Chigi (1520) of his villa in Trastevere, which would become the Villa Farnesina. Later the sculpture formed part of the garden of sculptures and antiquities that Paolantonio Soderini inherited from his brother, Monsignor Francesco Soderini, who had arranged them in the Mausoleum of Augustus; Paolantonio noted in a letter of 1561 that ''il mio villano''— "my peasant"— had gone away, and it is known that a member of the Mignanelli family sold the ''Arrotino'' to Cardinal Ferdinando de' Medici. It was removed to the Villa Medici, where it was displayed until it was removed in the eigh ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Arrotino Cast
The ''Arrotino'' (Italian - the "Blade-Sharpener"), or formerly the ''Scythian'', thought to be a figure from a group representing the '' Flaying of Marsyas'' is a Hellenistic-Roman sculpture ( Pergamene school) of a man crouching to sharpen a knife on a whetstone. The sculpture was excavated in the early sixteenth century, for it is recognizable in an inventory made after the death of Agostino Chigi (1520) of his villa in Trastevere, which would become the Villa Farnesina. Later the sculpture formed part of the garden of sculptures and antiquities that Paolantonio Soderini inherited from his brother, Monsignor Francesco Soderini, who had arranged them in the Mausoleum of Augustus; Paolantonio noted in a letter of 1561 that ''il mio villano''— "my peasant"— had gone away, and it is known that a member of the Mignanelli family sold the ''Arrotino'' to Cardinal Ferdinando de' Medici. It was removed to the Villa Medici, where it was displayed until it was removed in the eight ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Arrotino Copy
The ''Arrotino'' (Italian - the "Blade-Sharpener"), or formerly the ''Scythian'', thought to be a figure from a group representing the '' Flaying of Marsyas'' is a Hellenistic-Roman sculpture ( Pergamene school) of a man crouching to sharpen a knife on a whetstone. The sculpture was excavated in the early sixteenth century, for it is recognizable in an inventory made after the death of Agostino Chigi (1520) of his villa in Trastevere, which would become the Villa Farnesina. Later the sculpture formed part of the garden of sculptures and antiquities that Paolantonio Soderini inherited from his brother, Monsignor Francesco Soderini, who had arranged them in the Mausoleum of Augustus; Paolantonio noted in a letter of 1561 that ''il mio villano''— "my peasant"— had gone away, and it is known that a member of the Mignanelli family sold the ''Arrotino'' to Cardinal Ferdinando de' Medici. It was removed to the Villa Medici, where it was displayed until it was removed in the eight ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Crouching Venus
:''This article discusses the type itself: see links within it for specific instances of the type.'' The ''Crouching Venus'' is a Hellenistic model of Venus surprised at her bath. Venus crouches with her right knee close to the ground, turns her head to the right and, in most versions, reaches her right arm over to her left shoulder to cover her breasts. To judge by the number of copies that have been excavated on Roman sites in Italy and France, this variant on Venus seems to have been popular. A number of examples of the ''Crouching Venus'' in prominent collections have influenced modern sculptors since Giambologna and have been drawn by artists since Martin Heemskerck, who made a drawing of the Farnese ''Crouching Venus'' that is now in Naples. Attribution The model is often related to a corrupt passage in Pliny the Elder's '' Natural History'' (xxxvi.4), enumerating sculptures in the Temple of Jupiter Stator in the Portico of Octavia, near the Roman Forum; the text has b ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Villa Medici
The Villa Medici () is a Mannerist villa and an architectural complex with a garden contiguous with the larger Borghese gardens, on the Pincian Hill next to Trinità dei Monti in Rome, Italy. The Villa Medici, founded by Ferdinando I de' Medici, Grand Duke of Tuscany and now property of the French State, has housed the French Academy in Rome since 1803. A musical evocation of its garden fountains features in Ottorino Respighi's ''Fountains of Rome''. History In ancient times, the site of the Villa Medici was part of the gardens of Lucullus, which passed into the hands of the Imperial family with Messalina, who was murdered in the villa. In 1564, when the nephews of Cardinal Giovanni Ricci of Montepulciano acquired the property, it had long been abandoned to viticulture. The sole dwelling was the Casina of ''Cardinale'' Marcello Crescenzi, who had maintained a vineyard here and had begun improvements to the villa under the direction of the Florentine Nanni Lippi, who had ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Uffizi
The Uffizi Gallery (; it, Galleria degli Uffizi, italic=no, ) is a prominent art museum located adjacent to the Piazza della Signoria in the Historic Centre of Florence in the region of Tuscany, Italy. One of the most important Italian museums and the most visited, it is also one of the largest and best known in the world and holds a collection of priceless works, particularly from the period of the Italian Renaissance. After the ruling House of Medici died out, their art collections were given to the city of Florence under the famous ''Patto di famiglia'' negotiated by Anna Maria Luisa, the last Medici heiress. The Uffizi is one of the first modern museums. The gallery had been open to visitors by request since the sixteenth century, and in 1765 it was officially opened to the public, formally becoming a museum in 1865. History The building of the Uffizi complex was begun by Giorgio Vasari in 1560 for Cosimo I de' Medici so as to accommodate the offices of the Florentine ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Genre Works
Genre art is the pictorial representation in any of various media of scenes or events from everyday life, such as markets, domestic settings, interiors, parties, inn scenes, work, and street scenes. Such representations (also called genre works, genre scenes, or genre views) may be realistic, imagined, or romanticized by the artist. Some variations of the term ''genre art'' specify the medium or type of visual work, as in ''genre painting'', ''genre prints'', ''genre photographs'', and so on. The following concentrates on painting, but genre motifs were also extremely popular in many forms of the decorative arts, especially from the Rococo of the early 18th century onwards. Single figures or small groups decorated a huge variety of objects such as porcelain, furniture, wallpaper, and textiles. Genre painting ''Genre painting'', also called ''genre scene'' or ''petit genre'', depicts aspects of everyday life by portraying ordinary people engaged in common activities. One commo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Courtauld Institute Of Art
The Courtauld Institute of Art (), commonly referred to as The Courtauld, is a self-governing college of the University of London specialising in the study of the history of art and conservation. It is among the most prestigious specialist colleges for the study of the history of art in the world and is known for the disproportionate number of directors of major museums drawn from its small body of alumni. The art collection is known particularly for its French Impressionist and Post-Impressionist paintings and is housed in the Courtauld Gallery. The Courtauld is based in Somerset House, in the Strand in London. In 2019, The Courtauld's teaching and research activities temporarily relocated to Vernon Square, London, while its Somerset House site underwent a major regeneration project. History The Courtauld was founded in 1932 through the philanthropic efforts of the industrialist and art collector Samuel Courtauld, the diplomat and collector Lord Lee of Fareham, and the art ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Royal Academy
The Royal Academy of Arts (RA) is an art institution based in Burlington House on Piccadilly in London. Founded in 1768, it has a unique position as an independent, privately funded institution led by eminent artists and architects. Its purpose is to promote the creation, enjoyment and appreciation of the visual arts through exhibitions, education and debate. History The origin of the Royal Academy of Arts lies in an attempt in 1755 by members of the Society for the Encouragement of Arts, Manufactures and Commerce, principally the sculptor Henry Cheere, to found an autonomous academy of arts. Prior to this a number of artists were members of the Society for the Encouragement of Arts, Manufactures and Commerce, including Cheere and William Hogarth, or were involved in small-scale private art academies, such as the St Martin's Lane Academy. Although Cheere's attempt failed, the eventual charter, called an 'Instrument', used to establish the Royal Academy of Arts over a d ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Engraved Gem
An engraved gem, frequently referred to as an intaglio, is a small and usually semi-precious gemstone that has been carved, in the Western tradition normally with images or inscriptions only on one face. The engraving of gemstones was a major luxury art form in the Ancient world, and an important one in some later periods. Strictly speaking, ''engraving'' means carving ''in intaglio'' (with the design cut ''into'' the flat background of the stone), but relief carvings (with the design projecting ''out of'' the background as in nearly all cameos) are also covered by the term. This article uses ''cameo'' in its strict sense, to denote a carving exploiting layers of differently coloured stone. The activity is also called ''gem carving'' and the artists ''gem-cutters''. References to antique gems and intaglios in a jewellery context will almost always mean carved gems; when referring to monumental sculpture, counter-relief, meaning the same as ''intaglio'', is more likely to be use ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Leonardo Agostini
Leonardo Agostini (1593–1669) was an Italian antiquary of the 17th century, born in Boccheggiano, near Grosseto. Life Agostino was employed for some time as ''antiquario'' to Cardinal Francesco Barberini to collect works of art for the recently constructed Palazzo Barberini. His letters to the Barberini family during their period of disgrace and exile (1646–50) have provided art historians with information on the archaeological activity of the time. Appointed superintendent of antiquities in the Papal States by Pope Alexander VII, he directed excavations in Rome at the Forum and at the thermae near the church of San Lorenzo in Panisperna, where he discovered the " Barberini Hera". In 1649 he issued a new edition of Filippo Paruta's ''Sicilian Medals'', with engravings of 400 additional specimens. In conjunction with Gian Pietro Bellori (1615–1696) he published ''Gemme antiche figurate'', a work on antique engraved gems, in two volumes (Rome, 1657 and 1669); the fir ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Dying Gaul
Dying is the final stage of life which will eventually lead to death. Diagnosing dying is a complex process of clinical decision-making, and most practice checklists facilitating this diagnosis are based on cancer diagnoses. Signs of dying The National Cancer Institute in the United States advises that the presence of some of the following signs may indicate that death is approaching: * Drowsiness, increased sleep, and/or unresponsiveness (caused by changes in the patient's metabolism). * Confusion about time, place, and/or identity of loved ones; restlessness; visions of people and places that are not present; pulling at bed linens or clothing (caused in part by changes in the patient's metabolism). * Decreased socialization and withdrawal (caused by decreased oxygen to the brain, decreased blood flow, and mental preparation for dying). * Decreased need for food and fluids, and loss of appetite (caused by the body's need to conserve energy and its decreasing ability to us ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pergamum
Pergamon or Pergamum ( or ; grc-gre, Πέργαμον), also referred to by its modern Greek form Pergamos (), was a rich and powerful ancient Greek city in Mysia. It is located from the modern coastline of the Aegean Sea on a promontory on the north side of the river Caicus (modern-day Bakırçay) and northwest of the modern city of Bergama, Turkey. During the Hellenistic period, it became the capital of the Kingdom of Pergamon in 281–133 BC under the Attalid dynasty, who transformed it into one of the major cultural centres of the Greek world. Many remains of its monuments can still be seen and especially the masterpiece of the Pergamon Altar. Pergamon was the northernmost of the seven churches of Asia cited in the New Testament Book of Revelation. The city is centered on a mesa of andesite, which formed its acropolis. This mesa falls away sharply on the north, west, and east sides, but three natural terraces on the south side provide a route up to the top. To the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
_-_Turkey_-_10_(5747249729).jpg "Click for more on -> Pergamum")