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Apsidiole
An apsidole or absidiale is a small or secondary apse In architecture, an apse (plural apses; from Latin 'arch, vault' from Ancient Greek 'arch'; sometimes written apsis, plural apsides) is a semicircular recess covered with a hemispherical vault or semi-dome, also known as an '' exedra''. ..., one of the apses on either side of the main apse in a triapsidal church, or one of the apse-chapels when they project on the exterior of the church, particularly if the projection resembles an apse in shape. Francis Bond says that the Norman plan of eastern limb, which the Norman builders brought over to England at the Conquest, contained a central apse flanked by apsidioles. Notes References Church architecture {{Church-architecture-stub ...
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Apse
In architecture, an apse (plural apses; from Latin 'arch, vault' from Ancient Greek 'arch'; sometimes written apsis, plural apsides) is a semicircular recess covered with a hemispherical vault or semi-dome, also known as an '' exedra''. In Byzantine, Romanesque, and Gothic Christian church (including cathedral and abbey) architecture, the term is applied to a semi-circular or polygonal termination of the main building at the liturgical east end (where the altar is), regardless of the shape of the roof, which may be flat, sloping, domed, or hemispherical. Smaller apses are found elsewhere, especially in shrines. Definition An apse is a semicircular recess, often covered with a hemispherical vault. Commonly, the apse of a church, cathedral or basilica is the semicircular or polygonal termination to the choir or sanctuary, or sometimes at the end of an aisle. Smaller apses are sometimes built in other parts of the church, especially for reliquaries or shrines of saints ...
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Church Architecture
Church architecture refers to the architecture of buildings of churches, convents, seminaries etc. It has evolved over the two thousand years of the Christian religion, partly by innovation and partly by borrowing other architectural styles as well as responding to changing beliefs, practices and local traditions. From the birth of Christianity to the present, the most significant objects of transformation for Christian architecture and design were the great churches of Byzantium, the Romanesque abbey churches, Gothic cathedrals and Renaissance basilicas with its emphasis on harmony. These large, often ornate and architecturally prestigious buildings were dominant features of the towns and countryside in which they stood. However, far more numerous were the parish churches in Christendom, the focus of Christian devotion in every town and village. While a few are counted as sublime works of architecture to equal the great cathedrals and churches, the majority developed along ...
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Apse-chapel
An apse chapel, apsidal chapel, or chevet is a chapel in traditional Christian church architecture, which radiates tangentially from one of the bays or divisions of the apse. It is reached generally by a semicircular passageway, or ambulatory, exteriorly to the walls or piers of the apse. Features In plan, the normal type of the tangential chapel is semicircular; some, however, are pentagonal, and some composed of a small circle, serving as choir, and part of a large circle, as nave; some are oblong with eastern apses. In England, sometimes an ambulatory connects the north and south aisles of the choir and from the ambulatory projects an eastern chapel or chapels. The eastern chevet of Westminster Abbey, surrounded by five apsidal chapels, is the only complete example of this feature in England. The common source of the ambulatory and radiating chapels seems to have been the church of St. Martin of Tours, where originally there was a choir of two bays, and an apse of five bays ...
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Norman Architecture
The term Norman architecture is used to categorise styles of Romanesque architecture developed by the Normans in the various lands under their dominion or influence in the 11th and 12th centuries. In particular the term is traditionally used for English Romanesque architecture. The Normans introduced large numbers of castles and fortifications including Norman keeps, and at the same time monasteries, abbeys, churches and cathedrals, in a style characterised by the usual Romanesque rounded arches (particularly over windows and doorways) and especially massive proportions compared to other regional variations of the style. Origins These Romanesque styles originated in Normandy and became widespread in northwestern Europe, particularly in England, which contributed considerable development and where the largest number of examples survived. At about the same time, a Norman dynasty that ruled in Sicily produced a distinctive variation–incorporating Byzantine and Sarace ...
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Norman Conquest
The Norman Conquest (or the Conquest) was the 11th-century invasion and occupation of England by an army made up of thousands of Norman, Breton, Flemish, and French troops, all led by the Duke of Normandy, later styled William the Conqueror. William's claim to the English throne derived from his familial relationship with the childless Anglo-Saxon king Edward the Confessor, who may have encouraged William's hopes for the throne. Edward died in January 1066 and was succeeded by his brother-in-law Harold Godwinson. The Norwegian king Harald Hardrada invaded northern England in September 1066 and was victorious at the Battle of Fulford on 20 September, but Godwinson's army defeated and killed Hardrada at the Battle of Stamford Bridge on 25 September. Three days later on 28 September, William's invasion force of thousands of men and hundreds of ships landed at Pevensey in Sussex in southern England. Harold marched south to oppose him, leaving a significant portion o ...
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