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Aniconistic
Aniconism is the absence of artistic representations (''icons'') of the natural and supernatural worlds, or it is the absence of representations of certain figures in religions. It is a feature of various cultures, particularly of cultures which are based on Monotheism, monotheistic Abrahamic religions. The prohibition of material representations may only extend from God and other supernatural beings to saint-like characters, or it may extend to material representations of all living beings, and material representations of everything that exists. The phenomenon is generally codified by religious traditions and as such, it becomes a taboo. When it is enforced by the physical destruction of images, aniconism becomes iconoclasm. Aniconism has been a historical phase in both Buddhism and Christianity, and even though it is much less of an issue today, the attitudes towards religious imagery show considerable variability between different traditions, denominations, and strands within e ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Aniconistic
Aniconism is the absence of artistic representations (''icons'') of the natural and supernatural worlds, or it is the absence of representations of certain figures in religions. It is a feature of various cultures, particularly of cultures which are based on Monotheism, monotheistic Abrahamic religions. The prohibition of material representations may only extend from God and other supernatural beings to saint-like characters, or it may extend to material representations of all living beings, and material representations of everything that exists. The phenomenon is generally codified by religious traditions and as such, it becomes a taboo. When it is enforced by the physical destruction of images, aniconism becomes iconoclasm. Aniconism has been a historical phase in both Buddhism and Christianity, and even though it is much less of an issue today, the attitudes towards religious imagery show considerable variability between different traditions, denominations, and strands within e ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Icon
An icon () is a religious work of art, most commonly a painting, in the cultures of the Eastern Orthodox, Oriental Orthodox, and Catholic churches. They are not simply artworks; "an icon is a sacred image used in religious devotion". The most common subjects include Christ, Mary, saints and angels. Although especially associated with portrait-style images concentrating on one or two main figures, the term also covers most religious images in a variety of artistic media produced by Eastern Christianity, including narrative scenes, usually from the Bible or the lives of saints. Icons are most commonly painted on wood panels with egg tempera, but they may also be cast in metal, carved in stone, embroidered on cloth, done in mosaic or fresco work, printed on paper or metal, etc. Comparable images from Western Christianity can be classified as "icons", although "iconic" may also be used to describe a static style of devotional image. In the Greek language, the term for icon p ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gautama Buddha
Siddhartha Gautama, most commonly referred to as the Buddha, was a wandering ascetic and religious teacher who lived in South Asia during the 6th or 5th century BCE and founded Buddhism. According to Buddhist tradition, he was born in Lumbini, in what is now Nepal, to royal parents of the Shakya clan, but renounced his home life to live as a wandering ascetic ( sa, śramaṇa). After leading a life of begging, asceticism, and meditation, he attained enlightenment at Bodh Gaya in what is now India. The Buddha thereafter wandered through the lower Indo-Gangetic Plain, teaching and building a monastic order. He taught a Middle Way between sensual indulgence and severe asceticism, leading to Nirvana, that is, freedom from ignorance, craving, rebirth, and suffering. His teachings are summarized in the Noble Eightfold Path, a training of the mind that includes meditation and instruction in Buddhist ethics such as right effort, mindfulness, and ''jhana''. He die ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sanchi
Sanchi is a Buddhist complex, famous for its Great Stupa, on a hilltop at Sanchi Town in Raisen District of the State of Madhya Pradesh, India. It is located, about 23 kilometres from Raisen town, district headquarter and north-east of Bhopal, capital of Madhya Pradesh. The Great Stupa at Sanchi is one of the oldest stone structures in India, and an important monument of Indian Architecture. It was originally commissioned by the Mauryan emperor Ashoka the Great in the 3rd century BCE. Its nucleus was a simple hemispherical brick structure built over the relics of the Buddha. It was crowned by the '''chhatra, a parasol-like structure symbolising high rank, which was intended to honour and shelter the relics. The original construction work of this stupa was overseen by Ashoka, whose wife Devi was the daughter of a merchant of nearby Vidisha. Sanchi was also her birthplace as well as the venue of her and Ashoka's wedding. In the 1st century BCE, four elaborately carved tor ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bodhi
The English term enlightenment is the Western translation of various Buddhist terms, most notably bodhi and vimutti. The abstract noun ''bodhi'' (; Sanskrit: बोधि; Pali: ''bodhi''), means the knowledge or wisdom, or awakened intellect, of a Buddha. The verbal root ''budh-'' means "to awaken," and its literal meaning is closer to awakening. Although the term '' buddhi'' is also used in other Indian philosophies and traditions, its most common usage is in the context of Buddhism. ''Vimukti'' is the freedom from or release of the fetters and hindrances. The term "enlightenment" was popularised in the Western world through the 19th-century translations of German-born philologist Max Müller. It has the Western connotation of general insight into transcendental truth or reality. The term is also being used to translate several other Buddhist terms and concepts, which are used to denote (initial) insight ('' prajna'' (Sanskrit), '' wu'' (Chinese), '' kensho'' and '' sator ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hetoimasia
The Hetoimasia, Etimasia (Greek ἑτοιμασία, "preparation"), prepared throne, Preparation of the Throne, ready throne or Throne of the Second Coming is the Christian version of the symbolic subject of the empty throne found in the art of the ancient world, whose meaning has changed over the centuries. In Ancient Greece it represented Zeus, chief of the gods, and in early Buddhist art it represented the Buddha. In Early Christian art and Early Medieval art it is found in both the East and Western churches, and represents either Christ, or sometimes God the Father as part of the Trinity. In the Middle Byzantine period, from about 1000, it came to represent more specifically the throne prepared for the Second Coming of Christ, a meaning it has retained in Eastern Orthodox art to the present. The motif consists of an empty throne and various other symbolic objects, in later depictions surrounded when space allows by angels paying homage. It is usually placed centrally in ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Buddhist Art
Buddhist art is visual art produced in the context of Buddhism. It includes depictions of Gautama Buddha and other Buddhas and bodhisattvas, notable Buddhist figures both historical and mythical, narrative scenes from their lives, mandalas, and physical objects associated with Buddhist practice, such as vajras, bells, stupas and Buddhist temple architecture. Buddhist art originated in the north of the Indian subcontinent, in modern India, Pakistan and Afghanistan, with the earliest survivals dating from a few centuries after the historical life of Siddhartha Gautama from the 6th to 5th century BCE. As Buddhism spread and evolved in each new host country, Buddhist art followed in its footsteps. It developed to the north through Central Asia and into Eastern Asia to form the Northern branch of Buddhist art, and to the east as far as Southeast Asia to form the Southern branch of Buddhist art. In India, Buddhist art flourished and co-developed with Hindu and Jain art, with ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Thou Shalt Not Make Unto Thee Any Graven Image
"Thou shalt not make unto thee any graven image" ( he, לֹא-תַעֲשֶׂה לְךָ פֶסֶל, וְכָל-תְּמוּנָה, Lōʾ-t̲aʿăśeh lək̲ā p̲esel, wək̲ol-təmûnāh) is an abbreviated form of one of the Ten Commandments which, according to the Book of Deuteronomy, were spoken by God to the Israelites and then written on stone tablets by the Finger of God. It continues, "''..any graven image, or any likeness f any thingthat sin heaven above, or that sin the earth beneath, or that sin the water under earth: 5 Thou shalt not bow down thyself to them, nor serve them.''" Although no single biblical passage contains a complete definition of idolatry, the subject is addressed in numerous passages, so that idolatry may be summarized as the strange worship of idols or images; the worship of polytheistic gods by use of idols or images; the worship of created things (trees, rocks, animals, astronomical bodies, or another human being); and the use of idols in the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tower Of Babel
The Tower of Babel ( he, , ''Mīgdal Bāḇel'') narrative in Genesis 11:1–9 is an origin myth meant to explain why the world's peoples speak different languages. According to the story, a united human race speaking a single language and migrating eastward, comes to the land of Shinar (). There they agree to build a city and a tower with its top in the sky. Yahweh, observing their city and tower, confounds their speech so that they can no longer understand each other, and scatters them around the world. Some modern scholars have associated the Tower of Babel with known structures, notably the Etemenanki, a ziggurat dedicated to the Mesopotamian god Marduk in Babylon. A Sumerian story with some similar elements is told in ''Enmerkar and the Lord of Aratta''. Narrative Etymology The phrase "Tower of Babel" does not appear in the Bible; it is always "the city and the tower" () or just "the city" (). The original derivation of the name Babel (also the Hebrew name for ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Monotheism
Monotheism is the belief that there is only one deity, an all-supreme being that is universally referred to as God. Cross, F.L.; Livingstone, E.A., eds. (1974). "Monotheism". The Oxford Dictionary of the Christian Church (2 ed.). Oxford: Oxford University Press. A distinction may be made between exclusive monotheism, in which the one God is a singular existence, and both inclusive and pluriform monotheism, in which multiple gods or godly forms are recognized, but each are postulated as extensions of the same God. Monotheism is distinguished from henotheism, a religious system in which the believer worships one God without denying that others may worship different gods with equal validity, and monolatrism, the recognition of the existence of many gods but with the consistent worship of only one deity. The term '' monolatry'' was perhaps first used by Julius Wellhausen. Monotheism characterizes the traditions of Bábism, the Baháʼí Faith, Cheondoism, Christianity,Christ ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Iconoclasm
Iconoclasm (from Greek: grc, εἰκών, lit=figure, icon, translit=eikṓn, label=none + grc, κλάω, lit=to break, translit=kláō, label=none)From grc, εἰκών + κλάω, lit=image-breaking. ''Iconoclasm'' may also be considered as a back-formation from ''iconoclast'' (Greek: εἰκοκλάστης). The corresponding Greek word for iconoclasm is εἰκονοκλασία, ''eikonoklasia''. is the social belief in the importance of the destruction of icons and other images or monuments, most frequently for religious or political reasons. People who engage in or support iconoclasm are called iconoclasts, a term that has come to be figuratively applied to any individual who challenges "cherished beliefs or venerated institutions on the grounds that they are erroneous or pernicious." Conversely, one who reveres or venerates religious images is called (by iconoclasts) an '' iconolater''; in a Byzantine context, such a person is called an '' iconodule'' or ''ic ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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