André Gedalge
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André Gedalge
André Gedalge (27 December 1856 – 5 February 1926) was a French composer and teacher. Biography André Gedalge was born at 75 rue des Saints-Pères in Paris where he first worked as a bookseller and editor, specialising in ''livres de prix'' for public schools. During this time his father and him published books by Marie Laubot and Edmond About for the Librairie Gedalge. In 1886, at the age of 28, he entered the Conservatoire de Paris. In that same year he won the Second Prix de Rome. He studied under Ernest Guiraud, professor of counterpoint and fugue, who had also been Jules Massenet's teacher. In 1891, Gedalge composed the score for ''Le Petit Savoyard'', a pantomime in four acts performed at the Théâtre des Nouveautés. In 1895, ''Pris au Piège'' was awarded the Prix Cressant. In June 1900, his one act ballet ''Phoebé'' debuted at the Opéra-Comique. He composed ''Quatuor d'archet'', ''Les Vaux de Vire'' (a collection of ''mélodies''), children's songs, and three ...
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André Gedalge
André Gedalge (27 December 1856 – 5 February 1926) was a French composer and teacher. Biography André Gedalge was born at 75 rue des Saints-Pères in Paris where he first worked as a bookseller and editor, specialising in ''livres de prix'' for public schools. During this time his father and him published books by Marie Laubot and Edmond About for the Librairie Gedalge. In 1886, at the age of 28, he entered the Conservatoire de Paris. In that same year he won the Second Prix de Rome. He studied under Ernest Guiraud, professor of counterpoint and fugue, who had also been Jules Massenet's teacher. In 1891, Gedalge composed the score for ''Le Petit Savoyard'', a pantomime in four acts performed at the Théâtre des Nouveautés. In 1895, ''Pris au Piège'' was awarded the Prix Cressant. In June 1900, his one act ballet ''Phoebé'' debuted at the Opéra-Comique. He composed ''Quatuor d'archet'', ''Les Vaux de Vire'' (a collection of ''mélodies''), children's songs, and three ...
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Opéra-Comique
The Opéra-Comique is a Paris opera company which was founded around 1714 by some of the popular theatres of the Parisian fairs. In 1762 the company was merged with – and for a time took the name of – its chief rival, the Comédie-Italienne at the Hôtel de Bourgogne. It was also called the Théâtre-Italien up to about 1793, when it again became most commonly known as the Opéra-Comique. Today the company's official name is Théâtre national de l'Opéra-Comique, and its theatre, with a capacity of around 1,248 seats, sometimes referred to as the Salle Favart (the third on this site), is located at Place Boïeldieu in the 2nd arrondissement of Paris, not far from the Palais Garnier, one of the theatres of the Paris Opéra. The musicians and others associated with the Opéra-Comique have made important contributions to operatic history and tradition in France and to French opera. Its current mission is to reconnect with its history and discover its unique repertoire to ensu ...
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Geneviève Laurenceau
Geneviève Laurenceau (born 2 November 1977) is a French classical violinist. She was a supersoloist with the Orchestre national du Capitole de Toulouse from 2007 to 2017. Life Born in Strasbourg, Laurenceau began playing the violin at the age of 3 and started performing at the age of 9 with the philharmonic chamber orchestra of her hometown. She followed the lessons of Wolfgang Marschner and Zakhar Bron in Germany, then perfected her skills with Jean-Jacques Kantorow in Rotterdam. After several international successes and a First Prize at the Novosibirsk International Competition (Russia), she won the Grand Prize of the Maurice Ravel International Academy in Saint-Jean-de-Luz in September 2001. The following year, she won the 5th "Le violon de l'Adami" competition and made a CD on this occasion, with pianist Jean-Frédéric Neuburger. Career Laurenceau is invited to perform as a soloist with French and international orchestras, under the direction of conductors such as ...
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Opéra Comique
''Opéra comique'' (; plural: ''opéras comiques'') is a genre of French opera that contains spoken dialogue and arias. It emerged from the popular '' opéras comiques en vaudevilles'' of the Fair Theatres of St Germain and St Laurent (and to a lesser extent the Comédie-Italienne),M. Elizabeth C. Bartlet and Richard Langham Smith"Opéra comique" '' Grove Music Online''. Oxford Music Online. 19 November 2009 which combined existing popular tunes with spoken sections. Associated with the Paris theatre of the same name, ''opéra comique'' is not necessarily comical or shallow in nature; '' Carmen'', perhaps the most famous ''opéra comique'', is a tragedy. Use of the term The term ''opéra comique'' is complex in meaning and cannot simply be translated as "comic opera". The genre originated in the early 18th century with humorous and satirical plays performed at the theatres of the Paris fairs which contained songs ('' vaudevilles''), with new words set to already existing music. ...
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Bibliothèque Nationale De France
The Bibliothèque nationale de France (, 'National Library of France'; BnF) is the national library of France, located in Paris on two main sites known respectively as ''Richelieu'' and ''François-Mitterrand''. It is the national repository of all that is published in France. Some of its extensive collections, including books and manuscripts but also precious objects and artworks, are on display at the BnF Museum (formerly known as the ) on the Richelieu site. The National Library of France is a public establishment under the supervision of the Ministry of Culture. Its mission is to constitute collections, especially the copies of works published in France that must, by law, be deposited there, conserve them, and make them available to the public. It produces a reference catalogue, cooperates with other national and international establishments, and participates in research programs. History The National Library of France traces its origin to the royal library founded at t ...
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Albert Vanloo
Albert Vanloo (; Brussels, 10 September 1846 – 1920, Paris) was a Belgium, Belgian librettist and playwright. Vanloo lived in Paris as a child and was attracted to the theatre. As a young student he began writing plays and opéra comique libretti, notably with Eugène Leterrier who remained his main collaborator until the latter's death in 1884. He also worked with the writers William Busnach, Henri Chivot and Georges Duval (journalist), Georges Duval. Libretti For Alexandre Charles Lecocq * ''Giroflé-Girofla'' (1874) - with Eugène Letterier * ''La petite mariée'' (1875) - with Letterier * ''La Marjolaine'' (1877) - with Letterier * ''La Camargo (opera), La Camargo'' (1879) - with Letterier * ''La jolie persane'' (1879) - with Letterier * ''Le jour et la nuit (opera), Le jour et la nuit'' (1881) - with Letterier * ''Ali-Baba'' (1887) - with William Busnach * ''La belle au bois dormant (Lecocq), La belle au bois dormant'' (1900) - with Georges Duval For Jacques Offenbach * ...
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William Busnach
William Bertrand Busnach (7 March 1832, Paris – 20 January 1907, Paris) was a French dramatist. Biography Busnach was a nephew of the composer Fromental Halévy. His father was associated with David Ben Joseph Coen Bakri, to whom France was indebted to the amount of some twenty-odd million francs for provisions furnished to Napoleon Bonaparte in Egypt. The lawsuit lasted for more than fifty years, and Busnach and his partner were not paid in full at the end. The elder Busnach, an Algerian Jew, became a naturalised Italian in the time of the Deys, and was the first interpreter of the French army. He established himself in Paris in 1835. William – an Italian Jew born in France of an Algerian father, with a German surname and an English given name – was at first employed in the customs department. He subsequently devoted himself to dramatic work, writing many plays, a number of which have been successful. They include: ''Les Virtuoses du Pavé'', 1864; ''Première Fraîcheu ...
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Eugène Cools
Eugene is a common male given name that comes from the Greek εὐγενής (''eugenēs''), "noble", literally "well-born", from εὖ (''eu''), "well" and γένος (''genos''), "race, stock, kin".γένος
Henry George Liddell, Robert Scott, ''A Greek-English Lexicon'', on Perseus Gene is a common shortened form. The feminine variant is or Eugenie. , a common given name in parts of central and northern Europe, is also a variant of Eugene / Eugine. Other male foreign-language variants in ...
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Charles Koechlin
Charles-Louis-Eugène Koechlin (; 27 November 186731 December 1950), commonly known as Charles Koechlin, was a French composer, teacher and musicologist. He was a political radical all his life and a passionate enthusiast for such diverse things as medieval music, ''The Jungle Book'' of Rudyard Kipling, Johann Sebastian Bach, film stars (especially Lilian Harvey and Ginger Rogers), traveling, stereoscopic photography and socialism. He once said: "The artist needs an ivory tower, not as an escape from the world, but as a place where he can view the world and be himself. This tower is for the artist like a lighthouse shining out across the world." Among his better known works is ''Les Heures persanes'', a set of piano pieces based on the novel ''Vers Ispahan'' by Pierre Loti and The Seven Stars Symphony, a 7 movement symphony where each movement is themed around a different film star (all Silent era stars) who were popular at the time of the piece's writing (1933). Life Charles Koe ...
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Octet (Enescu)
The Octet for strings in C major, Op. 7, is an octet composition for string instruments by the Romanian composer George Enescu, completed in 1900. Together with the Octet in F major, Op. 17 (1849) by Niels Gade, it is regarded as amongst the most notable successors to Felix Mendelssohn's celebrated Octet, Op. 20. History Following the completion of his Second Violin Sonata in 1899, composition of the Octet occupied Enescu for a year and a half. The complexity of a structure spanning forty minutes in performance caused him considerable difficulty, though he found the challenge exciting. "I wore myself out trying to make work a piece of music divided into four segments of such length that each of them was likely at any moment to break. An engineer launching his first suspension bridge over a river, could not feel more anxiety than I felt when I set out to darken my paper". Once he had completed the Octet, Enescu offered it to Édouard Colonne for performance in his Concerts ...
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Piano Trio (Ravel)
Maurice Ravel's Piano Trio for piano, violin, and cello is a chamber work composed in 1914. Dedicated to Ravel's counterpoint teacher André Gedalge, the trio was first performed in Paris in January 1915, by Alfredo Casella (piano), Gabriel Willaume (violin), and Louis Feuillard (cello). A typical performance of the work lasts about 30 minutes. Composition Ravel had been planning to write a trio for at least six years before beginning work in earnest in March 1914. At the outset, Ravel remarked to his pupil Maurice Delage, "I’ve written my trio. Now all I need are the themes." During the summer of 1914, Ravel did his compositional work in the French Basque commune of Saint-Jean-de-Luz. Ravel was born across the bay in the Basque town of Ciboure; his mother was Basque, and he felt a deep identification with his Basque heritage. During the Trio's composition, Ravel was also working on a piano concerto based on Basque themes entitled ''Zazpiak Bat'' (Basque for "The Seven are ...
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George Enescu
George Enescu (; – 4 May 1955), known in France as Georges Enesco, was a Romanian composer, violinist, conductor and teacher. Regarded as one of the greatest musicians in Romanian history, Enescu is featured on the Romanian five lei. Biography Enescu was born in Romania, in the village of Liveni (later renamed "George Enescu" in his honor), then in Dorohoi County, today Botoșani County. His father was Costache Enescu, a landholder, and his mother was Maria Enescu (née Cosmovici), the daughter of an Orthodox priest. Their eighth child, he was born after all the previous siblings had died in infancy. His father later separated from Maria Enescu and had another son with Maria Ferdinand-Suschi: the painter Dumitru Bâșcu. A child prodigy, Enescu began experimenting with composing at an early age. Several, mostly very short, pieces survive, all for violin and piano. The earliest work of significant length bears the title ''Pămînt românesc'' ("Romanian Land"), and is i ...
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