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Anagnorisis
Anagnorisis (; grc, ἀναγνώρισις) is a moment in a play or other work when a character makes a critical discovery. Anagnorisis originally meant recognition in its Greek context, not only of a person but also of what that person stood for. Anagnorisis was the hero's sudden awareness of a real situation, the realisation of things as they stood, and finally, the hero's insight into a relationship with an often antagonistic character in Aristotelian tragedy. Tragedy In his ''Poetics'', as part of his discussion of peripeteia, Aristotle defined anagnorisis as "a change from ignorance to knowledge, producing love or hate between the persons destined by the poet for good or bad fortune" (1452a). It is often discussed along with Aristotle's concept of catharsis. In the Aristotelian definition of tragedy, it was the discovery of one's own identity or true character (e.g. Cordelia, Edgar, Edmund, etc. in Shakespeare's ''King Lear'') or of someone else's identity or true natu ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Peripeteia
Peripeteia ( el, περιπέτεια) is a reversal of circumstances, or turning point. The term is primarily used with reference to works of literature; its anglicized form is peripety. Aristotle's view Aristotle, in his ''Poetics'', defines peripeteia as "a change by which the action veers round to its opposite, subject always to our rule of probability or necessity." According to Aristotle, peripeteia, along with discovery, is the most effective when it comes to drama, particularly in a tragedy. He wrote that "The finest form of Discovery is one attended by Peripeteia, like that which goes with the Discovery in Oedipus...". Aristotle says that peripeteia is the most powerful part of a plot in a tragedy along with discovery. A peripety is the change of the kind described from one state of things within the play to its opposite, and that too in the way we are saying, in the probable or necessary sequence of events. There is often no element like Peripeteia; it can bring forth ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Poetics (Aristotle)
Aristotle's ''Poetics'' ( grc-gre, Περὶ ποιητικῆς ''Peri poietikês''; la, De Poetica; c. 335 BCDukore (1974, 31).) is the earliest surviving work of Greek dramatic theory and first extant philosophical treatise to focus on literary theory. In this text Aristotle offers an account of ποιητική, which refers to poetry and more literally "the poetic art," deriving from the term for "poet; author; maker," ποιητής. Aristotle divides the art of poetry into verse drama (to include comedy, tragedy, and the satyr play), lyric poetry, and epic. The genres all share the function of mimesis, or imitation of life, but differ in three ways that Aristotle describes: # Differences in music rhythm, harmony, meter and melody. # Difference of goodness in the characters. # Difference in how the narrative is presented: telling a story or acting it out. The surviving book of ''Poetics'' is primarily concerned with drama, and the analysis of tragedy constitutes th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Recall (memory)
Recall in memory refers to the mental process of retrieval of information from the past. Along with encoding and storage, it is one of the three core processes of memory. There are three main types of recall: free recall, cued recall and serial recall. Psychologists test these forms of recall as a way to study the memory processes of humansrecall. (2010). In Encyclopædia Britannica. Retrieved March 04, 2010, from Encyclopædia Britannica Online: http://www.britannica.com/EBchecked/topic/493353/recal/ref> and animals. Two main theories of the process of recall are the two-stage theory and the theory of Encoding specificity principle, encoding specificity. Theories Two-stage theory The ''two-stage theory'' states that the process of recall begins with a search and retrieval process, and then a decision or recognition process where the correct information is chosen from what has been retrieved. In this theory, recognition only involves the latter of these two stages, or processes ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Libation Bearers
The ''Oresteia'' ( grc, Ὀρέστεια) is a trilogy of Greek tragedies written by Aeschylus in the 5th century BCE, concerning the murder of Agamemnon by Clytemnestra, the murder of Clytemnestra by Orestes, the trial of Orestes, the end of the curse on the House of Atreus and the pacification of the Erinyes. The trilogy—consisting of ''Agamemnon'' (), ''The Libation Bearers'' (), and '' The Eumenides'' ()—also shows how the Greek gods interacted with the characters and influenced their decisions pertaining to events and disputes. The only extant example of an ancient Greek theatre trilogy, the ''Oresteia'' won first prize at the Dionysia festival in 458 BCE. The principal themes of the trilogy include the contrast between revenge and justice, as well as the transition from personal vendetta to organized litigation. ''Oresteia'' originally included a satyr play, ''Proteus'' (), following the tragic trilogy, but all except a single line of ''Proteus'' has been lost. ''Agam ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
One Thousand And One Nights
''One Thousand and One Nights'' ( ar, أَلْفُ لَيْلَةٍ وَلَيْلَةٌ, italic=yes, ) is a collection of Middle Eastern folk tales compiled in Arabic during the Islamic Golden Age. It is often known in English as the ''Arabian Nights'', from the first English-language edition (), which rendered the title as ''The Arabian Nights' Entertainment''. The work was collected over many centuries by various authors, translators, and scholars across West, Central and South Asia, and North Africa. Some tales trace their roots back to ancient and medieval Arabic, Egyptian, Sanskrit, Persian, and Mesopotamian literature. Many tales were originally folk stories from the Abbasid and Mamluk eras, while others, especially the frame story, are most probably drawn from the Pahlavi Persian work ( fa, هزار افسان, lit. ''A Thousand Tales''), which in turn relied partly on Indian elements. Common to all the editions of the ''Nights'' is the framing device of the stor ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Three Apples
The Three Apples ( ar, التفاحات الثلاثة), or The Tale of the Murdered Woman ( ar, حكاية الصبية المقتولة, Hikayat as-Sabiyya al-Maqtula), is a story contained in the ''One Thousand and One Nights'' collection (also known as the "Arabian Nights"). It is a first-level story, being told by Scheherazade herself, and contains one second-level story, the Tale of Núr al-Dín Alí and his Son. It occurs early in the Arabian Nights narrative, being started during night 19, after the Tale of Portress. The Tale of Núr al-Dín Alí and his Son starts during night 20, and the cycle ends during night 25, when Scheherazade starts the Tale of the Hunchback. Plot summary A fisherman discovers a heavy locked chest along the Tigris river. He sells it to the Abbasid Caliph, Harun al-Rashid, who then has the chest broken open only to find inside it the dead body of a young woman who was cut into pieces. Harun orders his vizier, Ja'far ibn Yahya, to solve the crime and ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Crime Fiction
Crime fiction, detective story, murder mystery, mystery novel, and police novel are terms used to describe narratives that centre on criminal acts and especially on the investigation, either by an amateur or a professional detective, of a crime, often a murder. It is usually distinguished from mainstream fiction and other genres such as historical fiction or science fiction, but the boundaries are indistinct. Crime fiction has multiple subgenres, including detective fiction (such as the whodunit), courtroom drama, hard-boiled fiction, and legal thrillers. Most crime drama focuses on crime investigation and does not feature the courtroom. Suspense and mystery are key elements that are nearly ubiquitous to the genre. History The '' One Thousand and One Nights'' (''Arabian Nights'') contains the earliest known examples of crime fiction. One example of a story of this genre is the medieval Arabic tale of "The Three Apples", one of the tales narrated by Scheherazade in the ' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Winter's Tale
''The Winter's Tale'' is a play by William Shakespeare originally published in the First Folio of 1623. Although it was grouped among the comedies, many modern editors have relabelled the play as one of Shakespeare's late romances. Some critics consider it to be one of Shakespeare's " problem plays" because the first three acts are filled with intense psychological drama, while the last two acts are comic and supply a happy ending. The play has been intermittently popular, revived in productions in various forms and adaptations by some of the leading theatre practitioners in Shakespearean performance history, beginning after a long interval with David Garrick in his adaptation ''Florizel and Perdita'' (first performed in 1753 and published in 1756). ''The Winter's Tale'' was revived again in the 19th century, when the fourth "pastoral" act was widely popular. In the second half of the 20th century, ''The Winter's Tale'' in its entirety, and drawn largely from the First Folio ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tricky Slave
The tricky slave is a stock character. He is a clever, lower-class person who brings about the happy ending of a comedy for the lovers. He is more clever than the upper-class people about him, both the lovers and the characters who block their love, and typically also looking out for his own interests. In the New Comedy, the tricky slave or ''dolosus servus'' aimed to get his freedom by assisting his young master in love.Northrop Frye, ''Anatomy of Criticism'', p 173, Besides the actual slaves of classical theater, he also appears as the scheming valet in Renaissance comedy, called the '' gracioso'' in Spanish. The zanni of Commedia dell'arte are often tricky slaves, as are Puss-in-Boots in Perrault's fairy tale, Jeeves in P. G. Wodehouse's work and Figaro. In fairy tales, the same function is often fulfilled by fairy godmothers, talking animals, and like creatures. Northrop Frye identified him as a central portion of the Myth of Spring comedy and a type of eiron I ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
New Comedy
Ancient Greek comedy was one of the final three principal dramatic forms in the theatre of classical Greece (the others being tragedy and the satyr play). Athenian comedy is conventionally divided into three periods: Old Comedy, Middle Comedy, and New Comedy. Old Comedy survives today largely in the form of the eleven surviving plays of Aristophanes; Middle Comedy is largely lost, i.e. preserved only in relatively short fragments by authors such as Athenaeus of Naucratis; and New Comedy is known primarily from the substantial papyrus fragments of Menander. The philosopher Aristotle wrote in his ''Poetics'' (c. 335 BC) that comedy is a representation of laughable people and involves some kind of blunder or ugliness which does not cause pain or disaster. C. A. Trypanis wrote that comedy is the last of the great species of poetry Greece gave to the world. Periods The Alexandrine grammarians, and most likely Aristophanes of Byzantium in particular, seem to have been the first to ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Robson Crane Comedy Of Errors
Robson may refer to: People Surname * Robson (surname), a surname and list of people with that name Given name * Robson Bonnichsen (1940–2004), American anthropologist *Robson Green (born 1964), British actor * Róbson (footballer, born 1970), born José Róbson do Nascimento, Brazilian politician and football forward * Luis Robson (born 1974), birth name Robson Luis Pereira da Silva, Brazilian footballer *Robson de Souza, (born 1984), Brazilian football player, better known as ''Robinho'' * Robson Alves da Silva (born 1986), Brazilian football player for Gold Coast United * Robson Severino da Silva (born 1983), Brazilian football player for Waasland-Beveren * Robson Vaz Shimabuku (born 1988), Brazilian football player * S. Robson Walton (born 1944), eldest son of Sam Walton Places *Robson, British Columbia, a small community * Robson, West Virginia, an unincorporated village in Fayette County, West Virginia, United States *Mount Robson, a mountain in the Canadian Rockies * Ro ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Clytemnestra
Clytemnestra (; grc-gre, Κλυταιμνήστρα, ''Klytaimnḗstrā'', ), in Greek mythology, was the wife of Agamemnon, king of Mycenae, and the twin sister of Helen of Troy. In Aeschylus' '' Oresteia'', she murders Agamemnon – said by Euripides to be her second husband – and the Trojan princess Cassandra, whom Agamemnon had taken as a war prize following the sack of Troy; however, in Homer's ''Odyssey'', her role in Agamemnon's death is unclear and her character is significantly more subdued. Name Her Greek name ''Klytaimnḗstra'' is also sometimes Latinized as Clytaemnestra. It is commonly glossed as "famed for her suitors". However, this form is a later misreading motivated by an erroneous etymological connection to the verb ''mnáomai'' (, "woo, court"). The original name form is believed to have been ''Klytaimḗstra'' () without the ''-n-''. The present form of the name does not appear before the middle Byzantine period. Homeric poetry shows an awareness of bo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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