Alhalkere
Utopia is an Aboriginal Australian homeland area formed in November 1978 by the amalgamation of the former Utopia pastoral lease with a tract of unalienable land to its north. It covers an area of , transected by the Sandover River, and lies on a traditional boundary of the Alyawarre and Anmatyerre people, the two Aboriginal Australian languages, Aboriginal language groups which predominate there today (85% speaking Alyawarre language, Alyawarre). It has a number of unique elements. It is one of a minority of communities created by autonomous activism in the early phase of the Indigenous land rights in Australia, land rights movement. It was neither a former mission station, mission, nor a government settlement (Aboriginal reserve), but was successfully claimed by Aboriginal Australians who had never been fully dispossessed. Its people have expressly repudiated any municipal establishment, and instead live in about 13 (or up to 16) Outstation (Aboriginal community) , outstation ...
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Emily Kame Kngwarreye
Emily Kame Kngwarreye (or Emily Kam Ngwarray) (1910 – 3 September 1996) was an Aboriginal Australian artist from the Utopia community in the Northern Territory. She is one of the most prominent and successful artists in the history of Australian art. Life and family Kngwarreye was born 1910 in Alhalkere in the Utopia Homelands, an Aboriginal community located approximately 250 kilometres north-east of Alice Springs. Her family was Anmatyerre. She was the youngest of three, with no biological children of her own. She was the sister-in-law of the artist Minnie Pwerle and the aunt of Pwerle's daughter, artist Barbara Weir. Kngwarreye was a parental custodian of Weir for seven years until Weir was forcibly removed from her homeland under a government program to assimilate mixed race children (see Stolen Generations). Kngwarreye's great niece is the painter Jeannie Pwerle. Her brother's children are Gloria Pitjana Mills and Dolly Pitjana Mills. Kngwarreye grew up working on ...
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