Alexander Serov
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Alexander Serov
Alexander Nikolayevich Serov (russian: Алекса́ндр Никола́евич Серо́в, Saint Petersburg, – Saint Petersburg, ) was a Russian composer and music critic. He is notable as one of the most important music critics in Russia during the 1850s and 1860s and as the most significant Russian composer in the period between Dargomyzhsky's ''Rusalka'' and the works of Rimsky-Korsakov, Mussorgsky, and Tchaikovsky. Alexander Serov was the father of Russian artist Valentin Serov. Biography Alexander Serov was born in St. Petersburg on 11 January 1820, the son of Nikolai Ivanovich Serov, a Finance Ministry official. Serov's maternal grandfather, Carl Ludwig Hablitz, was a naturalist of German-Jewish origin who was born in Königsberg and moved to Russia in childhood when his father was hired to be inspector of Moscow University's printing department. In Russia, Hablitz became a member of the Russian Academy of Sciences among other high official posts. Serov's f ...
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Serov Alexander Serov
Serov (russian: Серов) is a Russian masculine surname, its feminine counterpart is Serova. Notable people with the surname include: * Aleksander Serov (born 1954), Ukrainian-born Russian popular singer *Alexander Serov (1820–1871), Russian composer and music critic *Alexander Serov (cyclist) (born 1982), Russian road and track racing cyclist * Anna Lidia Vega Serova (born 1968), Cuban writer *Daria Serova (born 1982), Russian freestyle skier *Irina Serova (born 1966), Austrian-Soviet badminton player *Ivan Serov (1905–1990), head of the KGB in 1954–1958 and of the GRU in 1958–1963 * Marina Serova (born 1966), Soviet figure skater *Roman Serov (b. 1976), Russian-born figure skater competing for Israel *Valentin Serov (1865–1911), Russian painter *Valentina Serova (1917–1975), Soviet film and theatre actress * Valentina Serova (composer) (1846–1924), Russian composer * Vladimir Serov (footballer) (born 1979), Russian football player * Vl ...
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Simferopol
Simferopol () is the second-largest city in the Crimea, Crimean Peninsula. The city, along with the rest of Crimea, is internationally recognised as part of Ukraine, and is considered the capital of the Autonomous Republic of Crimea. However, it is under the ''de facto'' control of Russia, which Annexation of Crimea by the Russian Federation, annexed Crimea in 2014 and regards Simferopol as the capital of the Republic of Crimea. Simferopol is an important political, economic and transport hub of the peninsula, and serves as the administrative centre of both Simferopol Municipality and the surrounding Simferopol District. After the 1784 Annexation of Crimea by the Russian Empire, annexation of the Crimean Khanate by the Russian Empire, the Russian empress decreed the foundation of the city with the name Simferopol on the location of the Crimean Tatars, Crimean Tatar town of Aqmescit ("White Mosque"). The population was Etymologies The name Simferopol ( uk, Сімферо́ ...
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Paul Du Quenoy
Paul du Quenoy (born November 15, 1977) is an American critic, historian, publisher, and philanthropist. Background Paul du Quenoy graduated summa cum laude from George Washington University at age 20 and received his Ph.D. from Georgetown University, where he was the last Ph.D. graduate of the Russian History scholar Richard Stites. He has taught at multiple universities and was a Fulbright scholar in Russia. He has received fellowships and other awards from the National Endowment for the Arts, the Kennan Institute for Advanced Russian Studies, the American Historical Association, the Andrew W. Mellon Foundation, and the Slavic-Eurasian Research Center at Hokkaido University in Japan. Paul du Quenoy is currently President and Publisher of Academica Press, a leading non-fiction publisher based in Washington, DC, and London. Academic work Paul du Quenoy's first book, ''Stage Fright: Politics and the Performing Arts in Late Imperial Russia,'' was published in 2009. The book ...
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The Power Of The Fiend
''The Power of the Fiend'' (russian: Вражья сила, ''Vrazhya sila'') is an opera in five acts by Alexander Serov, composed during 1867-1871. The libretto is derived from a drama by Alexander Ostrovsky from 1854 entitled '' Live Not As You Would Like To, But As God Commands''. The opera was premiered posthumously on 19 April 1871 (Old Style) at the Mariinsky Theatre in Saint Petersburg conducted by Eduard Nápravník. Among the performers were Darya Leonova as Spiridonovna and Mikhail Sariotti as Yeryomka. Although in many ways it is more far-reaching than Serov's previous two operas, this work was not a success. The title of the opera (taken from an appellation that Ostrovsky had applied to the fourth act of the projected libretto) has been translated in a number of ways: ''The Hostile Power'', ''The Fiendish Power'', ''The Malevolent Power'', ''The Power of Evil'', and so on. As an obsolete Russian phrase, it can mean simply "Satan" or "The Devil" (indeed, the Mariinsky ...
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César Cui
César Antonovich Cui ( rus, Це́зарь Анто́нович Кюи́, , ˈt͡sjezərʲ ɐnˈtonəvʲɪt͡ɕ kʲʊˈi, links=no, Ru-Tsezar-Antonovich-Kyui.ogg; french: Cesarius Benjaminus Cui, links=no, italic=no; 13 March 1918) was a Russian composer and music critic, member of the Belyayev circle and The Five – a group of composers combined by the idea of creating a specifically Russian type of music. As an officer of the Imperial Russian Army he rose to the rank of Engineer-General (equivalent to full General), taught fortifications in Russian military academies and wrote a number of monographs on the subject. Biography Upbringing and career Cesarius-Benjaminus Cui was born in Wilno, Vilna Governorate of the Russian Empire (now Vilnius, Lithuania) into a Roman Catholic family of French and Polish– Lithuanian descent, the youngest of five children. The original French spelling of his surname was "Queuille". His French father, Antoine (Anton Leonardovic ...
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The Five (composers)
The Five ( rus, link=no, Могучая кучка, lit. ''Mighty Bunch''), also known as the Mighty Handful, The Mighty Five, and the New Russian School, were five prominent 19th-century Russian composers who worked together to create a distinct national style of classical music: Mily Balakirev (the leader), César Cui, Modest Mussorgsky, Nikolai Rimsky-Korsakov and Alexander Borodin. They lived in Saint Petersburg, and collaborated from 1856 to 1870. History Name In May 1867 the critic Vladimir Stasov wrote an article, titled ''Mr. Balakirev's Slavic Concert'', covering a concert that had been performed for visiting Slav delegations at the "All-Russian Ethnographical Exhibition" in Moscow. The four Russian composers whose works were played at the concert were Mikhail Glinka, Alexander Dargomyzhsky, Mily Balakirev, and Nikolai Rimsky-Korsakov. The article ended with the following statement: The expression "mighty handful" (russian: Могучая кучка, ''Moguchaya ku ...
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Richard Wagner
Wilhelm Richard Wagner ( ; ; 22 May 181313 February 1883) was a German composer, theatre director, polemicist, and conductor who is chiefly known for his operas (or, as some of his mature works were later known, "music dramas"). Unlike most opera composers, Wagner wrote both the libretto and the music for each of his stage works. Initially establishing his reputation as a composer of works in the romantic vein of Carl Maria von Weber and Giacomo Meyerbeer, Wagner revolutionised opera through his concept of the ''Gesamtkunstwerk'' ("total work of art"), by which he sought to synthesise the poetic, visual, musical and dramatic arts, with music subsidiary to drama. He described this vision in a series of essays published between 1849 and 1852. Wagner realised these ideas most fully in the first half of the four-opera cycle ''Der Ring des Nibelungen'' (''The Ring of the Nibelung''). His compositions, particularly those of his later period, are notable for their complex textures, ...
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Mikhail Glinka
Mikhail Ivanovich Glinka ( rus, link=no, Михаил Иванович Глинка, Mikhail Ivanovich Glinka., mʲɪxɐˈil ɪˈvanəvʲɪdʑ ˈɡlʲinkə, Ru-Mikhail-Ivanovich-Glinka.ogg; ) was the first Russian composer to gain wide recognition within his own country and is often regarded as the fountainhead of Russian classical music. His compositions were an important influence on Russian composers, notably the members of The Five (composers), The Five, who produced a distinctive Russian style of music. Early life and education Glinka was born in the village of Novospasskoye, not far from the Desna River in the Smolensk Governorate of the Russian Empire (now in the Yelninsky District of the Smolensk Oblast). His wealthy father had retired as an army captain, and the family had a strong tradition of loyalty and service to the tsars, and several members of his extended family had lively cultural interests. His great-great-grandfather was a Polish–Lithuanian Commonwealth n ...
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Andrei Chistyakov (conductor)
Andrei Nikolaevich Chistyakov or Andrey Chistiakov (Андрей Николаевич Чистяков) (4 January 1949, in Leningrad – 29 November 2000, in Moscow) was a Russian conductor and National Artist of Russia. He studied conducting at the Leningrad Conservatory under Ilya Musin. From 1978-1988 he was chief conductor of the Symphony Orchestra of the Sverdlovsk Philharmonic, from 1988 conductor of the Bolshoi Theatre. Selected discography * Sergei Prokofiev: Piano Concerto No. 3. Evgeny Kissin, piano; Andrei Chistyakov conducting the Moscow Philharmonic Orchestra. Live performances: 1984-86. * Sergei Rachmaninov, ''Aleko''. * Pyotr Ilyich Tchaikovsky, stage music from ''The Snow Maiden'' * Rimsky-Korsakov, '' May Night'' 1994 * Alexander Dargomyzhsky, '' The Stone Guest'' 1995 * Dmitri Shostakovich fragment ''The Gambler'' Act1. 19951CD reissued Brilliant 2010 * Alexander Serov '' Judith'' Irina Udalova (Judith), Russian Academic Choir of the USSR Russian(s) ref ...
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Conducting
Conducting is the art of directing a musical performance, such as an orchestral or choral concert. It has been defined as "the art of directing the simultaneous performance of several players or singers by the use of gesture." The primary duties of the conductor are to interpret the score in a way which reflects the specific indications in that score, set the tempo, ensure correct entries by ensemble members, and "shape" the phrasing where appropriate. Conductors communicate with their musicians primarily through hand gestures, usually with the aid of a baton, and may use other gestures or signals such as eye contact. A conductor usually supplements their direction with verbal instructions to their musicians in rehearsal. The conductor typically stands on a raised podium with a large music stand for the full score, which contains the musical notation for all the instruments or voices. Since the mid-19th century, most conductors have not played an instrument when conducting, ...
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Bolshoi Theatre
The Bolshoi Theatre ( rus, Большо́й теа́тр, r=Bol'shoy teatr, literally "Big Theater", p=bɐlʲˈʂoj tʲɪˈatər) is a historic theatre in Moscow, Russia, originally designed by architect Joseph Bové, which holds ballet and opera performances. Before the October Revolution it was a part of the Imperial Theatres of the Russian Empire along with Maly Theatre (Moscow), Maly Theatre (''Small Theatre'') in Moscow and a few theatres in Saint Petersburg (Hermitage Theatre, Bolshoi Theatre, Saint Petersburg, Bolshoi (Kamenny) Theatre, later Mariinsky Theatre and others). The Bolshoi Ballet and Bolshoi Opera are among the oldest and best known ballet and opera companies in the world. It is by far the world's biggest ballet company, with more than 200 dancers. The theatre is the parent company of The Bolshoi Ballet Academy, a leading school of ballet. It has a branch at the Bolshoi Theater School in Joinville, Brazil. The main building of the theatre, rebuilt and renovat ...
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Rogneda (opera)
''Rogneda'' (russian: Рогнеда) is an opera in five acts, composed by Alexander Serov between 1863 and 1865. The scenario, by the composer, was based on the novel '' Askold's Grave'' (''Аскольдова могила'', 1833) by Mikhail Zagoskin and the poem ''Rogneda'' (ca. 1825) by Kondraty Ryleyev. The actual Russian libretto was created by Dmitry Averkiev in the same manner as with the composer's previous opera, '' Judith'', with the words written to fit the vocal lines ''after'' the music had been composed. This opera forms a sequel of sorts to Alexey Verstovsky's highly successful singspiel, ''Askold's Grave'', which premiered in 1835, just the year before Glinka's ''A Life for the Tsar'' reached the stage. No less a patriotic opera than those two, ''Rogneda'' in its plot combines elements of the life of the title character with the Christianization of Russia, dated in 988 with the conversion of Vladimir I of Kiev. With its huge cast and sprawling plot, the opera ...
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