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Adolf Wölfli
Adolf Wölfli (February 29, 1864 – November 6, 1930) (occasionally spelled Adolf Woelfli or Adolf Wolfli) was a Swiss artist who was one of the first artists to be associated with the Art Brut or outsider art label. Early life Wölfli was born in Bern. He was abused both physically and sexually as a child, and was orphaned at the age of 10. He thereafter grew up in a series of state-run foster homes. He worked as a '' Verdingbub'' (indentured child laborer) and briefly joined the army. He was charged with the attempted sexual abuse of minors and was sentenced to a prison term. In 1895, following another similar arrest, he was admitted to the Waldau Clinic, a psychiatric hospital in Bern where he would live out the rest of his life. He was very disturbed and sometimes violent upon admission, leading to him being kept in isolation during his early time at the hospital. He suffered from psychosis, which led to intense hallucinations. Creative works At some point after his admiss ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bern
german: Berner(in)french: Bernois(e) it, bernese , neighboring_municipalities = Bremgarten bei Bern, Frauenkappelen, Ittigen, Kirchlindach, Köniz, Mühleberg, Muri bei Bern, Neuenegg, Ostermundigen, Wohlen bei Bern, Zollikofen , website = www.bern.ch Bern () or Berne; in other Swiss languages, gsw, Bärn ; frp, Bèrna ; it, Berna ; rm, Berna is the '' de facto'' capital of Switzerland, referred to as the "federal city" (in german: Bundesstadt, link=no, french: ville fédérale, link=no, it, città federale, link=no, and rm, citad federala, link=no). According to the Swiss constitution, the Swiss Confederation intentionally has no "capital", but Bern has governmental institutions such as the Federal Assembly and Federal Council. However, the Federal Supreme Court is in Lausanne, the Federal Criminal Court is in Bellinzona and the Federal Administrative Court and the Federal Patent Court are in St. Gallen, exemplifying the federal nature of the Confederati ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Horror Vacui (art)
In visual art, horror vacui (, ; ), also referred to as kenophobia (from ), is the filling of the entire surface of a space or an artwork with detail. In physics, '' horror vacui'' reflects Aristotle's idea that "nature abhors an empty space." Origins Italian art critic and scholar Mario Praz used this term to describe the excessive use of ornament in design during the Victorian age. Other examples of horror vacui can be seen in the densely decorated carpet pages of Insular illuminated manuscripts, where intricate patterns and interwoven symbols may have served "''apotropaic'' as well as decorative functions." The interest in meticulously filling empty spaces is also reflected in Arabesque decoration in Islamic art from ancient times to present. The art historian Ernst Gombrich theorized that such highly ornamented patterns can function like a picture frame for sacred images and spaces. "The richer the elements of the frame," Gombrich wrote,"the more the centre will gain in dig ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Terry Riley
Terrence Mitchell "Terry" Riley (born June 24, 1935) is an American composer and performing musician best known as a pioneer of the minimalist school of composition. Influenced by jazz and Indian classical music, his music became notable for its innovative use of repetition, tape music techniques, and delay systems. His best known works are the 1964 composition '' In C'' and the 1969 LP '' A Rainbow in Curved Air'', both considered landmarks of minimalism and important influences on experimental music, rock, and contemporary electronic music. Raised in California, Riley began studying composition and performing solo piano in the 1950s. He befriended and collaborated with composer La Monte Young, and later became involved with the San Francisco Tape Music Center. A three-record deal with CBS in the late 1960s, resulting in an LP recording of ''In C'' (1968) and ''A Rainbow in Curved Air'' (1969), brought his work to wider audiences. In 1970, he began intensive studies u ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lithographs
Lithography () is a planographic method of printing originally based on the immiscibility of oil and water. The printing is from a stone (lithographic limestone) or a metal plate with a smooth surface. It was invented in 1796 by the German author and actor Alois Senefelder and was initially used mostly for musical scores and maps.Meggs, Philip B. A History of Graphic Design. (1998) John Wiley & Sons, Inc. p 146 Carter, Rob, Ben Day, Philip Meggs. Typographic Design: Form and Communication, Third Edition. (2002) John Wiley & Sons, Inc. p 11 Lithography can be used to print text or images onto paper or other suitable material. A lithograph is something printed by lithography, but this term is only used for fine art prints and some other, mostly older, types of printed matter, not for those made by modern commercial lithography. Originally, the image to be printed was drawn with a greasy substance, such as oil, fat, or wax onto the surface of a smooth and flat limestone plat ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mute Records
Mute Records is a British independent record label owned and founded in 1978 by Daniel Miller. It has featured several prominent musical acts on its roster such as Depeche Mode, Erasure, Einstürzende Neubauten, Fad Gadget, Goldfrapp, Grinderman, Inspiral Carpets, Moby, New Order, Laibach, Nitzer Ebb, Yann Tiersen, Wire, Yeasayer, Nick Cave and the Bad Seeds, Yazoo, and M83. History Beginnings During 1978, Daniel Miller began recording music, using synthesisers, under the name The Normal.Mute - Documentary Evidence - Biba Kopf 1986 He recorded the tracks "T.V.O.D." and " Warm Leatherette" and distributed them through Rough Trade Shops under the label name Mute Records. The label was formed initially just to release the one single.Muted Response - Daniel Miller Interview - E&MM 1984 "T.V.O.D."/"Warm Leatherette" became a cult hit ensuring the future of the label. "Warm Leatherette" was later covered by Grace Jones and Chicks on Speed as well as Rose McDowell. A ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Graeme Revell
Graeme Revell (born 23 October 1955) is a New Zealand musician and composer. He came to prominence in the 1980s as the leader of the industrial/electronic group SPK. Since the 1990s he has worked primarily as a film score composer. Some of Revell's best known film scores include ''The Crow'' (1994), ''Street Fighter'' (1994), '' Mighty Morphin Power Rangers: The Movie'' (1995), ''From Dusk Till Dawn'' (1996), '' The Craft'' (1996), '' The Saint'' (1997), ''The Negotiator'' (1998), ''Bride of Chucky'' (1998), ''Titan A.E.'' (2000), '' Lara Croft: Tomb Raider'' (2001), '' Daredevil'' (2003), '' Freddy vs. Jason'' (2003), and ''Sin City'' (2005). He is also known for his frequent collaborations with director David Twohy, having scored '' Below'' (2002) and the '' Riddick'' franchise. He is an eight-time recipient of the BMI Film Music Award, including the Richard Kirk Career Achievement Award, and an AACTA Award winner. Biography Early life Revell attended Auckland Grammar Sch ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Wolfgang Rihm
Wolfgang Rihm (born 13 March 1952) is a German composer and academic teacher. He is musical director of the Institute of New Music and Media at the University of Music Karlsruhe and has been composer in residence at the Lucerne Festival and the Salzburg Festival. He was honoured as Officier of the Ordre des Arts et des Lettres in 2001. His musical work includes more than 500 works. In 2012, The Guardian wrote: "enormous output and bewildering variety of styles and sounds". Career Rihm was born on 13 March 1952, in Karlsruhe. He finished both his school and his studies in music theory and composition at the Hochschule für Musik Karlsruhe with in 1972, two years before the premiere of his early work ''Morphonie'' at the 1974 Donaueschingen Festival launched his career as a prominent figure in the European new music scene. Rihm's early work, combining contemporary techniques with the emotional volatility of Mahler and of Schoenberg's early expressionist period, was regarded by man ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gösta Neuwirth
Gösta Neuwirth (; born 6 January 1937) is an Austrian musicologist, composer and academic teacher. He studied in Vienna and Berlin, where he wrote a dissertation on harmony in Franz Schreker's ''Der ferne Klang''. He has taught at universities and music schools including the Musikhochschule Graz, University of Graz, Universität der Künste Berlin and University of Freiburg. His compositions include a string quartet and a chamber opera. Life Born in Vienna, Neuwirth comes from a musical family; the pianist Harald Neuwirth is his brother, whose daughter Olga Neuwirth is a composer. He received instruction in violin and piano starting in 1944. He studied composition with Karl Schiske at the Wiener Musikakademie, and music and theatre at the University of Vienna. His dissertation topic in musicology, Anton Webern, was not accepted. After a brief period as a journalist at the ' in Graz, he continued his studies from 1963 at the Free University of Berlin with Adam Adrio. In 1 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Spectral Music
Spectral music uses the acoustic properties of sound – or sound spectra – as a basis for composition. Definition Defined in technical language, spectral music is an acoustic musical practice where compositional decisions are often informed by sonographic representations and mathematical analysis of sound spectra, or by mathematically generated spectra. The spectral approach focuses on manipulating the spectral features, interconnecting them, and transforming them. In this formulation, computer-based sound analysis and representations of audio signals are treated as being analogous to a timbral representation of sound. The (acoustic-composition) spectral approach originated in France in the early 1970s, and techniques were developed, and later refined, primarily at IRCAM, Paris, with the Ensemble l'Itinéraire, by composers such as Gérard Grisey and Tristan Murail. Hugues Dufourt is commonly credited for introducing the term ''musique spectrale'' (spectral music) in a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Georg Friedrich Haas
Georg Friedrich Haas (born 16 August 1953 in Graz, Austria) is an Austrian composer. In a 2017 ''Classic Voice'' poll of the greatest works of art music since 2000, pieces by Haas received the most votes (49), and his composition ''in vain'' (2000) topped the list. Education and career Georg Friedrich Haas grew up in Tschagguns, Vorarlberg and studied composition with Gösta Neuwirth and Iván Erőd and piano with Doris Wolf at the University of Music and Performing Arts Graz, Austria. Since 1978, he has been teaching at the Hochschule as an instructor, and since 1989 as an associate professor in counterpoint, contemporary composition techniques, analysis, and introduction to microtonal music. Haas is a founding member of the Graz composers' collective ''Die andere Seite''. He composes in a cottage in Fischbach, Styria. Haas completed two years of postgraduate studies at the University of Music and Performing Arts Vienna with Friedrich Cerha, participated in the Darmst ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Chamber Opera
Chamber opera is a designation for operas written to be performed with a chamber ensemble rather than a full orchestra. Early 20th-century operas of this type include Paul Hindemith's '' Cardillac'' (1926). Earlier small-scale operas such as Pergolesi's '' La serva padrona'' (1733) are sometimes known as chamber operas. Other 20th-century examples include Gustav Holst's '' Savitri'' (1916). Benjamin Britten wrote works in this category in the 1940s when the English Opera Group needed works that could easily be taken on tour and performed in a variety of small performance spaces. '' The Rape of Lucretia'' (1946) was his first example in the genre, and Britten followed it with '' Albert Herring'' (1947), '' The Turn of the Screw'' (1954) and ''Curlew River'' (1964). Other composers, including Hans Werner Henze, Harrison Birtwistle, Thomas Adès, George Benjamin, William Walton, and Philip Glass have written in this genre. Instrumentation for chamber operas vary: Britten scored ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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