|
Auguste-Louis-Désiré Boulé
Auguste-Louis-Désiré Boulé (1 September 1799, in Paris – 3 July 1865, in Paris) was a 19th-century French playwright. A secretary at the Théâtre des Variétés, his plays were presented on the most significant Parisian stages of his time including the Théâtre de l'Ambigu, the Théâtre de la Porte-Saint-Martin, the Théâtre du Panthéon and the Théâtre de la Gaîté. Œuvres *1822: ''L'Inconnu, ou les Mystères'', melodrama in 3 acts, with Morisot *1832: ''Les 20.000 francs'', drama in 1 act mingled with songs, with Charles Potier *1833: ''La Fille du bourreau'', folie-vaudeville in 1 act, with Potier *1834: ''Trois ans après, ou la Sommation respectueuse'', drama in 4 acts, with Théodore Nézel *1835: ''Le bon ange, ou Chacun ses torts'', drame-vaudeville in 1 act, with Eugène Cormon *1835: ''Le Facteur, ou la Justice des hommes'', drama in 5 acts, with Charles Desnoyer and Potier *1835: ''La Tache de sang'', drama in 3 acts *1836: ''Fanchette, ou l'Amour d'u ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Paris
Paris () is the Capital city, capital and List of communes in France with over 20,000 inhabitants, largest city of France. With an estimated population of 2,048,472 residents in January 2025 in an area of more than , Paris is the List of cities in the European Union by population within city limits, fourth-most populous city in the European Union and the List of cities proper by population density, 30th most densely populated city in the world in 2022. Since the 17th century, Paris has been one of the world's major centres of finance, diplomacy, commerce, culture, Fashion capital, fashion, and gastronomy. Because of its leading role in the French art, arts and Science and technology in France, sciences and its early adoption of extensive street lighting, Paris became known as the City of Light in the 19th century. The City of Paris is the centre of the ÃŽle-de-France region, or Paris Region, with an official estimated population of 12,271,794 inhabitants in January 2023, or ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tableau Vivant
A (; often shortened to ; ; ) is a static scene containing one or more actors or models. They are stationary and silent, usually in costume, carefully posed, with props and/or scenery, and may be theatrically illuminated. It thus combines aspects of theatre and the visual arts. They were a popular medieval form that revived considerably from the 19th century, probably as they were very suitable for recording by photography. The participants were now mostly amateurs, participating in a quick and easy form of amateur dramatics that could be brought together in an evening, and required little skill in acting or speaking. They were also popular for various sorts of community events and parades. In the late 19th and early 20th centuries, there was also a type of ''tableau'' used in the professional theatre, taking advantage of the extra latitude the law allowed for the display of nudity so long as the actors did not move. Tableaux featured ('flexible poses') by virtually nude ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Writers From Paris
A writer is a person who uses written words in different writing styles, genres and techniques to communicate ideas, to inspire feelings and emotions, or to entertain. Writers may develop different forms of writing such as novels, short stories, monographs, travelogues, plays, screenplays, teleplays, songs, and essays as well as reports, educational material, and news articles that may be of interest to the general public. Writers' works are nowadays published across a wide range of media. Skilled writers who are able to use language to express ideas well, often contribute significantly to the cultural content of a society. The term "writer" is also used elsewhere in the arts and music, such as songwriter or a screenwriter, but also a stand-alone "writer" typically refers to the creation of written language. Some writers work from an oral tradition. Writers can produce material across a number of genres, fictional or non-fictional. Other writers use multiple media such ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
19th-century French Dramatists And Playwrights
The 19th century began on 1 January 1801 (represented by the Roman numerals MDCCCI), and ended on 31 December 1900 (MCM). It was the 9th century of the 2nd millennium. It was characterized by vast social upheaval. Slavery was Abolitionism, abolished in much of Europe and the Americas. The First Industrial Revolution, though it began in the late 18th century, expanded beyond its British homeland for the first time during the 19th century, particularly remaking the economies and societies of the Low Countries, France, the Rhineland, Northern Italy, and the Northeastern United States. A few decades later, the Second Industrial Revolution led to ever more massive urbanization and much higher levels of productivity, profit, and prosperity, a pattern that continued into the 20th century. The Catholic Church, in response to the growing influence and power of modernism, secularism and materialism, formed the First Vatican Council in the late 19th century to deal with such problems an ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gustave Vapereau
Louis Gustave Vapereau (4 April 1819 – 18 April 1906) was a French writer and lexicographer famous primarily for his dictionaries, the ''Dictionnaire universel des contemporains'' and the ''Dictionnaire universel des littérateurs''. Biography Born in Orléans, Louis Gustave Vapereau studied philosophy at the '' École Normale Supérieure'' from 1838 to 1843, writing his thesis on Pascal's '' Pensées'' under the supervision of Victor Cousin. He taught philosophy at Tours until the establishment of the Second French Empire in 1852, when his republican principles cost him his position. Vapereau returned to Paris to study law, and in 1854 joined the French bar. He did not engage in any legal practice and returned to writing shortly afterwards. In 1858, he published the ''Dictionnaire universel des contemporains'' and from 1859 to 1869 he edited the ''L'Année littéraire et dramatique''. After the collapse of the Empire, Vapereau was appointed prefect of Cantal on 14 Se ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jules Brésil
Jules-Henri Brésil (8 May 1818 – 22 October 1899) was a French writer who collaborated with Adolphe d'Ennery on the librettos of at least two operas. Life Brésil was born in Paris and died in Bois-Colombes. He married mezzo soprano Lucile Henriette Mondutaigny on 20 June 1848. Works *1839: ''Une mauvaise plaisanterie'', vaudeville in 1 act), with Adolphe Guénée *1842: ''La Dernière Heure d'un condamné'', monologue in verses *1845: ''Constant-la-Girouette'', comédie-vaudeville in 1 act, music by Adolphe Adam, with Eugène Grangé *1852: ''Si j'étais roi'', opéra comique in 3 acts, with Adolphe d'Ennery *1853: ''Les Œuvres du démon'', melodrama in 5 acts *1856: ''Vénus au moulin d'Ampiphros'', tableau bouffon et mythologique in 1 act, music by Paul Destribaud *1856: ''La Parade'' (opérette), music by Émile Jonas *1857: ''Les Orphelines de la charité'', drama in 5 acts, with Adolphe d'Ennery *1859: ''Le Martyre du cœur'', drama in 5 acts in prose, with Victor S ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Auguste Anicet-Bourgeois
Auguste Anicet, later Auguste Anicet-Bourgeois (25 December 1806 Р12 January 1871) was a French dramatist. He was born in Paris. The first play to bear his name is ''L'Ami et le mari, ou le Nouvel Amphitryon'', a vaudeville piece in one act. It was produced in 1825, when the author was still in his teens. Over the course of his career he was credited with writing nearly 200 plays, as many as ten a year. However the nature of theatrical collaboration at this time was such that the extent of his contribution to any given play is debatable. In fact it is known that he assisted Alexandre Dumas in the writing of several plays (''T̩r̩sa, Ang̬le, Le Mari de la Veuve, La V̩nitienne''), sometimes without acknowledgement. He is the subject of an anecdote in Dumas's "''Comment je devins auteur dramatique''" ("How I became a Dramatist"), in an extract published in 1833 in '' Revue des Deux Mondes'' about a proposal to stage a play featuring Caligula's horse. Other writers with who ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Aristide Letorzec
Aristide Letorzec more known under the pen name Lajariette (Nantes, 1808 – Paris, 18 November 1848) was a 19th-century French playwright and 's brother. Short biography Among other plays, he made his actor debut in ''Zara ou la Sœur de l'Arabe'' (1837) or ''Geneviève de Brabant'' (1838) at the Théâtre des Folies-Dramatiques, before his own plays were presented on the most important Parisian stages of his time, including the Théâtre de la Gaîté, the Théâtre de la Porte-Saint-Martin, and the Théâtre du Vaudeville. Letorzec was managing director of the Théâtre des Délassements-Comiques from 1843 until his death. Works *1839: ''Allons à la chaumière'', vaudeville in 1 act, with Edmond-Frédéric Prieur *1843: ''Un mauvais père'', drama in 3 acts, mingled with song, with Lubize *1843: ''La Première Cause'', drama in 3 acts *1844: ''Paris diabolique'', vaudeville in 1 act *1845: ''Les Enfants du facteur'', drama in 3 acts, with Auguste-Louis-Désiré Boulé *1 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Louis-Nicolas Brette Saint-Ernest
Louis-Nicolas Brette Saint-Ernest (3 May 1802 – 10 March 1860) was a 19th-century French actor and playwright. Biography A master study in Paris and assistant bricklayer, he began acting in 1829 before being hired in 1832 by the Théâtre de la Porte-Saint-Martin. He then played for the Théâtre de l'Ambigu-Comique from 1837 to 1852. He often appeared in the role of the father in many sentimental plays. Most of the time, his own plays that he signed Saint-Ernest, were presented at the Théâtre de l'Ambigu-Comique, of which he was managing director from 1848 to 1852. In 1852, he became dramaturge on the stage of the théâtre du Cirque, a position he still held when he died in 1860. Works *1832: ''Le naufrage de la Méduse'' *1834: ''Le juif errant'' *1835: ''Jeanne de Flandre'' *1837: ''Le corsaire noir'' *1837: ''L'honneur de ma mère'' *1837: ''Rose Ménard, ou Trop bonne mère'', three-act drama, preceded by lAîné et le cadet'', prologue in 1 act, with Auguste- ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Saint-Yves (1808–1871)
Saint-Yves (9 November 1808 – 23 July 1871) was the pen name of Édouard Déaddé, a 19th-century French playwright. Short biography He was born Ernest-Antoine-Edmond-Édouard Déaddé in Paris. An employee at the Interior ministry, he became known as vaudevilliste under the pen name Saint-Yves and published numerous articles in the ''Revue et gazette musicale'' under the pseudonym D.A.D. His numerous plays were presented on the most important Parisian stages of his time, including the Théâtre du Panthéon, the Théâtre des Variétés, the Théâtre du Palais-Royal, the Théâtre de l'Ambigu, the Théâtre des Folies-Dramatiques, and the Théâtre de la Gaîté. Several collaborative projects were discussed with Honoré de Balzac but none were realized. He was the managing director of the Théâtre de la Porte-Saint-Antoine from 31 December 1839 to January 1841.Wild 1989, p. 364. Works * ''Odette, ou la Petite reine'', chronique-vaudeville du temps de Charles ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Extravaganza
An extravaganza is a literary or musical work (often musical theatre) usually containing elements of Victorian burlesque, and pantomime, in a spectacular production and characterized by freedom of style and structure. The term is derived from the Italian word ''stravaganza'', meaning extravagance. It sometimes also has elements of music hall, cabaret, circus, revue, variety, vaudeville and mime. ''Extravaganza'' came, in the 20th century, to more broadly refer to an elaborate, spectacular, and expensive theatrical production. Professor Carolyn Wiliams writes that playwrights, producers and critics have often muddled the distinction between burlesque and extravaganza, but she describes the genre this way: "Sexy yet free of "offensive vulgarity", silly yet intelligent, raucus yet spectacularly beautiful, extravaganza was a relatively "high" form of burlesque, intended for an urbane adult audience." She notes that the definition of extravaganza changed during the 19th century, in ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
