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Artemision Bronze
The Artemision Bronze (often called the God from the Sea) is an ancient Greek sculpture that was recovered from the sea off Artemisium, Cape Artemision, in northern Euboea, Greece. According to most scholars, the bronze represents Zeus, the thunder-god and king of gods, though it has also been suggested it might represent Poseidon. The statue is slightly over lifesize at 2.09 meters,Susan. (1982) ''The Art of Greece and Rome''. Cambridge: Cambridge University Press, p. 15. ; Dafas, K. A., 2019. ''Greek Large-Scale Bronze Statuary: The Late Archaic and Classical Periods'', Institute of Classical Studies, School of Advanced Study, University of London, Bulletin of the Institute of Classical Studies, Monograph, BICS Supplement 138 (London), pp. 36–50, pls 31–40. and would have held either a thunderbolt, if Zeus, or a trident if Poseidon. The empty eye-sockets were originally inset, probably with bone, as well as the eyebrows (with silver), the lips, and the nipples (with copper). ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] [Amazon] |
Bronze
Bronze is an alloy consisting primarily of copper, commonly with about 12–12.5% tin and often with the addition of other metals (including aluminium, manganese, nickel, or zinc) and sometimes non-metals (such as phosphorus) or metalloids (such as arsenic or silicon). These additions produce a range of alloys some of which are harder than copper alone or have other useful properties, such as strength, ductility, or machinability. The archaeological period during which bronze was the hardest metal in widespread use is known as the Bronze Age. The beginning of the Bronze Age in western Eurasia is conventionally dated to the mid-4th millennium BCE (~3500 BCE), and to the early 2nd millennium BCE in China; elsewhere it gradually spread across regions. The Bronze Age was followed by the Iron Age, which started about 1300 BCE and reaching most of Eurasia by about 500 BCE, although bronze continued to be much more widely used than it is in modern times. Because historica ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] [Amazon] |
Red-figure Pottery
Red-figure pottery () is a style of Pottery of ancient Greece, ancient Greek pottery in which the background of the pottery is painted black while the figures and details are left in the natural red or orange color of the clay. It developed in Athens around 520 BC and remained in use until the late 3rd century AD. It replaced the previously dominant style of black-figure pottery within a few decades. Its modern name is based on the figural depictions in red color on a black background, in contrast to the preceding black-figure style with black figures on a red background. The most important areas of production, apart from Attica, were in Magna Graecia, Southern Italy. The style was also adopted in other parts of Greece. Etruria became an important center of production outside the Ancient Greece, Greek World. Attic red-figure vases were exported throughout Greece and beyond. For a long time, they dominated the market for fine ceramics. Few centers of pottery production could compe ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] [Amazon] |
Sicyon
Sicyon (; ; ''gen''.: Σικυῶνος) or Sikyōn was an ancient Greek city state situated in the northern Peloponnesus between Corinth and Achaea on the territory of the present-day regional unit of Corinthia. The ruins lie just west of the modern village of Sikyona (previously Vasiliko). An ancient monarchy at the times of the Trojan War, the city was ruled by a number of tyrants during the Archaic and Classical period and became a democracy in the 3rd century BC. Sicyon was celebrated for its contributions to ancient Greek art, producing many famous painters and sculptors. In Hellenistic times it was also the home of Aratus of Sicyon, the leader of the Achaean League. Ancient history Sicyon was built on a low triangular plateau about 3 kilometres (two miles) from the Corinthian Gulf. Between the city and its port lay a fertile plain with olive groves and orchards. In Mycenean times, according to Eusebius, Sicyon had been ruled by a line of twenty-six mythical king ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] [Amazon] |
Aegina
Aegina (; ; ) is one of the Saronic Islands of Greece in the Saronic Gulf, from Athens. Tradition derives the name from Aegina (mythology), Aegina, the mother of the mythological hero Aeacus, who was born on the island and became its king. Administration Municipality The municipality of Aegina consists of the island of Aegina and a few offshore islets. It is part of the Islands (regional unit), Islands regional unit, Attica (region), Attica region. The municipality is subdivided into the following five communities (population in 2021 in parentheses): * Aegina (6,976) * Kypseli (2,166) * Mesagros (1,473) * Perdika (847) * Vathy (1,449) The regional capital is the town of Aegina, situated at the northwestern end of the island. Due to its proximity to Athens, it is a popular vacation place during the summer months, with quite a few Athenians owning second houses on the island. The buildings of the island are examples of Neoclassical architecture with a strong folk element, bu ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] [Amazon] |
Boeotia
Boeotia ( ), sometimes Latinisation of names, Latinized as Boiotia or Beotia (; modern Greek, modern: ; ancient Greek, ancient: ), is one of the regional units of Greece. It is part of the modern regions of Greece, region of Central Greece (administrative region), Central Greece. Its capital is Livadeia, and its largest city is Thebes, Greece, Thebes. Boeotia was also a region of ancient Greece, from before the 6th century BC. Geography Boeotia lies to the north of the eastern part of the Gulf of Corinth. It also has a short coastline on the Gulf of Euboea. It bordered on Megaris (now West Attica) in the south, Attica in the southeast, Euboea in the northeast, Opuntian Locris (now part of Phthiotis) in the north and Phocis in the west. The main mountain ranges of Boeotia are Mount Parnassus in the west, Mount Helicon in the southwest, Cithaeron in the south and Parnitha in the east. Its longest river, the Cephissus (Boeotia), Cephissus, flows in the central part, where most of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] [Amazon] |
Calamis (5th Century BC)
Calamis (fl. 5th century BC) was a sculpture, sculptor of ancient Greece. He was possibly from Boeotia, but nothing certain is known of his life although he is credited with having lived in Athens, and his sculptures are representative of Athenian sculpture. Although none of his works survives, he is known for his talent and skill in sculpting animals, especially horses, as opposed to the human body. He is known to have worked in marble, bronze, gold, and ivory, and was famed for statues of horses, which Pliny says were unrivaled.''The National Cyclopaedia of Useful Knowledge, Vol.IV'', (London) Charles Knight, p.21 According to Pausanias (geographer), Pausanias (9.16.1), Calamis produced a statue of Zeus Ammon for Pindar, and mentions a Hermes Criophorus for Tanagra (9.22.1), which was later depicted on Roman coins of the city. His statue of Alexicacus, Apollo Alexikakos stood in front of the Temple of Apollo Patroos in Athens. He produced his most ambitious work, a 30-cubit ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] [Amazon] |
Attica
Attica (, ''Attikḗ'' (Ancient Greek) or , or ), or the Attic Peninsula, is a historical region that encompasses the entire Athens metropolitan area, which consists of the city of Athens, the capital city, capital of Greece and the core city of the metropolitan area, as well as its surrounding suburban cities and towns. It is a peninsula projecting into the Aegean Sea, bordering on Boeotia to the north and Megaris to the west. The southern tip of the peninsula, known as Laurion, Lavrio, was an important Mines of Laurion, mining region. The history of Attica is closely linked with that of Athens. In ancient times, Attica corresponded with the Athens city-state. It was the most prominent region in Ancient Greece, specifically during the Golden Age of Athens in the Classical Greece, classical period. Classical Athens, Ancient Attica (the classical Classical Athens, Athens city-state) was divided into deme, demoi, or municipalities, from the reform of Cleisthenes in 508/7 BC, gr ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] [Amazon] |
Charioteer Of Delphi
The ''Charioteer of Delphi'', also known as ''Heniokhos'' (, the rein-holder), is a statue surviving from Ancient Greece and an example of ancient bronze sculpture. The life-size (1.8m) Janson, H.W. (1995) ''History of Art''. 5th edn. Revised and expanded by Anthony F. Janson. London: Thames & Hudson, p. 142. statue of a chariot driver was found in 1896 at the Sanctuary of Apollo in Delphi. It is now in the Delphi Archaeological Museum. Background The statue was erected at Delphi, Greece Honour, H. and J. Fleming, (2009) ''A World History of Art''. 7th edn. London: Laurence King Publishing, pp. 132-135. ; Dafas, K. A., 2019. ''Greek Large-Scale Bronze Statuary: The Late Archaic and Classical Periods'', Institute of Classical Studies, School of Advanced Study, University of London, Bulletin of the Institute of Classical Studies, Monograph, BICS Supplement 138 (London), pp. 24-35, pls 16-30. to commemorate one of two victories of the tyrant Polyzalus of Gela in Sicily and hi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] [Amazon] |
Severe Style
The Severe style, or Early Classical style, was the dominant idiom of Greek sculpture in the period ca. 490 to 450 BCE. It marks the breakdown of the canonical forms of archaic art and the transition to the greatly expanded vocabulary and expression of the classical moment of the late 5th century. It was an international style found at many cities in the Hellenic world and in a variety of media including: bronze sculpture in the round, stelae, and architectural relief. The style perhaps realized its greatest fulfillment in the metopes of the Temple of Zeus, Olympia. The term ''severe style'' was first coined by Gustav Kramer in his ' ("On the style and the origins of painted Greek pottery", 1837, Berlin) in reference to the first generation of red figure vase painters; since Vagn Poulsen's 1937 study ''Der strenge Stil'' ("The Severe Style"), the name has become exclusively associated with sculpture. Dating and relative chronology There is no firm chronology for the Severe s ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] [Amazon] |
Carol Mattusch
Carol C. Mattusch is the Mathay Professor of Art History at George Mason University. She is a specialist in Greek, Roman and 18th century art. Education Mattusch studied at Bryn Mawr College, graduating in 1969. She received her PhD from the University of North Carolina at Chapel Hill in 1975. Career Mattusch has taught at George Mason University since 1979. Her research focuses on Classical bronzes. She has undertaken a detailed study on the bronze statues from the Villa dei Papiri at Herculaneum. Throughout her career she has curated several exhibitions. She curated ''The Fire of Hephaistos: Large Classical Bronzes from North American Collections'' (1996-7) at the Harvard University Art Museums, which exhibited 50 large Greek and Roman bronzes. She curated an exhibition at the National Gallery of Art entitled ''Pompeii and the Roman Villa: Art and Culture around the Bay of Naples'' in 2008–2009, which was repeated at the Los Angeles County Museum of Art in 2009. The e ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] [Amazon] |
Hydria
The hydria (; : hydriai) is a form of Greek pottery from between the Geometric art, late Geometric period (7th century BC) and the Hellenistic period (3rd century BC). The etymology of the word hydria was first noted when it was stamped on a hydria itself, its direct translation meaning 'jug'. It is a type of water-carrying vessel, but it had many other purposes. As time progressed the hydria developed into many forms, some of which were smaller or of a different material. These variants were decorated with detailed figures to represent Greek mythological stories, as well as scenes of daily life, providing extensive insight into Culture of ancient Greece, Ancient Greek culture and society. Function Originally, the hydria's purpose was for the collection of water, but it also held oil and the votes of judges. The design of the hydria allowed for the efficient collecting and pouring of liquids as it possessed three handles: two horizontal ones at its sides and a vertical one ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] [Amazon] |
