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Armande Béjart
Armande-Grésinde-Claire-Élisabeth Béjart (; 1645 – 30 November 1700) was a French stage actress, also known under her stage name Mademoiselle Molière.Scott, Virginia (2010). Women on the stage in early modern France : 1540-1750''. Cambridge: Cambridge University Press. . She was married to Molière, and was one of the most famous actresses in the 17th-century. Life She was the daughter of Madeleine Béjart and belonged to the Béjart family, a famous theatre family in 17th-century France. In 1643 her mother Madeleine co-founded, with Molière, the theatre company called Illustre Théâtre. Together, they had three children: Louis (19 January11 November 1664), Marie Madeleine Esprit (3 August 166523 May 1723) and Pierre Jean-Baptiste Armand (15 September11 October 1672). Early career She played her first important role in Molière's company in June 1663, as Élise in the ''Critique de l'école des femmes''. She was out of the cast for a short time in 1664, when she ...
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Opera
Opera is a form of History of theatre#European theatre, Western theatre in which music is a fundamental component and dramatic roles are taken by Singing, singers. Such a "work" (the literal translation of the Italian word "opera") is typically a collaboration between a composer and a libretto, librettist and incorporates a number of the performing arts, such as acting, Theatrical scenery, scenery, costume, and sometimes dance or ballet. The performance is typically given in an opera house, accompanied by an orchestra or smaller musical ensemble, which since the early 19th century has been led by a conducting, conductor. Although musical theatre is closely related to opera, the two are considered to be distinct from one another. Opera is a key part of Western culture#Music, Western classical music, and Italian tradition in particular. Originally understood as an sung-through, entirely sung piece, in contrast to a play with songs, opera has come to include :Opera genres, numerous ...
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17th-century French Actresses
The 17th century lasted from January 1, 1601 (represented by the Roman numerals MDCI), to December 31, 1700 (MDCC). It falls into the early modern period of Europe and in that continent (whose impact on the world was increasing) was characterized by the Baroque cultural movement, the latter part of the Spanish Golden Age, the Dutch Golden Age, the French ''Grand Siècle'' dominated by Louis XIV, the Scientific Revolution, the world's first public company and megacorporation known as the Dutch East India Company, and according to some historians, the General Crisis. From the mid-17th century, European politics were increasingly dominated by the Kingdom of France of Louis XIV, where royal power was solidified domestically in the civil war of the Fronde. The semi-feudal territorial French nobility was weakened and subjugated to the power of an absolute monarchy through the reinvention of the Palace of Versailles from a hunting lodge to a gilded prison, in which a greatly expanded ro ...
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1700 Deaths
As of March 1 ( O.S. February 19), where the Julian calendar acknowledged a leap day and the Gregorian calendar did not, the Julian calendar fell one day further behind, bringing the difference to 11 days until February 28 ( O.S. February 17), 1800. In Sweden, the year started in the Julian calendar and remained so until February 28. Then, by skipping the leap day, the Swedish calendar was introduced, letting Wednesday, February 28, be followed by Thursday, March 1, giving the entire year the same pattern as a common year starting on Monday, similar to the calendars of 2001, 2007, and 2018. This calendar, being ten days behind the Gregorian and one day ahead of the Julian, lasts until 1712. Events January–March * January 1 – Protestant nations in Western Europe, except England, start using the Gregorian calendar. Catholic nations have been using the Gregorian calendar since its introduction in 1582 by Pope Gregory XIII. * January 1 (Julian) (January 11, Gregorian) ...
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1640s Births
Year 164 ( CLXIV) was a leap year starting on Saturday of the Julian calendar. At the time, it was known as the Year of the Consulship of Macrinus and Celsus (or, less frequently, year 917 ''Ab urbe condita''). The denomination 164 for this year has been used since the early medieval period, when the Anno Domini calendar era became the prevalent method in Europe for naming years. Events By place Roman Empire * Emperor Marcus Aurelius gives his daughter Lucilla in marriage to his co-emperor Lucius Verus. * Avidius Cassius, one of Lucius Verus' generals, crosses the Euphrates and invades Parthia. * Ctesiphon is captured by the Romans, but returns to the Parthians after the end of the war. * The Antonine Wall in Scotland is abandoned by the Romans. * Seleucia on the Tigris is destroyed. Births * Bruttia Crispina Bruttia Crispina (164 – 191 AD) was List of Roman and Byzantine empresses, Roman empress from 178 to 191 as the consort of Roman emperor Commodus. He ...
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Ambroise Paré
Ambroise Paré (; – 20 December 1590) was a French barber surgeon who served in that role for kings Henry II, Francis II, Charles IX and Henry III. He is considered one of the fathers of surgery and modern forensic pathology and a pioneer in surgical techniques and battlefield medicine, especially in the treatment of wounds. He was also an anatomist, invented several surgical instruments, and was a member of the Parisian barber surgeon guild. In his personal notes about the care he delivered to Captain Rat, in the Piémont campaign (1537–1538), Paré wrote: ''Je le pansai, Dieu le guérit'' ("I bandaged him and God healed him"). This epitomises a philosophy that he used throughout his career. These words, inscribed on his statue in Laval, are reminiscent of the Latin adage '' medicus curat, natura sanat'', "The physician cures, nature heals". Early life Paré was born in 1510 in Bourg-Hersent, later incorporated into Laval, then part of the province of Maine, in nor ...
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Meudon
Meudon () is a French Communes of France, commune located in the Hauts-de-Seine Departments of France, department in the Île-de-France Regions of France, region, on the left bank of the Seine. It is located from the Kilometre Zero, center of Paris. The city is known for many historic monuments. Geography The town of Meudon is built on the hills and valleys of the Seine. The forest of Meudon lies for the most part to the west of the town. The north-west part of Meudon, overlooking the Seine, is known as ''Bellevue'' ("beautiful view"). The neighboring communes are: Sèvres (North-west), Boulogne-Billancourt (North); Issy-les-Moulineaux (northeast), Clamart (east and southeast), Vélizy (south and southwest) and Chaville (west). The town includes several districts: Meudon-sur-Seine, Val Fleury, Meudon-Centre, Bellevue and Meudon-la-Forêt. History At Meudon, the argile plastique clay was extensively mined in the 19th century. The first fossil of the European diatryma ' ...
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Troupe Of The Comédie-Française In 1680
Composition of the troupe of the Comédie-Française in 1680 As of 24 August 1680, La Grange (actor), La Grange set in his register: :« ''Jonction de la Troupe Royalle cy-devant à l'Hôtel de Bourgogne (theatre), hostel de bourgogne avec Guénégaud Theatre, la nostre suivant les ordres du Roy'' ». The new troupe consisted of 27 people, that is 15 actors and 12 actresses. The first performance took place on 25 August with ''Phèdre'' by Jean Racine, Racine and ''Les Carosses d'Orléans'' by Jean de La Chapelle, La Chapelle. Sources

Bert Edward Young and Grace Philputt Young, ''Le registre de La Grange (1659-1685)'', Paris, E. Droz, 1947, vol. I, . {{DEFAULTSORT:Troupe of the Comedie-Francaise in 1680 Troupe of the Comédie-Française, 1680 1680 in France ...
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Sociétaires Of The Comédie-Française
The sociétaires of the Comédie-Française are chosen from among the ''pensionnaires'' who have been in the company a year or more. They are decided upon in the course of a general assembly of the company's administrative committee, made up of 6 existing sociétaires, the senior sociétaire, and the general administrator. A pensionnaire is thus named a societaire by a decree of the Ministry of Culture, from names put forward by the general administrator of the Comédie-Française. On becoming a sociétaire, an actor automatically becomes a member of the ''Société des Comédiens-Français'' and receives a share of the profits as well as receiving a number of shares in the société to which he or she is contractually linked. After his or her retirement, a sociétaire can continue to act, becoming an honorary sociétaire. The senior member of the Comédie-Française is not the oldest sociétaire, but the sociétaire who has been with the company longest (since their entering it ...
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Comédie-Française
The Comédie-Française () or Théâtre-Français () is one of the few state theatres in France. Founded in 1680, it is the oldest active theatre company in the world. Established as a French state-controlled entity in 1995, it is the only state theatre in France to have its own permanent troupe of actors. The company's primary venue is the Salle Richelieu, which is a part of the Palais-Royal complex and located at 2, Rue de Richelieu on Place André-Malraux in the 1st arrondissement of Paris. The theatre has also been known as the Théâtre de la République and popularly as "La Maison de Molière" (The House of Molière). It acquired the latter name from the troupe of the best-known playwright associated with the Comédie-Française, Molière. He was considered the patron of French actors. He died seven years before his troupe became known as the Comédie-Française, but the company continued to be known as "La Maison de Molière" even after the official change of name. Hist ...
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Marie Champmeslé
Marie Champmeslé (; ''née'' Desmares ; 18 February 1642 – 15 May 1698) was a French stage actress. Biography She was born in Rouen of a wealthy family; her father's name was Desmares. She made her first appearance on the stage at Rouen with Charles Chevillet Champmeslé (1645-1707), who called himself sieur de Champmeslé, and they were married in 1666. By 1669 they were playing in Paris at the Theatre du Marais, her first appearance there being as Venus in Boyer's ''Fête de Vénus''. The next year, as Hermione in Jean Racine's ''Andromaque'', she had a great success at the Hotel de Bourgogne. Her intimacy with Racine dates from then. Some of his finest tragedies were written for her, but her repertoire was not confined to them, and many an indifferent play - like Thomas Corneille's ''Ariane'' and ''Comte d'Essex'' - owed its success to her natural manner of acting, and her pathetic rendering of the hapless heroine. '' Phèdre'' was the climax of her triumphs. She an ...
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