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Antoinette Sibley
Dame Antoinette Sibley (born 27 February 1939) is a British prima ballerina. She joined the Royal Ballet from the Royal Ballet School in 1956 and became a soloist in 1960. She was celebrated for her partnership with Anthony Dowell. After her retirement from dancing in 1989 she became President of the Royal Academy of Dance in 1991, and guest coach at the Royal Ballet (1991) and Governor, Royal Ballet Board (2000). Early years Sibley was born in the London suburb of Bromley, the daughter of Edward G Sibley and his wife Winfred, ''née'' Smith."Sibley, Dame Antoinette, (Dame Antoinette Corbett)" ''Who's Who 2013'', A & C Black, online edition Oxford University Press, November 2012, accessed 5 July 2013 She was educated at the [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Prima Ballerina
A ballet dancer is a person who practices the art of classical ballet. Both females and males can practice ballet. They rely on years of extensive training and proper technique to become a part of a professional ballet company. Ballet dancers are at a high risk of injury due to the demanding technique of ballet. Training and technique Ballet dancers typically begin training at an early age as young as three or four if they desire to perform professionally and often take part in international competitions such as YAGP and Prix de Lausanne. At these events, scholarships are being granted to the most talented dancers, enabling them to continue their training at renowned ballet schools around the world, such as the John Kranko Schule in Germany and the Académie de Danse Classique Princesse Grace in Monaco. Pre-professional ballet dancers can audition to enroll at a vocational ballet school such as The Royal Ballet School or Elmhurst Ballet School. These types of ballet board ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Frederick Ashton
Sir Frederick William Mallandaine Ashton (17 September 190418 August 1988) was a British ballet dancer and choreographer. He also worked as a director and choreographer in opera, film and revue. Determined to be a dancer despite the opposition of his conventional middle-class family, Ashton was accepted as a pupil by Léonide Massine and then by Marie Rambert. In 1926 Rambert encouraged him to try his hand at choreography, and though he continued to dance professionally, with success, it was as a choreographer that he became famous. Ashton was chief choreographer to Ninette de Valois, from 1935 until his retirement in 1963, in the company known successively as the Vic-Wells Ballet, the Sadler's Wells Ballet and the The Royal Ballet, Royal Ballet. He succeeded de Valois as director of the company, serving until his own retirement in 1970. Ashton is widely credited with the creation of a specifically English genre of ballet. Among his best-known works are ''Façade (ballet), Fa ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Dances At A Gathering
''Dances at a Gathering'' is a ballet choreographed by Jerome Robbins to music by Frédéric Chopin, with costumes designed by Joe Eula. The ballet premiered on May 22, 1969, at the New York State Theater, performed by the New York City Ballet. Production ''Dances at a Gathering'' is the first ballet Robbins created for the New York City Ballet (NYCB) in years, after he worked on Broadway theatre. He first planned to make a pas de deux for Patricia McBride and Edward Villella, but it was eventually expanded to five couples. According to NYCB, after George Balanchine saw 25 minutes of the ballet, he said: " ke more, make it like popcorn", so Robbins enlarged the ballet to an hour long. With costumes by Joe Eula and lighting by Thomas Skelton, the ballet had a gala preview on May 8, 1969, before premiering on May 22. Robbins dedicated the ballet to lighting designer Jean Rosenthal, who had died on May 1. Following the premiere, there were many speculations regarding the narrat ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jerome Robbins
Jerome Robbins (born Jerome Wilson Rabinowitz; October 11, 1918 – July 29, 1998) was an American dancer, choreographer, film director, theatre director and producer who worked in classical ballet, on stage, film, and television. Among his numerous stage productions were ''On the Town (musical), On the Town'', ''Peter Pan (1954 musical), Peter Pan'', ''High Button Shoes'', ''The King and I'', ''The Pajama Game'', ''Bells Are Ringing (musical), Bells Are Ringing'', ''West Side Story'', ''Gypsy (musical), Gypsy'', and ''Fiddler on the Roof''. Robbins was a five-time Tony Award-winner and a recipient of the Kennedy Center Honors. He received two Academy Awards, including the 1961 Academy Award for Best Director with Robert Wise for ''West Side Story (1961 film), West Side Story'' and a special Academy Honorary Award for his choreographic achievements on film. A documentary about Robbins's life and work, ''Something to Dance About'', featuring excerpts from his journals, archival ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Daphnis And Chloe
''Daphnis and Chloe'' (, ''Daphnis kai Chloē'') is a Greek pastoral novel written during the Roman Empire, the only known work of second-century Hellenistic romance writer Longus. Setting and style It is set on the Greek isle of Lesbos, where scholars assume the author to have lived. Its style is rhetorical and pastoral; its shepherds and shepherdesses are wholly conventional, but the author imparts human interest to this idealized world. ''Daphnis and Chloe'' resembles a modern novel more than does its chief rival among Greek erotic romances, the '' Aethiopica'' of Heliodorus, which is remarkable more for its plot than for its characterization. Plot summary ''Daphnis and Chloe'' is the story of a boy (Daphnis) and a girl (Chloe), each of whom is abandoned at birth along with some identifying tokens. A goatherd named Lamon discovers Daphnis, and a shepherd called Dryas finds Chloe. Each decides to raise the child he finds as his own. Daphnis and Chloe grow up together, her ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Symphonic Variations (ballet)
''Symphonic Variations'' is a one-act ballet by Frederick Ashton set to the eponymous music (M. 46) of César Franck César Auguste Jean Guillaume Hubert Franck (; 10 December 1822 – 8 November 1890) was a French Romantic music, Romantic composer, pianist, organist, and music teacher born in present-day Belgium. He was born in Liège (which at the time of h .... The premiere, performed by the Sadler's Wells Ballet, took place at the Royal Opera House, Covent Garden, on 24 April 1946 in a triple bill; the other works were Ashton's ''Les Patineurs (ballet), Les Patineurs'' and Robert Helpmann's ''Adam Zero''. The ballet was conducted by Constant Lambert and the set designed by Sophie Fedorovitch. Background During the Second World War, Ashton listened to Franck's ''Symphonic Variations (Franck), Symphonic Variations'' a great deal and he decided to develop an elaborate scenario to be set to the music. Constant Lambert, music director for the Sadler's Wells Ballet, at firs ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Sleeping Beauty (ballet)
''The Sleeping Beauty'' ( ) is a ballet in a prologue and three acts to music by Pyotr Ilyich Tchaikovsky, his Opus 66, completed in 1889. It is the second of his three ballets and, at 160 minutes, his second-longest work in any genre. The original scenario was by Ivan Vsevolozhsky after Perrault's '' La belle au bois dormant'', or ''The Beauty Sleeping in the Forest''; the first choreographer was Marius Petipa. The premiere took place at the Mariinsky Theatre in St. Petersburg on January 15, 1890, and from that year forward ''The Sleeping Beauty'' has remained one of the most famous ballets of all time. History Tchaikovsky was approached by the Director of the Imperial Theatres in St. Petersburg, Ivan Vsevolozhsky on 25 May 1888 about a possible ballet adaptation on the subject of the story of '' Undine''. It was later decided that Charles Perrault's '' La Belle au bois dormant'' would be the story for which Tchaikovsky would compose the music for the ballet. Tchaiko ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Giselle
''Giselle'' ( , ), originally titled ''Giselle, ou les Wilis'' (; ''Giselle, or The Wilis''), is a romantic ballet () in two acts with music by Adolphe Adam. Considered a masterwork in the classical ballet performance canon, it was first performed by the Ballet du Théâtre de l'Académie Royale de Musique at the Salle Le Peletier in Paris on 28 June 1841, with Italian ballerina Carlotta Grisi as Giselle. It was an unqualified triumph. It became hugely popular and was staged at once across Europe, Russia, and the United States. The ghost-filled ballet tells the tragic, romantic story of a beautiful young peasant girl named Giselle and a disguised nobleman named Albrecht, who fall in love, but when his true identity is revealed by his rival, Hilarion, Giselle goes mad and dies of heartbreak. After her death, she is summoned from her grave into the vengeful, deadly sisterhood of the Vila (fairy), Wilis, the ghosts of unmarried women who died after being betrayed by their lovers an ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kenneth MacMillan
Sir Kenneth MacMillan (11 December 192929 October 1992) was a British ballet dancer and choreographer who was artistic director of the Royal Ballet in London between 1970 and 1977, and its principal choreographer from 1977 until his death. Earlier he had served as director of ballet for the Deutsche Oper in Berlin. He was also associate director of the American Ballet Theatre from 1984 to 1989, and artistic associate of the Houston Ballet from 1989 to 1992. From a family with no background of dance or music, MacMillan was determined from an early age to become a dancer. The director of Royal Ballet, Sadler's Wells Ballet, Ninette de Valois, accepted him as a student and then a member of her company. In the late 1940s, MacMillan built a successful career as a dancer, but, plagued by stage fright, he abandoned it while still in his twenties. After this he worked entirely as a choreographer; he created ten full-length ballets and more than fifty one-act pieces. In addition to his ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
David Vaughan (dance Archivist)
David Vaughan (May 17, 1924 – October 27, 2017Roberts, Sam (November 1, 2017''The New York Times'') was a dance archivist, dance history, historian and dance criticism, critic. He was the archivist of the Merce Cunningham Dance Company from 1976 until the company was disbanded in 2012. In his long career, Vaughan was a dancer, choreographer, actor and singer whose work had been seen in London, Paris, and in New York, both Broadway theatre, on- and off-Broadway,David Vaughan at the Internet Off-Broadway Database as well as in Regional theater in the United States, regional theatres across the United States, in cabarets, on television and on film. [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Oberon
Oberon () is a king of the fairy, fairies in Middle Ages, medieval and Renaissance literature. He is best known as a character in William Shakespeare's play ''A Midsummer Night's Dream'', in which he is King of the Fairies and spouse of Titania (A Midsummer Night's Dream), Titania, Queen of the Fairies. Etymology Oberon is a variant spelling of Auberon, earlier Alberon, the origin of which is uncertain, though it may be connected with Alberich and Aubrey, or might else be derived from the Old High German elements wikt: adal#Old High German, adal 'noble' + wikt: bero#Old High German, ber(n) 'bear'. French heroic song Oberon is first attested as the name of a fairy king in the early 13th century entitled Huon de Bordeaux, Les Prouesses et faitz du noble Huon de Bordeaux, wherein the eponymous hero encounters King Oberon of the fairies as he passes through a enchanted forest, forest. Huon is forewarned by a hermit not to speak to Oberon, but his courtesy causes him to answer the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Titania (A Midsummer Night's Dream)
Titania () is a character in William Shakespeare's 1595–1596 play ''A Midsummer Night's Dream''. In the play, she is the Queen of the fairies and wife of the Fairy King, Oberon. The pair are depicted as powerful natural spirits who together guarantee the fertility or health of the human and natural worlds. Yet their falling out has severely disrupted both worlds, as Titania explains at length in Act 1 Scene 2, ending "And this same progeny of evils comes From our debate, from our dissension." Origins The names Titania and Oberon may both sound vaguely classical, but neither is a figure from classical mythology. Survivals of homegrown English paganism were sometimes denounced as witchcraft; but Shakespeare folds his pagan fairies into the more accepted mythology of Greco-Roman literature, associating Titania and Oberon with the legend of Theseus. Shakespeare likely took the name Titania from Ovid's ''Metamorphoses'', where it is an appellation given to the daughters of Ti ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
