América (song)
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América (song)
"America" is a song from the 1957 musical ''West Side Story''. Stephen Sondheim wrote the lyrics and Leonard Bernstein composed the music. Content In the original stage version, Anita – the girlfriend of Bernardo, the leader of the Sharks, and the most important female character after Maria – praises America while a fellow Puerto Rican, Rosalia, supports Puerto Rico. This version of the song deprecates the island and highlights the positive qualities of American life ("I'll drive a Buick through San Juan/If there's a road you can drive on"). The irony of this supposedly pro-American number, however, is its vibrantly Hispanic musical style, with Latin percussion, complex cross-rhythm and Spanish guitar. In the 1961 film version, Anita, played by Rita Moreno, still sings in favor of the United States while Bernardo, played by George Chakiris, replies with corresponding criticisms of America and American ethnic prejudice, especially against Puerto Ricans ("Life is alri ...
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Musical Theatre
Musical theatre is a form of theatre, theatrical performance that combines songs, spoken dialogue, acting and dance. The story and emotional content of a musical – humor, pathos, love, anger – are communicated through words, music, movement and technical aspects of the entertainment as an integrated whole. Although musical theatre overlaps with other theatrical forms like opera and dance, it may be distinguished by the equal importance given to the music as compared with the dialogue, movement and other elements. Since the early 20th century, musical theatre stage works have generally been called, simply, musicals. Although music has been a part of dramatic presentations since ancient times, modern Western musical theatre emerged during the 19th century, with many structural elements established by the light opera works of Jacques Offenbach in France, Gilbert and Sullivan in Britain and the works of Edward Harrigan, Harrigan and Tony Hart (theater), Hart in America. ...
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Habanera (aria)
Habanera ("music or dance of Havana") is the popular name for "" (; "Love is a rebellious bird"), an aria from Georges Bizet's 1875 opéra comique ''Carmen''. It is the entrance aria of the title character, a mezzo-soprano role, in scene 5 of the first act. Background The score of the aria was adapted from the habanera "El Arreglito ou la Promesse de mariage", by the Spanish musician Sebastián Iradier, first published in 1863, which Bizet believed to be a folk song. When others told him he had used something written by a composer who had died ten years earlier,'' Grove's Dictionary of Music and Musicians'', 5th ed. 1954 he added a note about its derivation in the first edition of the vocal score which he himself prepared. Although the French libretto of the complete opéra comique was written by Henri Meilhac and Ludovic Halévy, the words of the habanera originated from Bizet. The Habanera was first performed by Galli-Marié at the Opéra-Comique on 3 March 1875. Bizet, h ...
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Habanera (music)
''Contradanza'' (also called ''contradanza criolla'', ''danza'', ''danza criolla'', or ''habanera'') is the Spanish and Spanish-American version of the contradanse, which was an internationally popular style of music and dance in the 18th century, derived from the English country dance and adopted at the court of France. Contradanza was brought to America and there took on folkloric forms that still exist in Bolivia, Mexico, Venezuela, Colombia, Peru, Panama and Ecuador. In Cuba during the 19th century, it became an important genre, the first written music to be rhythmically based on an African rhythm pattern and the first Cuban dance to gain international popularity, the progenitor of danzón, mambo and cha-cha-cha, with a characteristic "habanera rhythm" and sung lyrics. Outside Cuba, the Cuban contradanza became known as the ''habanera'' – the dance of Havana – and that name was adopted in Cuba itself subsequent to its international popularity in the later 19th centu ...
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Hemiola
In music, hemiola (also hemiolia) is the ratio 3:2. The equivalent Latin term is sesquialtera. In rhythm, ''hemiola'' refers to three beats of equal value in the time normally occupied by two beats. In pitch, ''hemiola'' refers to the interval of a perfect fifth. Etymology The word ''hemiola'' comes from the Greek adjective ἡμιόλιος, ''hemiolios'', meaning "containing one and a half," "half as much again," "in the ratio of one and a half to one (3:2), as in musical sounds." The words "hemiola" and "sesquialtera" both signify the ratio 3:2, and in music were first used to describe relations of pitch. Dividing the string of a monochord in this ratio produces the interval of a perfect fifth. Beginning in the 15th century, both words were also used to describe rhythmic relationships, specifically the substitution (usually through the use of coloration—red notes in place of black ones, or black in place of "white", hollow noteheads) of three imperfect notes (divided into t ...
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Guajiras (Flamenco)
Guajira (Flamenco) is a palo based on the Cuban Punto Guajira Cubana. It is in 12 beats and feels like it starts on 12. The guajira is a prime example of so-called cantes de ida y vuelta. The flamenco guajira is the adaptation to Melos flamenco of the Cuban point, the peasant point, a genre that brings together a series of songs called Guajiros that are grown in the rural areas of the island of Cuba. A guajira is simply a song for voice and guitar with a series of similar letras. The guajira is traditionally danced. The dancer will often use a large Spanish fan. The fan is twirled and otherwise manipulated throughout the dance, adding an elegant and flirtatious air. Structure Like all flamenco palos, the guajira has a clear structure and consists of beginning, middle and end. The guajira usually begins with an introductory section (falseta {{for, the male singing voice, Falsetto A Falseta is part of Flamenco music. They are usually short melodies played by the guitarist(s) in b ...
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West Side Story (Original Broadway Cast)
''West Side Story (Original Broadway Cast)'' is the 1957 recording of a Broadway production of the musical '' West Side Story''. Recorded 3 days after the show opened at the Winter Garden Theatre, the recording was released in October 1957 in both mono and stereo formats. In 1962, the album reached #5 on Billboard's Pop Album chart. It certified gold by the RIAA on January 12, 1962. The album was reissued in 1973 and made its first appearance on CD in 1986. A 1997 remastered edition was released coupled with an orchestral suite, '' Symphonic Dances from West Side Story'' recomposed and conducted by its original composer Leonard Bernstein and performed by the New York Philharmonic recorded at the Manhattan Center on March 6, 1961.West Side Story
The Stephen Sondheim Reference Guide. Accessed September 24, 2007. It was recorded at the
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Alternating Time Signatures2
Alternating may refer to: Mathematics * Alternating algebra, an algebra in which odd-grade elements square to zero * Alternating form, a function formula in algebra * Alternating group, the group of even permutations of a finite set * Alternating knot, a knot or link diagram for which the crossings alternate under, over, under, over, as one travels along each component of the link * Alternating map, a multilinear map that is zero whenever any two of its arguments are equal * Alternating operator, a multilinear map in algebra * Alternating permutation, a type of permutation studied in combinatorics * Alternating series, an infinite series in which the signs of the general terms alternate between positive and negative Electronics * Alternating current, a flow of electric charge that periodically reverses direction Other * Alternating turns, the process by which people in a conversation decide who is to speak next See also * Alternate bass In music, alternate bass is a ...
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Mixed Meter
A time signature (also known as meter signature, metre signature, and measure signature) is an indication in music notation that specifies how many note values of a particular type fit into each measure ( bar). The time signature indicates the meter of a musical movement at the bar level. In a music score the time signature appears as two stacked numerals, such as (spoken as ''four–four time''), or a time symbol, such as (spoken as ''common time''). It immediately follows the key signature (or if there is no key signature, the clef symbol). A mid-score time signature, usually immediately following a barline, indicates a change of meter. Most time signatures are either simple (the note values are grouped in pairs, like , , and ), or compound (grouped in threes, like , , and ). Less common signatures indicate complex, mixed, additive, and irrational meters. Time signature notation Most time signatures consist of two numerals, one stacked above the other: * The ''l ...
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