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Akumyō
The series consists of seventeen yakuza films based on the novel by Tōkō Kon. starring Shintarō Katsu and , produced between 1960 and 1974. Films Shintaro Katsu series * (1961) directed by Tokuzō Tanaka * (1961) directed by Tokuzō Tanaka * (1962) directed by Kazuo Mori * (1962) directed by Tokuzō Tanaka * (1963) directed by Tokuzō Tanaka * (1963) directed by Kazuo Mori * (1963) directed by Kazuo Mori * (1963) directed by Tokuzō Tanaka * (1964) directed by Kazuo Mori * (1965) directed by Tokuzō Tanaka * (1965) directed by Tokuzō Tanaka * (1966) directed by Tokuzō Tanaka * (1967) directed by Kimiyoshi Yasuda * (1968) directed by Kazuo Mori * (1969) directed by Masahiro Makino * (1974) directed by Yasuzo Masumura Koji Matoba series * (2001) * (2001) References External links * * * * * * * Yakuza films Japanese film series Films with screenplays by Yoshikata Yoda Films directed by Tokuzō Tanaka Daiei Film films 1960s Japanese films {{Japan ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tokuzō Tanaka
was a Japanese film director. He is well known for directing the ''Zatoichi'' and ''Nemuri Kyōshirō'' film series. Biography Tanaka graduated from Kwansei Gakuin University. In 1948, he joined the Daiei Film, Daiei studio and started working as an assistant director under Kon Ichikawa, Kenji Mizoguchi and Kazuo Mori etc. In 1958, Tanaka was promoted to director and debuted with ''Bakeneko Goyōda''. Tanaka received the Japan Directors Guild Special award for his ''Akumyō, Akumyō series films''. In 1971, he was released from his contract with Daiei and become a freelance director when the studio shut down film production. As a freelance director he directed a lot of jidaigeki television dramas such as ''Hissatsu series''. His final work was in the 2007 short film ''Shonen Kawachiondotori Monogatari''. In December 2007, he died of Intracranial hemorrhage. Selected filmography Television * ''Ronin of the Wilderness'' (1972-74) * ''Nemuri Kyōshirō (TV series), Nemuri Ky� ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Shintarō Katsu
was a Japanese actor, singer, and filmmaker. He is known for starring in the ''Akumyo'' series, the ''Hoodlum Soldier'' series, and the ''Zatoichi'' series. Life and career Born Toshio Okumura (奥村 利夫 ''Okumura Toshio'') on 29 November 1931. He was the son of Minoru Okumura (奥村 実), a noted kabuki performer who went by the stage name Katsutōji Kineya (杵屋 勝東治) and who was renowned for his nagauta and shamisen skills. He was the younger brother of actor Tomisaburo Wakayama. Shintaro Katsu began his career in entertainment as a shamisen player. He switched to acting because he noticed it was better paid. In the 1960s he starred simultaneously in three long-running series of films, the Akumyo series, the Hoodlum Soldier series, and the Zatoichi series. He played the role of blind masseur Zatoichi in a series of 25 films between 1962 and 1973, in 100 episodes across a four season television series from 1974 to 1979, and in a 26th and final film in 1989, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Yakuza Film
is a popular film genre in Japanese cinema which focuses on the lives and dealings of ''yakuza'', Japanese organized crime syndicates. In the silent film era, depictions of '' bakuto'' (precursors to modern yakuza) as sympathetic Robin Hood-like characters were common. Two types of yakuza films emerged in the 1950s and 1960s. The Nikkatsu studio was known for modern yakuza films inspired by Hollywood gangster films, while Toei was the main producer of what is known as . Set in the Meiji and Taishō eras, ''ninkyo eiga'' depict honorable outlaws torn between '' giri'' (duty) and ''ninjo'' (personal feelings). In contrast to ''ninkyo eiga'', based on real crime stories became popular in the 1970s. These portrayed modern yakuza not as honorable heirs to the samurai code, but as ruthless street thugs living for their own desires. Early films In the silent film era, films depicting '' bakuto'' (precursors to modern yakuza) as Robin Hood-like characters were common. They of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Yakuza Films
is a popular film genre in Japanese cinema which focuses on the lives and dealings of ''yakuza'', Japanese organized crime syndicates. In the silent film era, depictions of ''bakuto'' (precursors to modern yakuza) as sympathetic Robin Hood-like characters were common. Two types of yakuza films emerged in the 1950s and 1960s. The Nikkatsu studio was known for modern yakuza films inspired by Hollywood gangster films, while Toei was the main producer of what is known as . Set in the Meiji and Taishō eras, ''ninkyo eiga'' depict honorable outlaws torn between '' giri'' (duty) and ''ninjo'' (personal feelings). In contrast to ''ninkyo eiga'', based on real crime stories became popular in the 1970s. These portrayed modern yakuza not as honorable heirs to the samurai code, but as ruthless street thugs living for their own desires. Early films In the silent film era, films depicting ''bakuto'' (precursors to modern yakuza) as Robin Hood-like characters were common. They ofte ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kazuo Mori
, also known by his street name , was a Japanese film director who primarily worked in popular genres like the jidaigeki. Mori directed over 100 films in his life. Career Born in Ehime Prefecture, Mori graduated from Kyoto University before joining Nikkatsu's Uzumasa studio in 1933. A favorite of the producer Masaichi Nagata, he followed him to Daiichi Eiga and Shinkō Kinema before getting a chance to direct in 1936 with ''Adauchi hizakurige''. When Shinkō Kinema was merged with other studios to form Daiei Film, Mori became one of Daiei's core directors of genre films, making primarily samurai films with stars such as Raizō Ichikawa, Kazuo Hasegawa, and Shintaro Katsu. While not an auteur An (; , ) is an artist with a distinctive approach, usually a film director whose filmmaking control is so unbounded and personal that the director is likened to the "author" of the film, thus manifesting the director's unique style or thematic ..., he was a solid craftsman in the ge ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kazuo Miyagawa
was a Japanese cinematographer. Career Born in Kyoto, Miyagawa was taken with sumi-e Chinese ink painting from the age of eleven and began to sell his work as an illustrator while a teenager. He became interested in the cinema during the 1920s, particularly admiring the German Expressionist silents. He joined the Nikkatsu film company in 1926 after graduating from Kyoto Commercial School. He began as a laboratory technician before becoming an assistant cameraman. Miyagawa cited the cinematography of Eiji Tsuburaya, and Kenzo Sakai as an influence on his career. Miyagawa is best known for his tracking shots, particularly those in '' Rashomon'' (1950), the first of his collaborations with filmmaker Akira Kurosawa. Other films with Kurosawa include '' Yojimbo'' (1961) and initial preparations for ''Kagemusha'' (1980). He also worked on multiple films directed by Kenji Mizoguchi, including '' Ugetsu'' (1953). Still, only on a single Yasujirō Ozu production, '' Floating Weeds'' ( ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Akira Ifukube
was a Japanese composer. He is best known for composing several entries in the Godzilla (franchise), ''Godzilla'' franchise as well as developing the Godzilla, titular monster's roar. Biography Early years in Hokkaido Akira Ifukube was born on 31 May 1914, in Kushiro, Hokkaidō, Kushiro, Japan as the third son of a police officer Toshimitsu Ifukube. The origins of this family can be traced back to at least the 7th century with the birth of Ifukibe-no-Tokotarihime. He was strongly influenced by the Ainu folk music, Ainu music as he spent his childhood (from age of 9 to 12) in Otofuke near Obihiro, where was with a mixed population of Ainu people, Ainu and Japanese. His first encounter with classical music occurred when attending secondary school in Sapporo city. Ifukube decided to become a composer at the age of 14 after hearing a radio performance of Igor Stravinsky's ''The Rite of Spring'', and also cited the music of Manuel de Falla as a major influence. Ifukube studied fore ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kinema Junpo
, commonly called , is Japan's oldest film magazine and began publication in July 1919. It was first published three times a month, using the Japanese ''Jun'' (旬) system of dividing months into three parts, but the postwar ''Kinema Junpō'' has been published twice a month. The magazine was founded by a group of four students, including Saburō Tanaka, at the Tokyo Institute of Technology (Tokyo Technical High School at the time). In that first month, it was published three times on days with a "1" in them. These first three issues were printed on art paper and had four pages each. ''Kinejun'' initially specialized in covering foreign films, in part because its writers sided with the principles of the Pure Film Movement and strongly criticized Japanese cinema. It later expanded coverage to films released in Japan. While long emphasizing film criticism, it has also served as a trade journal, reporting on the film industry in Japan and announcing new films and trends. After th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Yoshikata Yoda
(14 April 1909 – 14 November 1991) was a Japanese screenwriter. He wrote for more than 130 films between 1931 and 1989. He is most famous for his work with Kenji Mizoguchi. He wrote for the film '' Bushido, Samurai Saga'', which won the Golden Bear at the 13th Berlin International Film Festival. Selected filmography * '' Osaka Elegy'' (1936) * '' Sisters of the Gion'' (1936) * '' The Story of the Last Chrysanthemums'' (1939) * '' The 47 Ronin'' (1941) * ''Utamaro and His Five Women'' (1946) * '' Women of the Night'' (1948) * '' Miss Oyu'' (1951) * ''The Lady of Musashino'' (1951) * '' The Life of Oharu'' (1952) * ''Ugetsu'' (1953) * '' A Geisha'' (1953) * ''Sansho the Bailiff'' (1954) * '' The Woman in the Rumor'' (1954) * ''The Crucified Lovers'' (1954) * '' Princess Yang Kwei-Fei'' (1955) * '' Tōjūrō no Koi'' (1955) * '' Stepbrothers'' (1957) * '' Bushido, Samurai Saga'' (1963) * '' Nemuri Kyōshirō manji giri'' (1969) * ''Ogin-sama is jidaigeki novel written by ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kimiyoshi Yasuda
(born February 15, 1911 Tokyo, Japan, died July 26, 1983) was a Japanese film director from the 1930s to 1970s. He directed six films about Zatoichi, the Blind Swordsman. He signed with Nikkatsu Kyoto studio as an assistant director and started working as an assistant director under Sadao Yamanaka and Hiroshi Inagaki etc. He made his director debut with ''Ouma wa Nanajyunana-mangoku'' in 1944. Filmography Film Assistant director * ''The Million Ryo Pot'' (1935) Director * ''The Young Swordsman'' (潮出来島 美男剣法 Itako Dejima Binan Kenpo) (1954) * ''The Dancer and Two Warriors'' (踊り子行状記 Odoriko Gyōjōki) (1955) * ''The Young Lord'' (鬼斬り若様 Onikiri Wakasama) (1955) * ''Suzunosuke Akado: Defeat the Demon-Faced Gang'' (1957) * ''Fighting Letter for 29 People'' 29-nin no Kenka-jō (二十九人の喧嘩状, Nijūkunin no kenkajō) (1957) * ''Suzunosuke Akado: The Vacuum Slash of Asuka'' (1957) * ''Suzunosuke Akado: The One-Legged Demon'' (1957) * (花 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Masahiro Makino
was a Japanese film director. He directed more than 260 films, primarily in the chanbara and yakuza film, yakuza genres. His real name was , but he took the stage name Masahiro, the kanji for which he changed multiple times (including , , and ). Career Masahiro Makino was born in Kyoto, the eldest son of the film director and producer Shōzō Makino (director), Shōzō Makino, who is often called the father of Japanese cinema. As a youth he acted in over 100 films before debuting as a film director in 1926 at age 18. His critically acclaimed nihilistic jidaigeki such as ''Roningai'' (1928) made him one of the top Japanese film directors, but his way of shooting films quickly also earned him detractors. For instance, the total time it took to shoot the 1936 film ''Edo no Ka Oshō'' was only 28 hours. The critic Sadao Yamane, however, has argued that this fast filming practice also contributed to Makino's speedy, rhythmic film style. Rhythm and tempo are important to his films, and ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
