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Akai APC40
Ableton Live is a digital audio workstation for macOS and Windows developed by the German company Ableton. In contrast to many other software sequencers, Live is designed to be an instrument for live performances as well as a tool for composing, recording, arranging, mixing, and mastering audio. It is also used by DJs, as it offers a suite of controls for beatmatching, crossfading, and other different effects used by turntablists, and was one of the first music applications to automatically beatmatch songs. Live is available directly from Ableton in three editions: Intro (with fewer features), Standard, and Suite (with the most features). The Suite edition includes "Max for Live" functionality, developed in partnership with Cycling '74. Ableton has also made a fourth version of Live, Lite, with similar limitations to Intro, which is only available bundled with a range of music production hardware, including MIDI controllers and audio interfaces. History Live was crea ...
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Ableton
Ableton AG is a German music software company that produces and distributes the production and performance program Ableton Live and a collection of related instruments and sample libraries, as well as their own hardware controller Ableton Push. Ableton's office is located in the Prenzlauer Berg district of Berlin, Germany, with a second office in Pasadena, California. History Ableton was founded in 1999 by Gerhard Behles and Robert Henke, who together formed the group Monolake, and software engineer Bernd Roggendorf. After Behles' work on granular synthesis for Native Instruments' Reaktor, as well as earlier software using a Silicon Graphics workstation at Technische Universität Berlin, Live was first released as commercial software in 2001. Behles remains the chief executive officer of Ableton. In March 2007, Ableton announced it was beginning a collaboration with Cycling '74, producers of Max/MSP. This collaboration is not directly based on Live or Max/MSP, but rat ...
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Crossfade (audio Engineering)
In audio engineering, a fade is a gradual increase or decrease in the level of an audio signal. The term can also be used for film cinematography or theatre lighting in much the same way (see fade (filmmaking) and fade (lighting)). In sound recording and reproduction a song may be gradually reduced to silence at its end (fade-out), or may gradually increase from silence at the beginning (fade-in). Fading-out can serve as a recording solution for pieces of music that contain no obvious ending. Quick fade-ins and -outs can also be used to change the characteristics of a sound, such as to soften the Envelope (music)#ADSR, attack in vocal plosives and percussion sounds. Turntablism, Professional turntablists and DJs in hip hop music use faders on a DJ mixer, notably the horizontal #Crossfading, crossfader, in a rapid fashion while simultaneously manipulating two or more phonograph, record players (or other sound sources) to create ''scratching'' and develop beats. Club DJs in h ...
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Pitch (music)
Pitch is a perception, perceptual property that allows sounds to be ordered on a frequency-related scale (music), scale, or more commonly, pitch is the quality that makes it possible to judge sounds as "higher" and "lower" in the sense associated with musical melody, melodies. Pitch is a major auditory system, auditory attribute of musical tones, along with duration (music), duration, loudness, and timbre. Pitch may be quantified as a frequency, but pitch is not a purely objective physical property; it is a subjective Psychoacoustics, psychoacoustical attribute of sound. Historically, the study of pitch and pitch perception has been a central problem in psychoacoustics, and has been instrumental in forming and testing theories of sound representation, processing, and perception in the auditory system. Perception Pitch and frequency Pitch is an auditory sensation in which a listener assigns musical tones to relative positions on a musical scale based primarily on their percep ...
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Loop (music)
In music, a loop is a repeating section of sound material. Short sections can be repeated to create ostinato patterns. Longer sections can also be repeated: for example, a player might loop what they play on an entire verse of a song in order to then play along with it, accompanying themselves. Loops can be created using a wide range of music technologies including turntables, digital samplers, looper pedals, synthesizers, sequencers, drum machines, tape machines, and delay units, and they can be programmed using computer music software. The feature to loop a section of an audio track or video footage is also referred to by electronics vendors as ''A–B repeat''. Royalty-free loops can be purchased and downloaded for music creation from companies like The Loop Loft, Native Instruments, Splice and Output. Loops are supplied in either MIDI or Audio file formats such as WAV, REX2, AIFF and MP3. Musicians ''play'' loops by triggering the start of the musical sequence by ...
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Tempo
In musical terminology, tempo (Italian for 'time'; plural 'tempos', or from the Italian plural), measured in beats per minute, is the speed or pace of a given musical composition, composition, and is often also an indication of the composition's character or atmosphere. In classical music, tempo is typically indicated with an instruction at the start of a piece (often using conventional Italian terms) and, if a specific metrical pace is desired, is usually measured in beat (music), beats per minute (bpm or BPM). In modern classical compositions, a "metronome mark" in beats per minute, indicating only measured speed and not any form of expression, may supplement or replace the normal tempo marking, while in modern genres like electronic dance music, tempo will typically simply be stated in bpm. Tempo (the underlying pulse of the music) is one of the three factors that give a piece of music its texture (music), texture. The others are meter (music), meter, which is indicated by a ...
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Hans Zimmer
Hans Florian Zimmer (; born 12 September 1957) is a German film score composer and music producer. He has won two Academy Awards, a BAFTA Award, five Grammy Awards, and has been nominated for three Primetime Emmy Awards, Emmy Awards and a Tony Awards, Tony Award. Zimmer was also named on the list of Top 100 Living Geniuses, published by ''The Daily Telegraph'' in 2007. His works are notable for integrating electronic music sounds with traditional orchestral arrangements. Since the 1980s, Zimmer has composed music for over 150 films. He has won two Academy Award for Best Original Score, Academy Awards for Best Original Score for ''The Lion King'' (1994), and for ''Dune (2021 film), Dune'' (2021). His works include ''Gladiator (2000 film), Gladiator'' (2000), ''The Last Samurai'' (2003), the ''Pirates of the Caribbean (film series), Pirates of the Caribbean'' series (2006–2011), The Dark Knight Trilogy, ''The Dark Knight'' trilogy (2005–2012), ''Inception'' (2010), ''Man of St ...
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Monolake
Monolake is a German electronic music project founded in 1995, initially consisting of members Gerhard Behles and Robert Henke. Monolake is now being perpetuated by Henke while Behles has focused on running the music software company Ableton, which they founded in 1999 together with Bernd Roggendorf. In 2004, Torsten Pröfrock became a member of the project. Monolake is now perpetuated by Henke alone. Monolake's minimal, dub-influenced techno helped establish the sound of the Chain Reaction label, also located in Berlin, which subsequently used their own l/i(''Monolake / Imbalance Computer Music'') label for the group's output. Both current members of Monolake have their own solo projects, with Henke releasing under his own name and Pröfrock as "T++" and "Various Artists." In 2008, T++ followed Ricardo Villalobos in bridging the gap between minimal techno and dubstep by remixing Shackleton's ''Death Is Not Final'' for the Skull Disco label. In 2009, Henke appeared in the ...
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Max (software)
Max, also known as Max/MSP/Jitter, is a visual programming language for music and multimedia developed and maintained by San Francisco-based software company Cycling '74. Over its more than thirty-year history, it has been used by composers, performers, software designers, researchers, and artists to create recordings, performances, and installations. The Max program is modular, with most routines existing as shared library, shared libraries. An application programming interface (API) allows third-party development of new routines (named ''external objects''). Thus, Max has a large user base of programmers unaffiliated with Cycling '74 who enhance the software with commercial and non-commercial Software extension, extensions to the program. Because of this Extensibility, extensible design, which simultaneously represents both the Computer program, program's structure and its graphical user interface (GUI), Max has been described as the lingua franca for developing interactive mus ...
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Technische Universität Berlin
(TU Berlin; also known as Berlin Institute of Technology and Technical University of Berlin, although officially the name should not be translated) is a public university, public research university located in Berlin, Germany. It was the first German university to adopt the name "Technische Universität" (university of technology). The university alumni and staff includes several United States National Academies, US National Academies members, two National Medal of Science laureates, the creator of the first fully functional programmable (electromechanical) computer, Konrad Zuse, and ten Nobel Prize laureates. TU Berlin is a member of TU9, an incorporated society of the largest and most notable German institutes of technology and of the Top International Managers in Engineering network, which allows for student exchanges between leading engineering schools. It belongs to the Conference of European Schools for Advanced Engineering Education and Research. The TU Berlin is home of ...
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Vice (website)
''Vice'' (stylized in all caps) is a Canadian-American magazine focused on lifestyle, arts, culture, and news/politics. It was founded in 1994 in Montreal as an alternative punk magazine, and its founders later launched the youth media company Vice Media, which consists of divisions including the printed magazine as well as a website, broadcast news unit, a film production company, a record label, and a publishing imprint. As of February 2015, the magazine's editor-in-chief is Ellis Jones. On 15 May 2023, Vice Media formally filed for Chapter 11 bankruptcy, as part of a possible sale to a consortium of lenders including Fortress Investment Group, which will, alongside Soros Fund Management and Monroe Capital, invest $225 million as a credit bid for nearly all of its assets. In February 2024, CEO Bruce Dixon announced additional layoffs and that the website Vice.com will no longer publish content. The print magazine returned in September 2024. History The precursor to ''Vice'' ...
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Robert Henke
Robert B. Henke (born 1969) is a German computer music artist working in the fields of audiovisual installation, music and performance. He was born in Munich, Germany, and lives in Berlin. Coming from an engineering background, Henke is fascinated by the beauty of technical objects. Developing his own instruments and algorithms is an integral part of his creative process. His materials are computer generated sound and images, field recordings, photography and light; transformed, re-arranged and modulated by mathematical rules, real time interaction and controlled random operations. Many of his works use multiple channels of audio or are specifically conceived for unique locations and their individual properties. For the past few years, he has been exploring the artistic usage of high power lasers in his installations and performances. Robert Henke is also a co-creator of the music software Ableton Live, with Gerhard Behles. Since 1995 he has produced electronic music under the n ...
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MIDI Controller
A MIDI controller is any hardware or software that generates and transmits Musical Instrument Digital Interface (MIDI) data to MIDI-enabled devices, typically to trigger sounds and control parameters of an electronic music performance. They most often use a musical keyboard to send data about the pitch of notes to play, although a MIDI controller may trigger lighting and other effects. A wind controller has a sensor that converts breath pressure to volume information and lip pressure to control pitch. Controllers for percussion and stringed instruments exist, as well as specialized and experimental devices. Some MIDI controllers are used in association with specific digital audio workstation software. The original MIDI specification has been extended to include a greater range of control features. Features MIDI controllers usually do not create or produce musical sounds by themselves. MIDI controllers typically have some type of interface that the performer presses, strikes ...
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