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Ajouré
Ajouré or à jour (French for "to the day," meaning open to the daylight) is an openwork metalworking technique similar to filigree, which leaves open spaces in the worked metal. Unlike filigree, the holes are usually sawed or pierced through solid metal rather than being incorporated during the process of construction. This technique also differs from plique-à-jour enamelling in that the open spaces are not filled with enamel, but left open. The result is reminiscent of the style of lace also known as à jour or cutwork. À jour work is often used in jewellery making to enhance gemstones by letting light shine through the back of the stone. This stonesetting technique became popular around 1800 A.D. and is commonly seen in Art Deco pieces. See also *Openwork *Plique-à-jour ''Plique-à-jour'' (French for "letting in daylight") is a vitreous enamelling technique where the enamel is applied in cells, similar to cloisonné, but with no backing in the final product, so light ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Filigree
Filigree (also less commonly spelled ''filagree'', and formerly written ''filigrann'' or ''filigrene'') is a form of intricate metalwork used in jewellery and other small forms of metalwork. In jewellery, it is usually of gold and silver, made with tiny beads or twisted threads, or both in combination, soldered together or to the surface of an object of the same metal and arranged in artistic motifs. It often suggests lace and remains popular in Indian and other Asian metalwork. It was popular as well in Italian, French and Portuguese metalwork from 1660 to the late 19th century. It should not be confused with ajoure jewellery work, the ajoure technique consisting of drilling holes in objects made of sheet metal. The English word filigree is shortened from the earlier use of ''filigreen'' which derives from Latin meaning thread and grain, in the sense of small bead. The Latin words gave ''filigrana'' in Italian which itself became ''filigrane'' in 17th-century Frenc ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Openwork
In art history, architecture, and related fields, openwork or open-work is any decorative technique that creates holes, piercings, or gaps through a solid material such as metal, wood, stone, pottery, cloth, leather, or ivory. Such techniques have been very widely used in a great number of cultures. The term is rather flexible, and used both for additive techniques that build up the design, as for example most large features in architecture, and those that take a plain material and make cuts or holes in it. Equally techniques such as casting using Molding (process), moulds create the whole design in a single stage, and are common in openwork. Though much openwork relies for its effect on the viewer seeing right through the object, some pieces place a different material behind the openwork as a background. Varieties Techniques or styles that normally use openwork include all the family of lace and cutwork types in textiles, including broderie anglaise and many others. Fretwork in ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Plique-à-jour
''Plique-à-jour'' (French for "letting in daylight") is a vitreous enamelling technique where the enamel is applied in cells, similar to cloisonné, but with no backing in the final product, so light can shine through the transparent or translucent enamel. It is in effect a miniature version of stained-glass and is considered very challenging technically: high time consumption (up to 4 months per item), with a high failure rate. The technique is similar to that of cloisonné, but using a temporary backing that after firing is dissolved by acid or rubbed away. A different technique relies solely on surface tension, for smaller areas. In Japan the technique is known as shotai-jippo (shotai shippo), and is found from the 19th century on. History The technique was developed in the Byzantine Empire in 6th century AD. Some examples of Byzantine plique-à-jour survived in Georgia (country), Georgian icons. The technique of plique-à-jour was adopted by Kievan Rus' (a strong trading ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lace
Lace is a delicate fabric made of yarn or thread in an open weblike pattern, made by machine or by hand. Generally, lace is split into two main categories, needlelace and bobbin lace, although there are other types of lace, such as knitted or crocheted lace. Other laces such as these are considered as a category of their specific craft. Knitted lace, therefore, is an example of knitting. This article considers both needle lace and bobbin lace. While some experts say both needle lace and bobbin lace began in Italy in the late 1500s, there are some questions regarding its origins. Originally linen, silk, gold, or silver threads were used. Now lace is often made with cotton thread, although linen and silk threads are still available. Manufactured lace may be made of synthetic fiber. A few modern artists make lace with a fine copper or silver wire instead of thread. Etymology The word lace is from Middle English, from Old French ''las'', noose, string, from Vulgar Latin">-4; ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cutwork
Cutwork or cut work, also known as in Italian, is a needlework technique in which portions of a textile, typically cotton or linen, are cut away and the resulting "hole" is reinforced and filled with embroidery or needle lace. Cutwork is related to drawn thread work. In drawn thread work, typically only the warp (weaving), warp or weft threads are withdrawn (cut and removed), and the remaining threads in the resulting hole are bound in various ways. In other types of cutwork, both warp and weft threads may be drawn. Cutwork is considered the precursor of lace. Different forms of cutwork are or have traditionally been popular in a number of countries. Needlework styles that incorporate cutwork include broderie anglaise, Carrickmacross lace, whitework, early reticella, Spanish cutwork, hedebo embroidery, hedebo, and jaali which is prevalent in India. There are degrees of cutwork, ranging from the smallest amount of fabric cut away (Renaissance cutwork) to the greatest (Reticella ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gemstones
A gemstone (also called a fine gem, jewel, precious stone, semiprecious stone, or simply gem) is a piece of mineral crystal which, when cut or polished, is used to make jewelry or other adornments. Certain rocks (such as lapis lazuli, opal, and obsidian) and occasionally organic materials that are not minerals (such as amber, jet, and pearl) may also be used for jewelry and are therefore often considered to be gemstones as well. Most gemstones are hard, but some softer minerals such as brazilianite may be used in jewelry because of their color or luster or other physical properties that have aesthetic value. However, generally speaking, soft minerals are not typically used as gemstones by virtue of their brittleness and lack of durability. Found all over the world, the industry of coloured gemstones (i.e. anything other than diamonds) is currently estimated at US$1.55billion and is projected to steadily increase to a value of $4.46billion by 2033. A gem expert is a gemo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Stonesetting
Stonesetting is the art of securely setting or attaching gemstones into jewelry. Cuts There are two general types of gemstone cutting: cabochon and facet. Cabochons are smooth, often domed, with flat backs. Agates and turquoise are usually cut this way, but precious stones such as rubies, emeralds and sapphires may also be. Many stones like star sapphires and moonstones must be cut this way in order to properly display their unusual appearance. A faceted shape resembles that of the modern diamond Diamond is a Allotropes of carbon, solid form of the element carbon with its atoms arranged in a crystal structure called diamond cubic. Diamond is tasteless, odourless, strong, brittle solid, colourless in pure form, a poor conductor of e .... It has a flat, polished surface, typically with a transparent surface that refracts light inside the gemstone and reflects light on the outside. In the case of a cabochon stone, the side of the stone is usually cut at a shallow ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Art Deco
Art Deco, short for the French (), is a style of visual arts, architecture, and product design that first Art Deco in Paris, appeared in Paris in the 1910s just before World War I and flourished in the United States and Europe during the 1920s to early 1930s, through styling and design of the exterior and interior of anything from large structures to small objects, including clothing, fashion, and jewelry. Art Deco has influenced buildings from skyscrapers to cinemas, bridges, ocean liners, trains, cars, trucks, buses, furniture, and everyday objects, including radios and vacuum cleaners. The name Art Deco came into use after the 1925 (International Exhibition of Modern Decorative and Industrial Arts) held in Paris. It has its origin in the bold geometric forms of the Vienna Secession and Cubism. From the outset, Art Deco was influenced by the bright colors of Fauvism and the Ballets Russes, and the exoticized styles of art from Chinese art, China, Japanese art, Japan, Indian ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Openwork
In art history, architecture, and related fields, openwork or open-work is any decorative technique that creates holes, piercings, or gaps through a solid material such as metal, wood, stone, pottery, cloth, leather, or ivory. Such techniques have been very widely used in a great number of cultures. The term is rather flexible, and used both for additive techniques that build up the design, as for example most large features in architecture, and those that take a plain material and make cuts or holes in it. Equally techniques such as casting using Molding (process), moulds create the whole design in a single stage, and are common in openwork. Though much openwork relies for its effect on the viewer seeing right through the object, some pieces place a different material behind the openwork as a background. Varieties Techniques or styles that normally use openwork include all the family of lace and cutwork types in textiles, including broderie anglaise and many others. Fretwork in ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Plique-à-jour
''Plique-à-jour'' (French for "letting in daylight") is a vitreous enamelling technique where the enamel is applied in cells, similar to cloisonné, but with no backing in the final product, so light can shine through the transparent or translucent enamel. It is in effect a miniature version of stained-glass and is considered very challenging technically: high time consumption (up to 4 months per item), with a high failure rate. The technique is similar to that of cloisonné, but using a temporary backing that after firing is dissolved by acid or rubbed away. A different technique relies solely on surface tension, for smaller areas. In Japan the technique is known as shotai-jippo (shotai shippo), and is found from the 19th century on. History The technique was developed in the Byzantine Empire in 6th century AD. Some examples of Byzantine plique-à-jour survived in Georgia (country), Georgian icons. The technique of plique-à-jour was adopted by Kievan Rus' (a strong trading ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
