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Aiki-jō
Aiki-jō (Kanji: 合気杖 Hiragana: あいきじょう) is the name given specifically to the set of martial art techniques practiced with a ''jō'' (a wooden staff about four feet long), according to the principles of aikido. Jō techniques were introduced into aikido by Morihei Ueshiba, aikido's founder,Lowry, D. (1987): ''Jo: Art of the Japanese short staff'' (p. 27). Burbank, CA: Ohara. () and further developed by Morihiro Saito, one of Ueshiba's most prominent students. Development of aiki-jō Much of the aiki-jō syllabus was developed by Morihei Ueshiba (植芝 盛平 ''Ueshiba Morihei'', 1883–1969) at his dojo in Iwama, Ibaraki, Iwama, Japan, at the same time he developed aikido's sword training (called ''aiki-ken''). It is well documented that Ueshiba studied several different styles of martial arts, including the art of the spear (''sōjutsu'') and the modern art of the bayonet or "Jūkendō". The aiki-jō techniques taught by Ueshiba were a distillation and modificat ...
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Aikido
Aikido ( , , , ) is a gendai budō, modern Japanese martial art which is split into many different styles including Iwama Ryu, Iwama Shin Shin Aiki Shuren Kai, Shodokan Aikido, Yoshinkan, Renshinkai, Aikikai, and Ki Aikido. Aikido is now practiced in around 140 countries. It was originally developed by Morihei Ueshiba, as a synthesis of his martial studies, philosophy and religious beliefs. Ueshiba's goal was to create an art which practitioners could use to defend themselves against attacks, while also protecting the attackers from injury. Aikido is often translated as "the way of unifying (with) Qi, life energy" or as "the way of harmonious spirit". According to the founder's philosophy, the primary goal in the practice of aikido is to overcome oneself instead of cultivating violence or aggressiveness. Morihei Ueshiba used the phrase to refer to this principle. Aikido's fundamental principles include: (entering), , (breathing control), (triangular principle), and (turn ...
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Choku-zuki
derives from the verb , meaning "to thrust". The second syllable is accented, with Japanese's unvoiced vowels making it pronounced almost like " ski" (but preceded by a "t" sound). In Japanese martial arts and Okinawan martial arts, ''tsuki'' is used to refer to various thrusting techniques. Tsuki in Karate In karate and its variants, the term ''tsuki'' is used as a part of a compound word for any one of a variety of thrusting techniques (usually punches). It is never used as a stand-alone term to describe a discrete technique. For example, ''gyaku seiken chudan-tsuki'', more commonly referred to as ''chudan-tsuki'' (段突), refers to a mid-level (''chudan'') punch (''tsuki'') executed with the rear (''gyaku'') arm. Note that in a compound word, where ''tsuki'' does not come first, its pronunciation and writing changes slightly due to rendaku, and it is pronounced as "''zuki''" (and is sometimes transliterated that way). Performing a Choku-Tsuki (Straight Punch) in Karate ...
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Aiki-ken
Aiki-ken (Kanji: 合気剣 Hiragana: あいきけん) is the name given specifically to the set of Japanese sword techniques practiced according to the principles of aikido, taught first by Morihei Ueshiba (aikido's founder), then further developed by Morihiro Saito, one of Ueshiba's most prominent students. Currently, Iwama Shin-Shin Aiki Shuren-kai is the main proponent organization. Development Much of the aiki-ken syllabus was developed by Morihei Ueshiba (植芝 盛平 ''Ueshiba Morihei'', 1883–1969) at his dojo in Iwama, Japan, at the same time he developed aikido's staff training (called ''aiki-jō''). It is well documented that Ueshiba studied several different styles of ''kenjutsu'' (Japanese swordsmanship), but the aiki-ken techniques are predominantly based upon the teachings of the Kashima Shintō-ryu. The practice of aiki-ken is not pervasive. Some schools of aikido incorporate weapons training that is unrelated to aiki-ken, and others forego weapons trai ...
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Tsuki
derives from the verb , meaning "to thrust". The second syllable is accented, with Japanese's unvoiced vowels making it pronounced almost like " ski" (but preceded by a "t" sound). In Japanese martial arts and Okinawan martial arts, ''tsuki'' is used to refer to various thrusting techniques. Tsuki in Karate In karate and its variants, the term ''tsuki'' is used as a part of a compound word for any one of a variety of thrusting techniques (usually punches). It is never used as a stand-alone term to describe a discrete technique. For example, ''gyaku seiken chudan-tsuki'', more commonly referred to as ''chudan-tsuki'' (段突), refers to a mid-level (''chudan'') punch (''tsuki'') executed with the rear (''gyaku'') arm. Note that in a compound word, where ''tsuki'' does not come first, its pronunciation and writing changes slightly due to rendaku, and it is pronounced as "''zuki''" (and is sometimes transliterated that way). Performing a Choku-Tsuki (Straight Punch) in Karate ...
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Kanji
are logographic Chinese characters, adapted from Chinese family of scripts, Chinese script, used in the writing of Japanese language, Japanese. They were made a major part of the Japanese writing system during the time of Old Japanese and are still used, along with the subsequently-derived Syllabary, syllabic scripts of and . The characters have Japanese pronunciations; most have two, with one based on the Chinese sound. A few characters were invented in Japan by constructing character components derived from other Chinese characters. After the Meiji Restoration, Japan made its own efforts to simplify the characters, now known as , by a process similar to China's simplified Chinese characters, simplification efforts, with the intention to increase literacy among the general public. Since the 1920s, the Japanese government has published character lists periodically to help direct the education of its citizenry through the myriad Chinese characters that exist. There are nearly 3 ...
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Sōjutsu
, meaning "art of the spear", is the Japanese martial art of fighting with a . Origins Although the spear had a profound role in early Japanese mythology, where the islands of Japan themselves were said to be created by salt water dripping from the tip of the spear Ame-no-Nuhoko (Heavenly jeweled spear), as a weapon the first spear prototypes were brought from mainland Asia. These early versions were not seen as suitable by the Japanese, who later redesigned them once technology permitted. Use and popularity The Yari was a popular weapon throughout the feudal period of Japan,Antony Karasulas (2004)Zaimokuza Reconsidered: The Forensic Evidence, and Classical Japanese Swordsmanship, World Archaeology, 36, 4, Debates in World Archaeology pp. 507- 518 being cheaper to produce and requiring less training than other contemporary battlefield weapons, and lending itself to close formations of ashigaru troops, in conjunction with firearms upon their adoption in Japan. The height of ...
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Kata
''Kata'' is a Japanese word ( 型 or 形) meaning "form". It refers to a detailed choreographed pattern of martial arts movements. It can also be reviewed within groups and in unison when training. It is practiced in Japanese martial arts as a way to memorize and perfect the movements being executed. Korean martial arts with Japanese influence ( hapkido, Tang Soo Do) use the derived term '' hyeong'' (hanja: 形) and also the term ''pumsae'' (hanja: 品勢 hangeul: 품새). Kata are also used in many traditional Japanese arts such as theatre forms like kabuki and schools of tea ceremony ('' chadō''), but are most commonly known in the martial arts. Kata are used by most Japanese and Okinawan martial arts, such as iaido, judo, kendo, kenpo, and karate. Background Kata originally were teaching and training methods by which successful combat techniques were preserved and passed on. Practicing kata allowed a company of persons to engage in a struggle using a syste ...
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Hassō-no-kamae
, frequently shortened simply to ''hassō'' and occasionally called ''hassō-gamae'', is one of the five stances in kendo: '' jōdan'', '' chūdan'', '' gedan'', ''hassō'', and '' waki''. It is an offensive stance, named for one's ability to respond to a situation in any direction. ''Waki'' and ''hassō'' are not commonly used in modern kendo, except in kata. In ''hassō-no-kamae'', the left foot is forward, and the sword is held pointing upright with the hilt in front of the right shoulder. The blade should slope slightly to the rear. When cutting, the sword is raised above the head, as in '' jōdan''.上野 靖之 (1966) ''剣道教典 (Educational Model Fencing)'' 尚武館刊. p317 ''Hassō-no-kamae'' is used by uchidachi in the 4th kendo kata, opposite shidachi's ''waki-gamae''. This posture is also used in Naginata. It is also used in Kashima Shinden Jikishinkage-ryū , often referred to simply as Jikishinkage-ryū or Kashima Shinden, is a traditional school (''k ...
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Jōdan
, which in a martial arts context means something like "high level", is one of the three heights commonly referred to in Japanese martial arts Japanese martial arts refers to the variety of martial arts native to the country of Japan. At least three Japanese terms (''budō'', ''bujutsu'', and ''bugei'') are used interchangeably with the English phrase Japanese martial arts. The usage .... It refers to the upper part of the body, which includes the shoulders and above. See also * Chūdan * Gedan References Directional terms in Japanese martial arts {{Martialart-term-stub ...
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Gedan
, meaning roughly "lower level", is one of the three heights commonly referred to in Japanese martial arts. It refers specifically to the lower part of the body, from the belt on the '' karategi'' and below. See also * Chūdan *Jōdan , which in a martial arts context means something like "high level", is one of the three heights commonly referred to in Japanese martial arts Japanese martial arts refers to the variety of martial arts native to the country of Japan. At least ... Directional terms in Japanese martial arts {{Martialart-term-stub ...
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Kata
''Kata'' is a Japanese word ( 型 or 形) meaning "form". It refers to a detailed choreographed pattern of martial arts movements. It can also be reviewed within groups and in unison when training. It is practiced in Japanese martial arts as a way to memorize and perfect the movements being executed. Korean martial arts with Japanese influence ( hapkido, Tang Soo Do) use the derived term '' hyeong'' (hanja: 形) and also the term ''pumsae'' (hanja: 品勢 hangeul: 품새). Kata are also used in many traditional Japanese arts such as theatre forms like kabuki and schools of tea ceremony ('' chadō''), but are most commonly known in the martial arts. Kata are used by most Japanese and Okinawan martial arts, such as iaido, judo, kendo, kenpo, and karate. Background Kata originally were teaching and training methods by which successful combat techniques were preserved and passed on. Practicing kata allowed a company of persons to engage in a struggle using a syste ...
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Bōjutsu
() is the martial art of stick fighting using a bō, which is the Japanese word for staff. Staffs have been in use for thousands of years in Asian martial arts like Silambam. Some techniques involve slashing, swinging, and stabbing with the staff. Others involve using the staff as a vaulting pole or as a prop for hand-to-hand strikes. Today ''bōjutsu'' is usually associated either with Okinawan '' kobudō'' or with Japanese '' koryū budō''. Japanese ''bōjutsu'' is one of the core elements of classical martial training. Thrusting, swinging, and striking techniques often resemble empty-hand movements, following the philosophy that the ''bō'' is merely an "extension of one’s limbs".Weapons
Consequently, bōjutsu is often incorporated into other styles of empty-hand fighting, like traditional
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