Agnese Schebest
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Agnese Schebest
Agnese Schebest ( Agnese Šebesta, also Agnese Schebesta; 10 February 1813 – 22 January 1870) was an Austrian operatic mezzo-soprano. She lived as a singing teacher in Munich and Stuttgart. Life and career Schebest was born in Vienna, the daughter of a Czech-born chief of the Austrian army. She moved to Prague as a child with her parents due to a professional change in her father's assignment. The latter died as a result of an injury while blasting the fortifications of Alessandria as early as 1816. She lived with her mother in Terezin, where she attracted attention as a child at church concerts. At the age of eleven she got singing lessons free of charge with Kammersänger Johann Aloys Miksch and acting lessons with the actress Friederike Vohs in Dresden. At the Dresden court opera she sang early as chorister and comprimaria. Schebest made her opera debut in 1830 as Benjamin in Méhul's '' Joseph'' at the Dresden court stage. As a result, she got a job there, which ena ...
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David Friedrich Strauss
David Friedrich Strauss (; ; 27 January 1808 – 8 February 1874) was a German liberal Protestant theologian and writer, who influenced Christian Europe with his portrayal of the "historical Jesus", whose divine nature he explored via myth. Strauss conceived of myths as expressions of Truths, as opposed to the modern shorthand of myth for "falsity"- Strauss did not deny Jesus' divine nature. His work was connected to the Tübingen School, which revolutionized study of the New Testament, early Christianity, and ancient religions. Strauss was a pioneer in the historical investigation of Jesus. Early life He was born in Ludwigsburg, near Stuttgart. At age 12 he was sent to the evangelical seminary at Blaubeuren, near Ulm, to be prepared for the study of theology. Two of the principal masters in the school were Professors Friedrich Heinrich Kern (1790–1842) and Ferdinand Christian Baur, who instilled in their pupils a deep appreciation for the ancient classics and the prin ...
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Vienna
Vienna ( ; ; ) is the capital city, capital, List of largest cities in Austria, most populous city, and one of Federal states of Austria, nine federal states of Austria. It is Austria's primate city, with just over two million inhabitants. Its larger metropolitan area has a population of nearly 2.9 million, representing nearly one-third of the country's population. Vienna is the Culture of Austria, cultural, Economy of Austria, economic, and Politics of Austria, political center of the country, the List of cities in the European Union by population within city limits, fifth-largest city by population in the European Union, and the most-populous of the List of cities and towns on the river Danube, cities on the river Danube. The city lies on the eastern edge of the Vienna Woods (''Wienerwald''), the northeasternmost foothills of the Alps, that separate Vienna from the more western parts of Austria, at the transition to the Pannonian Basin. It sits on the Danube, and is ...
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La Clemenza Di Tito
(''The Clemency of Titus''), K. 621, is an ''opera seria'' in two acts composed by Wolfgang Amadeus Mozart to an Italian libretto by Caterino Mazzolà, after Pietro Metastasio. Mozart completed the work in the midst of composing ''Die Zauberflöte'', his last opera. ''La clemenza di Tito'' premiered on 6 September 1791 at the Estates Theatre in Prague. Background In 1791, the last year of his life, Mozart was already well advanced in writing ' by July when he was asked to compose an ''opera seria ''Opera seria'' (; plural: ''opere serie''; usually called ''dramma per musica'' or ''melodramma serio'') is an Italian musical term which refers to the noble and "serious" style of Italian opera that predominated in Europe from the 1710s to abou ...''. The commission came from the impresario Domenico Guardasoni, who lived in Prague and who had been charged by the Estates of Bohemia with providing a new work to celebrate the coronation of Leopold II, Holy Roman Emperor, as King o ...
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Bass (voice Type)
A bass is a type of classical male singing voice and has the lowest vocal range of all voice types. According to '' The New Grove Dictionary of Opera'', a bass is typically classified as having a vocal range extending from around the second E below middle C to the E above middle C (i.e., E2–E4). Its tessitura, or comfortable range, is normally defined by the outermost lines of the bass clef. Categories of bass voices vary according to national style and classification system. Italians favour subdividing basses into the ''basso cantante'' (singing bass), ''basso buffo'' (comical bass), or the dramatic ''basso profondo'' (deep bass). The American system identifies the bass-baritone, comic bass, lyric bass, and dramatic bass. The German '' Fach'' system offers further distinctions: Spielbass (Bassbuffo), Schwerer Spielbass (Schwerer Bassbuffo), Charakterbass (Bassbariton), and Seriöser Bass. These classifications tend to describe roles rather than singers: it is rare for ...
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Heinrich Ferdinand Mannstein
Heinrich Ferdinand Mannstein, real name Heinrich Ferdinand Steinmann, (16 September 1806 – 3 August 1872) was a German singing teacher, writer and music critic. Life Born in Berggießhübel, Mannstein attended the Dresden Kreuzschule and the St. Thomas School, Leipzig as Gymnasiast. At the insistence of his father, he devoted himself to studying theology at the Leipzig University, while also studying music. After some arguments at home, but also due to the general circumstances of his time, he finally joined the singing choir of the court theatre in Dresden in 1829. Soon after Johann Aloys Miksch took over and completed Mannstein's training as a singer, he left the stage for good to work as a singing teacher and writer. Beyond that Mannstein, developed extensive journalistic activities. His music-critical works are still today an important source for the history of music in Dresden in the middle of the 19th century and offer in this way deepened insights into the then culti ...
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Lemberg
Lviv ( or ; ; ; see #Names and symbols, below for other names) is the largest city in western Ukraine, as well as the List of cities in Ukraine, fifth-largest city in Ukraine, with a population of It serves as the administrative centre of Lviv Oblast and Lviv Raion, and is one of the main Ukrainian culture, cultural centres of Ukraine. Lviv also hosts the administration of Lviv urban hromada. It was named after Leo I of Galicia, the eldest son of Daniel of Galicia, Daniel, King of Ruthenia. Lviv (then Lwów) emerged as the centre of the historical regions of Red Ruthenia and Galicia (Eastern Europe), Galicia in the 14th century, superseding Halych, Chełm, Belz, and Przemyśl. It was the capital of the Kingdom of Galicia–Volhynia from 1272 to 1349, when it went to King Casimir III the Great of Kingdom of Poland, Poland in a Galicia–Volhynia Wars, war of succession. In 1356, Casimir the Great granted it town rights. From 1434, it was the regional capital of the Ruthenian ...
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Graz
Graz () is the capital of the Austrian Federal states of Austria, federal state of Styria and the List of cities and towns in Austria, second-largest city in Austria, after Vienna. On 1 January 2025, Graz had a population of 306,068 (343,461 including secondary residence). In 2023, the population of the Graz larger urban zone (LUZ) stood at 660,238. Graz is known as a city of higher education, with four colleges and four universities. Combined, the city is home to more than 60,000 students. Its historic centre (''Altstadt'') is one of the best-preserved city centres in Central Europe. In 1999, the city's historic centre was added to the UNESCO list of World Heritage Sites and in 2010 the designation was expanded to include Eggenberg Palace, Graz, Eggenberg Palace () on the western edge of the city. Graz was designated the Cultural Capital of Europe in 2003 and became a City of Culinary Delights in 2008. In addition, the city is recognized as a "Design Cities (UNESCO), Design City ...
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I Capuleti Ed I Montecchi
''I Capuleti e i Montecchi'' (''The Capulets and the Montagues'') is an Italian opera (''tragedia lirica'') in two acts by Vincenzo Bellini. The libretto by Felice Romani was a reworking of the story of ''Romeo and Juliet'' for an opera by Nicola Vaccai called ''Giulietta e Romeo (Vaccai), Giulietta e Romeo'' and based on the play of the same name by Luigi Scevola written in 1818, thus an Italian source rather than taken directly from William Shakespeare. Bellini was persuaded to write the opera for the 1830 Carnival of Venice, Carnival season at the Teatro La Fenice in Venice, with only a month and a half available for composition. He succeeded by appropriating a large amount of music previously written for his unsuccessful opera ''Zaira (opera), Zaira''. The first performance of ''I Capuleti e i Montecchi'' took place on 11 March 1830. Composition history After ''Zaira'' Following the poor reception which ''Zaira'' received in Parma, Bellini returned to Milan by the end of ...
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Médée (Cherubini)
''Médée'' is a French language opéra-comique by Luigi Cherubini. The libretto by François-Benoît Hoffman (Nicolas Étienne Framéry) was based on Euripides' tragedy of Medea and Pierre Corneille's play '' Médée''. It is set in the ancient city of Corinth. The opera was premiered on 13 March 1797 at the Théâtre Feydeau, Paris. It met with a lukewarm reception and was not immediately revived. During the twentieth century, it was usually performed in Italian translation as ''Medea'', with the spoken dialogue replaced by recitatives not authorized by the composer. More recently, some performances have used Cherubini's original version. The long-lost final aria, which Cherubini appears to have elided from his original manuscript, was discovered by researchers from the University of Manchester and Stanford University by employing x-ray techniques to reveal the blackened out areas of Cherubini's manuscript. Performances and versions Several versions of the opera were ...
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Otello (Verdi)
''Otello'' () is an opera in four acts by Giuseppe Verdi to an Italian libretto by Arrigo Boito, based on Shakespeare's play ''Othello''. It was Verdi's penultimate opera, first performed at the Teatro alla Scala, Milan, on 5 February 1887. The composer was reluctant to write anything new after the success of ''Aida'' in 1871, and he retreated into retirement. It took his Milan publisher Giulio Ricordi the next ten years, first to encourage the revision of Verdi's 1857 ''Simon Boccanegra'' by introducing Boito as librettist and then to begin the arduous process of persuading and cajoling Verdi to see Boito's completed libretto for ''Otello'' in July/August 1881. However, the process of writing the first drafts of the libretto and the years of their revision, with Verdi all along not promising anything, dragged on. It was not until 1884, five years after the first drafts of the libretto, that composition began, with most of the work finishing in late 1885. When it finally premiered ...
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Don Giovanni
''Don Giovanni'' (; K. 527; full title: , literally ''The Rake Punished, or Don Giovanni'') is an opera in two acts with music by Wolfgang Amadeus Mozart to an Italian libretto by Lorenzo Da Ponte. Its subject is a centuries-old Spanish legend about a libertine as told by playwright Tirso de Molina in his 1630 play '' El burlador de Sevilla y convidado de piedra''. It is a ''dramma giocoso'' blending comedy, melodrama and supernatural elements (although the composer entered it into his catalogue simply as ''opera buffa''). It was premiered by the Prague Italian opera at the National Theatre (of Bohemia), now called the Estates Theatre, on 29 October 1787. ''Don Giovanni'' is regarded as one of the greatest operas of all time and has proved a fruitful subject for commentary in its own right; critic Fiona Maddocks has described it as one of Mozart's "trio of masterpieces with librettos by Da Ponte". Composition and premiere The opera was commissioned after the success of ...
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