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Affective Fallacy
Affective fallacy is a term from literary criticism used to refer to the supposed error of judging or evaluating a text on the basis of its emotional effects on a reader. The term was coined by W.K. Wimsatt and Monroe Beardsley in 1949 as a principle of New Criticism which is often paired with their study of ''The Intentional Fallacy''. Concept The concept of affective fallacy is an answer to the idea of impressionistic criticism, which argues that the reader's response to a poem is the ultimate indication of its value. It is the antithesis of affective criticism, which is the practice of evaluating the effect that a literary work has on its reader or audience. The concept was presented after the authors had presented their paper on ''The Intentional Fallacy''. First defined in an article published in ''The Sewanee Review'' in 1946, the concept of an affective fallacy was most clearly articulated in ''The Verbal Icon'', Wimsatt's collection of essays published in 1954. Wimsatt use ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Literary Criticism
A genre of arts criticism, literary criticism or literary studies is the study, evaluation, and interpretation of literature. Modern literary criticism is often influenced by literary theory, which is the philosophical analysis of literature's goals and methods. Although the two activities are closely related, literary critics are not always, and have not always been, theorists. Whether or not literary criticism should be considered a separate field of inquiry from literary theory is a matter of some controversy. For example, ''The Johns Hopkins Guide to Literary Theory and Criticism'' draws no distinction between literary theory and literary criticism, and almost always uses the terms together to describe the same concept. Some critics consider literary criticism a practical application of literary theory, because criticism always deals directly with particular literary works, while theory may be more general or abstract. Literary criticism is often published in essay or book ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
William Kurtz Wimsatt, Jr
William Kurtz Wimsatt Jr. (November 17, 1907 – December 17, 1975) was an American professor of English, literary theorist, and critic. Wimsatt is often associated with the concept of the intentional fallacy, which he developed with Monroe Beardsley in order to question the importance of an author's intentions for the creation of a work of art. Life and career Wimsatt was born in Washington D.C., attended Georgetown University and, later, Yale University, where he received his PhD In 1939, Wimsatt joined the English department at Yale, where he taught until his death in 1975. During his lifetime, Wimsatt became known for his studies of eighteenth-century literature (Leitch et al. 1372). He wrote many works of literary theory and criticism such as ''The Prose Style of Samuel Johnson'' (1941) and ''Philosophic Words: A Study of Style and Meaning in the "Rambler" and "Dictionary" of Samuel Johnson'' (1948; Leitch et al. 1372). His major works include ''The Verbal Icon: Studies in ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Monroe Beardsley
Monroe Curtis Beardsley ( ; December 10, 1915 – September 18, 1985) was an American philosopher of art. Biography Beardsley was born and raised in Bridgeport, Connecticut, and educated at Yale University (B.A. 1936, Ph.D. 1939), where he received the John Addison Porter Prize. He taught at a number of colleges and universities, including Mount Holyoke College and Yale University, but most of his career was spent at Swarthmore College (22 years) and Temple University (16 years). His wife and occasional coauthor, Elizabeth Lane Beardsley, was also a philosopher at Temple. His work in aesthetics is best known for its championing of the instrumentalist theory of art and the concept of aesthetic experience. Beardsley was elected president of the American Society for Aesthetics in 1956. Among literary critics, Beardsley is known for two essays written with W.K. Wimsatt, "The Intentional Fallacy" and "The Affective Fallacy," both key texts of New Criticism. His books include: ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
New Criticism
New Criticism was a Formalism (literature), formalist movement in literary theory that dominated American literary criticism in the middle decades of the 20th century. It emphasized close reading, particularly of poetry, to discover how a work of literature functioned as a self-contained, self-referential aesthetic object. The movement derived its name from John Crowe Ransom's 1941 book ''The New Criticism''. The works of University of Cambridge, Cambridge scholar I. A. Richards, especially his ''Practical Criticism'', ''The Principles of Literary Criticism'' and ''The Meaning of Meaning'', which offered what was claimed to be an empirical scientific approach, were important to the development of a New Critical methodology. Cleanth Brooks, John Crowe Ransom, W. K. Wimsatt, and Monroe Beardsley also made significant contributions to New Criticism. It was Wimsatt and Beardsley who introduced the ideas of Authorial intent, intentional fallacy and affective fallacy. Also very influenti ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ovid
Publius Ovidius Naso (; 20 March 43 BC – AD 17/18), known in English as Ovid ( ), was a Augustan literature (ancient Rome), Roman poet who lived during the reign of Augustus. He was a younger contemporary of Virgil and Horace, with whom he is often ranked as one of the three Western canon, canonical poets of Latin literature. The Roman Empire, Imperial scholar Quintilian considered him the last of the Latin love elegy, elegists.Quint. ''Inst.'' 10.1.93 Although Ovid enjoyed enormous popularity during his lifetime, the emperor Augustus Exile of Ovid, exiled him to Constanța, Tomis, the capital of the newly-organised province of Moesia, on the Black Sea, where he remained for the last nine or ten years of his life. Ovid himself attributed his banishment to a "poem and a mistake", but his reluctance to disclose specifics has resulted in much speculation among scholars. Ovid is most famous for the ''Metamorphoses'', a continuous mythological narrative in fifteen books written in ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Aristotle
Aristotle (; 384–322 BC) was an Ancient Greek philosophy, Ancient Greek philosopher and polymath. His writings cover a broad range of subjects spanning the natural sciences, philosophy, linguistics, economics, politics, psychology, and the arts. As the founder of the Peripatetic school of philosophy in the Lyceum (classical), Lyceum in Athens, he began the wider Aristotelianism, Aristotelian tradition that followed, which set the groundwork for the development of modern science. Little is known about Aristotle's life. He was born in the city of Stagira (ancient city), Stagira in northern Greece during the Classical Greece, Classical period. His father, Nicomachus (father of Aristotle), Nicomachus, died when Aristotle was a child, and he was brought up by a guardian. At around eighteen years old, he joined Plato's Platonic Academy, Academy in Athens and remained there until the age of thirty seven (). Shortly after Plato died, Aristotle left Athens and, at the request ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Catharsis
Catharsis is from the Ancient Greek word , , meaning "purification" or "cleansing", commonly used to refer to the purification and purgation of thoughts and emotions by way of expressing them. The desired result is an emotional state of renewal and restoration. In dramaturgy, the term usually refers to arousing negative emotion in an audience, who subsequently expels it, making them feel happier. In Greek the term originally had only a physical meaning, describing purification practices. In medicine, it can still refer to the evacuation of the '' catamenia'' ("monthlies", menstrual fluid). Similarly, a cathartic is a substance that accelerates the defecation of faeces. The first recorded uses of the term in a mental sense were by Aristotle in the ''Politics'' and '' Poetics'', comparing the effects of music and tragedy on the mind of a spectator to the effect of catharsis on the body.Aristotle, ''Poetics''1449b/ref> The term is also used in Greek to refer to the spiritual p ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Longinus (literature)
''On the Sublime'' ( ; ) is a Roman-era Greek work of literary criticism dated to the 1st century AD. Its author is unknown but is conventionally referred to as Longinus (; ) or Pseudo-Longinus. It is regarded as a classic work on aesthetics and the effects of good writing. The treatise highlights examples of good and bad writing from the previous millennium, focusing particularly on what may lead to the sublime. Authorship The author is unknown. In a 10th-century reference manuscript (Parisinus Graecus 2036), the heading (f. 178v) reports "by Dionysius Longinus" (), whereas in the table of contents at f. 1v, the same copyist wrote "by Dionysius or Longinus" (). When the manuscript was being prepared for printed publication, the work was initially attributed to Cassius Longinus (). Since the correct translation includes the possibility of an author named "Dionysius", some have attributed the work to Dionysius of Halicarnassus or Dionysius Atticus, both writers of the 1st cen ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Belles-lettres
() is a category of writing, originally meaning beautiful or fine writing. In the modern narrow sense, it is a label for literary works that do not fall into the major categories such as fiction, poetry, or drama. The phrase is sometimes used pejoratively for writing that focuses on the aesthetic qualities of language rather than its practical application. A writer of belles-lettres is a wikt:belletrist, belletrist. Overview Literally, is a French (language), French phrase meaning 'beautiful' or 'fine' writing. In this sense, therefore, it includes all literary works—especially fiction, poetry, drama, or essays—valued for their artistic merit, aesthetic qualities and originality of Style (fiction), style and Tone (literature), tone. The term thus can be used to refer to literature generally. The ''Nuttall Encyclopedia'', for example, described belles-lettres as the "department of literature which implies literary culture and belongs to the domain of art, whatever the subject ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Chicago Critics
The Chicago School of literary criticism was a form of criticism of English literature begun at the University of Chicago in the 1930s, which lasted until the 1950s. It was also called Neo-Aristotelianism, due to its strong emphasis on Aristotle's concepts of plot, character and genre. It was partly a reaction to New Criticism, a then highly popular form of literary criticism, which the Chicago critics accused of being too subjective and placing too much importance on irony and figurative language. They aimed instead for total objectivity and a strong classical basis of evidence for criticism. The New Critics regarded the language and poetic diction as most important, but the Chicago School considered such things merely the building material of poetry. Like Aristotle, they valued the structure or form of a literary work as a whole, rather than the complexities of the language. Despite this, the Chicago School is considered by some to be a part of the New Criticism movement. Beginn ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Arthur Quiller-Couch
Sir Arthur Thomas Quiller-Couch (; 21 November 186312 May 1944) was a Cornish people, British writer who published using the pen name, pseudonym Q. Although a prolific novelist, he is remembered mainly for the monumental publication ''The Oxford Book of English Verse, The Oxford Book of English Verse 1250–1900'' (later extended to 1918) and for his literary criticism. He influenced many who never met him, including American writer Helene Hanff, author of ''84, Charing Cross Road'' and its sequel, ''Q's Legacy''. His ''The Oxford Book of English Verse'' was a favourite of John Mortimer fictional character Horace Rumpole. Life Arthur Quiller-Couch was born in the town of Bodmin, Cornwall. He was the son of DrThomas Quiller Couch (d.1884), who was a noted physician, folklorist and historian who married Mary Ford and lived at 63, Fore Street, Bodmin, until his death in 1884. Thomas was the product of the union of two ancient local families, the Quiller family and the Couch famil ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
George Saintsbury
George Edward Bateman Saintsbury, FBA (23 October 1845 – 28 January 1933), was an English critic, literary historian, editor, teacher, and wine connoisseur. He is regarded as a highly influential critic of the late 19th and early 20th century. Biography Born in Lottery Hall, Southampton, he was educated at King's College School, London, and at Merton College, Oxford, where he achieved a first class BA degree in Classical Mods, (1865), and a second class in ''literae humaniores'' (1867). He left Oxford in 1868 having failed to obtain a fellowship, and briefly became a master at the Manchester Grammar School, before spending six years in Guernsey as senior classical master of Elizabeth College, where he began his literary career by submitting his first reviews to '' The Academy''. From 1874 until he returned to London in 1876, he was headmaster of the Elgin Educational Institute, with a brief period in 1877 on '' The Manchester Guardian''. From the early 1880s, until 189 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
