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Actor-manager
An actor-manager is a leading actor who sets up their own permanent theatrical company and manages the business, sometimes taking over a theatre to perform select plays in which they usually star. It is a method of theatrical production used consistently since the 16th century, particularly common in 19th-century Britain and the United States. History The first actor-managers, such as Robert Browne, appeared in the late 16th century, to be followed by another Robert Browne (no relation) and George Jolly in the 17th century. In the 18th century, actor-managers such as Colley Cibber and David Garrick gained prominence. The system of actor-management generally produced high standards of performance, as demonstrated by such 19th-century actors as William Macready, Charles Wyndham, Henry Irving, Frank Benson and Herbert Beerbohm Tree, by husband-wife teams such as Squire Bancroft and Effie Bancroft, Frank Wyatt and Violet Melnotte, William Hunter Kendal and Madge Robe ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Colley Cibber
Colley Cibber (6 November 1671 – 11 December 1757) was an English actor-manager, playwright and Poet Laureate. His colourful memoir ''Apology for the Life of Colley Cibber'' (1740) describes his life in a personal, anecdotal and even rambling style. He wrote 25 plays for his own company at Drury Lane, half of which were adapted from various sources, which led Robert Lowe and Alexander Pope, among others, to criticise his "miserable mutilation" of "crucified Molière ndhapless Shakespeare". He regarded himself as first and foremost an actor and had great popular success in comical fop parts, while as a tragic actor he was persistent but much ridiculed. Cibber's brash, extroverted personality did not sit well with his contemporaries, and he was frequently accused of tasteless theatrical productions, shady business methods, and a social and political opportunism that was thought to have gained him the laureateship over far better poets. He rose to ignominious fame when he became t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Actor
An actor or actress is a person who portrays a character in a performance. The actor performs "in the flesh" in the traditional medium of the theatre or in modern media such as film, radio, and television. The analogous Greek term is (), literally "one who answers".''Hypokrites'' (related to our word for hypocrite) also means, less often, "to answer" the tragic chorus. See Weimann (1978, 2); see also Csapo and Slater, who offer translations of classical source material using the term ''hypocrisis'' (acting) (1994, 257, 265–267). The actor's interpretation of a rolethe art of actingpertains to the role played, whether based on a real person or fictional character. This can also be considered an "actor's role," which was called this due to scrolls being used in the theaters. Interpretation occurs even when the actor is "playing themselves", as in some forms of experimental performance art. Formerly, in ancient Greece and the medieval world, and in England at the time ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gertrude Kingston
Gertrude Kingston (24 September 1862 – 7 November 1937) (born Gertrude Angela Kohnstamm) was an actress, an English actor-manager and artist. Early life Kingston was born in Islington in London, the daughter of merchant Heiman Kohnstamm and his wife, Teresina (née Friedmann), who were Jewish. She was the sister of legal author and county court judge Edwin Max Konstam (1870–1956), born as Edwin Max Kohnstamm. Kingston was privately educated and travelled extensively with her mother and governess. She studied painting in Berlin and Paris and later published three illustrated books. Her first theatrical experience was as a child, performing amateur impersonations of famous actors of the day such as Henry Irving and Sarah Bernhardt. Aged fifteen W. S. Gilbert selected her to play the lead in an amateur production of ''Broken Hearts''. On her marriage in 1889 to Captain George Silver (1858/9–1899) of the East Surrey Regiment, Kingston decided to become a professional actres ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Evelyn Millard
Evelyn Mary Millard (18 September 1869 – 9 March 1941) was an English Shakespearean actress, actor-manager and "stage beauty" of the late nineteenth and early twentieth centuries perhaps best known for creating the role of Cecily Cardew in the 1895 premiere of Oscar Wilde's play ''The Importance of Being Earnest''. Early life and career Millard was born in Kensington in London in 1869, one of three daughters of John Millard (1838 –1900), a teacher of elocution at the Royal Academy of Music and the Royal College of Music, and his wife, Emily (née Cooke) (1848–1902). Evelyn Millard studied at the Female School of Art in Bloomsbury.Gillan, DonEvelyn Millard 'Stage Beauty' website, accessed 3 April 2011/ref> She made her first stage appearance in 1891 in a "walk-on" role in Henry Arthur Jones' play ''The Dancing Girl'' at the Haymarket Theatre in London. She trained as an actress under Sarah Thorne at her School of Acting based at the Theatre Royal in Margate, where she l ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sarah Thorne
Sarah Thorne (10 May 1836 – 27 February 1899) was a British actress and actress-manager of the 19th century who managed the Theatre Royal at Margate for many years. She ran a school for acting there which is widely regarded as Britain's first formal drama school. The Sarah Thorne Theatre Club in Broadstairs is named in her memory. Early life Sarah Thorne was born in London in 1836, the eldest of ten children born to Richard Samuel Thorne (1813–1875), an actor and theatre manager who managed the Surrey Theatre, and his wife, Sarah née Rogers (1812–1896). Two of her younger brothers were Thomas Thorne, one of the founding managers of London's Vaudeville Theatre, and George Thorne, the singer and actor, best known for his performances in the comic baritone roles of the Savoy Operas with the D'Oyly Carte Opera Company. Sarah Thorne made her stage debut aged 12 on 26 December 1848 in a pantomime produced by her father at the Pavilion Theatre, Whitechapel. Over the next f ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
George Jolly
George Jolly, or Joliffe (in Germany, Joris Joliphus or Jollifous) (fl. 1640 – 1673) was an actor, an early actor-manager and a theatre impresario of the middle seventeenth century. He was "an experienced, courageous, and obstinate actor-manager" who proved a persistent rival for the main theatrical figures of Restoration theatre, Sir William Davenant and Thomas Killigrew. Beginnings Nothing is known of Jolly's early life. He began his acting career c. 1640, at the crisis point of Caroline era theatre and society, when the English Civil War was about to start. The Puritan authorities suppressed the London theatres in September 1642; Jolly, like most actors, playwrights, and poets, was a royalist supporter, and served Prince Charles, then Prince of Wales, in Paris until 1646. Jolly eventually organised a company of fourteen actors, his English Comedian Players, and led them around Europe from 1648 to 1659. They began in Germany, and were in Poland and Sweden in 1649 and 1650. Th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Herbert Beerbohm Tree
Sir Herbert Beerbohm Tree (17 December 1852 – 2 July 1917) was an English actor and theatre manager. Tree began performing in the 1870s. By 1887, he was managing the Haymarket Theatre in the West End, winning praise for adventurous programming and lavish productions, and starring in many of its productions. In 1899, he helped fund the rebuilding, and became manager, of His Majesty's Theatre. Again, he promoted a mix of Shakespeare and classic plays with new works and adaptations of popular novels, giving them spectacular productions in this large house, and often playing leading roles. His wife, actress Helen Maud Holt, often played opposite him and assisted him with management of the theatres. Although Tree was regarded as a versatile and skilled actor, particularly in character roles, by his later years his technique was seen as mannered and old-fashioned. He founded the Royal Academy of Dramatic Art in 1904 and was knighted for his contributions to theatre in 1909. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lucia Elizabeth Vestris
Lucia Elizabeth Vestris (''née'' Elizabetta Lucia Bartolozzi; 3 March 1797 – 8 August 1856) was an English actress and a contralto opera singer, appearing in works by, among others, Mozart and Rossini. While popular in her time, she was more notable as a theatre producer and manager. After accumulating a fortune from her performances, she leased the Olympic Theatre in London and produced a series of burlesques and extravaganzas, especially popular works by James Planché, for which the house became famous. She also produced his work at other theatres she managed. Early life and education She was born in London in 1797, the first of two daughters of German pianist Theresa Jansen Bartolozzi and art dealer Gaetano Stefano Bartolozzi. He was a musician and son of the immigrant Francesco Bartolozzi, a noted artist and engraver, appointed as Royal Engraver to the king. [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Squire Bancroft
Sir Squire Bancroft (14 May 1841 – 19 April 1926), born Squire White Butterfield, was an English actor-manager. He changed his name to Squire Bancroft Bancroft by deed poll just before his marriage. He and his wife Effie Bancroft are considered to have instigated a new form of drama known as 'drawing-room comedy' or 'cup and saucer drama', owing to the realism of their stage sets. Early life and career Bancroft was born in Rotherhithe, London. His first appearance on the stage was in 1861 at Birmingham, and he played in the provinces with success for several years. His first London appearance was in 1865 as Jack Crawley in J. P. Wooler's ''A Winning Hazard'' at the Prince of Wales's Theatre off Tottenham Court Road. He was then using the stage name Sydney Bancroft; also in the cast was his future wife, Effie Wilton. This theatre was managed by Henry Byron and Wilton, whom Bancroft married in December 1867. After their marriage the Bancrofts became joint managers of the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Madge Robertson Kendal
Dame Madge Kendal, (born Margaret Shafto Robertson; 15 March 1848 – 14 September 1935) was an English actress of the Victorian and Edwardian eras, best known for her roles in Shakespeare and English comedies. Together with her husband, W. H. Kendal (''né'' William Hunter Grimston), she became an important theatre manager. Madge Kendal came from a theatrical family. She was born in Grimsby in Lincolnshire, where her father ran a chain of theatres. She began to act as a small child and made her London debut at the age of four. As a teenager she appeared with Ellen and Kate Terry in Bath, and played Shakespeare's Ophelia and Desdemona in the West End. Under the management of J. B. Buckstone, she joined the company of the Haymarket Theatre in London in 1869, when she was 21. While in the company she met and married the actor W. H. Kendal. After their marriage, in August 1869, the two made it a rule to appear in the same productions, and became known to the public as "The Kend ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Charles Wyndham (actor)
Sir Charles Wyndham (23 March 1837 – 12 January 1919), ''né'' Charles Culverwell, was an English actor and theatre proprietor. Wyndham's Theatre in London is named after him, and he also built the New Theatre (now the Noël Coward Theatre) nearby. Wyndham's family intended him for a medical career, and he studied medicine while enthusiastically engaging in amateur theatricals in his spare time. Torn between medicine and the stage, he spent three years in the US as a surgeon in the Union army in the American Civil War and on two occasions acted unsuccessfully on the New York stage. After returning to Britain and establishing himself as an actor he made further trips to the US between 1882 and 1910, playing in theatres all around the country. In London, Wyndham became known for his comic skills, both in light comedy and farce. He took over the management of the Criterion Theatre in 1876 and remained in charge there for more than 20 years. "Criterion farce" became a familia ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Henry Irving
Sir Henry Irving (6 February 1838 – 13 October 1905), christened John Henry Brodribb, sometimes known as J. H. Irving, was an English stage actor in the Victorian era, known as an actor-manager because he took complete responsibility (supervision of sets, lighting, direction, casting, as well as playing the leading roles) for season after season at the West End’s Lyceum Theatre, establishing himself and his company as representative of English classical theatre. In 1895 he became the first actor to be awarded a knighthood, indicating full acceptance into the higher circles of British society. Life and career Irving was born to a working-class family in Keinton Mandeville in the county of Somerset. W.H. Davies, the celebrated poet, was a cousin. Irving spent his childhood living with his aunt, Mrs Penberthy, at Halsetown in Cornwall. He competed in a recitation contest at a local Methodist chapel where he was beaten by William Curnow, later the editor of '' The ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
