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Action (narrative)
In literature, action is the physical movement of the characters. Action as a literary mode "Action is the mode hatfiction writers use to show what is happening at any given moment in the story," states Evan Marshall, who identifies five fiction-writing modes: action, summary, dialogue, feelings/thoughts, and background. Jessica Page Morrell lists six delivery modes for fiction-writing: action, exposition, description, dialogue, summary, and transition. Peter Selgin refers to ''methods'', including action, dialogue, thoughts, summary, scene, and description. While dialogue is the element that brings a story and its characters to life on the page, and narrative gives the story its depth and substance, action creates the movement within a story. Writing a story means weaving all of the elements of fiction together. When it is done right, weaving dialogue, narrative, and action can create a beautiful tapestry. A scene top-heavy with action can feel unreal because it is likely ...
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Literature
Literature is any collection of Writing, written work, but it is also used more narrowly for writings specifically considered to be an art form, especially novels, Play (theatre), plays, and poetry, poems. It includes both print and Electronic literature, digital writing. In recent centuries, the definition has expanded to include oral literature, much of which has been transcribed.; see also Homer. Literature is a method of recording, preserving, and transmitting knowledge and entertainment. It can also have a social, psychological, spiritual, or political role. Literary criticism is one of the oldest academic disciplines, and is concerned with the literary merit or intellectual significance of specific texts. The study of books and other texts as artifacts or traditions is instead encompassed by textual criticism or the history of the book. "Literature", as an art form, is sometimes used synonymously with literary fiction, fiction written with the goal of artistic merit, but ...
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Character (arts)
In fiction, a character is a person or being in a narrative (such as a novel, play, radio or television series, music, film, or video game). The character may be entirely fictional or based on a real-life person, in which case the distinction of a "fictional" versus "real" character may be made. Derived from the Ancient Greek word , the English word dates from the Restoration, although it became widely used after its appearance in '' Tom Jones'' by Henry Fielding in 1749. From this, the sense of "a part played by an actor" developed.Harrison (1998, 51-2) quotation: (Before this development, the term '' dramatis personae'', naturalized in English from Latin and meaning "masks of the drama", encapsulated the notion of characters from the literal aspect of masks.) A character, particularly when enacted by an actor in the theater or cinema, involves "the illusion of being a human person". In literature, characters guide readers through their stories, helping them to understa ...
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Mode (literature)
In literature and other artistic media, a mode is an unspecific critical term usually designating a broad but identifiable kind of literary method, mood, or manner that is not tied exclusively to a particular form or genre. Examples are the ''satiric'' mode, the ''ironic'', the ''comic'', the ''pastoral'', and the ''didactic''. History In his '' Poetics'', the ancient Greek philosopher Aristotle uses 'mode' in a more specific sense. Kinds of poetry, he writes, may be differentiated in three ways: according to their ''medium'' of imitation, according to their ''objects'' of imitation, and according to their mode or 'manner' of imitation (section I). "For the medium being the same, and the objects the same, the poet may imitate by narration—in which case he can either take another personality as Homer does, or speak in his own person, unchanged—or he may present all his characters as living and moving before us" (section III). According to this definition, 'narrative' and 'dr ...
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Fiction
Fiction is any creative work, chiefly any narrative work, portraying character (arts), individuals, events, or setting (narrative), places that are imagination, imaginary or in ways that are imaginary. Fictional portrayals are thus inconsistent with fact, history, or plausibility. In a traditional narrow sense, fiction refers to literature, written narratives in prose often specifically novels, novellas, and short story, short stories. More broadly, however, fiction encompasses imaginary narratives expressed in any Media (communication), medium, including not just writings but also drama, live theatrical performances, films, television programs, radio dramas, comics, role-playing games, and video games. Definition and theory Typically, the fictionality of a work is publicly expressed, so the audience expects a work of fiction to deviate to a greater or lesser degree from the real world, rather than presenting for instance only factually accurate portrayals or character (arts ...
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Evan Marshall (agent)
Evan Stuart Marshall (born June 5, 1956 in Boston, Massachusetts) is an American literary agent, author of murder mysteries and nonfiction books, editor, and publisher of Marshall Plan software. Life and career Marshall has held senior editorial positions at Houghton Mifflin, Ariel Books, New American Library, Everest House and Dodd, Mead, where he acquired national and international bestsellers. He was also a correspondent for ''Writer's Digest'' and covered commercial fiction. He wrote cover stories on blockbuster and bestselling novelsEvan Marshall, "How to Write Blockbuster Novels," ''Writer's Digest,'' October, 1986, 30-33.Evan Marshall, "Six Classic Elements of the Bestseller," ''Writer's Digest,'' November 1988, 28-32. and how to find and work with agents.Evan Marshall, "Guide to Agents," ''Writer's Digest,'' September 1989, 22-25. Marshall's articles have appeared in reference anthologies and collected works."Producing a Knockout Novel Synopsis" in Meg Leder and Jack He ...
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Jessica Page Morrell
Jessica Page Morrell is an American author. Career Morrell is a contributor to ''The Writer'' and ''Writer's Digest'' magazines. Her book, ''Thanks But This Isn't For Us'' (2009), describes mistakes that new authors make and how these writers can fix their writing. In particular, she lays out the necessity and process of creating a plan or structure for a novel, before starting to write one. ''Library Journal'' states that she "convincingly portrays the craft of writing for publication." Morrell conducts workshops throughout the Pacific Northwest. Morrell grew up in Wisconsin and earned a Bachelor of Arts degree at the University of Wisconsin–Madison. She has one daughter and two granddaughters and lives in Portland, Oregon Portland ( ) is the List of cities in Oregon, most populous city in the U.S. state of Oregon, located in the Pacific Northwest region. Situated close to northwest Oregon at the confluence of the Willamette River, Willamette and Columbia River, .... ...
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Peter Selgin
Peter Selgin (; born 1957) is an American novelist, short story writer, playwright, essayist, editor, and illustrator. Selgin is Associate Professor of English at Georgia College & State University in Milledgeville, Georgia. Biography The son of Italian immigrants, Peter Selgin was born in Bethesda, Maryland, grew up in Bethel, Connecticut, and attended Bethel High School. Following high school, he attended Pratt Institute in Brooklyn, New York, where he studied film, theater and visual art. He later attended Bard College, and earned his Bachelor of Arts in English from Western Connecticut State University. In addition to writing plays and stories, he worked as a visual artist—including as a caricaturist, illustrator, and painter. Nerve damage to his hand from a dog attack in 1981 temporarily sidelined his career. Selgin's injury and its aftermath are the subject of The Best American Essays "Confessions of a Left-Handed Man". Selgin earned his Master of Fine Arts degree from t ...
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Dialogue In Writing
Dialogue, in literature, is conversation between two or more characters. If there is only one character talking, it is a monologue. Dialogue is usually identified by use of quotation marks and a dialogue tag, such as "she said". According to Burroway et al., It can play an important role in bringing characters to life in literature, by allowing them to voice their internal thoughts. Usage In their book ''Writing Fiction'', Janet Burroway, Elizabeth Stuckey-French and Ned Stuckey-French say dialogue is a direct basic method of character presentation, which plays an essential role in bringing characters to life by voicing their internal thoughts. When significant or dramatic events are happening, dialogue can be written in direct quotation. Otherwise, speech can either be summarized as part of the narrative or written as indirect speech which is useful to get to the core of a scene. In ''The Craft of Writing'' (1979), American writer of fantasy and science fiction William Sloane w ...
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Narration
Narration is the use of a written or spoken commentary to convey a story to an audience. Narration is conveyed by a narrator: a specific person, or unspecified literary voice, developed by the creator of the story to deliver information to the audience, particularly about the plot: the series of events. Narration is a required element of all written stories (novels, short stories, poems, memoirs, etc.), presenting the story in its entirety. It is optional in most other storytelling formats, such as films, plays, television shows and video games, in which the story can be conveyed through other means, like dialogue between characters or visual action. The narrative mode, which is sometimes also used as synonym for narrative technique, encompasses the set of choices through which the creator of the story develops their narrator and narration: * ''Narrative point of view, perspective,'' or ''voice'': the choice of grammatical person used by the narrator to establish whether or ...
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Action Fiction
Action fiction is a literary genre, genre in literature that focuses on stories involving high-stakes, high-energy, and fast-paced events. This genre includes a wide range of subgenres, such as Spy fiction, spy novels, Adventure fiction, adventure stories, tales of terror, intrigue ("cloak and dagger"), and Mystery fiction, mysteries. These kinds of stories utilize Thriller (genre), suspense, the tension that is built up when the reader wishes to know how the Conflict (narrative), conflict between the protagonist and antagonist is going to be resolved or the solution to a mystery of a Thriller (genre), thriller. The intricacies of human relationships or the nuances of philosophy and psychology are rarely explored in action fiction, typically being fast-paced mysteries that merely seek to provide the reader with an exhilarating experience. Action fiction can also be a plot element of Literature, non-literary works such as graphic novels and film. Genre fiction Action genre is ...
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Action Film
The action film is a film genre that predominantly features chase sequences, fights, shootouts, explosions, and stunt work. The specifics of what constitutes an action film has been in scholarly debate since the 1980s. While some scholars such as David Bordwell suggested they were films that favor spectacle to storytelling, others such as Geoff King stated they allow the scenes of spectacle to be attuned to storytelling. Action films are often hybrid with other genres, mixing into various forms such as comedy film, comedies, science fiction films, and horror films. While the term "action film" or "action adventure film" has been used as early as the 1910s, the contemporary definition usually refers to a film that came with the arrival of New Hollywood and the rise of antihero, anti-heroes appearing in American films of the late 1960s and 1970s drawing from war films, crime films and Western (film), Westerns. These genres were followed by what is referred to as the "classical period" ...
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Pace (narrative)
In literature, pace or pacing is the speed at which a story is told—not necessarily the speed at which the story takes place. It is an essential element of storytelling that plays a significant role in maintaining reader interest, building tension, and conveying the desired emotional impact.Popova, Yanna, and Elena Cuffari. “Temporality of Sense-Making in Narrative Interactions.” ''Cognitive Semiotics 11''.1 (2018): 32–. Web. The number of words needed to write about a certain event does not depend upon how much time the event takes to happen; it depends upon how important that moment is to the story. The pace is determined by the length of the scenes, how fast the action moves, and how quickly the reader is provided with information. A well-paced story effectively balances moments of high intensity and slower-paced sections to create a dynamic reading experience.Fleischman, Suzanne. 1990. ''Tense and Narrativity''. London: Routledge. It is also sometimes dictated by the ...
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