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Abraham Bloemaert
Abraham Bloemaert (25 December 1566 – 27 January 1651) was a Dutch painter and printmaker who used etching and engraving. He initially worked in the style of the " Haarlem Mannerists", but by the beginning of the 17th-century altered his style in line with the new Baroque style that was then developing. He mostly painted history subjects and some landscapes. He was an important teacher, who trained most of the Utrecht Caravaggisti. Life Bloemaert was born in Gorinchem, Habsburg Netherlands, the son of the architect Cornelis Bloemaert I, who moved his family to Utrecht in 1575, where Abraham was first a pupil of Gerrit Splinter (pupil of Frans Floris) and of Joos de Beer. [Baidu] [Amazon] |
Hendrick Snyers
Hendrick Snyers (born 1611, Antwerp – died 1644, Antwerp), was a Flemish Baroque engraver. Biography Snyers was a pupil of Nicolaes Lauwers in 1635–1636. In 1643 he promised to work for the history painter Abraham van Diepenbeeck for three years.Hendrick Snyers in the He is known for his engraved portraits of Adam van Noort and Abraham Bloemaert in " Het Gulden Cabinet
or ''The Golden Cabinet of the Noble Liberal Art of Painting'' is a book by the 17th-century Flemish notary and ''Chamber of rhetoric, rederijker'' Cornelis de Bie. It was published in Antwerp. Written in th ...
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Karel Van Mander
Karel van Mander (I) or Carel van Mander IKarel van Mander at the Netherlands Institute for Art History (May 1548 – 2 September 1606) was a Flemish Painting, painter, playwright, poet, art historian and Aesthetics, art theoretician, who established himself in the Dutch Republic in the latter part of his life. He is mainly remembered as a biographer of Early Netherlandish painting, Early Netherlandish painters and Dutch and Flemish Renaissance painting, Northern Renaissance artists in his ''Schilder-boeck''. As an artist and art theoretician he played a significant role in the spread and development of Northern Mannerism in the Dutch Republic.Painting in the Dutch Golden Age - A Profile of the Seventeenth Century, National Gallery of Art, 2007, p. 119 Life Most of the information about Karel van Man ...[...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] [Amazon] |
Clandestine Church
A clandestine church (), defined by historian Benjamin J. Kaplan as a "semi-clandestine church", is a house of worship used by religious minorities whose communal worship is tolerated by those of the majority faith on condition that it is discreet and not conducted in public spaces. ''Schuilkerken'' are commonly built inside houses or other buildings, and do not show a public façade to the street. They were an important advance in religious tolerance in the wake of the Reformation, an era when worship services conducted by minority faiths were often banned and sometimes penalized by exile or execution. History According to historian Benjamin Kaplan, clandestine churches became common in Europe in the wake of the Reformation as a way for governments to permit a degree of religious toleration for minority Christian denominations and Jews. Both political and religious considerations frequently led governments to ban all worship not sanctioned by the state, and in many countries, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] [Amazon] |
Utrecht Guild Of Saint Luke
The Utrecht Guild of Saint Luke refers to two artist collectives in Utrecht (city); the old Catholic ''Zadelaarsgilde'' (Saddler's Guild) dating from the Middle Ages, as well as the newer ''Sint Lucas Gilde'' established in 1611. The first guild was for a number of trades that were connected to the art industry, though the smiths had their own guild called the "St. Eloyen" guild. The second collective was founded for visual artists after the Protestant Reformation. The Zadelaarsgilde fell under the patron saint Luke the Evangelist and the St. Eloyen guild fell under Saint Eligius. History Like other Dutch cities, Utrecht required membership in the guilds in order to sell wares falling under those guilds. In the 14th century, the Utrecht saddlemakers, painters, sculptors, book illustrators, and bookbinders were all united in the Zadelaarsgilde. In those days oil painters were just as likely to paint on leather parchment or harness as on wooden panels or sculptures, so the choice ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] [Amazon] |
Paulus Moreelse
Paulus Moreelse (1571 – 6 March 1638) was a Dutch painter, mainly of portraits. Life Moreelse was born and lived most of his life in Utrecht. He was a pupil of the Delft portrait painter Michiel Jansz. van Mierevelt, who had himself been a pupil of Anthonie van Blocklandt. He took a study-trip to Italy, where he received many portrait commissions. Back in Utrecht, in 1596 he became a member of the '' zadelaarsgilde'' (Saddler's guild), which then embraced the painters as well. In 1611, along with Abraham Bloemaert, he was one of the founders of a new painters' guild, called "St. Lucas-gilde", and became its first ''deken''. ( Rijksbureau voor Kunsthistorische Documentatie
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Joachim Wtewael
Joachim Anthoniszoon Wtewael (; 1566 – 1 August 1638), also known as Uytewael (), was a Dutch Mannerist painter and draughtsman, as well as a highly successful flax merchant, and town councillor of Utrecht. Wtewael was one of the leading Dutch exponents of Northern Mannerism, and his distinctive and attractive style remained largely untouched by the naturalistic developments happening around him, "characterized by masterfully drawn, highly polished figures often set in poses".Slive, 13 Wtewael was trained in the style of late 16th-century Haarlem Mannerism and remained essentially faithful to it, despite painting well into the early period of Dutch Golden Age painting. Altogether he has left about a hundred paintings, as well as drawings and some stained glass he designed. He painted a mixture of large paintings on canvas, and tiny cabinet paintings on copper plates, the latter the more numerous and typically the most distinctive. There is also a group of mid-sized p ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] [Amazon] |
Guild Of St
A guild ( ) is an association of artisans and merchants who oversee the practice of their craft/trade in a particular territory. The earliest types of guild formed as organizations of tradespeople belonging to a professional association. They sometimes depended on grants of letters patent from a monarch or other ruler to enforce the flow of trade to their self-employed members, and to retain ownership of tools and the supply of materials, but most were regulated by the local government. Guild members found guilty of cheating the public would be fined or banned from the guild. A lasting legacy of traditional guilds are the guildhalls constructed and used as guild meeting-places. Typically the key "privilege" was that only guild members were allowed to sell their goods or practice their skill within the city. There might be controls on minimum or maximum prices, hours of trading, numbers of apprentices, and many other things. Critics argued that these rules reduced free competition ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] [Amazon] |
Zadelaarsgilde
The Utrecht Guild of Saint Luke refers to two artist collectives in Utrecht (city); the old Catholic ''Zadelaarsgilde'' (Saddler's Guild) dating from the Middle Ages, as well as the newer ''Sint Lucas Gilde'' established in 1611. The first guild was for a number of trades that were connected to the art industry, though the smiths had their own guild called the "St. Eloyen" guild. The second collective was founded for visual artists after the Protestant Reformation. The Zadelaarsgilde fell under the patron saint Luke the Evangelist and the St. Eloyen guild fell under Saint Eligius. History Like other Dutch cities, Utrecht required membership in the guilds in order to sell wares falling under those guilds. In the 14th century, the Utrecht saddlemakers, painters, sculptors, book illustrators, and bookbinders were all united in the Zadelaarsgilde. In those days oil painters were just as likely to paint on leather parchment or harness as on wooden panels or sculptures, so the choice ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] [Amazon] |
Amsterdam
Amsterdam ( , ; ; ) is the capital of the Netherlands, capital and Municipalities of the Netherlands, largest city of the Kingdom of the Netherlands. It has a population of 933,680 in June 2024 within the city proper, 1,457,018 in the City Region of Amsterdam, urban area and 2,480,394 in the Amsterdam metropolitan area, metropolitan area. Located in the Provinces of the Netherlands, Dutch province of North Holland, Amsterdam is colloquially referred to as the "Venice of the North", for its canals of Amsterdam, large number of canals, now a World Heritage Site, UNESCO World Heritage Site. Amsterdam was founded at the mouth of the Amstel River, which was dammed to control flooding. Originally a small fishing village in the 12th century, Amsterdam became a major world port during the Dutch Golden Age of the 17th century, when the Netherlands was an economic powerhouse. Amsterdam was the leading centre for finance and trade, as well as a hub of secular art production. In the 19th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] [Amazon] |
Chateau Of Fontainebleau
Palace of Fontainebleau ( , ; ), located southeast of the center of Paris, in the commune of Fontainebleau, is one of the largest French royal châteaux. It served as a hunting lodge and summer residence for many of the French monarchs, including Louis VII, Francis I, Henry II, Louis-Philippe, Napoleon I, and Napoleon III. Though the monarchs only resided there for a few months of the year, they gradually transformed it into a genuine palace, filled with art and decoration. It became a national museum in 1927 and was designated a UNESCO World Heritage Site in 1981 for its unique architecture and historical importance. History Name "Fontainebleau" took its name from the "Fontaine Belle-Eau", a natural fresh water spring located in the English garden not far from the château. The name means "Spring of beautiful water". In the 19th century the spring was rebuilt with an octagonal stone basin, as it appears today. Hunting Lodge and castle (12th century) The earliest refer ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] [Amazon] |
French Wars Of Religion
The French Wars of Religion were a series of civil wars between French Catholic Church, Catholics and Protestantism, Protestants (called Huguenots) from 1562 to 1598. Between two and four million people died from violence, famine or disease directly caused by the conflict, and it severely damaged the power of the French monarchy. One of its most notorious episodes was the St. Bartholomew's Day massacre in 1572. The fighting ended with a compromise in 1598, when Henry of Navarre, who had converted to Catholicism in 1593, was proclaimed Henry IV of France, King Henry IV of France and issued the Edict of Nantes, which granted substantial rights and freedoms to the Huguenots. However, Catholics continued to disapprove of Protestants and of Henry, and his assassination in 1610 triggered a fresh round of Huguenot rebellions in the 1620s. Tensions between the two religions had been building since the 1530s, exacerbating existing regional divisions. The death of Henry II of France in J ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] [Amazon] |
School Of Fontainebleau
The School of Fontainbleau () () refers to two periods of artistic production in France during the late French Renaissance centered on the royal Palace of Fontainebleau that were crucial in forming Northern Mannerism, and represent the first major production of Italian Mannerist art in France. The "First School of Fontainebleau", much more important than the Second School at the end of the century, was based in the chateau from 1531 to 1547, after which some artists moved to Paris or elsewhere. First School of Fontainebleau (from 1531) In 1531, the Florentine artist Rosso Fiorentino, having lost most of his possessions at the Sack of Rome in 1527, was invited by François I to come to France, where he began an extensive decorative program for the Château de Fontainebleau. In 1532 he was joined by another Italian artist, Francesco Primaticcio (from Bologna). Rosso killed himself in France in 1540. On the advice of Primaticcio, Niccolò dell'Abbate (from Modena) was invited ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] [Amazon] |
