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A Transfer
"A Transfer", known by the Japanese title is the third episode of the anime ''Neon Genesis Evangelion'', created by Gainax. Series director Hideaki Anno and writer Akio Satsukawa wrote the episode, directed by Hiroyuki Ishido. It aired originally on TV Tokyo on October 18, 1995. The series is set fifteen years after a worldwide cataclysm named Second Impact, particularly in the futuristic fortified city of Tokyo-3. The protagonist is Shinji Ikari, a teenage boy whose father, Gendo, recruited him to the organization Nerv to pilot a giant bio-machine mecha named Evangelion into combat with beings called Angels. In the episode, Shinji begins attending his new school in Tokyo-3 and has a difficult time dealing with the fame of being an Evangelion pilot. His classmate Toji Suzuhara, whose little sister was injured in Shinji's fight against the Angel Sachiel shown in the previous episode, is angry at him; a new Angel named Shamshel appears, and Shinji must once again pilot Ev ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Neon Genesis Evangelion
, also known as ''Evangelion'' or ''Eva'', is a Japanese mecha anime television series produced by Gainax and Tatsunoko Production, and directed by Hideaki Anno. It was broadcast on TV Tokyo and its affiliates from October 1995 to March 1996. The story is set fifteen years after a worldwide cataclysm in the futuristic fortified city of Tokyo-3. The protagonist is Shinji Ikari, a teenage boy recruited by his father Gendo to the mysterious organization Nerv. Shinji must pilot an Evangelion, a giant biomechanical mecha, to fight beings known as Angels. The series explores the experiences and emotions of the Evangelion pilots and Nerv members as they battle Angels. They are called upon to understand the ultimate cause of events and the motives behind human action. The series has been described as a deconstruction of the mecha genre, and features archetypal imagery derived from Shinto cosmology and mystical Judeo-Christian traditions, including Midrashic tales and Kabbalah. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kensuke Aida
The Japanese anime television series ''Neon Genesis Evangelion'' has an extensive cast of characters that were created by Gainax. The show's protagonist is Shinji Ikari, a teenage boy whose father Gendo Ikari, Gendo recruits to the shadowy organization Nerv to pilot a giant, bio-machine mecha called an Evangelion (mecha), Evangelion and fight against beings called List of Angels in Neon Genesis Evangelion, Angels. The character designs were drawn by the artist, Yoshiyuki Sadamoto, who designed each character to be easily identifiable from their silhouette. The personalities were based on that of Hideaki Anno, the show's director and main scriptwriter. Many of the heroes in the second half of the series suffer trauma or physical violence that exacerbates their anxieties and fears, and the episodes give ample space to their inner monologues, in which they question the meaning of their actions and lives. This narrative choice culminates in the two final episodes, whose narrative p ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Thunderbirds (TV Series)
''Thunderbirds'' is a British science fiction television series created by Gerry and Sylvia Anderson, filmed by their production company AP Films (APF) and distributed by ITC Entertainment. It was filmed between 1964 and 1966 using a form of electronic marionette puppetry called "Supermarionation" combined with scale model special effects sequences. Two series, totalling 32 fifty-minute episodes, were made; production ended with the sixth episode of the second series after Lew Grade, APF's financial backer, failed in his efforts to sell the programme to US network television. Set in the 2060s, ''Thunderbirds'' was a follow-up to the earlier Supermarionation productions '' Four Feather Falls'', ''Supercar'', '' Fireball XL5'' and ''Stingray''. It concerns the exploits of International Rescue, a life-saving organisation with a secret base on an island in the Pacific Ocean. International Rescue operates a fleet of technologically-advanced rescue vehicles, headed by five craft ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Galaxy Express 999
is a Japanese manga series. It is written and illustrated by Leiji Matsumoto, later adapted into a number of anime films and television series. It is set in a spacefaring, high-tech future in which humans have learned how to transfer their minds and emotions with perfect fidelity into mechanical bodies, thus achieving practical immortality. The manga won the Shogakukan Manga Award for shōnen in 1978. The anime series won the Animage Anime Grand Prix prize in 1981. Matsumoto was inspired to create ''Galaxy Express 999'' by the idea of a steam train running through the stars in the novel '' Night on the Galactic Railroad'' by Kenji Miyazawa. Plot Anime and manga An impoverished ten-year-old named Tetsuro Hoshino desperately wanted an indestructible machine body, giving him the ability to live forever and have the freedom that the unmechanized do not have. While machine bodies are impossibly expensive, they are supposedly given away for free on the planet Andromeda, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Space Battleship Yamato
is a Japanese science fiction anime series written by Yoshinobu Nishizaki, directed by manga artist Leiji Matsumoto, and produced by Academy Productions. The series aired in Yomiuri TV from October 6, 1974 to March 30, 1975, totaling up to 26 episodes. It revolves around the character Susumu Kodai (Derek Wildstar in the English version) and an international crew from Earth, tasked during an interstellar war to go into space aboard the space warship '' Yamato,'' derived from the World War II battleship of the same name, in response to a message of aid from the planet Iscandar in order to retrieve a device which is able to reverse the radiation infecting Earth after being bombed by the Gamilas (Gamilons). ''Space Battleship Yamato'' is one of the most influential anime series in Japan. Its turn toward serious themes and complex storylines influenced later works in the medium, including '' Gundam'', '' Macross'', and '' Evangelion'', in addition to influencing the style ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Leiji Matsumoto
was a Japanese manga artist, and creator of several anime and manga series. His widow Miyako Maki is also a manga artist. Matsumoto was famous for his works such as ''Space Battleship Yamato'' and ''Galaxy Express 999''. His style was characterized by mythological and often tragic storylines with strong moral themes, noble heroes, feminine heroines, and a love of strange worlds and melancholic atmosphere. Early life Leiji Matsumoto was born on January 25, 1938, in Kurume, Fukuoka. He was the middle child of a family of seven brothers, and, in his early childhood, Matsumoto was given a 35mm film projector by his father, and watched American cartoons during the Pacific War. During this time, he gained an interest in science fiction novels by authors Unno Juza and H. G. Wells. Matsumoto started drawing at the age of six, and began drawing manga three years later after seeing the works of Osamu Tezuka. At 18, he moved to Tokyo to become a manga artist. Career In 1954, Matsum ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kadokawa Shoten
, formerly , is a Japanese publisher and division of Kadokawa Future Publishing based in Tokyo, Japan. It became an internal division of Kadokawa Corporation on October 1, 2013. Kadokawa publishes manga, light novels, manga anthology magazines such as '' Monthly Asuka'' and '' Monthly Shōnen Ace'', and entertainment magazines such as '' Newtype''. Since its founding, Kadokawa has expanded into the multimedia sector, namely in video games (as Kadokawa Games) and in live-action and animated films (as Kadokawa Pictures). History Kadokawa Shoten was established on November 10, 1945, by Genyoshi Kadokawa. The company's first publication imprint, Kadokawa Bunko, was published in 1949. The company went public on April 2, 1954. In 1975, Haruki Kadokawa became the president of Kadokawa Shoten, following Genyoshi Kadokawa's death. On April 1, 2003, Kadokawa Shoten was renamed to Kadokawa Holdings, transferring the existing publishing businesses to Kadokawa Shoten. On July 1, 2006, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tokuma Shoten
is a publisher in Japan, headquartered in Shinagawa, Tokyo. The company was established in 1954 by Yasuyoshi Tokuma in Minato, Tokyo. The company's product portfolio includes music publishing, video game publishing, movies, anime, magazines, manga and books. Companies that were part of Tokuma Shoten include Studio Ghibli, Daiei Film and the record label :ja:徳間ジャパンコミュニケーションズ, Tokuma Japan Communications. After the founder of the company, Yasuyoshi Tokuma died on September 20, 2000, an asset management occurred. Tokuma Shoten executed a corporate spin-off with Studio Ghibli, turning the company's anime division as a separate company again in 2005. Tokuma Shoten sold off Tokuma Japan Communications to Daiichi Kosho Company, Daiichi Kosho in October 2001, and Daiei Films was purchased by Kadokawa Corporation in November 2002. Since 2005, the company has streamlined itself to focus solely on the publication of print media and the airing of its adapted ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Yō Yoshinari
is a Japanese anime director, key frame, key animator, and storyboard artist. Biography Early life Yoshinari was born in Tokyo on May 6, 1971. He graduated from Tokyo Designer Gakuin College. Career Yoshinari entered the anime industry through the influence of his older brother, Kou Yoshinari. Several of his early works were uncredited second key animation and in-betweens for his brother during high school. After leaving professional school, he applied to Gainax and Madhouse (company), Madhouse. Not receiving a response from Gainax, he joined Madhouse. Due to a misunderstanding, Gainax failed to process his application until three months later. Not wanting to explain, Yoshinari told Madhouse "being an animator is too hard for me", and switched to Gainax. At Gainax, Yoshinari had joined just after the closure of ''Nadia: The Secret of Blue Water''. With nothing to do, he was immediately put onto visual development for the film ''Aoki Uru''. The brief turn around after ''Nadia'' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Storyboards
A storyboard is a graphic organizer that consists of simple illustrations or images displayed in sequence for the purpose of pre-visualizing a motion picture, animation, motion graphic or interactive media sequence. The storyboarding process, in the form it is known today, was developed at Walt Disney Productions during the early 1930s, after several years of similar processes being in use at Walt Disney and other animation studios. Origins Many large budget silent films were storyboarded, but most of this material has been lost during the reduction of the studio archives during the 1970s and 1980s. Special effects pioneer Georges Méliès is known to have been among the first filmmakers to use storyboards and pre-production art to visualize planned effects. However, storyboarding in the form widely known today was developed at the Walt Disney studio during the early 1930s. In the biography of her father, ''The Story of Walt Disney'' (Henry Holt, 1956), Diane Disney Miller e ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kazuya Tsurumaki
Kazuya Tsurumaki (鶴巻 和哉 ''Tsurumaki Kazuya'') is a Japanese anime director. He was born on February 2, 1966, in the city of Gosen, located in Niigata Prefecture. He is the protégé of Hideaki Anno, and a longtime animator at Gainax. Tsurumaki's first project at Gainax was as an animation director for the 1990 television series '' Nadia: The Secret of Blue Water''; Tsurumaki was also director of the humorous "omake" (extra) sequences that went along with the TV series, and producer of "Nadia Cinema Edition". In 1995, Tsurumaki served as an assistant director under Hideaki Anno in Gainax's landmark series '' Neon Genesis Evangelion'', in which role he handled production, art director and setting assistant for some episodes. In 1997, he directed episode 25', the first half of the cinematic conclusion to the ''Evangelion'' series, '' The End of Evangelion''. In 2000, Tsurumaki officially made his debut as a full-fledged director with the six-part OVA series, '' FLCL''. I ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
