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12 Transcendental Études (Lyapunov)
The ''12 Études d’exécution transcendante'' (), Op. 11, are a series of 12 études written from 1897 to 1905 by Sergei Lyapunov. Lyapunov intended them to be the posthumous continuation of Franz Liszt's uncompleted work ''Transcendental Études,'' having finished only the first 12 before his death in 1886. The work is also dedicated to Liszt, with the twelfth étude being named after the composer as well. Inspired by one of his three teachers during his time at Moscow Conservatory Karl Klindworth, a former student of Liszt, along with being heavily influenced and artistically guided by Mily Balakirev, the main ideologue of The Five, these Études use the full gamut of nationalist techniques: From folk-songs and church bells, to Caucasian melodies and sumptuous melodicism. Études Liszt's original intention was to write 24 études in every major and minor key. However, he only completed half of this project, using the neutral and flat keys. As such, Lyapunov's études used ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Étude
An étude (; ) or study is an instrumental musical composition, designed to provide practice material for perfecting a particular musical skill. The tradition of writing études emerged in the early 19th century with the rapidly growing popularity of the piano. Of the vast number of études from that era some are still used as teaching material (particularly pieces by Carl Czerny and Muzio Clementi), and a few, by major composers such as Frédéric Chopin, Franz Liszt and Claude Debussy, achieved a place in today's concert repertory. Études written in the 20th century include those related to traditional ones ( György Ligeti) and those that require wholly unorthodox technique (John Cage). 19th century Piano Studies, lessons, and other didactic instrumental pieces composed before the 19th century are extremely varied, without any established genres. Domenico Scarlatti's ''30 Essercizi per gravicembalo'' ("30 Exercises for harpsichord", 1738) do not differ in scope from his ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sharp (music)
In music, sharp – eqv. (from French) or (from Greek ) – means higher in pitch. The sharp symbol, ♯, indicates that the note to which the symbol is applied is played one semitone higher. The opposite of sharp is flat, indicating a lowering of pitch. The symbol derives from a square form of the letter ''b''. Examples The sharp symbol is used in key signatures or as an accidental applied to a single note. Below is a staff with a key signature containing three sharps ( A major or F♯ minor) and a sharp symbol placed on the note, indicating that it is an A♯ instead of an A♮. : In twelve-tone equal temperament tuning (the predominant system of tuning in Western music), raising a note's pitch by a semitone results in a note that is enharmonically equivalent to another named note. For example, E♯ and F would be equivalent. This is not the case in most non-standard tuning systems. Variants A double sharp is indicated by the symbol and raises a note ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Piano études
A piano is a keyboard instrument that produces sound when its keys are depressed, activating an action mechanism where hammers strike strings. Modern pianos have a row of 88 black and white keys, tuned to a chromatic scale in equal temperament. A musician who specializes in piano is called a pianist. There are two main types of piano: the grand piano and the upright piano. The grand piano offers better sound and more precise key control, making it the preferred choice when space and budget allow. The grand piano is also considered a necessity in venues hosting skilled pianists. The upright piano is more commonly used because of its smaller size and lower cost. When a key is depressed, the strings inside are struck by felt-coated wooden hammers. The vibrations are transmitted through a bridge to a soundboard that amplifies the sound by coupling the acoustic energy to the air. When the key is released, a damper stops the string's vibration, ending the sound. Most notes hav ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Compositions By Sergei Lyapunov
Composition or Compositions may refer to: Arts and literature *Composition (dance), practice and teaching of choreography *Composition (language), in literature and rhetoric, producing a work in spoken tradition and written discourse, to include visuals and digital space *Composition (visual arts), the plan, placement or arrangement of the elements of art in a work * ''Composition'' (Peeters), a 1921 painting by Jozef Peeters *Composition studies, the professional field of writing instruction * ''Compositions'' (album), an album by Anita Baker *Digital compositing, the practice of digitally piecing together a still image or video *Musical composition, an original piece of music, or the process of creating a new piece Computer science *Compose key, a key on a computer keyboard *Compositing window manager a component of a computer's graphical user interface that draws windows and/or their borders *Function composition (computer science), an act or mechanism to combine simple functi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Konstantin Scherbakov
Konstantin Scherbakov (11 June 1963 in Barnaul, Siberia, Russian SFSR) is a Russian-Swiss pianist. He was the winner of the first Rachmaninoff piano competition in 1983 in Moscow. In 1990, he played four solo recitals at the Chamber Music Festival of Asolo; this launched his international career. Scherbakov has had a successful recording career for Naxos Records; among his CDs on that label are recordings of all Tchaikovsky's Piano Concertos, the nine Beethoven symphonies (as transcribed for the piano by Liszt), and music by Godowsky, Medtner, Respighi, Shostakovich, and Lyapunov. Critical acclaim has been high; ''Gramophone'' magazine has said that Scherbakov plays with "delicacy and affection", and the German Critics' Circle has twice awarded Scherbakov its top prize, once for a recording of Godowsky's Sonata in E minor and again a rare performance of Franz Liszt's incredibly difficult transcription of Beethoven's Ninth Symphony. His record of Shostakovich's Twenty-Four ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lezginka
The Lezginka () is a folk dance of the Lezgin people, common throughout the North Caucasus. It uses a fast rhythm, and can be either a solo male or a pair dance. According to ''Encyclopædia Britannica The is a general knowledge, general-knowledge English-language encyclopaedia. It has been published by Encyclopædia Britannica, Inc. since 1768, although the company has changed ownership seven times. The 2010 version of the 15th edition, ...'': References {{Reflist External links * VideoLezgi sample– folk dance Lezginka by the Azerbaijani ensemble "Suvar" European folk dances Lezgins Culture of the Caucasus ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Aeolian Harp
An Aeolian harp (also wind harp) is a musical instrument that is played by the wind. Named after Aeolus, the ancient Greek god of the wind, the traditional Aeolian harp is essentially a wooden box including a sounding board, with strings stretched lengthwise across two bridges. It is often placed in a slightly opened window where the wind can blow across the strings to produce sounds. The strings can be made of different materials (or thicknesses) and all be tuned to the same pitch, or identical strings can be tuned to different pitches. Besides being the only string instrument played solely by the wind, the Aeolian harp is also the only string instrument that plays solely harmonic frequencies. They are recognizable by the sound which is a result of this property, which has been described as eerie and ethereal. The Aeolian harp – already known in the ancient world – was first described by Athanasius Kircher (1602–1680) in his books ''Musurgia Universalis'' (1650) and '' Pho ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Terek River
The Terek () is a major river in the Northern Caucasus. It originates in the Mtskheta-Mtianeti region of Georgia and flows through North Caucasus region of Russia into the Caspian Sea. It rises near the juncture of the Greater Caucasus Mountain Range and the Khokh Range, to the southwest of Mount Kazbek, winding north in a white torrent between the town of Stepantsminda and the village of Gergeti toward the Russian region North Ossetia and the city of Vladikavkaz. It turns east to flow through Chechnya and Dagestan before dividing into two branches which empty into the Caspian Sea. Below the city of Kizlyar it forms a swampy river delta around wide. The river is a key natural asset in the region, providing irrigation and hydroelectric power in its upper reaches. The main cities on the Terek include Vladikavkaz Vladikavkaz, formerly known as Ordzhonikidze () or Dzaudzhikau (), is the capital city of North Ossetia–Alania, Russia. It is located in the southe ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Flat (music)
In music, flat means lower in pitch. It may either be used in a general sense to mean any lowering of pitch, or to specifically refer to lowering pitch by a semitone. A flat is the opposite of a sharp () which indicates a raised pitch in the same way. The flat symbol () appears in key signatures to indicate which notes are flat throughout a section of music, and also in front of individual notes as an accidental, indicating that the note is flat until the next bar line. Pitch change The symbol is a stylised lowercase ''b'', derived from Italian ''be molle'' for "soft B" and German ''blatt'' for "planar, dull". It indicates that the note to which it is applied is played one semitone lower. In the standard modern tuning system, 12 tone equal temperament, this corresponds to 100 cents. In older tuning systems (from the 16th and 17th century), and in modern microtonal tunings, the difference in pitch indicated by a sharp or flat is normally smaller than the stan ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sergei Lyapunov
Sergei Mikhailovich Lyapunov (or Liapunov; , ; 8 November 1924) was a Russian composer, pianist and conductor. Life Lyapunov was born in Yaroslavl in 1859. After the death of his father, Mikhail Lyapunov, when he was about eight, Sergei, his mother, and his two brothers (one of them was Aleksandr Lyapunov, later a notable mathematician) went to live in the larger town of Nizhny Novgorod. There he attended the grammar school along with classes of the newly formed local branch of the Russian Musical Society. On the recommendation of Nikolai Rubinstein, the Director of the Moscow Conservatory of Music, he enrolled in that institution in 1878. His main teachers were Karl Klindworth (piano; a former pupil of Franz Liszt), and Sergei Taneyev (composition; a former pupil of Pyotr Ilyich Tchaikovsky and his successor at the Conservatory). He graduated in 1883, more attracted by the nationalist elements in music of the New Russian School than by the more cosmopolitan approach of Tchaikovsk ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Music Written In All Major Or Minor Keys
There is a long tradition in classical music of writing music in sets of pieces that cover all the major and minor Key (music), keys of the chromatic scale. These sets typically consist of 24 pieces, one for each of the major and minor Key (music), keys (sets that comprise all the enharmonic variants include 30 pieces). Examples include Johann Sebastian Bach's ''The Well-Tempered Clavier'' and Frédéric Chopin's Preludes (Chopin), 24 Preludes, Op. 28. Such sets are often organized as prelude and fugue, preludes and fugues or designated as Prelude (music), preludes or études. Some composers have restricted their sets to cover only the 12 major keys or the 12 minor keys; or only the flat keys (Franz Liszt's ''Transcendental Études'') or the sharp keys (Sergei Lyapunov's Op. 11 set). In yet another type, a single piece may progressively modulation (music), modulate through a set of tonalities, as occurs in Ludwig van Beethoven's Two Preludes through all twelve major keys, Op. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
