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In music, sharp – eqv. (from French) or (from Greek ) – means higher in pitch. The sharp symbol, ♯, indicates that the note to which the symbol is applied is played one semitone higher. The opposite of sharp is flat, indicating a lowering of pitch. The symbol derives from a square form of the letter ''b''. Examples The sharp symbol is used in key signatures or as an accidental applied to a single note. Below is a staff with a key signature containing three sharps (A major or F♯ minor) and a sharp symbol placed on the note, indicating that it is an A♯ instead of an A♮. : In twelve-tone equal temperament tuning (the predominant system of tuning in Western music), raising a note's pitch by a semitone results in a note that is enharmonically equivalent to another named note. For example, E♯ and F would be equivalent. This is not the case in most non-standard tuning systems. Variants A double sharp is indicated by the symbol and raises a note by two ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Twelve-tone Equal Temperament
12 equal temperament (12-ET) is the musical system that divides the octave into 12 parts, all of which are equally tempered (equally spaced) on a logarithmic scale, with a ratio equal to the 12th root of 2 (\sqrt 2/math> ≈ 1.05946). That resulting smallest interval, the width of an octave, is called a semitone or half step. Twelve-tone equal temperament is the most widespread system in music today. It has been the predominant tuning system of Western music, starting with classical music, since the 18th century, and Europe almost exclusively used approximations of it for millennia before that. It has also been used in other cultures. In modern times, 12-ET is usually tuned relative to a standard pitch of 440 Hz, called A440, meaning one note, A4 (the A in the 4th octave of a typical 88-key piano), is tuned to 440 hertz and all other notes are defined as some multiple of semitones apart from it, either higher or lower in frequency. The standard pitch has not always been ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Number Sign
The symbol is known as the number sign, hash, (or in North America) the pound sign. The symbol has historically been used for a wide range of purposes including the designation of an ordinal number and as a Typographic ligature, ligatured abbreviation for Pound (mass), pounds avoirdupois – having been derived from the now-rare . Since 2007, widespread usage of the symbol to introduce metadata tags on social media platforms has led to such tags being known as "hashtags", and from that, the symbol itself is sometimes called a hashtag. The symbol is distinguished from similar symbols by its combination of level horizontal strokes and right-tilting vertical strokes. History It is believed that the symbol traces its origins to the symbol , an abbreviation of the Roman term ''Roman pound, libra pondo'', which translates as "pound weight". The abbreviation "lb" was printed as a dedicated Ligature (writing), ligature including a horizontal line across (which indicated abbreviation ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
B Minor
B minor is a minor scale based on B, consisting of the pitches B, C, D, E, F, G, and A. Its key signature has two sharps. Its relative major is D major and its parallel major is B major. The B natural minor scale is: Changes needed for the melodic and harmonic versions of the scale are written in with accidentals as necessary. The B harmonic minor and melodic minor scales are: Christian Friedrich Daniel Schubart (1739–1791) regarded B minor as a key expressing a quiet acceptance of fate and very gentle complaint, something commentators find to be in line with Bach's use of the key in his '' St John Passion''. By the end of the Baroque era, however, conventional academic views of B minor had shifted: Composer-theorist Francesco Galeazzi (1758–1819) opined that B minor was not suitable for music in good taste. Beethoven labelled a B-minor melodic idea in one of his sketchbooks as a "black key". Scale degree chords The scale degree chords of B minor are: * ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
C♯ (musical Note)
C (C-sharp) is a musical note lying a chromatic semitone above C and a diatonic semitone below D; it is the second semitone of the solfège. C-sharp is thus enharmonic to D. It is the second semitone in the French solfège and is known there as ''do dièse''. In some European notations, it is known as Cis. In equal temperament it is also enharmonic with B (B-double sharp/Hisis). When calculated in equal temperament with a reference of A above middle C as 440 Hz, the frequency of C4 (the C above middle C) is about 277.183 Hz. See pitch (music) for a discussion of historical variations in frequency. Designation by octave Scales Common scales beginning on C * C major: C D E F G A B C * C natural minor: C D E F G A B C * C harmonic minor: C D E F G A B C * C melodic minor ascending: C D E F G A B C * C melodic minor descending: C B A G F E D C Diatonic scales * C Ionian: C D E F G A B C * C Dorian: C D E F G A B C * C Phrygian: C D E F G A B C * C Lydian: C D E F ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
D Major
D major is a major scale based on D (musical note), D, consisting of the pitches D, E (musical note), E, F♯ (musical note), F, G (musical note), G, A (musical note), A, B (musical note), B, and C♯ (musical note), C. Its key signature has two Sharp (music), sharps. Its relative key, relative minor is B minor and its parallel key, parallel minor is D minor. The D major scale is: Changes needed for the melodic and harmonic versions of the scale are written in with accidentals as necessary. The D Harmonic major scale, harmonic major and Melodic major scale, melodic major scales are: Scale degree chords The scale degree chords of D major are: * Tonic (music), Tonic – D major * Supertonic – E minor * Mediant – F-sharp minor * Subdominant – G major * Dominant (music), Dominant – A major * Submediant – B minor * Leading-tone – Diminished triad, C-sharp diminished Characteristics D major is well-suited to violin music because of the structure of the instrument, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
E Minor
E minor is a minor scale based on E, consisting of the pitches E, F, G, A, B, C, and D. Its key signature has one sharp, on the F. Its relative major is G major and its parallel major is E major. The E natural minor scale is: Changes needed for the melodic and harmonic versions of the scale are written in with accidentals as necessary. The E harmonic minor and melodic minor scales are: Much of the classical guitar repertoire is in E minor, as this is a very natural key for the instrument. In standard tuning (E A D G B E), four of the instrument's six open (un fretted) strings are part of the tonic chord. The key of E minor is also popular in heavy metal music, as its tonic is the lowest note on a standard-tuned guitar. Scale degree chords The scale degree chords of E minor are: * Tonic – E minor * Supertonic – F-sharp diminished * Mediant – G major * Subdominant – A minor * Dominant – B minor * Submediant – C major * Subtonic – D major Nota ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
F♯ (musical Note)
F (F-sharp; also known as fa dièse or fi) is the seventh semitone of the solfège. It lies a chromatic semitone above F and a diatonic semitone below G, thus being enharmonic to ''sol bémol'' or G (G-flat) in 12 equal temperament. However, in other temperaments, such as quarter-comma meantone, it is not the same as G. G is a major third below B, whereas F is a major third above D (a minor third below A). Another enharmonic note is E (E-double sharp). When calculated in equal temperament An equal temperament is a musical temperament or Musical tuning#Tuning systems, tuning system that approximates Just intonation, just intervals by dividing an octave (or other interval) into steps such that the ratio of the frequency, frequencie ... with a reference of A above middle C as 440 Hz, the frequency of the F above middle C (or F4) is approximately 369.994Hz. See pitch (music) for a discussion of historical variations in frequency. Designation by octave Scales ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
G Major
G major is a major scale based on G (musical note), G, with the pitches G, A (musical note), A, B (musical note), B, C (musical note), C, D (musical note), D, E (musical note), E, and F♯ (musical note), F. Its key signature has one sharp (music), sharp. Its relative key, relative minor is E minor and its parallel key, parallel minor is G minor. The G major scale is: Changes needed for the melodic and harmonic versions of the scale are written in with accidentals as necessary. The G Harmonic major scale, harmonic major and Melodic major scale, melodic major scales are: Scale degree chords The scale degree chords of G major are: * Tonic (music), Tonic – G major * Supertonic – A minor * Mediant – B minor * Subdominant – C major * Dominant (music), Dominant – D major * Submediant – E minor * Leading-tone – Diminished triad, F-sharp diminished Notable compositions Baroque period In Baroque music, G major was regarded as the "key of benediction". Of Domen ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
A Minor
A minor is a minor scale based on A, B, C, D, E, F, and G. Its key signature has no flats or sharps. Its relative major is C major and its parallel major is A major. The A natural minor scale is: Changes needed for the melodic and harmonic versions of the scale are written in with accidentals as necessary. The A harmonic minor and melodic minor scales are: Scale degree chords The scale degree chords of A minor are: * Tonic – A minor * Supertonic – B diminished * Mediant – C major * Subdominant – D minor * Dominant – E minor * Submediant – F major * Subtonic – G major Well-known compositions in A minor *Johann Sebastian Bach ** English Suite No. 2, BWV 807 ** Sonata No. 2 in A minor, BWV 1003 ** Partita in A minor, BWV 1013 ** Violin Concerto in A minor, BWV 1041 ** Allein zu dir, Herr Jesu Christ, BWV 33 *Ludwig van Beethoven ** Violin Sonata No. 4, Op. 23 ** String Quartet No. 15, Op. 132 ** Bagatelle in A minor, "Für Elise" ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
C Major
C major is a major scale based on C, consisting of the pitches C, D, E, F, G, A, and B. C major is one of the most common keys used in music. Its key signature has no flats or sharps. Its relative minor is A minor and its parallel minor is C minor. The C major scale is: Changes needed for the melodic and harmonic versions of the scale are written in with accidentals as necessary. The C harmonic major and melodic major scales are: On the piano, the C major scale can be played by playing only the white keys starting on C. Scale degree chords The scale degree chords of C major are: * Tonic – C major * Supertonic – D minor * Mediant – E minor * Subdominant – F major * Dominant – G major * Submediant – A minor * Leading-tone – B diminished Compositions Twenty of Joseph Haydn's 106 symphonies are in C major, making it his second most-used key, second to D major. Of the 134 symphonies mistakenly attributed to Haydn that H. C. Robbins Landon lis ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
53 Equal Temperament
In music, 53 equal temperament, called 53 TET, 53 EDO, or 53 ET, is the tempered scale derived by dividing the octave into 53 equal steps (equal frequency ratios) (). Each step represents a frequency ratio of or 22.6415 cents (), an interval sometimes called the Holdrian comma. 53 TET is a tuning of equal temperament in which the tempered perfect fifth is 701.89 cents wide, as shown in Figure 1, and sequential pitches are separated by 22.642 cents. The 53-TET tuning equates to the unison, or ''tempers out'', the intervals known as the schisma, and known as the kleisma. These are both 5 limit intervals, involving only the primes 2, 3, and 5 in their factorization, and the fact that 53 TET tempers out both characterizes it completely as a 5 limit temperament: It is the only regular temperament tempering out both of these intervals, or commas, a fact which seems to have first been recognized by Japanese musi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
