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文化庁
The is a special body of the Japanese Ministry of Education, Culture, Sports, Science and Technology (MEXT). It was set up in 1968 to promote Japanese arts and culture. The agency's budget for FY 2018 rose to ¥107.7 billion. Overview The agency's Cultural Affairs Division disseminates information about the arts within Japan and internationally, and the Cultural Properties Protection Division protects the nation's cultural heritage. The Cultural Affairs Division is concerned with such areas as art and culture promotion, art copyrights, and improvements in the national language. It also supports both national and local arts and cultural festivals, and it funds traveling cultural events in music, theater, dance, art exhibitions, and film-making. Special prizes are offered to encourage young artists and established practitioners, and some grants are given each year to enable them to train abroad. The agency funds national museums of modern art in Kyoto and Tokyo and The National ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Japan Art Academy
is the highest-ranking official artistic organization in Japan. It is established as an extraordinary organ of the Japanese Agency for Cultural Affairs (文化庁, Bunkacho) in the thirty-first article of the law establishing the Ministry of Education, Culture, Sports, Science and Technology. The Academy discusses art-related issues, advises the Minister of Education, Culture, Sports, Science and Technology on art-related issues, and promotes arts in three categories: 1) fine art, 2) literary arts, 3) music, drama, and dance. It is closely associated with the annual Japan Art Academy Exhibition ''(Nitten''), the premier art exhibition in Japan; the Japan Art Academy originally ran the Nitten but since 1958 the exhibition is run by a separate private institution. The Japan Art Academy headquarters is in Ueno Park, Tokyo. The Japan Art Academy should not be confused with the Japan Art Institute, which is a completely different organization. History The Japan Art Academy was f ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kamigyō-ku, Kyoto
is one of the eleven wards in the city of Kyoto, in Kyoto Prefecture, Japan. The ward was a district of residences for the royalty, aristocrats, and upper classes in the old capital of Japanー Heian-ky ō. Located in the center of the present-day city of Kyoto, Japan, it previously occupied the northern region of the ancient capital of Kyoto. The Kamo River flows on the eastern border of the ward. The ward is home to the Kyoto Imperial Palace, the Shinto shrine, the shrine, textiles, and the headquarters of the and schools of Japanese tea ceremony. As of 2020, had a population of 83,832 people. The Masugata Shōtengai Shopping District is the setting of the 2013 anime series, '' Tamako Market'', produced by Kyoto Animation. Demographics Education * Doshisha University * Heian Jogakuin University * Imadegawa Campus of Doshisha Women's College of Liberal Arts is a private women's college in Kyotanabe, Kyoto, Japan. The predecessor of the school was founded i ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Fujiwara-kyō
280px, Map of Fujiwara-kyō was the Imperial capital of Japan for sixteen years, between 694 and 710. It was located in Yamato Province (present-day Kashihara in Nara Prefecture), having been moved from nearby Asuka, and remained the capital until its relocation to Heijō-kyō present-day Nara. It was the first in Japanese history to have been a planned city based on a square grid pattern modeled after the Chang'an, the capital of Tang dynasty China. History Per the ''Nihon Shoki'' in the 5th year of Emperor Tenmu's reign (676), the emperor began selecting the site of a new capital. Construction work was carried out over a number of years, based on the different standards of grid-like grids discovered during excavations, and was halted by the emperor's death. It was resumed in 690 under Empress Jitō and continued under the reigns of Emperor Mommu and Empress Genmei. Empress Genmei (661–721) moved the capital from Fujiwara-kyō to Nara (then Heijō-kyō) in 710 mainly t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kyoto National Museum
The is one of the major art museums in Japan. Located in Kyoto's Higashiyama ward, the museum focuses on pre-modern Japanese and Asian art. History The Kyoto National Museum, then the Imperial Museum of Kyoto, was proposed, along with the Imperial Museum of Tokyo (Tokyo National Museum) and the Imperial Museum of Nara (Nara National Museum), in 1889, and construction on the museum finished in October 1895. The museum was opened in 1897. The museum went through a series of name changes, in 1900 changing its name to the Imperial Household Museum of Kyoto, and once more in 1924 to the Imperial Gift Museum of Kyoto. The current name, the Kyoto National Museum, was decided upon in 1952. Timeline The growth and development of today's museum has been an evolving process: history * 1897—Museum is established as the "Imperial Museum of Kyoto."IAI National Museum. (2005)Institutional overview, p. 15. * 1900—Museum is renamed the "Imperial Household Museum of Kyoto." * 1924—Museum ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tokyo National Museum
The or TNM is an art museum in Ueno Park in the Taitō wards of Tokyo, ward of Tokyo, Japan. It is one of the four museums operated by the , is considered the oldest national museum and the largest art museum in Japan. The museum collects, preserves, and displays a comprehensive collection of artwork and cultural objects from Asia, with a focus on ancient and medieval Japanese art and Asian art along the Silk Road. There is also a large collection of Greco-Buddhist art. As of April 2023, the museum held approximately 120,000 Cultural Properties, including 89 National Treasure (Japan), National Treasures, 319 List of Hōryū-ji Treasures at Tokyo National Museum, Horyuji Treasures, and 649 Important Cultural Properties of Japan, Important Cultural Properties. As of the same date, the Japanese government had designated 902 works of art and crafts as National Treasures and 10,820 works of art and crafts as Important Cultural Properties, so the museum holds about 10% of the works of a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lacquer-ware
Lacquerware are objects decoratively covered with lacquer. Lacquerware includes small or large containers, tableware, a variety of small objects carried by people, and larger objects such as furniture and even coffins painted with lacquer. Before lacquering, the surface is sometimes painted with pictures, inlaid with shell and other materials, or carved. The lacquer can be dusted with gold or silver for example Hirameji and given further decorative treatments. East Asian countries have long traditions of lacquer work, origin of lacquer is from china. going back several thousand years in the cases of China, Japan and Korea. The best known lacquer, an urushiol-based lacquer common in East Asia, is obtained from the dried sap of ''Toxicodendron vernicifluum.'' Other types of lacquers are processed from a variety of plants and insects. The traditions of lacquer work in Southeast Asia, South Asia and the Americas are also ancient and originated independently. True lacquer is not made ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Imari Porcelain
is a Western term for a brightly-coloured style of Japanese export porcelain made in the area of Arita, Saga, Arita, in the former Hizen Province, northwestern Kyūshū. They were exported to Europe in large quantities, especially between the second half of the 17th century and the first half of the 18th century. Typically Imari ware (in the English use of the term) is decorated in underglaze blue, with red, gold, black for outlines, and sometimes other colours, added in overglaze. In the most characteristic floral designs most of the surface is coloured, with "a tendency to overdecoration that leads to fussiness". The style was so successful that Chinese and European producers began to copy it. Sometimes the different overglaze styles of Kakiemon and Kutani ware are also grouped under Imari ware. The name derives from the port of Imari, Saga, from which they were shipped to Nagasaki, where the Dutch East India Company and the Chinese had trading outposts. In the West the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Shamisen
The , also known as or (all meaning "three strings"), is a three-stringed traditional Japanese musical instrument derived from the Chinese instrument . It is played with a plectrum called a bachi. The Japanese pronunciation is usually but sometimes when used as a suffix, according to regular rendaku, sound change (e.g. ). In Western Japanese dialects and several Edo period sources, it is both written and pronounced as . The construction of the varies in shape, depending on the genre in which it is used. The instrument used to accompany kabuki has a thin neck, facilitating the agile and virtuosic requirements of that genre. The one used to accompany Bunraku, puppet plays and Min'yo, folk songs has a longer and thicker neck instead, to match the more robust music of those genres. Construction The is a plucked stringed instrument. Its construction follows a model similar to that of a guitar or a banjo, with a neck and strings stretched across a resonating body. The nec ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bunraku
is a form of traditional Japanese puppet theatre, founded in Osaka in the beginning of the 17th century, which is still performed in the modern day. Three kinds of performers take part in a performance: the or (puppeteers), the (chanters), and musicians. Occasionally other instruments such as drums will be used. The combination of chanting and playing is called and the Japanese word for puppet (or dolls, generally) is . It is used in many plays. History 's history goes as far back as the 16th century, but the origins of its modern form can be traced to around the 1680s. It rose to popularity after the playwright Chikamatsu Monzaemon (1653–1724) began a collaboration with the chanter Takemoto Gidayu (1651–1714), who established the Takemoto puppet theater in Osaka in 1684. Originally, the term referred only to the particular theater established in 1805 in Osaka, which was named the after the puppeteering ensemble of , an early 18th-century puppeteer from Awaji ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kyōgen
is a form of traditional Japanese comic theater. It developed alongside '' Noh'', was performed along with ''Noh'' as an intermission of sorts between ''Noh'' acts on the same stage, and retains close links to ''Noh'' in the modern day; therefore, it is sometimes designated ''Noh-kyōgen''. Its contents are nevertheless not at all similar to the formal, symbolic, and solemn ''Noh'' theater; ''kyōgen'' is a comic form, and its primary goal is to make its audience laugh. ''Kyōgen'' together with ''Noh'' is part of '' Nōgaku'' theatre. ''Kyōgen'' is sometimes compared to the Italian comic form of commedia dell'arte, which developed in the early 17th century, and likewise features stock characters. It also has parallels with the Greek satyr play, a short, comical play performed between tragedies. History One of the oldest ancestors of kyogen is considered to be a comical mimicry, which was one of the arts constituting Sangaku ( :ja:散楽), and Sangaku was introduced to Jap ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Living National Treasure (Japan)
is a Japanese popular term for those individuals certified as by the MEXT, Minister of Education, Culture, Sports, Science and Technology as based on Japan's . The term "Living National Treasure" is not formally mentioned in the law, but is an informal term referencing the cultural properties designated as the National Treasure (Japan), National Treasures. The Japanese government provides a subsidy of 2 million yen per person per year for Living National Treasures. The total amount of the subsidy is determined by the national budget, and since 2002 it has been 232 million yen. Therefore, the number of Living National Treasures in existence is a maximum of 116, and if there are 116 Living National Treasures, no person with any outstanding skills will be newly designated as a Living National Treasure unless a vacancy occurs due to death. [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Intangible Cultural Property (Japan)
An , as defined by the Japanese government The Government of Japan is the central government of Japan. It consists of legislative, executive and judiciary branches and functions under the framework established by the Constitution of Japan. Japan is a unitary state, containing forty- ...'s Law for the Protection of Cultural Properties (1950), is a part of the Cultural Properties of high historical or artistic value such as drama, music, and craft techniques. The term refers exclusively to human skills possessed by individuals or groups which are indispensable to produce Cultural Properties. Items of particular importance can be designated as . Recognition is also given to the owners of an item to encourage its transmission. There are three types of recognition: individual recognition, collective recognition, and group recognition. Special grants of two million yen a year are given to individual holders (the so-called Living National Treasures of Japan, Living National Treas ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
