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怪獣
is a Japanese term that is commonly associated with media involving giant monsters. Its widespread contemporary use is credited to ''tokusatsu'' (special effects) director Eiji Tsuburaya and filmmaker Ishirō Honda, who popularized the ''kaiju'' film genre by creating the ''Godzilla'' franchise and its spin-offs. The term can also refer to the monsters themselves, which are usually depicted attacking major cities and battling either the military or other creatures. ''Godzilla'' (1954) is often regarded as the first ''kaiju'' movie. When developing it, Honda and Tsuburaya drew inspiration from the character of King Kong, both in its influential 1933 film and in the conception of a giant monster, establishing it as a pivotal precursor in the evolution of the genre.King Kong’s influence on the giant monster genre: * * * * * * * * * * * * * * During their formative years, ''kaiju'' movies were generally neglected by Japanese critics, who regarded them as "juvenile gi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gamera
is a fictional giant monster, or ''kaiju'', that debuted in the Gamera, the Giant Monster, eponymous 1965 Japanese film. The character and the first film were intended to compete with the success of Toho's Godzilla (franchise), ''Godzilla'' film series. Since then, the franchise has become a Japanese icon in its own right and one of representatives of Cinema of Japan, Japanese cinema, appearing in a total of 12 films produced by Daiei Film and later by Tokuma Shoten and Kadokawa Daiei Studio (Kadokawa Corporation) respectively, and various other media such as novelizations, manga, video games, and more. Gamera is depicted as a giant, flying, fire-breathing monster, fire-breathing, prehistoric turtle. In the series' first film, Gamera is portrayed as an aggressive and destructive monster, though he also saved a child's life. As the films progressed, Gamera took on a more benevolent role, becoming a protector of humanity, especially children, nature, and the Earth from Extrater ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tokusatsu
is a Japanese term for live-action films or television programs that make heavy use of practical special effects. Credited to special effects director Eiji Tsuburaya, ''tokusatsu'' mainly refers to science fiction film, science fiction, War film, war, fantasy film, fantasy, or Horror film, horror media featuring such technology but is also occasionally dubbed a genre itself. Its contemporary use originated in the Mass media in Japan, Japanese mass media around 1958 to explain special effects in an easy-to-understand manner and was popularized during the ":ja:第一次怪獣ブーム, first monster boom" (1966–1968). Prior to the monster boom, it was known in Japan as or shortened . Subgenres of include ''kaiju'' such as the ''Godzilla (film series), Godzilla'' and ''Gamera'' series; superhero such as the ''Kamen Rider Series, Kamen Rider'' and ''Metal Hero Series, Metal Hero'' series; Kyodai Hero, ''Kyodai'' Hero like ''Ultra Series, Ultraman, and Gridman the Hyper Agent, D ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Eiji Tsuburaya
was a Japanese special effects director, filmmaker, and cinematographer. A co-creator of the ''Godzilla (franchise), Godzilla'' and ''Ultraman'' franchises, he is considered one of the most important and influential figures in the history of cinema. Tsuburaya is known as the having pioneered Japan's special effects industry and introduced several technological developments in film productions. In a career spanning five decades, Tsuburaya worked on approximately Eiji Tsuburaya filmography, 250 films—including globally renowned features directed by Ishirō Honda, Hiroshi Inagaki, and Akira Kurosawa—and earned six Japan Technical Awards. Following a brief stint as an inventor, Tsuburaya was employed by Japanese cinema pioneer Yoshirō Edamasa in 1919 and began his career working as an assistant cinematographer on Edamasa's ''A Tune of Pity''. Thereafter, he worked as an assistant cinematographer on several films, including Teinosuke Kinugasa's ''A Page of Madness'' (1926). ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Godzilla (1954 Film)
is a 1954 Japanese epic film, epic ''kaiju'' film directed and co-written by Ishirō Honda, with special effects by Eiji Tsuburaya. Produced and distributed by Toho, it is the first film in the Godzilla (franchise), ''Godzilla'' franchise. The film stars Akira Takarada, Momoko Kōchi, Akihiko Hirata, Takashi Shimura, Sachio Sakai, Fuyuki Murakami, Keiji Sakakida, Toyoaki Suzuki, Tsuruko Mano, Kin Sugai, Takeo Oikawa, Kan Hayashi, Seijiro Onda, and Toranosuke Ogawa with Haruo Nakajima and Katsumi Tezuka as Godzilla. In the film, Japan's authorities deal with the sudden appearance of a giant monster, whose attacks trigger fears of nuclear holocaust in post-occupation Japan, post-war Japan. ''Godzilla'' entered production after a Japanese-Indonesian co-production collapsed. Tsuburaya originally proposed a giant octopus before the filmmakers decided on a dinosaur-inspired creature. ''Godzilla'' pioneered a form of special effects called suitmation in which a stunt performer wear ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ishirō Honda
was a Japanese filmmaker who directed 46 feature films in a career spanning five decades. He is acknowledged as the most internationally successful Japanese filmmaker prior to Hayao Miyazaki and one of the founders of modern disaster film, with his films having a significant influence on the film industry. Despite directing many Drama (film and television), drama, War film, war, Documentary film, documentary, and Comedy film, comedy films, Honda is best remembered for directing and co-creating the ''kaiju'' genre with special effects director Eiji Tsuburaya. Honda entered the Japanese film industry in 1934, working as the third assistant director on Sotoji Kimura's ''The Elderly Commoner's Life Study''. After 15 years of working on numerous films as an assistant director, he made his directorial debut with the short documentary film ''Ise-Shima'' (1949). Honda's first feature film, ''Aoi Shinju, The Blue Pearl'' (1952), was a critical success in Japan at the time and would lead ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
:Category:Japanese Words And Phrases ...
{{Commons Words and phrases by language Words Words Words A word is a basic element of language that carries meaning, can be used on its own, and is uninterruptible. Despite the fact that language speakers often have an intuitive grasp of what a word is, there is no consensus among linguists on its ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Rodan
is a fictional monster, or ''kaiju'', which first appeared as the title character in Ishirō Honda's 1956 film of the same name, produced and distributed by Toho. Following its debut standalone appearance, Rodan went on to be featured in numerous entries in the ''Godzilla'' franchise, including '' Ghidorah, the Three-Headed Monster'' (1964), '' Invasion of Astro-Monster'' (1965), '' Destroy All Monsters'' (1968), '' Godzilla vs. Mechagodzilla II'' (1993), and '' Godzilla: Final Wars'' (2004), as well as in the Legendary Pictures-produced film '' Godzilla: King of the Monsters'' (2019). Rodan is depicted as a colossal, prehistoric, irradiated species of ''Pteranodon''. In 2014, ''IGN'' ranked Rodan as #6 on its "Top 10 Japanese Movie Monsters" list, while ''Complex'' listed the character as #15 on its "The 15 Most Badass Kaiju Monsters of All Time" list. Overview Name The Japanese name ''Radon'' is a contraction of '' Pteranodon''. The spelling of Radon in Japanese also corr ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Post-occupation Japan
Postwar Japan is the period in Japanese history beginning with the surrender of Japan to the Allies of World War II on 2 September 1945, and lasting at least until the end of the Shōwa era in 1989. Despite the massive devastation it suffered in the Second World War, Japan established itself as a global economic power at peace with the world after the Allied-occupation ended on 28 April 1952 by the Treaty of San Francisco. In terms of political power it was more reluctant, especially in the nonuse of military force. The post-war constitution of 1947 included Article 9, which restricted Japan from having a military force and engaging in war. However, it has operated military forces in the stationing of the United States Forces Japan based on the U.S.-Japan Security Treaty after the Allied occupation and the form of the Japanese Self-Defense Forces since 1954. Over the years, the meaning of Article 9 has been interpreted differently, because the United States now encour ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Atomic Bombings Of Hiroshima And Nagasaki
On 6 and 9 August 1945, the United States detonated two atomic bombs over the Japanese cities of Hiroshima and Nagasaki, respectively, during World War II. The aerial bombings killed between 150,000 and 246,000 people, most of whom were civilians, and remain the only uses of Nuclear warfare, nuclear weapons in an armed conflict. Surrender of Japan, Japan announced its surrender to the Allies on 15 August, six days after the bombing of Nagasaki and the Soviet–Japanese War, Soviet Union's declaration of war against Japan and Soviet invasion of Manchuria, invasion of Manchuria. The Japanese government signed an Japanese Instrument of Surrender, instrument of surrender on 2 September, End of World War II in Asia, ending the war. In the final year of World War II, the Allies of World War II, Allies prepared for a costly Operation Downfall, invasion of the Japanese mainland. This undertaking was preceded by a Air raids on Japan, conventional bombing and firebombing campaign that de ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Daigo Fukuryū Maru
was a Japanese tuna fishing boat with a crew of 23 men which was contaminated by nuclear fallout from the United States Castle Bravo thermonuclear weapon test at Bikini Atoll on March 1, 1954. The crew suffered acute radiation syndrome (ARS) for a number of weeks after the Bravo test in March. All recovered from the immediate effects of the American test detonation except for Kuboyama Aikichi, the boat's chief radioman, who died on September 23, 1954, from complications of radiation sickness. Kuboyama is considered the first victim of the hydrogen bomb and of test shot Castle Bravo. Early days and final voyage Built in March 1947 and launched from Koza, Wakayama, the boat was originally named . It was a bonito boat and moored in Misaki Fishing Harbor, Kanagawa Prefecture. It was later remodeled into a tuna fishing boat. In 1953, it moved to Yaizu Port, Shizuoka Prefecture, with a new name, ''Daigo Fukuryū Maru'', translated as ''Lucky Dragon No. 5'' or the ''Fifth Lucky D ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Camille Flammarion
Nicolas Camille Flammarion FRAS (; 26 February 1842 – 3 June 1925) was a French astronomer and author. He was a prolific author of more than fifty titles, including popular science works about astronomy, several notable early science fiction novels, and works on psychical research and related topics. He also published the magazine '' L'Astronomie'', starting in 1882. He maintained a private observatory at Juvisy-sur-Orge, France. Biography Camille Flammarion was born in Montigny-le-Roi, Haute-Marne, France. He was the brother of Ernest Flammarion (1846–1936), the founder of the Groupe Flammarion publishing house. In 1858, he became a professional at computery at the Paris Observatory. He was a founder and the first president of the '' Société astronomique de France'', which originally had its own independent journal, ''BSAF'' (''Bulletin de la Société astronomique de France''), which was first published in 1887. In January 1895, after 13 volumes of '' L'Astrono ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mothra
is a fictional monster, or '' kaiju'', which first appeared as the title character in Ishirō Honda's '' 1961 film of the same name'', produced and distributed by Toho. Mothra has appeared in several Toho ''tokusatsu'' films, often as a recurring monster in the ''Godzilla'' franchise. She is typically portrayed as a colossal sentient larva ( caterpillar) or imago, accompanied by two miniature fairies speaking on her behalf. Unlike several other Toho monsters, Mothra is a largely heroic character, having been variously portrayed as a protector of her own island culture,'' Mothra'' (1961). Directed by Ishirō Honda. Toho the Earth'' Godzilla vs. Mothra'' (1992). Directed by Takao Okawara. Toho and Japan.'' Godzilla, Mothra and King Ghidorah: Giant Monsters All-Out Attack'' (2001). Directed by Shusuke Kaneko. Toho. Mothra's design is influenced by silkworms, their imagos, and those of giant silk moths in the family Saturniidae. The character is often depicted hatching of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
