|
Życie
''Życie'' (, "Life") was an illustrated weekly established in 1897 and published in Kraków and Lwów in the Austrian partition of Poland. Founded by Ludwik Szczepański, with time it became one of the most popular Polish literary and artistic journals. Although short-lasting (it went bankrupt in 1900), it shaped an entire generation of Polish artists and art critics, notably those associated with the so-called Young Poland. Initially the weekly was focused on current news, politics, social and national matters in what was then the Austria-Hungary, Austro-Hungarian Galicia (Central Europe), Galicia. Among its collaborators and correspondents in the early period were Socialist journalists Kazimierz Kelles-Krauz, Iza Moszczeńska and Wilhelm Feldman. The magazine was initially a commercial failure and failed to gain enough readership. Under such circumstances the title was bought by Ignacy Sewer-Maciejowski, who offered the job of editor in chief to Stanisław Przybyszewski, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Stanisław Przybyszewski
Stanisław Przybyszewski (; 7 May 1868 – 23 November 1927) was a Polish novelist, dramatist, and poet of the decadent naturalistic school. His drama is associated with the Symbolist movement. He wrote both in Polish and in German. Life Stanisław Feliks Przybyszewski was born in Łojewo near Kruszwica during the partitions of Poland. The son of a local teacher, Józef Przybyszewski, Stanisław attended a German gymnasium in Toruń, graduating in 1889. He left for Berlin, where he first studied architecture and then medicine. It was there that he became fascinated by the philosophy of Nietzsche, began referring to himself as a Satanist, and immersed himself into the bohemian life of the city. In Berlin, he lived with—but did not marry—Martha Foerder. They had had three children together: two before he left her to marry Dagny Juel on 18 August 1893 and one during his marriage to Dagny. From 1893 to 1898, he lived with Juel (formerly a model for Edvard Munch), sometimes i ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gabriela Zapolska
Maria Gabriela Stefania Korwin-Piotrowska (1857–1921), known as Gabriela Zapolska, was a Polish novelist, playwright, naturalist writer, feuilletonist, theatre critic and stage actress. Zapolska wrote 41 plays, 23 novels, 177 short stories, 252 works of journalism, one film script, and over 1,500 letters. Zapolska received most recognition for her socio-satirical comedies. Among them, ''The Morality of Mrs. Dulska'' – a tragic-farce about petty-bourgeois – is considered the most famous internationally. It is regarded as a landmark of early modernist Polish drama. Her stage plays were translated into foreign languages, and performed at Polish and European theatres, as well as adapted for radio and film. Zapolska herself acted on stage in over 200 plays in Warsaw, Kraków, Poznań, Lwów, Saint Petersburg and Paris. Life Zapolska was born on 30 March 1857 in Pidhatsi, near Lutsk, in Volhynia, to a wealthy family of Polish landed gentry. At that time, this territory was p ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Stanisław Wyspiański
Stanisław Mateusz Ignacy Wyspiański (; 15 January 1869 – 28 November 1907) was a Polish playwright, painter, poet, and interior and furniture designer. A patriotic writer, he created symbolic national dramas accordant with the artistic premises of the Young Poland movement. Wyspiański was one of the most outstanding and multifaceted artists in Poland under the foreign partitions. He combined modernism with traditional Polish folk and Romantic themes. He became known unofficially as a fourth Polish bard, after the earlier Three Bards: Adam Mickiewicz, Juliusz Słowacki, and Zygmunt Krasiński). Biography Stanisław Wyspiański was born to Franciszek Wyspiański and Maria Rogowska. His father, a sculptor, owned an atelier at the foot of Wawel Hill, in the Długosz House. His mother died of tuberculosis in 1876 when Stanisław was seven years old. Due to problems with alcohol, Stanisław's father could not fulfil his parental responsibilities. Stanisław was a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Iza Moszczeńska
Izabela (Iza) Moszczeńska or Moszczeńska-Rzepecka (28 October 1864 – 20 March 1941) was a Polish feminist journalist, translator and suffragette. She was the first Polish author to advocate sex education for both girls and boys. Life Iza Moszczeńska was born on the family estate in Rzeczyca, Kingdom of Prussia (now Rzeczyca, Poland) on 28 October 1864. She was mostly educated at home, only receiving two years of formal schooling, although she gained fluency in English, French and German in addition to Polish. Before 1890 she taught the local children and began writing articles for various newspapers and magazines. During this time she visited Warsaw, the capital of Russian-controlled Congress Poland, to attend lectures at the Flying University (), a covert school for women who were forbidden to university by the Russians. Her father died in 1890 and the family estate had to be sold off so Moszczeńska and her mother moved to Warsaw where they started a secret girl's boarding ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Young Poland
Young Poland ( ) was a modernist period in Polish visual arts, literature and music, covering roughly the years between 1890 and 1918. It was a result of strong aesthetic opposition to the earlier ideas of Positivism. Young Poland promoted trends of decadence, neo-romanticism, symbolism, Impressionism. Many of the exhibitions were held at the Palace of Art, also known as "Secession" (''Secesja''), the headquarters of the Kraków Society of Friends of Fine Arts, in Kraków Old Town. Philosophy The term was coined in a manifesto by writer , published in 1898 in the Kraków newspaper '' Życie'' (Life), and was soon adopted in all of partitioned Poland by analogy to similar terms such as Young Germany, Young Belgium, Young Scandinavia, etc. Literature Polish literature of the period was based on two main concepts. The earlier was a typically modernist disillusionment with the bourgeoisie, its life style and its culture. Artists following this concept also believed i ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kazimiera Zawistowska
Kazimiera Zawistowska '' de domo'' Jasieńska, pseudonym Ira, (1870–1902) was a Polish poet and translator. Zawistowska was an author of modernist erotic and landscape poems related with mysticism, symbolism and Parnassianism. She published her works in Kraków and Warsaw magazines – ''Życie'', ''Krytyka'' and ''Chimera''. Zawistowska translated poems of Belgian and French symbolists, including Charles Baudelaire, Paul Verlaine, Albert Samain. Biography Kazimiera Zawistowska was born in 1870 in Rasztowce, Podolia. After education, she moved to Switzerland and Italy. After back to Poland, she married with Stanisław Jastrzębiec-Zawistowski and lived with him in Supranówka in Podolia. She died on 28 February 1902 in Kraków. The cause of death was probably suicide. Notable works ;Collections of poems published posthumously * ''Poezje'' (1903) – with preface written by Zenon Przesmycki Zenon Przesmycki (pen name ''Miriam''; Radzyń Podlaski, 22 December 1861 – 17 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Broadsheet
A broadsheet is the largest newspaper format and is characterized by long Vertical and horizontal, vertical pages, typically of in height. Other common newspaper formats include the smaller Berliner (format), Berliner and Tabloid (newspaper format), tabloid–Compact (newspaper), compact formats. Historically, the broadsheet format emerged in the 17th century as a means for printing Broadside ballad, musical and popular prints, and later became a medium for political activism through the reprinting of speeches. In Britain, the broadsheet newspaper developed in response to a 1712 tax on newspapers based on their page counts. Outside Britain, the broadsheet evolved for various reasons, including style and authority. Broadsheets are often associated with more intellectual and in-depth content compared to their tabloid counterparts, featuring detailed stories and less Sensationalism, sensational material. They are commonly used by newspapers aiming to provide comprehensive cover ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Art Nouveau
Art Nouveau ( ; ; ), Jugendstil and Sezessionstil in German, is an international style of art, architecture, and applied art, especially the decorative arts. It was often inspired by natural forms such as the sinuous curves of plants and flowers. Other characteristics of Art Nouveau were a sense of dynamism and movement, often given by asymmetry or whiplash lines, and the use of modern materials, particularly iron, glass, ceramics and later concrete, to create unusual forms and larger open spaces.Sembach, Klaus-Jürgen, ''L'Art Nouveau'' (2013), pp. 8–30 It was popular between 1890 and 1910 during the Belle Époque period, and was a reaction against the academicism, eclecticism and historicism of 19th century architecture and decorative art. One major objective of Art Nouveau was to break down the traditional distinction between fine arts (especially painting and sculpture) and applied arts. It was most widely used in interior design, graphic arts, furniture, glass ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Impressionism
Impressionism was a 19th-century art movement characterized by visible brush strokes, open Composition (visual arts), composition, emphasis on accurate depiction of light in its changing qualities (often accentuating the effects of the passage of time), ordinary subject matter, unusual visual angles, and inclusion of movement as a crucial element of human perception and experience. Impressionism originated with a group of Paris-based artists whose independent exhibitions brought them to prominence during the 1870s and 1880s. The Impressionists faced harsh opposition from the conventional art community in France. The name of the style derives from the title of a Claude Monet work, ''Impression, soleil levant'' (''Impression, Sunrise''), which provoked the critic Louis Leroy to coin the term in a Satire, satirical 1874 review of the First Impressionist Exhibition published in the Parisian newspaper ''Le Charivari''. The development of Impressionism in the visual arts was soon foll ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Coated Paper
Coated paper (also known as enamel paper, gloss paper, and thin paper) is paper that has been coated with a mixture of materials or a polymer to impart certain qualities to the paper, including weight, surface gloss, smoothness, or reduced ink absorbency. Various materials, including kaolinite, calcium carbonate, bentonite, and talc, can be used to coat paper for high-quality printing, such as that used in the packaging industry and in magazines. The chalk or china clay is bound to the paper with synthetic s, such as styrene-butadiene latexes and natural organic binders such as starch. The coating formulation may also contain chemical additives as dispersants, resins, or polyethylene to give water resistance and wet strength to the paper, or to protect against ultraviolet radiation. Coated papers have been traditionally used for printing magazines. Varieties Machine-finished coated paper ''Machine-finished coated paper'' (MFC) has a basis weight of 48–80 g/m2. Th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Symbolism (arts)
In works of art, literature, and narrative, a symbol is a concrete element like an object, character, image, situation, or action that suggests or hints at abstract, deeper, or non-literal meanings or ideas.Johnson, Greg; Arp, Thomas R. (2018). ''Perrine's Literature: Structure, Sound and Sense, Third Edition''. Cengage Learning. pp. 286-7: "A literary symbol is something that means more than what it suggests on the surface. It may be an object, a person, a situation, an action, or some other element that has a literal meaning in the story but that suggests or represents other meanings as well."Kennedy, X. J.; Gioia, Dana (2007). ''Literature: An Introduction to Fiction, Poetry, Drama, and Writing, Tenth Edition''. Pearson Longman. p. 292: " a symbol: in literature, a thing that suggests more than its literal meaning. Symbols generally do not 'stand for' any one meaning, nor for anything absolutely definite; they point, they hint, or, as Henry James put it, they cast long shadows ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Art Director
Art director is a title for a variety of similar job functions in theater, advertising, marketing, publishing, fashion, live-action and animated film and television, the Internet, and video games. It is the charge of a sole art director to supervise and unify the vision of an artistic production. In particular, they are in charge of its overall visual appearance and how it communicates visually, stimulates moods, contrasts features, and psychologically appeals to a target audience. The art director makes decisions about visual elements, what artistic style(s) to use, and when to use motion. One of the biggest challenges art directors face is translating desired moods, messages, concepts, and underdeveloped ideas into imagery. In the brainstorming process, art directors, colleagues and clients explore ways the finished piece or scene could look. At times, the art director is responsible for solidifying the vision of the collective imagination while resolving conflicting agendas ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
