Šarlatán
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Šarlatán
''Šarlatán'' (English: ''The Charlatan''), Op. 14, is a tragicomic opera in three acts (seven scenes) by Pavel Haas to his own Czech libretto, after a 1929 German-language novel, ''Doktor Eisenbart'', by Josef Winckler (1881–1966), which was based on the life of the travelling surgeon Johann Andreas Eisenbarth. Performance history The opera was composed between 1934 and 1937. Haas completed his work on the libretto on 1 July 1934. Later, he was forced to conceal his inspiration, because a collaboration between a German writer and a Jewish composer was forbidden by Nuremberg Laws. The composer removed from the libretto any association with the original German background and he changed the name of the main character (Eisenbart) to the Czech equivalent, Pustrpalk. A six-movement Suite (Op. 14) based on themes from the opera, intended to publicise the premiere, was broadcast by the Brno Radio Orchestra on 14 June 1937. In the event, the premiere was twice postponed, but ev ...
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Pavel Haas
Pavel Haas (21 June 189917 October 1944) was a Czech composer who was murdered during the Holocaust. He was an exponent of Leoš Janáček's school of composition, and also utilized elements of folk music and jazz. Although his output was not large, he is notable particularly for his song cycles and string quartets. Pre-war Haas was born in Brno, into a Moravian-Jewish family. His father, Zikmund, a shoemaker by trade, was from the Moravian region, while his mother, Olga (née Epstein), was born in Odesa. His brother, Hugo Haas (1901–1968), was a popular actor in interwar Czechoslovakia. After studying piano privately, Haas began his more formal musical education at the age of 14 and studied composition at the Brno Conservatory from 1919 to 1921 under Jan Kunc and Vilém Petrželka. This was followed by two years of study in the master class of the noted Czech composer Leoš Janáček. Janáček was by far Haas's most influential teacher, and Haas, in turn, proved to ...
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Entartete Musik
Degenerate music (, ) was a label applied in the 1930s by the government of Nazi Germany to certain forms of music that it considered harmful or decadence, decadent. The Nazi government's concerns about degenerate music were a part of its larger and better-known campaign against degenerate art (). In both cases, the government attempted to isolate, discredit, discourage, or ban the works. Racial emphasis Jewish composers such as Felix Mendelssohn and Gustav Mahler were disparaged and condemned by the Nazis. In Leipzig, a bronze statue of Mendelssohn was removed. The regime commissioned music to replace his incidental music to ''A Midsummer Night's Dream (Mendelssohn), A Midsummer Night's Dream''. The Nazis also regulated jazz, including the banning of solos and Break (music), drum breaks, Scat singing, scat, "Negroid excesses in tempo" and "Jewishly gloomy lyrics". Discrimination From the Nazi seizure of power onward, these composers found it increasingly difficult, and often imp ...
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Bass (voice Type)
A bass is a type of classical male singing voice and has the lowest vocal range of all voice types. According to '' The New Grove Dictionary of Opera'', a bass is typically classified as having a vocal range extending from around the second E below middle C to the E above middle C (i.e., E2–E4). Its tessitura, or comfortable range, is normally defined by the outermost lines of the bass clef. Categories of bass voices vary according to national style and classification system. Italians favour subdividing basses into the ''basso cantante'' (singing bass), ''basso buffo'' (comical bass), or the dramatic ''basso profondo'' (deep bass). The American system identifies the bass-baritone, comic bass, lyric bass, and dramatic bass. The German '' Fach'' system offers further distinctions: Spielbass (Bassbuffo), Schwerer Spielbass (Schwerer Bassbuffo), Charakterbass (Bassbariton), and Seriöser Bass. These classifications tend to describe roles rather than singers: it is rare for ...
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Pantalone
Pantalone (), spelled Pantaloon in English, is one of the most important principal characters found in commedia dell'arte. With his exceptional greed and status at the top of the social order, Pantalone is "money" in the ''commedia'' world. His full name, including family name, is ''Pantalon de' Bisognosi'', Italian for 'Pantalone of the Needy'. Robert Henke ''Performance and literature in the commedia dell'arte'', Improvisation and characters, Individual roles, pp. 19–24 Character Pantalone originated as part of a master/servant duo and was the original ''Il Magnifico'' stock character. Carlo Goldoni, in his memoirs, named Pantalone as one of the four primary commedia dell'arte characters. Among other things, Pantalone is a character of Venetians; one theory is that his name derives from Saint Pantaleon (''San Pantalone''), a popular saint in Venice. Another theory is that his name derives from Venetian merchants who were called Piantaleoni. While the theories of the St. ...
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Spider Web
A spider web, spiderweb, spider's web, or cobweb (from the archaic word ''Wikt:coppe, coppe'', meaning 'spider') is a structure created by a spider out of proteinaceous spider silk extruded from its spinnerets, generally meant to catch its prey. Spider webs have existed for at least 100 million years, as witnessed in a rare find of Early Cretaceous amber from Sussex, in southern England. Many spiders build webs specifically to trap and catch insects to eat. However, not all spiders catch their prey in webs, and some do not build webs at all. The term "spider web" is typically used to refer to a web that is apparently still in use (i.e., clean), whereas "cobweb" refers to a seemingly abandoned (i.e., dusty) web. However, the word "cobweb" is also used by biologists to describe the tangled three-dimensional web of some spiders of the family Theridiidae. While this large family is known as the cobweb spiders, they actually have a huge range of web architectures; other names for thi ...
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Scapino
{{Use dmy dates, date=January 2024 Scapino or Scapin is a Zanni character from the commedia dell'arte. His name is related to the Italian language, Italian word ''scappare'' ('to escape') and his name translates to 'little escape artist', in reference to his tendency to flee from fights, even those he himself begins. He is a Bergamo native, and was popularized by the actor Francesco Gabrielli. Costume Later versions show his costume with green (or sometimes turquoise) and white stripes, similar to Mezzetino's red and white, but Jacques Callot, Callot shows Scapino in an outfit similar to the early Brighella's, white with a ''tabaro'' and a sword on his belt, and topped with a torn hat adorned with feathers. He is in fact a variant on Brighella, more cowardly and less clever. Some people call him Brighella's brother, some his son. Character Scapino tends to make a confusion of anything he undertakes and metaphorically "flees" from one thought, activity or love interest to another ...
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Soured Milk
Soured milk denotes a range of food products produced by the acidification of milk. Acidification, which gives the milk a tart taste and unpleasant smell, is achieved either through bacterial fermentation or through the addition of an acid, such as lemon juice or vinegar. The acid causes milk to coagulate and thicken, inhibiting the growth of harmful bacteria and improving the product's shelf life. Soured milk that is produced by fermentation is more specifically called fermented milk or cultured milk. Traditionally, soured milk was simply fresh milk that was left to ferment and sour by keeping it in a warm place for a day, often near a stove. Modern commercial soured milk may differ from milk that has become sour naturally. Soured milk that is produced by the addition of an acid, with or without the addition of microbial organisms, is more specifically called acidified milk. In the United States, acids used to manufacture acidified milk include acetic acid (commonly found in ...
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Tenor
A tenor is a type of male singing voice whose vocal range lies between the countertenor and baritone voice types. It is the highest male chest voice type. Composers typically write music for this voice in the range from the second B below middle C to the G above middle C (i.e. B2 to G4) in choral music, and from the second B flat below middle C to the C above middle C (B2 to C5) in operatic music, but the range can extend at either end. Subtypes of tenor include the ''leggero'' tenor, lyric tenor, spinto tenor, dramatic tenor, heldentenor, and tenor buffo or . History The name "tenor" derives from the Latin word '' tenere'', which means "to hold". As noted in the "Tenor" article at ''Grove Music Online'': In polyphony between about 1250 and 1500, the enor was thestructurally fundamental (or 'holding') voice, vocal or instrumental; by the 15th century it came to signify the male voice that sang such parts. All other voices were normally calculated in relation to the ten ...
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Harlequin
Harlequin (, , ; , ) is the best-known of the comic servant characters (Zanni) from the Italian commedia dell'arte, associated with the city of Bergamo. The role is traditionally believed to have been introduced by the Italian actor-manager Zan Ganassa in the late 16th century, was definitively popularized by the Italian actor Tristano Martinelli in Paris in 1584–1585, and became a stock character after Martinelli's death in 1630. The Harlequin is characterised by his checkered costume. His role is that of a light-hearted, nimble, and Tricky slave, astute servant, often acting to thwart the plans of his master, and pursuing his own love interest, Columbina, Columbine, with wit and resourcefulness, often competing with the sterner and melancholic Pierrot. He later develops into a prototype of the romantic hero. Harlequin inherits his physical agility and his trickster qualities, as well as his name, from a mischievous "Devil in Christianity#Early Middle Ages, devil" character ...
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Bachelor
A bachelor is a man who is not and never has been married.Bachelors are, in Pitt & al.'s phrasing, "men who live independently, outside of their parents' home and other institutional settings, who are neither married nor cohabitating". (). Etymology A bachelor is first attested as the 12th-century ''bacheler'': a knight bachelor, a knight too young or poor to gather vassals under his own banner. The Old French ' presumably derives from Italian ', but the ultimate source of the word is uncertain.''Oxford English Dictionary'', 1st ed.bachelor, ''n.'' Oxford University Press (Oxford), 1885. The proposed Medieval Latin">linguistic reconstruction">proposed Medieval Latin * ("vassal", "field hand") is only attested late enough that it may have derived from the vernacular languages, rather than from the southern French and northern Spanish Latin . Alternatively, it has been derived from Latin ' ("a stick"), in reference to the wooden sticks used by knights in training. History From t ...
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Soprano
A soprano () is a type of classical singing voice and has the highest vocal range of all voice types. The soprano's vocal range (using scientific pitch notation) is from approximately middle C (C4) = 261 Hertz, Hz to A5 in Choir, choral music, or to soprano C (C6) or higher in operatic music. In four-part chorale style harmony, the soprano takes the highest part, which often encompasses the melody. The soprano voice type is generally divided into the coloratura soprano, coloratura, soubrette, lyric soprano, lyric, spinto soprano, spinto, and dramatic soprano, dramatic soprano. Etymology The word "soprano" comes from the Italian word ''wikt:sopra, sopra'' (above, over, on top of),"Soprano"
''Encyclopædia Britannica''
as the soprano is the highest pitch human voice, often given to the leading female roles in operas. "Soprano" refers ...
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Baritone
A baritone is a type of classical music, classical male singing human voice, voice whose vocal range lies between the bass (voice type), bass and the tenor voice type, voice-types. It is the most common male voice. The term originates from the Greek language, Greek (), meaning "low sounding". Composers typically write music for this voice in the range from the second F below C (musical note), middle C to the F above middle C (i.e. Scientific pitch notation, F2–F4) in choral music, and from the second G below middle C to the G above middle C (G2 to G4) in operatic music, but the range can extend at either end. Subtypes of baritone include the baryton-Martin baritone (light baritone), lyric baritone, ''Kavalierbariton'', Verdi baritone, dramatic baritone, ''baryton-noble'' baritone, and the bass-baritone. History The first use of the term "baritone" emerged as ''baritonans'', late in the 15th century, usually in French Religious music, sacred Polyphony, polyphonic music. At t ...
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