Śrītattvanidhi
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Śrītattvanidhi
The ''Sritattvanidhi'' (, "The Illustrious Treasure of Realities") is a treatise written in the 19th century in the Mysore Palace, Karnataka on the iconography and iconometry of divine figures in South India. One of its sections includes instructions for, and illustrations of, 122 hatha yoga postures. Authorship The ''Sritattvanidhi'' is attributed to the then Maharaja of Mysore, Krishnaraja Woḍeyar III (b. 1794 - d. 1868). The Maharaja was a great patron of art and learning, and was himself a scholar and writer. Around 50 works are ascribed to him. The first page of the ''Sritattvanidhi'' attributes authorship of the work to the Maharaja himself: Martin-Dubost's review of the history of this work says that the Maharaja funded an effort to put together in one work all available information concerning the iconography and iconometry of divine figures in South India. He asked that a vast treatise be written, which he then had illustrated by miniaturists from his palace. ...
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Thirty-two Forms Of Ganesha
Thirty-two forms of Ganesha are mentioned frequently in devotional literature related to the Hindu god Ganesha. The Ganesha-centric scripture ''Mudgala Purana'' is the first to list them. Detailed descriptions are included in the ''Shivanidhi'' portion of the 19th-century Kannada ''Sritattvanidhi''. There are also sculptural representations of these thirty-two forms in the temples at Nanjangud and Chāmarājanagar (both in Mysore district, Karnataka), done about the same time as the paintings were done and also at the direction of the same monarch.Ramachandra Rao, p. vi. Each of the thirty-two illustrations is accompanied by a short Sanskrit meditation verse ('), written in Kannada script. The meditation verses list the attributes of each form. The text says that these meditation forms are from the ''Mudgala Purana''. In his review of how the iconographic forms of Ganapati shown in the Sritattvanidhi compare with those known from other sources, Martin-Dubost notes that the Srita ...
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Opening Page Of Sritattvanidhi
Opening may refer to: Types of openings * Hole * A title sequence or opening credits * Grand opening of a business or other institution * Inauguration * Keynote * Opening sentence * Opening sequence * Opening statement, a beginning statement in a court case * Opening (morphology), a morphological filtering operation used in image processing * Overture * Salutation (greeting) * Vernissage Games * Backgammon opening * Chess opening * Go opening * Shogi opening * , a term from contract bridge * , a term from contract bridge Media * Al-Fatiha, "The Opening", the first chapter of the Qur'an * ''The Opening'' (album), live album by Mal Waldron * "Opening", a song by Hikaru Utada from the 2004 album '' Exodus'' * "Opening", a song by Jay Chou from the 2007 album ''Secret Secrecy is the practice of hiding information from certain individuals or groups who do not have the "need to know", perhaps while sharing it with other individuals. That which is kept hidden is known as th ...
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Brahma
Brahma (, ) is a Hindu god, referred to as "the Creator" within the Trimurti, the triple deity, trinity of Para Brahman, supreme divinity that includes Vishnu and Shiva.Jan Gonda (1969)The Hindu Trinity, Anthropos, Bd 63/64, H 1/2, pp. 212–226.Jan Gonda (1969)The Hindu Trinity, Anthropos, Bd 63/64, H 1/2, pp. 218–219. He is associated with creation, knowledge, and the ''Vedas''. Brahma is prominently mentioned in Creation myth, creation legends. In some ''Puranas'', he created himself in a golden embryo known as the Hiranyagarbha. Brahma is frequently identified with the Rigvedic deities, Vedic god Prajapati.;David Leeming (2005), The Oxford Companion to World Mythology, Oxford University Press, , page 54, Quote: "Especially in the Vedanta Hindu Philosophy, Brahman is the Absolute. In the Upanishads, Brahman becomes the eternal first cause, present everywhere and nowhere, always and never. Brahman can be incarnated in Brahma, in Vishnu, in Shiva. To put it another way, eve ...
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Mahaganapati
Mahaganapati (, ), literally "Ganesha, the Great"), also spelled as Maha Ganapati, and frequently called Mahaganadhipati, is an aspect of the Hindu god Ganesha. He is the representation of Ganesha as the Supreme Being Paramatman and is the most important deity of the Ganesha-centric Ganapatya sect. He is one of the most popular of the thirty-two forms of Ganesha, worshipped as a representation of the ultimate truth Para brahman. Mahaganapati is depicted as elephant-headed with ten arms carrying various objects and is accompanied by a goddess. Iconography Like all aspects of Ganesha, Mahaganapati has an elephant head. Sindoor, is generally used for his red colour, in depictions. His colour is a reference to the dawn. He is often depicted with a third eye on his forehead, a crescent moon over his head, ten arms which hold; a lotus, a pomegranate fruit, a gada (mace), a chakra (discus), his own broken tusk, a pasha (noose), a jewelled water vessel or a pot of jewels, a blue lo ...
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Asana
An āsana (Sanskrit: आसन) is a body posture, originally and still a general term for a sitting meditation pose,Verse 46, chapter II, "Patanjali Yoga sutras" by Swami Prabhavananda, published by the Sri Ramakrishna Math p. 111 and later extended in hatha yoga and modern yoga as exercise, to any type of position, adding reclining, standing, inverted, twisting, and balancing poses. The ''Yoga Sutras of Patanjali'' define "asana" as " position thatis steady and comfortable". Patanjali mentions the ability to sit for extended periods as one of the eight limbs of his system. Patanjali '' Yoga sutras'', Book II:29, 46 Asanas are also called yoga poses or yoga postures in English. The 10th or 11th century '' Goraksha Sataka'' and the 15th century '' Hatha Yoga Pradipika'' identify 84 asanas; the 17th century '' Hatha Ratnavali'' provides a different list of 84 asanas, describing some of them. In the 20th century, Indian nationalism favoured physical culture in response t ...
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Kautuka
A kautuka is a red-yellow coloured ritual protection thread, sometimes with knots, found on the Indian subcontinent. It is sometimes called a ''kalava'', ''mauli'', ''maui'', ''rakshasutra'', ''pratisara'' (in North India), ''kaapu'', ''kayiru'', ''charandu'' or rakshadhara (in South India). A ''kautuka'' is a woven thread, cord or ribbon, states the Indologist Jan Gonda, which is traditionally believed to be protective or apotropaeic. The ''pratisara'' and ''kautuka'' in a ritual thread context appear in the Vedic text ''Atharvaveda Samhita'' section 2.11. An even earlier reference to ritual "red and black" colored thread with a dual function, one of driving away "fiends" and the other "binding of bonds" between the bride and the groom by one's relatives appears in hymn 10.85.28 of the ''Rigveda'', states Gonda. A ''pratisara'' or ''kautuka'' serves a ritual role in Hinduism, and is tied by the priest or oldest family member on the wrist of a devotee, patron, loved one or around ...
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Tantra
Tantra (; ) is an esoteric yogic tradition that developed on the India, Indian subcontinent beginning in the middle of the 1st millennium CE, first within Shaivism and later in Buddhism. The term ''tantra'', in the Greater India, Indian traditions, also means any systematic broadly applicable "text, theory, system, method, instrument, technique or practice". A key feature of these traditions is the use of mantras, and thus they are commonly referred to as Mantramārga ("Path of Mantra") in Hinduism or Mantrayāna ("Mantra Vehicle") and Guhyamantra ("Secret Mantra") in Buddhism. In Buddhism, the Vajrayana traditions are known for tantric ideas and practices, which are based on Indian Tantras (Buddhism), Buddhist Tantras. They include Tibetan Buddhism, Indo-Tibetan Buddhism, Chinese Esoteric Buddhism, Japanese Shingon Buddhism and Nepalese Newar Buddhism. Although Southern Esoteric Buddhism does not directly reference the tantras, its practices and ideas parallel them. In Bud ...
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Agama (Hinduism)
The Agamas (Devanagari: , IAST: ) are a collection of several Tantras (Hinduism), Tantric literature and religious text, scriptures of Hindu schools.Julius Lipner (2004), Hinduism: the way of the banyan, in The Hindu World (Editors: Sushil Mittal and Gene Thursby), Routledge, , pages 27–28 The term literally means tradition or "that which has come down", and the Agama texts describe cosmology, epistemology, philosophical doctrines, precepts on meditation and practices, four kinds of yoga, mantras, temple construction, deity worship and ways to attain sixfold desires. These canonical texts are in Sanskrit and Tamil language, Tamil. The three main branches of Agama texts are Shaivism, Shaiva, Vaishnavism, Vaishnava and Shaktism, Shakta. The Agamic traditions are sometimes called Tantrism, although the term "Tantra" is usually used specifically to refer to Shakta Agamas.Mariasusai Dhavamony (1999), Hindu Spirituality, Gregorian University and Biblical Press, , pages 31–34 with fo ...
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Lingam
A lingam ( , lit. "sign, symbol or mark"), sometimes referred to as linga or Shiva linga, is an abstract or Aniconism, aniconic representation of the Hinduism, Hindu Hindu deities, god Shiva in Shaivism. The word ''lingam'' is found in the Upanishads and Indian epic poetry, epic literature, where it means a "mark, sign, emblem, characteristic", the "evidence, proof, symptom" of Shiva and Shiva's power. The lingam of the Shaivism tradition is a short cylindrical pillar-like symbol of Shiva, made of stone, metal, gem, wood, clay or precious stones. It is often represented within a disc-shaped platform, the ''yoni'' – its feminine counterpart, consisting of a flat element, horizontal compared to the vertical lingam, and designed to allow liquid offerings to drain away for collection. The ''lingam'' is an emblem of generative and destructive power. While rooted in representations of the male sexual organ, the ''lingam'' is regarded as the "outward symbol" of the "formless reali ...
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Shaiva
Shaivism (, , ) is one of the major Hindu traditions, which worships Shiva as the supreme being. It is the second-largest Hindu sect after Vaishnavism, constituting about 385 million Hindus, found widely across South Asia (predominantly in Southern India), Sri Lanka, and Nepal.Keay, p.xxvii. The followers of Shaivism are called Shaivas or Shaivites. According to Chakravarti, Shaivism developed as an amalgam of pre-Aryan religions and traditions, Vedic Rudra, and post-Vedic traditions, accommodating local traditions and Yoga, puja and bhakti. According to Bisschop, early shaivism is rooted in the worship of vedic deity Rudra. The earliest evidence for sectarian Rudra-Shiva worship appears with the Pasupata (early CE), possibly owing to the Hindu synthesis, when many local traditions were aligned with the Vedic-Brahmanical fold. The Pāśupata movement rapidly expanded throughout North India, giving rise to different forms of Shaivism, which led to the emergence of various ...
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Shaligram
A shaligram, or shaligrama shila ( deva, शालिग्राम शिला; IAST: ''Śāligrāma-śilā''), is a fossilized stone or ammonite collected from the riverbed or banks of the Kali Gandaki, a tributary of the Gandaki River in Nepal. It is also considered a form of Vishnu within Hinduism. The Kali Gandaki river flows through sacred places such as Muktinath and Damodar Kunda, enhancing the spiritual significance of these shaligrams. There are numerous different types of shaligrams. Legends According to the Devi Bhagavata Purana, Brahmavaivarta Purana, and Shiva Purana, shilagrama shilas originated due to the following chain of events. A king named Vrishadhvaja had been cursed by Surya to endure poverty, due to his reluctance to worship any deity other than Shiva. To regain their lost prosperity, his grandsons Dharmadhvaja and Kushadhvaja performed austerities to appease Lakshmi, the goddess of prosperity. Pleased with the austerities, she granted them prospe ...
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