Śrībhārgavarāghavīyam
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Śrībhārgavarāghavīyam
''Śrībhārgavarāghavīyam'' () (2002), literally ''Of Paraśurāma and Rāma'', is a Sanskrit Epic poetry, epic poem (Mahākāvya) composed by Jagadguru Rambhadracharya (1950–). It consists of 2121 verses in 40 Sanskrit and Prakrit Meter (poetry), metres and is divided into 21 cantos (''Sarga''s) of 101 verses each. The epic is the narrative of the two Rāma Avatars – Parashurama, Paraśurāma and Rama, Rāma, which is found in the Rāmāyaṇa and other Hindu scriptures. ''Bhārgava'' refers to Paraśurāma, as he incarnated in the family of the sage Maharishi Bhrigu, Bhṛgu, while ''Rāghava'' refers to Rāma as he incarnated in the royal dynasty of king Raghu. For the work, the poet was awarded the Sahitya Akademi Award for Sanskrit in 2005, and several other awards. A copy of the epic with a Hindi commentary by the poet himself was published by the Jagadguru Rambhadracharya Handicapped University, Chitrakoot district, Chitrakuta, Uttar Pradesh. The book was release ...
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Jagadguru Rāmabhadrācārya
Jagadguru Ramanandacharya Swami Rambhadracharya (born Giridhar Mishra on 14 January 1950) is an Indian Hindu spiritual leader, educator, Sanskrit scholar, polyglot, poet, author, textual commentator, philosopher, composer, singer, playwright and '' Katha'' artist based in Chitrakoot, India. He is one of four incumbent ''Jagadguru Ramanandacharyas'',Leaders of the Ramananda monastic order. and has held this title since 1988.Agarwal 2010, pp. 1108–1110.Dinkar 2008, p. 32. Rambhadracharya is the founder and head of Tulsi Peeth, a religious and social service institution in Chitrakoot named after Tulsidas. He is the founder and lifelong chancellor of the Jagadguru Rambhadracharya Handicapped University in Chitrakoot, which offers graduate and postgraduate courses exclusively to four types of disabled students.Aneja 2005, p. 68. Rambhadracharya has been blind since the age of two months, had no formal education until the age of seventeen years, and has never used Braille or ...
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Brahmin
Brahmin (; ) is a ''Varna (Hinduism), varna'' (theoretical social classes) within Hindu society. The other three varnas are the ''Kshatriya'' (rulers and warriors), ''Vaishya'' (traders, merchants, and farmers), and ''Shudra'' (labourers). The traditional occupation of Brahmins is that of priesthood (purohit, pandit, or pujari) at Hindu temples or at socio-religious ceremonies, and the performing of rite of passage rituals, such as solemnising a wedding with hymns and prayers.James Lochtefeld (2002), Brahmin, The Illustrated Encyclopedia of Hinduism, Vol. 1: A–M, Rosen Publishing, , page 125 Traditionally, Brahmins are accorded the supreme ritual status of the four social classes, and they also served as spiritual teachers (guru or acharya). In practice, Indian texts suggest that some Brahmins historically also became agriculturalists, warriors, traders, and had also held other occupations in the Indian subcontinent.GS Ghurye (1969), Caste and Race in India, Popular Prakasha ...
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Shishupala Vadha
The Shishupala Vadha (, IAST: ''Śiśupāla-vadha'', ''lit.'' "the slaying of Shishupala") is a work of classical Sanskrit poetry (''kāvya'') composed by Māgha in the 7th or 8th century. It is an epic poem in 20 ''sarga''s (cantos) of about 1800 highly ornate stanzas, and is considered one of the five Sanskrit ''mahakavya''s, or "great epics". It is also known as the ''Māgha-kāvya'' after its author. Like other ''kavya''s, it is admired more for its exquisite descriptions and lyrical quality than for any dramatic development of plot. Its 19th canto is noted for verbal gymnastics and wordplay; see the section on #Linguistic_ingenuity, linguistic ingenuity below. Contents As with most Sanskrit ''kāvya'', the plot is drawn from one of the epics, in this case the Mahabharata. In the original story, Shishupala, king of the Chedi Kingdom, Chedis in central India, after insulting Krishna several times in an assembly, finally enrages him and has his head struck off. The 10th-century ...
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Raghuvaṃśa
(Devanagari: , lit. 'lineage of Raghu') is a Sanskrit epic poem ('' mahakavya'') by the celebrated Sanskrit poet Kalidasa. Though an exact date of composition is unknown, the poet is presumed to have flourished in the 5th century CE. It narrates, in 19 ''sarga''s (cantos), the stories related to the Raghu dynasty, namely the family of Dilipa and his descendants up to Agnivarna, who include Raghu, Dasharatha and Rama. The earliest surviving commentary written on the work is that of the 10th-century Kashmiri scholar Vallabhadeva. The most popular and widely available commentary, however, is the ''Sanjivani'', written by Mallinatha (ca.1350–1450). Contents The ''Raghuvaṃśa'' is a mahākāvya (roughly, epic poem) containing 1564 stanzas. It describes the line of kings of the Raghu dynasty (also known as the ''sūryavaṃśa'' or the solar dynasty) that includes Raghu. It is written in 19 ''sarga''s (cantos), that can be regarded as being divided into three parts:Ryde ...
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Kirātārjunīya
''Kirātārjunīya'' (, ''Of Kirata and Arjuna'') is an epic poem by Bhāravi, written in Sanskrit. Believed to have been composed in the 6th century or earlier, it consists of eighteen cantos describing the combat between Shiva (in the guise of a '' kirata'', or "mountain-dwelling hunter"), and Arjuna. Along with the ''Naiṣadhacarita'' and the ''Shishupala Vadha'', it is one of the larger three of the six Sanskrit mahakavyas, or great epics. It is noted among Sanskrit critics both for its gravity or depth of meaning, and for its forceful and sometimes playful expression. This includes a canto set aside for demonstrating linguistic feats, similar to constrained writing. Later works of epic poetry followed the model of the ''Kirātārjunīya''. Synopsis Overview The ''Kirātārjunīya'' predominantly features the ''Vīra rasa'', or the mood of valour. It expands upon a minor episode in the ''Vana Parva'' ("Book of the Forest") of the ''Mahabharata'': While the Pandavas a ...
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Kumārasambhava
''Kumārasambhavam'' ''( ) (transl. - "The Birth of Kumāra")'' is an epic poem by Kālidāsa. It is widely regarded as the finest work of Kalidasa as well as the greatest kāvya poem in Classical Sanskrit. The style of description of spring set the standard for nature metaphors pervading many centuries of Indian literary tradition. ''Kumārasaṃbhavam'' basically talks about the birth of Kumāra ( Kārtikeya), the son of Shiva (Śiva) and Pārvatī (Umā). The period of composition is uncertain, although Kalidasa is thought to have lived in the 5th century. A fierce debate has raged over the question as to whether the whole of the seventeen cantos came was penned by Kalidasa. Vitthala Śastrin, who in 1866, published Cantos VIII to XVII in ''The Paņdit'', took them as genuine work of Kalidasa while scholars like Hermann Jacobi took Cantos IX to XVII as a later interpolation. Stylistic inferiority of these cantos, rarity of manuscripts, silence on the part of early commentator ...
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Kṣatriya
Kshatriya () (from Sanskrit ''kṣatra'', "rule, authority"; also called Rajanya) is one of the four varnas (social orders) of Hindu society and is associated with the warrior aristocracy. The Sanskrit term ''kṣatriyaḥ'' is used in the context of later Vedic society wherein members were organised into four classes: ''brahmin'', kshatriya, ''vaishya,'' and ''shudra''. History Early Rigvedic tribal monarchy The administrative machinery in Vedic India was headed by a tribal king called a Rajan whose position may or may not have been hereditary. The king may have been elected in a tribal assembly (called a Samiti), which included women. The Rajan protected the tribe and cattle; was assisted by a priest; and did not maintain a standing army, though in the later period the rulership appears to have risen as a social class. The concept of the fourfold varna system is not yet recorded. Later Vedic period The hymn ''Purusha Sukta'' in the ''Rigveda'' describes the symbolic creatio ...
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Jamadagni
Jamadagni () is a sage in Hindu literature. He is regarded in Hindu tradition to be one of the Saptarishi (Seven Vedic sages) in the 7th, and the current age of Manvantara.Avalon, Arthur ( Sir John Woodroffe) (1913, reprint 1972) (tr.) ''Tantra of the Great Liberation (Mahāanirvāna Tantra)'', New York: Dover Publications, , p. xli: The Rishi are seers who know, and by their knowledge are the makers of shastra and "see" all mantras. The word comes from the root rish ''Ri''sh''ati-prāpnoti sarvvang mantrang jnānena pashyati sangsārapārangvā'', etc. The seven great Rishi or saptarshi of the first manvantara are Marichi, Atri, Angiras, Pulaha, Kratu, Pulastya, and Vashishtha. In other manvantara there are other ''sapta-rshi''. In the present manvantara the seven are Kashyapa, ''Atri, Vashishtha, Vishvamitra, Gautama, Jamdagnini, Bharadvaja''. To the Rishi the Vedas were revealed. Vyasa taught the Rigveda so revealed to Paila, the Yajurveda to Vaishampayana, the Samaveda t ...
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Haihaya
Haihaya ( was a son of Indian ruler Sahastrajit. He was the founder of Haihaya dynasty and Haihaya Kingdom. According to Hindu Puranas, he was the son of great king Yadu's elder son Sahastrajit. Name According to Hindu Puranas, Chandravanshi King Yadu's elder son's Sahastrajit grandson name was Haihaya. Haihaya's real name was Ekveera who was the son of Lord Vishnu and Lakshmi. When Sahastrajit impregnated his wife, at the same time Ekveera appeared in the form of Sahastrajit's semen and soul of Hayagriva as divine light in his wife's womb. The avtara of Hayagriva emerged, Then that child was named Haihaya (i.e. manas son of Lord Vishnu and soul of Hayagriva). In some places his name is also known as Heheya. References {{reflist category:Puranas Lunar dynasty ...
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