Å’dipe (opera)
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Å’dipe (opera)
''Å’dipe'' (Oedipe) is an opera in four acts by the Romanian composer George Enescu, set to a French libretto by Edmond Fleg. It is based on the mythological tale of Oedipus, as told by Sophocles in ''Oedipus the King''. Enescu had the idea to compose an Oedipus-inspired opera even before finding a libretto and began to sketch music for it in 1910. The first-draft libretto from Fleg arrived in 1913. Enescu completed the music in 1922 and the orchestration in 1931. The opera received its world premiere in Paris on 13 March 1936. The first Romanian production was conducted by Constantin Silvestri in Bucharest on 22 September 1958, using a Romanian translation of the libretto by . The first German production was in Berlin in 1996, in a production that subsequently traveled to the Vienna State Opera. The United States premiere was in 2005 at the University of Illinois at Urbana-Champaign. The first performance at the Salzburg Festival took place during the summer of 2019 with Christop ...
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George Enescu
George Enescu (; – 4 May 1955), known in France as Georges Enesco, was a Romanians, Romanian composer, violinist, pianist, conductor, teacher and statesman. He is regarded as one of the greatest musicians in Romanian history. Biography Enescu was born in Romania, in the village of George Enescu, Botoșani, Liveni (later renamed "George Enescu" in his honor), then in Dorohoi County, today Botoșani County. His father was Costache Enescu, a landholder, and his mother was Maria Enescu (née Cosmovici), the daughter of an Orthodox priest. Their eighth child, he was born after all the previous siblings had died in infancy. His father later separated from Maria Enescu and had another son with Maria Ferdinand-Suschi: the painter Dumitru Bâșcu. A child prodigy, Enescu began experimenting with composing at an early age. Several, mostly very short, pieces survive, all for violin and piano. The earliest work of significant length bears the title ''Pămînt românesc'' ("Romanian L ...
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Myth
Myth is a genre of folklore consisting primarily of narratives that play a fundamental role in a society. For scholars, this is very different from the vernacular usage of the term "myth" that refers to a belief that is not true. Instead, the veracity of a myth is not a defining criterion. Myths are often endorsed by religious (when they are closely linked to religion or spirituality) and secular authorities. Many societies group their myths, legends, and history together, considering myths and legends to be factual accounts of their remote past. In particular, creation myths take place in a primordial age when the world had not achieved its later form. Origin myths explain how a society's Norm (social), customs, institutions, and taboos were established and sanctified. National myths are narratives about a nation's past that symbolize the nation's values. There is a complex relationship between Myth and ritual, recital of myths and the enactment of rituals. Etymology The w ...
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André Pernet
André Pernet (6 January 1894 – 17 June 1966) was a French bass-baritone opera performer. After serving as a military officer in World War I, Pernet studied at the Paris Conservatory before making his operatic debut in Massenet's Hérodiade at Nice, in 1921. He sang at the Paris Opéra beginning in 1928. He also performed in Amsterdam, Brussels, London and Monte Carlo. He is perhaps best remembered today for his role as the father in the 1939 film version of Gustave Charpentier's ''Louise'', directed by Abel Gance and also featuring Grace Moore and Georges Thill. He was noted for singing the title parts in ''Mefistofele'', ''Boris Godunov'', ''Don Giovanni'' and ''Don Quichotte ''Don Quichotte'' (''Don Quixote'') is an opera in five acts by Jules Massenet to a French libretto by Henri Caïn. It was first performed on 19 February 1910 at the Opéra de Monte-Carlo. Massenet's ''comédie héroïque'', like many dramatiz ...''. Among the operas in which he created roles dur ...
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Contralto
A contralto () is a classical music, classical female singing human voice, voice whose vocal range is the lowest of their voice type, voice types. The contralto's vocal range is fairly rare, similar to the mezzo-soprano, and almost identical to that of a countertenor, typically between the F below middle C (F3 in scientific pitch notation) to the second F above middle C (F5), although, at the extremes, some voices can reach the D below middle C (D3) or the second B above middle C (B5). The contralto voice type is generally divided into the coloratura, lyric, and dramatic contralto. History "Contralto" is primarily meaningful only in reference to classical and operatic singing, as other traditions lack a comparable Voice classification in non-classical music, system of vocal categorization. The term "contralto" is only applied to female singers; men singing in a similar range are called "countertenors". The Italian terms "contralto" and "alto" are not synonymous, "alto" technic ...
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Bass (voice Type)
A bass is a type of classical male singing voice and has the lowest vocal range of all voice types. According to '' The New Grove Dictionary of Opera'', a bass is typically classified as having a vocal range extending from around the second E below middle C to the E above middle C (i.e., E2–E4). Its tessitura, or comfortable range, is normally defined by the outermost lines of the bass clef. Categories of bass voices vary according to national style and classification system. Italians favour subdividing basses into the ''basso cantante'' (singing bass), ''basso buffo'' (comical bass), or the dramatic ''basso profondo'' (deep bass). The American system identifies the bass-baritone, comic bass, lyric bass, and dramatic bass. The German '' Fach'' system offers further distinctions: Spielbass (Bassbuffo), Schwerer Spielbass (Schwerer Bassbuffo), Charakterbass (Bassbariton), and Seriöser Bass. These classifications tend to describe roles rather than singers: it is rare for ...
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Tenor
A tenor is a type of male singing voice whose vocal range lies between the countertenor and baritone voice types. It is the highest male chest voice type. Composers typically write music for this voice in the range from the second B below middle C to the G above middle C (i.e. B2 to G4) in choral music, and from the second B flat below middle C to the C above middle C (B2 to C5) in operatic music, but the range can extend at either end. Subtypes of tenor include the ''leggero'' tenor, lyric tenor, spinto tenor, dramatic tenor, heldentenor, and tenor buffo or . History The name "tenor" derives from the Latin word '' tenere'', which means "to hold". As noted in the "Tenor" article at ''Grove Music Online'': In polyphony between about 1250 and 1500, the enor was thestructurally fundamental (or 'holding') voice, vocal or instrumental; by the 15th century it came to signify the male voice that sang such parts. All other voices were normally calculated in relation to the ten ...
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Sphinx
A sphinx ( ; , ; or sphinges ) is a mythical creature with the head of a human, the body of a lion, and the wings of an eagle. In Culture of Greece, Greek tradition, the sphinx is a treacherous and merciless being with the head of a woman, the haunches of a lion, and the wings of a bird. According to Greek myth, she challenges those who encounter her to answer a riddle, and kills and eats them when they fail to solve the riddle. This deadly version of a sphinx appears in the myth and drama of Oedipus. In Egyptian mythology, in contrast, the sphinx is typically depicted as a man (an androsphinx ()), and is seen as a benevolent representation of strength and ferocity, usually of a pharaoh. Unlike Greek or Levantine/Mesopotamian ones, Egyptian sphinxes were not winged. Both the Greek and Egyptian sphinxes were thought of as guardians, and statues of them often flank the entrances to temples. During the Renaissance, the sphinx enjoyed a major revival in European decorative art. D ...
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Mezzo-soprano
A mezzo-soprano (, ), or mezzo ( ), is a type of classical music, classical female singing human voice, voice whose vocal range lies between the soprano and the contralto voice types. The mezzo-soprano's vocal range usually extends from the A below middle C to the A two octaves above (i.e. A3–A5 in scientific pitch notation, where middle C = C4; 220–880 Hz). In the lower and upper extremes, some mezzo-sopranos may extend down to the F below middle C (F3, 175 Hz) and as high as "high C" (C6, 1047 Hz). The mezzo-soprano voice type is generally divided into the coloratura, lyric, and dramatic. History While mezzo-sopranos typically sing secondary roles in operas, notable exceptions include the title role in Georges Bizet, Bizet's ''Carmen'', Angelina (Cinderella) in Gioachino Rossini, Rossini's ''La Cenerentola'', and Rosina in Rossini's ''The Barber of Seville, Barber of Seville'' (all of which are also sung by sopranos and contraltos). Many 19th-century French- ...
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Jocasta
In Greek mythology, Jocasta (), also rendered as Iocaste ( ) and EpicasteHomer, ''Odyssey'', Vol. XI11.271/ref> (; ), was Queen of Thebes through her marriages to Laius and her son, Oedipus. She is best known for her role in the myths surrounding Oedipus and her eventual suicide upon the discovery of his identity. Family Jocasta was the daughter of an unknown woman and Menoeceus, a descendant of Cadmus, the legendary founder of Thebes, and the Spartoi Echion. She had two siblings: Creon and Hipponome. She was a member of the ruling class of Thebes, but her exact role before her marriage to Laius, the king of Thebes, is unknown. With Laius, she became Queen of Thebes and gave birth to a son, Oedipus. Later, not knowing of Oedipus's identity, she married him and gave birth to Antigone, Eteocles, Polynices and Ismene. She was therefore both the mother and the grandmother of her children. Mythology After Laius married Jocasta, he received an oracle from the Pythia at Delp ...
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Baritone
A baritone is a type of classical music, classical male singing human voice, voice whose vocal range lies between the bass (voice type), bass and the tenor voice type, voice-types. It is the most common male voice. The term originates from the Greek language, Greek (), meaning "low sounding". Composers typically write music for this voice in the range from the second F below C (musical note), middle C to the F above middle C (i.e. Scientific pitch notation, F2–F4) in choral music, and from the second G below middle C to the G above middle C (G2 to G4) in operatic music, but the range can extend at either end. Subtypes of baritone include the baryton-Martin baritone (light baritone), lyric baritone, ''Kavalierbariton'', Verdi baritone, dramatic baritone, ''baryton-noble'' baritone, and the bass-baritone. History The first use of the term "baritone" emerged as ''baritonans'', late in the 15th century, usually in French Religious music, sacred Polyphony, polyphonic music. At t ...
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Creon Of Thebes
Creon or Kreon (; ) is a figure in Greek mythology best known as the ruler of Thebes, Greece, Thebes in the legend of Oedipus. Family Creon was the son of Menoeceus, and grandson of King Pentheus. Creon had four sons and three daughters with his wife, Eurydice (wife of Creon), Eurydice (sometimes known as Henioche): Henioche, Pyrrha (mythology), Pyrrha, Megareus (son of Creon), Megareus, Lycomedes of Thebes, Lycomedes and Haemon. Creon and his sister, Jocasta, were descendants of Cadmus and of the Spartoi. He is sometimes considered to be the same person who purified Amphitryon of the murder of his uncle Electryon and father of Megara (wife of Heracles), Megara, first wife of Heracles. Mythology First Regency After the death of King Laius of Thebes at the hands of his own son Oedipus, Creon became the ruler of the kingdom. During this regency, Amphitryon arrived with his fiancée Alcmene, Alcmena and her half-brother Licymnius from Mycenae, seeking exile and purificatio ...
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Antigone
ANTIGONE (Algorithms for coNTinuous / Integer Global Optimization of Nonlinear Equations), is a deterministic global optimization solver for general Mixed-Integer Nonlinear Programs (MINLP). History ANTIGONE is an evolution of GloMIQO, a global Mixed-Integer Quadratic Programming solver written by Ruth Misener. ANTIGONE extends the functionality of GloMIQO to general MINLP problems. Features Like all deterministic global optimization software, ANTIGONE is a toolbox of many techniques in order to tackle different special cases of nonlinear structure. That being said, it is predominantly a branch-and-bound solver. Its main algorithmic procedure is split into 4 main steps: # Reformulation of user input # Detection of special structure # Selection of best algorithm for the detected structure # Solution of the problem using the selected algorithm With the exception of special cases of optimization problems (for instance convex NLPs) which can be solved at the root node of the bra ...
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