Đọc Kinh
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Đọc Kinh
() is the Roman Catholicism in Vietnam, Vietnamese Catholic term for reciting a prayer or sacred text. In communal worship settings, ' is characterized by cantillation, or the ritual chanting of prayers and responses. To Westerners, this form of prayer can be mistaken for song. Usage Within the worldwide Roman Catholic Church, Vietnamese liturgical practise is distinct in its extensive use of cantillation: all prayers and responses during the Mass (liturgy), Mass are either sung or chanted, but never spoken. Thus, the Lord's Prayer is recited differently during the Mass than in a private setting. Gregorian chant is not used in a Vietnamese-language Mass; it is entirely omitted from Vietnamese translations of the Roman Missal and Order of Mass. It is suspected that cantillation in Roman Catholicism in Laos, Lao and Hmong people, Hmong Catholic liturgies is due to Vietnamese influence. Cantillation is far from universal among tonal languages, but Fuzhou people, Fuzhou Catholics in ...
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Philadelphia
Philadelphia ( ), colloquially referred to as Philly, is the List of municipalities in Pennsylvania, most populous city in the U.S. state of Pennsylvania and the List of United States cities by population, sixth-most populous city in the United States, with a population of 1,603,797 in the 2020 United States census, 2020 census. The city is the urban core of the Philadelphia metropolitan area (sometimes called the Delaware Valley), the nation's Metropolitan statistical area, seventh-largest metropolitan area and ninth-largest combined statistical area with 6.245 million residents and 7.379 million residents, respectively. Philadelphia was founded in 1682 by William Penn, an English Americans, English Quakers, Quaker and advocate of Freedom of religion, religious freedom, and served as the capital of the Colonial history of the United States, colonial era Province of Pennsylvania. It then played a historic and vital role during the American Revolution and American Revolutionary ...
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Hail Mary
The Hail Mary or Ave Maria (from its first words in Latin), also known as the Angelic or Angelical Salutation, is a traditional Catholic prayer addressing Mary, the mother of Jesus. The prayer is based on two biblical passages featured in the Gospel of Luke: the Angel Gabriel's visit to Mary (the Annunciation) and Mary's subsequent visit to Elisabeth, the mother of John the Baptist (the Visitation). It is also called the Angelical Salutation, as the prayer is based on the Archangel Gabriel's words to Mary. The Hail Mary is a prayer of praise for and of petition to Mary, regarded as the Theotokos (Mother of God). Since the 16th century, the version of the prayer used in the Catholic Church closes with an appeal for her intercession. The prayer takes different forms in various traditions and has often been set to music. In the Latin Church, the Hail Mary forms the basis of other prayers such as the Angelus and the Rosary. In the psalmody of the Oriental Orthodox Churches a ...
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Incipit
The incipit ( ) of a text is the first few words of the text, employed as an identifying label. In a musical composition, an incipit is an initial sequence of Musical note, notes, having the same purpose. The word ''incipit'' comes from Latin and means "it begins". Its counterpart taken from the ending of the text is the Explicit (text), explicit. Before the development of title (publishing), titles, texts were often referred to by their incipits, as with for example ''Agnus Dei (liturgy), Agnus Dei''. During the medieval period in Europe, incipits were often written in a different Typeface, script or colour from the rest of the work of which they were a part, and "incipit pages" might be heavily decorated with Illuminated manuscript, illumination. Though the word ''incipit'' is Latin, the practice of the incipit predates classical antiquity by several millennia and can be found in various parts of the world. Although not always called by the name of ''incipit'' today, the practi ...
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A (musical Note)
A is a musical note equivalent to 440 Hz in typical A440 tuning. It is the sixth note of La and the tenth semitone of the fixed-do solfège. Its enharmonic equivalents are B (B double-flat) and G (G double-sharp). "A" is generally used as a standard for tuning. When the orchestra tunes, the oboe plays an "A" and the rest of the instruments tune to match that pitch. Every string instrument in the orchestra has an A string, from which each player can tune the rest of their instrument. "A" is also used in combination with a number (e.g. A-440) to label the pitch standard. The number designates the frequency in hertz. A lower number indicates a lower pitch. The International Standards Organization (ISO) has standardized the pitch at A-440. However, tuning has varied over time, geographical region, or instrument maker. In 17th-century Europe, tunings ranged from about A-374 to A-403, approximately two to three semitones below A-440. Historical examples exist of instrumen ...
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G (musical Note)
G, also called Sol or So, is the fifth note of the fixed-do solfège starting on C. It is the fifth note and the eighth semitone of the solfège. As such it is the dominant, a perfect fifth above C or perfect fourth below C. When calculated in equal temperament with a reference of A above middle C as 440 Hz, the frequency of middle G (G4) note is approximately 391.995 Hz. See pitch for a discussion of historical variations in frequency. It has enharmonic equivalents of F (F-double sharp) and A (A-double flat). In the medieval period the musical note G was known as gesolreut within the Guidonian hand hexachord system. Designation by octave Scales Common scales beginning on G * G major: G A B C D E F G * G natural minor: G A B C D E F G * G harmonic minor: G A B C D E F G * G melodic minor ascending: G A B C D E F G * G melodic minor descending: G F E D C B A G Diatonic scales * G Ionian: G A B C D E F G * G Dorian: G A B C D E F G * G Phrygian: G A B C ...
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F (musical Note)
F is a musical note, the fourth above C or fifth below C. It is the fourth note and the sixth semitone of the solfège. It is also known as fa in fixed-do solfège. It is enharmonic equivalent with E (E-sharp) and G (G-double flat), amongst others. When calculated in equal temperament with a reference of A above middle C as 440 Hz, the frequency of Middle F (F4) is approximately 349.228 Hz. See pitch (music) for a discussion of historical variations in frequency. Designation by octave Scales Common scales beginning on F * F major: F G A B C D E F * F natural minor: F G A B C D E F * F harmonic minor: F G A B C D E F * F melodic minor ascending: F G A B C D E F * F melodic minor descending: F E D C B A G F Diatonic scales * F Ionian: F G A B C D E F * F Dorian: F G A B C D E F * F Phrygian: F G A B C D E F * F Lydian: F G A B C D E F * F Mixolydian: F G A B C D E F * F Aeolian: F G A B C D E F * F Locrian: F G A B C D E F Jazz melodic minor * F ascending me ...
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Roman Catholic Archdiocese Of Hanoi
The Metropolitan Archdiocese of Hanoi (, , ) is a Catholic Church, Catholic metropolitan archdiocese of Vietnam. It is one of the earliest in the history of the Catholic Church in Vietnam. The creation of the diocese in present form was declared 24 November 1960. It covers an area of 7,000 km2 and has been led by Archbishop Joseph Vũ Văn Thiên since November 2018. Suffragans The suffragan dioceses are: * Roman Catholic Diocese of Bắc Ninh, Diocese of Bắc Ninh * Roman Catholic Diocese of Bùi Chu, Diocese of Bùi Chu * Roman Catholic Diocese of Hải Phòng, Diocese of Hải Phòng * Roman Catholic Diocese of Thái Bình, Diocese of Thái Bình * Roman Catholic Diocese of Lạng Sơn and Cao Bằng, Diocese of Lạng Sơn & Cao Bằng * Roman Catholic Diocese of Hưng Hóa, Diocese of Hưng Hóa * Roman Catholic Diocese of Phát Diệm, Diocese of Phát Diệm * Roman Catholic Diocese of Thanh Hóa, Diocese of Thanh Hóa * Roman Catholic Diocese of Vinh, Diocese of Vi ...
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D (musical Note)
D is a musical note a whole tone above C, and is known as Re within the fixed-Do solfege system. Its enharmonic equivalents are C (C-double sharp) and E (E-double flat). It is the third semitone of the solfège. When calculated in equal temperament with a reference of A above middle C as 440  Hz, the frequency of middle D (D4) is approximately 293.665Hz. See pitch for a discussion of historical variations in frequency. Designation by octave Scales Common scales beginning on D * D major: D E F G A B C D * D harmonic major: D E F G A B C D * D melodic major ascending: D E F G A B C D * D melodic major descending: D C B A G F E D * D natural minor: D E F G A B C D * D harmonic minor: D E F G A B C D * D melodic minor ascending: D E F G A B C D * D melodic minor descending: D C B A G F E D Diatonic scales * D Ionian: D E F G A B C D * D Dorian: D E F G A B C D * D Phrygian: D E F G A B C D * D Lydian: D E F G A B C D * D Mixolydian: D E F G A B C D * D Aeo ...
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B (musical Note)
B, also known as Si, Ti, or, in some European countries, H, is the seventh note and the twelfth semitone of the fixed-Do solfège. Its enharmonic equivalents are C (C-flat) and A (A-double sharp). When calculated in equal temperament with a reference of A above middle C as 440 Hz, the frequency of Middle B (B4) is 493.883 Hz. See musical pitch for a discussion of historical variations in frequency. Designation by octave Scales Common scales beginning on B * B major: B C D E F G A B * B natural minor: B C D E F G A B * B Harmonic minor: B C D E F G A B * B Melodic minor ascending: B C D E F G A B * B melodic minor descending: B A G F E D C B Diatonic scales * B Ionian: B C D E F G A B * B Dorian: B C D E F G A B * B Phrygian: B C D E F G A B * B Lydian: B C D E F G A B * B Mixolydian: B C D E F G A B * B Aeolian: B C D E F G A B * B Locrian: B C D E F G A B Jazz melodic minor * B Ascending melodic minor: B C D E F G A B * B Dorian ♭2: B C D E F G A B * ...
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E (musical Note)
E is the third Musical note, note and the fifth semitone of the C major scale, and mi in Solfège#Fixed do solfège, fixed-do solfège. It has enharmonic equivalents of F♭ [(F-flat) which is by definition a diatonic semitone above E] and D (D-double sharp), amongst others. When calculated in equal temperament with a reference of A above middle C as 440 hertz, Hz, the frequency of Middle E (E4) is approximately 329.628 Hz. See pitch (music) for a discussion of historical variations in frequency. Designation by octave Scales Common scales in the key of E. * E major: E F G A B C D E * E minor, E natural minor: E F G A B C D E * E Minor scale#Harmonic minor scale, harmonic minor: E F G A B C D E * E Minor scale#Melodic minor scale, melodic minor ascending: E F G A B C D E * E melodic minor descending: E D C B A G F E E major modes (diatonic scales). * E Ionian mode, Ionian: E F G A B C D E * E Dorian mode, Dorian: E F G A B C D E * E Phrygian mode, Phrygian: E F G A B C D E * E ...
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Our Lady Of La Vang Parish
Our Lady of La Vang Parish (, ), formerly Saint Patrick Proto-Cathedral Parish, is a Vietnamese Americans, Vietnamese national parish and former cathedral of the Roman Catholic Diocese of San Jose in California. The proto-cathedral is located in Downtown San Jose, Downtown San José, one block north of San José State University. It is named after Our Lady of La Vang. The Daughters of Charity of Saint Vincent de Paul sponsor St. Patrick Elementary School which is located on the church grounds. History Originally called St. Patrick, the parish was established in the San Jose, California, city of San José, following what is now the Cathedral Basilica of St. Joseph (San Jose), Cathedral Basilica of St. Joseph. The parish was founded in 1872, with Father Joseph Gallagher serving as the first pastor. It was named for Saint Patrick, Patrick, Archbishop of Armagh (Roman Catholic), Archbishop of Armagh and patron saint of Ireland. The original parish church was a Gothic architecture ...
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