Övedskloster Manor
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Övedskloster Manor
Övedskloster Manor () is a manor in Sjöbo Municipality, Scania, in southern Sweden. History Early history Övedskloster derives its name () from a Premonstratensians, Premonstratensian abbey, founded in the 12th century by the Catholic diocese of Lund, archbishop of Lund, Eskil of Lund, on the site of the present manor. Little is known about the abbey, and there are no visible remains. It was confiscated by the Danish Crown (as the province of Scania was a part of Denmark until the Treaty of Roskilde in 1658) during the Reformation in Denmark, Reformation and subsequently turned into a profitable estate, which changed owners several times during the 16th century. A fire sometime after 1594 probably ruined most of the monastic buildings, while others during this time were converted into barns and other outbuildings. Several of the first landowners also did not live at Övedskloster, which was merely used as a profitable source of income. Furthermore, the frequent wars between S ...
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Sjöbo Municipality
Sjöbo Municipality () is a Municipalities of Sweden, municipality in Skåne County in southern Sweden. Its seat is located in the town Sjöbo. The present municipality was created in 1974 when the former market town (''köping'') ''Sjöbo'' was amalgamated with the surrounding rural municipalities. There are fifteen original entities within today's municipality. Geography The town of Sjöbo has flat terrain, with many small houses and three long straight streets stretching through it, leading to larger roads. The northwestern part of the municipality includes the main part of Vombsjön, the largest lake of southern Scania and notable for being the water source of Malmö. Some parts of the lake belong to Lund Municipality. It offers fishing for European perch, Esox, pike, pikeperch and eel. Localities There are 9 Urban areas in Sweden, urban areas (also called a Tätort or locality) in Sjöbo Municipality. In the table they are listed according to the size of the population as ...
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Neoclassical Architecture
Neoclassical architecture, sometimes referred to as Classical Revival architecture, is an architectural style produced by the Neoclassicism, Neoclassical movement that began in the mid-18th century in Italy, France and Germany. It became one of the most prominent architectural styles in the Western world. The prevailing styles of architecture in most of Europe for the previous two centuries, Renaissance architecture and Baroque architecture, already represented partial revivals of the Classical architecture of Roman architecture, ancient Rome and ancient Greek architecture, but the Neoclassical movement aimed to strip away the excesses of Late Baroque and return to a purer, more complete, and more authentic classical style, adapted to modern purposes. The development of archaeology and published accurate records of surviving classical buildings was crucial in the emergence of Neoclassical architecture. In many countries, there was an initial wave essentially drawing on Roman archi ...
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Alexander Roslin
Alexander Roslin (; spelled Alexandre in French, ; 15 July 17185 July 1793) was a Swedish painter who worked in Scania, Bayreuth, Paris, Italy, Warsaw and St. Petersburg, primarily for members of aristocratic families. He combined insightful psychological portrayal with a skillful representation of fabrics and jewels. cited in "Roslin, Alexander", Great Soviet Encyclopedia, 3rd ed., translation 2010. His style combined Classicist tendencies with the lustrous, shimmering colours of Rococo, a jocular, elegant and ornate style. He lived in France from 1752 until 1793, a period that spanned most of his career. The painting by Roslin depicting Jeanne Sophie de Vignerot du Plessis, Countess of Egmont Pignatelli, was bought by the Minneapolis Institute of Art in 2006 for US$3 million. Roslin also has pieces displayed at the Metropolitan Museum of Art. Life Alexander Roslin was born on 15 July 1718, in Malmö, Sweden, the son of naval physician Hans Roslin and Catherine Wertmü ...
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Per Krafft The Elder
Per Krafft the Elder (16 January 1724 – 7 November 1793) was a Swedish portraitist. He was the father of the artists Per Krafft the Younger and Wilhelmina Krafft. Early life Per Krafft was born in Arboga, and studied in Uppsala, where from 1736 he became interested in the arts. From 1739 he was for several years a student of portrait painter Johan Henrik Scheffel in Stockholm. His self-portrait from 1745 and a portrait of his sister Anna Lisa (married name Askblom) show clear influences from Scheffel. In 1745 Krafft went to Copenhagen, where he came under Carl Gustaf Pilo's influence, as seen in the 1748 autographed portraits of Anna Bohr and a Miss Leijonhufvud as a shepherdess. In 1749, Per Krafft went to Skåne and painted Governor Wilhelm Lindenstedt's portrait in baroque style. Krafft had a patron in Denmark's then Finance Minister Otto Thott, for whom he copied several hundred family portraits at various Danish castles, which were collected in Gavnø. In 1752 Krafft pai ...
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Carl Gustaf Pilo
Carl Gustaf Pilo (5 March 1711 â€“ 2 March 1793) was a Swedish painter. Pilo worked extensively in Denmark as a painter to the Danish Royal Court and as professor and director at the Royal Danish Academy of Art (), as well as in his native Sweden. His prolific output in Denmark consisted mainly of portraits of royalty and the nobility, but included also genre paintings in the Dutch style. For over two decades, he was acknowledged as the foremost portrait painter in Denmark. In addition to Peder Als, other students of his were Per Krafft the Younger, Per Krafft and Lorens Pasch. Pilo is most famous for his masterly painting, "The Coronation of Gustaf III" commissioned by King Gustav III of Sweden. Early years Carl Gustaf Pilo was born on the farm Göksäter in Runtuna Parish near Nyköping, Södermanland, Sweden to painter Olof (Oluff) Pilo (Pijhlou) and Beata Jönsdotter Sahlstedt. Early information about his career contains many inconsistencies, due to disagreement betwe ...
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Niclas Lafrensen
Niklas Lafrensen (30 October 1737 - 6 December 1807) was a Swedish genre and miniature painter. Active in Paris and Stockholm, Lafrensen is considered one of the chief European miniaturist of the second half of the 18th century. Niklas Lafrensen (known in French as Nicolas Lavreince) was the son of painter Niklas Lafrensen the Elder and Magdalena Stuur. His father was a skilled miniature portrait painter, popular at the Swedish court. Lafrensen received his earliest training from him. His father thought him miniature painting as well as the gouache technique. Lafrensen the younger was in Paris from 1762 to 1769. In 1773 he became a member of the Painter and Sculptor Academy. In Paris, he came under the influence of the French Rococo, which suited his temperament. He chose to represent realistic topics in painting, as opposed to subjects relating to the antique world. This granted him popularity among the public. By contrast, he wasn't a favorite of the intellectuals and pedagogu ...
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Johan Niclas Byström
Johan Niclas Byström (December 18, 1783 – 1848) was a Swedish sculptor. Byström was born at Filipstad and went to Stockholm at the age of twenty, studying there for three years under Johan Tobias Sergel. In 1809 he gained the prize of the Royal Academy of Arts, and in the following year visited Rome. He sent home a beautiful work, "The Reclining Bacchante," in half life size, which raised him at once to the first rank among Swedish sculptors. On his return to Stockholm in 1816, he presented the crown prince (the later king Charles XIV) with a colossal statue of himself, and was entrusted with several important works. Although he was appointed professor of sculpture at the academy, he soon returned to Italy, and with the exception of the years from 1838 to 1844 continued to reside there. He died in Rome in 1848. Among Byström's numerous productions the best were his representations of the female form, such as Hebe, Pandora, Juno suckling Hercules (''infra''), and ''Gi ...
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Johan Tobias Sergel
Johan Tobias Sergel (; 7 September 1740 in Stockholm – 26 February 1814 in Stockholm) was a Swedish neoclassical sculptor. Sergels torg, the largest square in the centre of Stockholm and near where his workshop stood, is named after him. Life Johan Tobias Sergel was born in Stockholm in 1740. He was the son of the decorator, Christoffer Sergel and Elisabet (née Swyrner), and was the brother of the decorator, Anna Brita Sergel. His first teacher was Pierre Hubert Larchevêsque.New International Encyclopedia, 1905 After studying in Paris, he went to Rome, where he moved in the same circles as the painters Alexander Runciman and James Barry.Macmillan, Duncan (2023), ''Scotland and the Origins of Modern Art'', Lund Humphries, London, pp. 65 - 84, He stayed in Rome for twelve years and sculpted a number of groups in marble. Besides subjects from classical mythology such as the ''Diomedes Stealing the Palladium'', which he sold to the British collector, Thomas Mansel Talbot, i ...
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Georg Haupt
Georg Haupt (10 August 1741 in Stockholm – 18 September 1784 in Stockholm) was a Swedish cabinet maker. Haupt was the son of a Nuremberg carpenterFleming, John & Hugh Honour. (1977) ''The Penguin Dictionary of Decorative Arts. '' London: Allen Lane, p. 369. and learnt his trade as an apprentice of Johan Conrad Eckstein in Stockholm, after which he travelled as a journeyman to Amsterdam, Paris and London. He became cabinetmaker to King Adolphus Frederick in 1769 and a master carpenter and burgess in Stockholm in 1770 and 1771, respectively. Biography Haupt learnt his trade during a period when the French rococo had established itself in Swedish furniture design, but came to Paris in 1764, when the neoclassical style later known under the name of Louis XVI had started to gain ground. Details of his life in Paris are scarce but he was probably employed in the workshop of Simon Oeben, the brother of the better-known Jean-François Oeben. He had come to London at some point befor ...
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Rustication (architecture)
image:Palazzo medici riccardi, bugnato 01.JPG, Two different styles of rustication in the Palazzo Medici-Riccardi in Florence; smooth-faced above and rough-faced below Rustication is a range of masonry techniques used in classical architecture giving visible surfaces a finish texture that contrasts with smooth, squared-block masonry called ashlar. The visible face of each individual block is cut back around the edges to make its size and placing very clear. In addition the central part of the face of each block may be given a deliberately rough or patterned surface. Rusticated masonry is usually "dressed", or squared off neatly, on all sides of the stones except the face that will be visible when the stone is put in place. This is given wide joints that emphasize the edges of each block, by angling the edges ("channel-jointed"), or dropping them back a little. The main part of the exposed face may be worked flat and smooth or left with, or worked, to give a more or less rough or ...
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Mansard Roof
A mansard or mansard roof (also called French roof or curb roof) is a multi-sided gambrel-style hip roof characterised by two slopes on each of its sides, with the lower slope at a steeper angle than the upper, and often punctured by dormer windows. The steep roofline and windows allow for additional floors of habitable space (a garret), and reduce the overall height of the roof for a given number of habitable storeys. The upper slope of the roof may not be visible from street level when viewed from close proximity to the building. The earliest known example of a mansard roof is credited to Pierre Lescot on part of the Louvre built around 1550. This roof design was popularised in the early 17th century by François Mansart (1598–1666), an accomplished architect of the French Baroque period. It became especially fashionable during the Second French Empire (1852–1870) of Napoléon III. ''Mansard'' in Europe (France, Germany and elsewhere) also means the attic or garret s ...
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Sandstone
Sandstone is a Clastic rock#Sedimentary clastic rocks, clastic sedimentary rock composed mainly of grain size, sand-sized (0.0625 to 2 mm) silicate mineral, silicate grains, Cementation (geology), cemented together by another mineral. Sandstones comprise about 20–25% of all sedimentary rocks. Most sandstone is composed of quartz or feldspar, because they are the most resistant minerals to the weathering processes at the Earth's surface. Like uncemented sand, sandstone may be imparted any color by impurities within the minerals, but the most common colors are tan, brown, yellow, red, grey, pink, white, and black. Because sandstone beds can form highly visible cliffs and other topography, topographic features, certain colors of sandstone have become strongly identified with certain regions, such as the red rock deserts of Arches National Park and other areas of the Southwestern United States, American Southwest. Rock formations composed of sandstone usually allow the p ...
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