Études Australes
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Études Australes
''Etudes Australes'' is a set of etudes for piano solo by John Cage, composed in 1974–75 for Grete Sultan. It comprises 32 Indeterminacy (music), indeterminate pieces written using star charts as source material. The etudes, conceived as duets for two independent hands, are extremely difficult to play. They were followed by two more collections of similarly difficult works: ''Freeman Etudes'' for violin (1977–90) and ''Etudes Boreales'' (1978) for cello, or piano, or both together. History of composition Cage wrote ''Etudes Australes'' for pianist and friend Grete Sultan, whom he had known since 1946. When Cage found out that Grete Sultan was working on his ''Music of Changes'', a piece which involved hitting the piano with beaters and hands, he offered to write some new music for her, because to him "it didn't seem [right] that an aging lady should hit the piano" (Sultan turned 68 in 1974). Cage started working in January 1974 and finished the etudes in 1975. The pieces are b ...
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I Ching
The ''I Ching'' or ''Yijing'' ( ), usually translated ''Book of Changes'' or ''Classic of Changes'', is an ancient Chinese divination text that is among the oldest of the Chinese classics. The ''I Ching'' was originally a divination manual in the Western Zhou period (1000–750 BC). Over the course of the Warring States period, Warring States and early imperial periods (500–200 BC), it transformed into a Religious cosmology, cosmological text with a series of philosophical commentaries known as the Ten Wings. After becoming part of the Chinese Five Classics in the 2nd century BC, the ''I Ching'' was the basis for divination practice for centuries across the Far East and was the subject of scholarly commentary. Between the 18th and 20th centuries, it took on an influential role in Western understanding of East Asian philosophical thought. As a divination text, the ''I Ching'' is used for a Chinese form of cleromancy known as I Ching divination, ''I Ching'' div ...
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Note Head
In music, a notehead is the part of a Musical note, note, usually elliptical in shape, whose placement on the Staff_(music)#Staff_positions, staff indicates the Pitch_(music), pitch, to which modifications are made that indicate Duration (music), duration. Noteheads may be the same shape but colored completely black or white, indicating the note value (i.e., rhythmic duration). In a whole note, the notehead, shaped differently than shorter notes, is the only component of the note. Shorter note values attach a stem (music), stem to the notehead, and possibly beam (music), beams or flags. The longer double whole note can be written with vertical lines surrounding it, two attached noteheads, or a rectangular notehead.Gerou, Tom & Lusk, Linda''Essential Dictionary of Music Notation''.Alfred Music, 1996, p. 210. An "x" shaped notehead may be used to indicate percussion, percussive effects (ghost notes), or speaking. A square, diamond, or box shaped notehead may be used to indica ...
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Note Value
In music notation, a note value indicates the relative duration (music), duration of a note (music), note, using the texture or shape of the ''notehead'', the presence or absence of a ''stem (music), stem'', and the presence or absence of ''flags/beam (music), beams/hooks/tails''. Unmodified note values are fractional powers of two, for example one, one-half, one fourth, etc. A rest (music), rest indicates a silence of an equivalent duration. List Shorter notes can be created theoretically ''ad infinitum'' by adding further flags, but are very rare. Variations The breve appears in several different versions. Sometimes the longa or breve is used to indicate a very long note of indefinite duration, as at the end of a piece (e.g. at the end of Mozart's Mass KV 192). A single eighth note, or any faster note, is always stemmed with flags, while two or more are usually beamed in groups.Gerou, Tom (1996). ''Essential Dictionary of Music Notation'', p.211. Alfred. When a stem is ...
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Bar (music)
In musical notation, a bar (or measure) is a segment of music bounded by vertical lines, known as bar lines (or barlines), usually indicating one or more recurring beats. The length of the bar, measured by the number of note values it contains, is normally indicated by the time signature. Types of bar lines Regular bar lines consist of a thin vertical line extending from the top line to the bottom line of the staff, sometimes also extending between staves in the case of a grand staff or a family of instruments in an orchestral score. A ''double bar line'' (or ''double bar'') consists of two single bar lines drawn close together, separating two sections within a piece, or a bar line followed by a thicker bar line, indicating the end of a piece or movement. Note that ''double bar'' refers not to a type of ''bar'' (i.e., measure), but to a type of ''bar line''. Typically, a double bar is used when followed by a new key signature, whether or not it marks the beginning of a ne ...
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The Guardian
''The Guardian'' is a British daily newspaper. It was founded in Manchester in 1821 as ''The Manchester Guardian'' and changed its name in 1959, followed by a move to London. Along with its sister paper, ''The Guardian Weekly'', ''The Guardian'' is part of the Guardian Media Group, owned by the Scott Trust Limited. The trust was created in 1936 to "secure the financial and editorial independence of ''The Guardian'' in perpetuity and to safeguard the journalistic freedom and liberal values of ''The Guardian'' free from commercial or political interference". The trust was converted into a limited company in 2008, with a constitution written so as to maintain for ''The Guardian'' the same protections as were built into the structure of the Scott Trust by its creators. Profits are reinvested in its journalism rather than distributed to owners or shareholders. It is considered a newspaper of record in the UK. The editor-in-chief Katharine Viner succeeded Alan Rusbridger in 2015. S ...
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Steffen Schleiermacher
Steffen Schleiermacher (born Halle, 3 May 1960) is a German composer, pianist, and conductor.Homepage
of Steffen Schleiermacher
After studying at the Leipzig Music School with Siegfried Thiele, he continued working there as a and assistant. From 1985 until 1986, he was a master student at Akademie der Künste in Berlin with

Tim Page (music Critic)
Tim Page (born ''Ellis Batten Page Jr.''; 11 October 1954) is an American writer, music critic, editor, producer and professor who won the 1997 Pulitzer Prize for his music criticism for ''The Washington Post''. Anthony Tommasini, the chief music critic for ''The New York Times'', has praised Page's criticism for its "extensive knowledge of cultural history, especially literature; the instincts and news sense of a sharp beat reporter; the skills of a good storyteller; infectious inquisitiveness; immunity to dogma; and an always-running pomposity detector". Other notable writings by Page include his biography of the novelist Dawn Powell, which is credited for helping to spark the revival of Powell's work, and a memoir that chronicles growing up with undiagnosed autism spectrum disorder. Biography Early life and education Page was born in San Diego, California to Elizabeth Latimer Thaxton Page, a homemaker and former journalist, and Ellis Batten Page, a professor of educational ...
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The Washington Post
''The Washington Post'', locally known as ''The'' ''Post'' and, informally, ''WaPo'' or ''WP'', is an American daily newspaper published in Washington, D.C., the national capital. It is the most widely circulated newspaper in the Washington metropolitan area and has a national audience. As of 2023, the ''Post'' had 130,000 print subscribers and 2.5 million digital subscribers, both of which were the List of newspapers in the United States, third-largest among U.S. newspapers after ''The New York Times'' and ''The Wall Street Journal''. The ''Post'' was founded in 1877. In its early years, it went through several owners and struggled both financially and editorially. In 1933, financier Eugene Meyer (financier), Eugene Meyer purchased it out of bankruptcy and revived its health and reputation; this work was continued by his successors Katharine Graham, Katharine and Phil Graham, Meyer's daughter and son-in-law, respectively, who bought out several rival publications. The ''Post ...
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Eastman School Of Music
The Eastman School of Music is the music school of the University of Rochester, a private research university in Rochester, New York, United States. Established in 1921 by celebrated industrialist and philanthropist George Eastman, it was the first professional school of the university. The school offers Bachelor of Music (BM) degrees, Master of Arts (MA) degrees, Master of Music (MM) degrees, Doctor of Philosophy (PhD) degrees, and Doctor of Musical Arts (DMA) degrees in various musical fields, along with a special dual degree with the College of Arts & Sciences for students with multiple interests. As of 2024, there were more than 950 students enrolled in the collegiate division of the Eastman School (approximately 500 undergraduate and 450 graduate students). History Alfred Klingenberg, a Norwegian pianist, was the school's first director, serving from 1921 to 1923. He was succeeded by composer Howard Hanson in 1924, who had an enormous impact on the development of the ...
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David Burge
David Russell Burge (March 25, 1930 – April 1, 2013) was an American pianist, conductor and composer. As a performer, he was noted for championing contemporary pieces. The ''New York Times'' called him "one of America's important pianists," and his concerts were described as "an overwhelming experience" (''Washington Post'') presenting "masterful artistry" (''Baltimore Sun''). Biography Burge was born in Evanston, Illinois. He studied at Northwestern University for his bachelor's and master's degrees. Later he attained the Doctor of Musical Arts degree and an artist's diploma from the Eastman School of Music, and he studied at the Cherubini Conservatory, Florence as a Fulbright scholar. While on the faculty at the University of Colorado in Boulder during the 1960s and 1970s, Burge founded and directed the Colorado Festival of Contemporary Music, and he was also Musical Director and Conductor of the Boulder Philharmonic Orchestra. During that period, George Crumb collaborated ...
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Heinz-Klaus Metzger
Heinz-Klaus Metzger (6 February 1932 – 25 October 2009) was a German music critic and theorist. Born in Konstanz, Metzger studied piano under Carl Seemann in Freiburg im Breisgau and composition under Max Deutsch in Paris. Later, he met Theodor W. Adorno, Edgard Varèse, Karlheinz Stockhausen and Luigi Nono at the Darmstadt International Summer Courses for New Music. Here he found his role as a notable theoretician and proponent of serialism in musical theory. He participated as a distinguished contributor to a series of important texts in the journal ''Die Reihe''. Metzger was among the first critics to promote Stockhausen's music, but was soon a substantial critic of Stockhausen's compositional development. In the 1960s, Metzger was one of the first European commentators on John Cage, and spokesman of "compositional anarchy", which resulted in the ''Kölner Manifest'' of 1960, and serving as a copy editor of the magazine ''Collage'' in Palermo. From 1965 until 1969 he worked ...
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