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Études-Tableaux, Op. 33
The ''Études-Tableaux'' ("study pictures"), Op. 33, is the first of two sets of piano études composed by Sergei Rachmaninoff. They were intended to be "picture pieces", essentially "musical evocations of external visual stimuli". But Rachmaninoff did not disclose what inspired each one, stating: "I do not believe in the artist that discloses too much of his images. Let he listenerpaint for themselves what it most suggests." However, he willingly shared sources for a few of these études with the Italian composer Ottorino Respighi when Respighi orchestrated them in 1930. History Rachmaninoff composed the Op. 33 ''Études-Tableaux'' at his Ivanovka estate in Tambov, Russia between August and September 1911, the year after completing his second set of preludes, Op. 32. While the Op. 33 ''Études-Tableaux'' share some stylistic points with the preludes, they are actually not very similar. Rachmaninoff concentrates on establishing well-defined moods and developing musical t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Rachmaninoff Proofing
Sergei Vasilyevich Rachmaninoff; in Russian pre-revolutionary script. (28 March 1943) was a Russian composer, virtuoso pianist, and Conducting, conductor. Rachmaninoff is widely considered one of the finest pianists of his day and, as a composer, one of the last great representatives of Romantic music, Romanticism in Russian classical music. Early influences of Pyotr Ilyich Tchaikovsky, Tchaikovsky, Nikolai Rimsky-Korsakov, Rimsky-Korsakov, and other Russian composers gave way to a thoroughly personal idiom notable for its song-like melody, melodicism, Music#Expression, expressiveness, dense Counterpoint, contrapuntal textures, and rich Orchestration, orchestral colours. The piano is featured prominently in Rachmaninoff's compositional output and he used his skills as a performer to fully explore the expressive and technical possibilities of the instrument. Born into a musical family, Rachmaninoff began learning the piano at the age of four. He studied piano and composition at ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lyricism
Lyricism is a term used to describe a piece of art considered to have deep emotions. Its origin is found in the word ''lyric'', derived via Latin ' from the Greek ('), the adjectival form of ''lyre''. It is often employed to relate to the capability of a lyricist. Description Lyricism is primarily used to give a description of art that is thought to have a particularly expressive quality. It is often used in conjunction with art composed of sound alone, but can apply to all forms of art, including paintings, performances, poetries, architectures, or films. Uses The following are examples of lyricism: *Architecture: The Nasir-ol-Molk Mosque may be seen as an example, as well as the Taj Mahal or the Sistine Chapel. Modern examples would be some of the later works of Le Corbusier and Zaha Hadid. *Dance: Tchaikovsky's ''Swan Lake'' or ''The Sleeping Beauty'' exhibit classic lyricism. *Film: ''Lost, Lost, Lost'' (1976) has been described as an example of the mid-20th c ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Rustem Hayroudinoff
Rustem Hayroudinoff () is a Russian concert pianist. Tatar by nationality, he was born in Kazan, Russian Federation (Republic of Tatarstan). His father, Afzal Hayroudinoff is a Professor of Cello at the Kazan State Conservatory. His sister, Halida Hayrutdinova, is also an acclaimed concert pianist. Rustem Hayroudinoff graduated from the Moscow Conservatory, where he studied with Lev Naumov, and received his postgraduate degree (DipRAM) at the Royal Academy of Music in London with Christopher Elton. He was the first student from Soviet Union to come to study at the Royal Academy, where he is now a Professor of Piano. His performances have been broadcast on major classical radio stations around the world and has appeared in the documentary “The Unknown Shostakovich” alongside Vladimir Ashkenazy, Valery Gergiev and Maxim Shostakovich. He has recorded CDs for various labels including Chandos, Decca and NAMI. His recordings of Shostakovich's Theatre Music and the Dvořák ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
İdil Biret
İdil Biret (born 21 November 1941) is a Turkish concert pianist. Education Biret began her lessons at the age of five with Mithat Fenmen, who had studied under Nadia Boulanger and Alfred Cortot. When she was seven, the Turkish parliament enacted a special law which enabled her to study abroad and so she studied at the Paris Conservatory in France under the tutelage of Nadia Boulanger and Jean Doyen. She graduated with three prizes at the age of 15. She continued her education with Alfred Cortot and Wilhelm Kempff. Musical career She was already interested in music at the age of 2 and started to play Johann Sebastian Bach's preludes at the age of 4. When she was 7 or 8 years old she used to listen to Brahms. Later on she discovered Sergei Rachmaninoff. From the age of 16, Biret played as a soloist with the most distinguished orchestras in the world, including the London Symphony, the Philharmonia, the London Philharmonic, the Boston Symphony, the Leningrad Philharmon ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Michael Ponti
Michael Ponti (29 October 1937 – 17 October 2022) was a German-American classical pianist. He was the first to record the complete piano works by Tchaikovsky, Rachmaninoff and Scriabin. He made more than 80 recordings, around 50 of rarely played concertos from the Romantic period, often the only recording of these works at the time. He played and recorded chamber music with his Ponti-Zimansky-Polasek Trio. Life and career Ponti was born in Freiburg im Breisgau; his father was a U.S. diplomat, and his German mother later became an American citizen. He lived in the United States for most of his childhood and youth. While still attending school in Washington, D.C., he received piano lessons for ten years, seven of them with Gilmour McDonald, who had studied with Leopold Godowsky. At age eleven, he played both volumes of Bach's Well-Tempered Clavier in four recitals at the YMCA in Washington from memory. The family returned to Germany in 1955. Ponti studied at the Musikhochsc ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Boston Symphony Orchestra
The Boston Symphony Orchestra (BSO) is an American orchestra based in Boston. It is the second-oldest of the five major American symphony orchestras commonly referred to as the "Big Five (orchestras), Big Five". Founded by Henry Lee Higginson in 1881, the BSO performs most of its concerts at Boston's Symphony Hall, Boston, Symphony Hall and in the summer performs at Tanglewood. Since its founding, the orchestra has had 17 music directors, including George Henschel, Serge Koussevitzky, Henri Rabaud, Pierre Monteux, Charles Munch (conductor), Charles Munch, Erich Leinsdorf, William Steinberg and James Levine. Andris Nelsons is the current music director of the BSO. Seiji Ozawa had held the title of BSO music director laureate. Bernard Haitink had held the title of principal guest conductor of the BSO from 1995 to 2004, then conductor emeritus until his death in 2021. The orchestra has made gramophone recordings since 1917 and has occasionally played on soundtrack recordings for fil ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Serge Koussevitzky
Serge Koussevitzky (born Sergey Aleksandrovich Kusevitsky;Koussevitzky's original Russian forename is usually transliterated into English as either "Sergei" or "Sergey"; however, he himself adopted the French spelling "Serge", using it in his signature. (SeThe Koussevitzky Music Foundations official web site Retrieved 5 November 2009.) His surname can be transliterated variously as "Koussevitzky", "Koussevitsky", "Kussevitzky", "Kusevitsky", or, into Polish, as "Kusewicki"; however, he himself chose to use "Koussevitzky". , ; 4 June 1951) was a Russian and American conductor, composer, and double-bassist, known for his long tenure as music director of the Boston Symphony Orchestra from 1924 to 1949. Biography Early career Koussevitzky was born into a Jewish family of professional musicians in Vyshny Volochyok, Tver Governorate (present-day Tver Oblast), about 250 km northwest of Moscow, Russia. His parents taught him violin, cello, and piano. He also learned trumpet.J ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sviatoslav Richter
Sviatoslav Teofilovich Richter ( – August 1, 1997) was a Soviet and Russian classical pianist. He is regarded as one of the greatest pianists of all time,Great Pianists of the 20th Century and has been praised for the "depth of his interpretations, his virtuoso technique, and his vast repertoire". Biography Childhood Richter was born in Zhytomyr, Volhynian Governorate, in the Russian Empire (modern-day Ukraine), the hometown of his parents. His father, (1872–1941), was a pianist, organist and composer born to Germans, German expatriates, who from 1893 to 1900 studied at the University of Music and Performing Arts Vienna, Vienna Conservatory. His mother, Anna Pavlovna Richter (née Moskaleva; 1893–1963), came from a Russian nobility, noble Russian landowning family, and at one point had studied under her future husband. In 1918, when Richter's parents were in Odessa, the Russian Civil War, Civil War separated them from their son, and Richter moved in with his aunt Tamar ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ballades (Chopin)
Frédéric Chopin's Four Ballades are single- movement pieces for solo piano, composed between 1831 and 1842. They are considered to be some of the most important and challenging pieces in the standard piano repertoire. Form Chopin used the term ballade in the sense of a balletic interlude or dance piece, equivalent to the old Italian ''ballata''. However, the term may also have connotations of the medieval heroic ballad, a narrative minstrel song, often of a fantastical character. There are dramatic and dance-like elements in Chopin's use of the genre, and he is a pioneer of the ballade as an abstract musical form. The four ballades are said to have been inspired by a friend of Chopin's, poet Adam Mickiewicz. The exact inspiration for each ballade, however, needs to be clarified and disputed. Though the ballades do not conform precisely to sonata form, the "ballade form" created by Chopin for his four ballades is a variant of sonata form with specific discrepancies, such as ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Coda (music)
In music, a coda (; ; plural ) is a passage (music), passage that brings a piece (or a movement (music), movement) to an end. It may be as simple as a few bar (music), measures, or as complex as an entire section (music), section. In classical music The presence of a coda as a structural element in a movement is especially clear in works written in particular musical forms. Codas were commonly used in both sonata form and Variation (music), variation movements during the Classical era. In a sonata form movement, the recapitulation (music), recapitulation section will, in general, follow the exposition (music), exposition in its thematic content, while adhering to the home key (music), key. The recapitulation often ends with a passage that sounds like a termination, paralleling the music that ended the exposition; thus, any music coming after this termination will be perceived as extra material, i.e., as a coda. In works in variation form, the coda occurs following the last va ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Preludes (Chopin)
Frédéric Chopin wrote a number of preludes for piano solo. His cycle of 24 Preludes, Op. 28, covers all major and minor keys. In addition, Chopin wrote three other preludes: a prelude in C minor, Op. 45; a piece in A major from 1834; and an unfinished piece in E minor. These are sometimes referred to as Nos. 25, 26, and 27, respectively. 24 Preludes, Op. 28 Chopin's 24 Preludes, Op. 28, are a set of short pieces for the piano, one in each of the twenty-four keys, originally published in 1839. Chopin wrote them between 1835 and 1839, mostly in Paris, but partially at Valldemossa, Mallorca, where he spent the winter of 1838–39 and where he, George Sand, and her children went to escape the damp Paris weather. In Majorca, Chopin had a copy of Bach's '' The Well-Tempered Clavier'', and as in each of Bach's two sets of preludes and fugues, his Op. 28 set comprises a complete cycle of the major and minor keys, albeit with a different ordering. Most of his préludes wer ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Prelude In D Minor (Rachmaninoff)
The Prelude in D Minor, Op. 23 No. 3 is a composition by Sergei Rachmaninoff completed and premiered in 1903.''Id.'' Structure The prelude is strictly ternary. In measure 8 (part of the "A" section), a parallel period with a semi-cadence is introduced, and in measure 16 a perfect authentic cadence follows. Reference to the "A" section cadence at measure 17: Measure 17 Following the reference, measures 1 and 2 are embellished to form the "B" section. Measures 42–62 mark a return to the "A" section, followed by relatively short coda that reflects the main theme. Measures 3, 11, 35, show the chord progressions, i-III. In measure 11, the III chord is changed to an F-sharp dim. seventh chord, in measure 35, the i and III chords are presented more closely, and in measure 47 the III chord is replaced with a D minor seventh chord. Measure 3 Measure 11 Measure 35 Measure 47 Many Contrapuntal motion, contrapuntal passages appear throughout the prelude: diminution at measure ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
