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Étude Op. 25, No. 12 (Chopin)
Étude Op. 25, No. 12 in C minor is one of Frédéric Chopin's formal studies for the piano, opus 25, dedicated ''À Madame la Comtesse d'Agoult''. It was first published in 1837 in French, German, and English. In the first French edition, the time signature is 4/4, but most recent editions of this piece follow the manuscript and German editions, which indicate cut time. This work is a series of rising and falling arpeggios in various chord progression In a musical composition, a chord progression or harmonic progression (informally chord changes, used as a plural, or simply changes) is a succession of chords. Chord progressions are the foundation of harmony in Western musical tradition from ...s from C minor. It is sometimes nicknamed the "Ocean" étude.Chopin Études, Schirmer edition, 1916. 'This piece, too, has recently fallen a victim to the prevalent mania for bestowing titles, now being called the "Ocean Étude." This argues poverty of invention, for ocean-waves d ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
C Major
C major is a major scale based on C, consisting of the pitches C, D, E, F, G, A, and B. C major is one of the most common keys used in music. Its key signature has no flats or sharps. Its relative minor is A minor and its parallel minor is C minor. The C major scale is: Changes needed for the melodic and harmonic versions of the scale are written in with accidentals as necessary. The C harmonic major and melodic major scales are: On the piano, the C major scale can be played by playing only the white keys starting on C. Scale degree chords The scale degree chords of C major are: * Tonic – C major * Supertonic – D minor * Mediant – E minor * Subdominant – F major * Dominant – G major * Submediant – A minor * Leading-tone – B diminished Compositions Twenty of Joseph Haydn's 106 symphonies are in C major, making it his second most-used key, second to D major. Of the 134 symphonies mistakenly attributed to Haydn that H. C. Robbins Landon lis ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Études By Frédéric Chopin
Études (French for "studies") or Étude may refer to: Compositions * Étude, a type of instrumental musical composition designed to provide practice material * ''Études'' (Chopin), by Frédéric Chopin, 1829–1839 * ''Études'' (Debussy), by Claude Debussy, 1915 * ''Études'' (Ligeti), by György Ligeti, 1985–2001 * ''Études'' (Rautavaara), by Einojuhani Rautavaara, 1969 * ''Études'' (ballet), by Harald Lander, 1948 * "Étude" (instrumental), by Mike Oldfield, 1984 * "Etude", a song by Empire of the Sun from '' Walking on a Dream'', 2008 Albums * ''Etudes'' (Charlie Haden album), 1988 * ''Etudes'' (Ron Carter album), 1983 * ''Etudes'' (Andrew Horowitz album), 2019 Periodicals * ''Études'' (journal), a Roman Catholic journal published by the Jesuits * '' The Etude'', an American music magazine 1883–1957 See also * List of étude composers An étude is a musical composition (usually short) designed to provide practice in a particular technical skill in the pe ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Grigory Sokolov
Grigory Lipmanovich Sokolov (; born 18 April 1950) is a Russian pianist with Spain, Spanish citizenship. He is among the most esteemed of living pianists, his repertoire spanning composers from the Baroque music, Baroque period such as Johann Sebastian Bach, Bach, François Couperin, Couperin or Jean-Philippe Rameau, Rameau up to Arnold Schoenberg, Schoenberg and Boris Arapov, Arapov. He regularly tours Europe (excluding the UK) and resides in Italy. Early life and education Sokolov was born in Leningrad, Russian SSR, Russian SFSR, Soviet Union to Jewish father Lipman Girshevich Sokolov and Russian mother Galina Nikolayevna Zelenetskaya. He began studying the piano at the age of five and entered the Saint Petersburg Conservatory, Leningrad Conservatory's special school for children at the age of seven to study with Leah Zelikhman. After graduating from the children's school, he continued studying at the Conservatory with Moisey Khalfin. At 12, he gave his first major recital in ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Maurizio Pollini
Maurizio Pollini (5 January 1942 – 23 March 2024) was an Italian pianist and conductor. He was known for performances of Beethoven, Chopin, Debussy, and the Second Viennese School, among others. He championed works by contemporary composers, including Pierre Boulez, Karlheinz Stockhausen, George Benjamin, Roberto Carnevale, Gianluca Cascioli and Bruno Maderna. Several compositions were written for him, including Luigi Nono's '' ... sofferte onde serene ...'', Giacomo Manzoni's ''Masse: omaggio a Edgard Varèse'', and Salvatore Sciarrino's Fifth Sonata. As a conductor he was instrumental in the Rossini revival at the Rossini Opera Festival in Pesaro, conducting '' La donna del lago'' from a new critical edition in 1981. He also conducted from the keyboard. Pollini was also a left-wing activist in the 1960s and 1970s, and he remained politically engaged in later life. He maintained some separation between these ideals and his music. Life and career 1942–early ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Vladimir Ashkenazy
Vladimir Davidovich Ashkenazy (, ''Vladimir Davidovich Ashkenazi''; born 6 July 1937) is a Soviet-born Icelandic pianist, chamber music performer, and conductor. Ashkenazy has collaborated with well-known orchestras and soloists. In addition, he has recorded a large repertoire of classical and romantic works. His recordings have earned him seven Grammy Awards and Iceland's Order of the Falcon. Early life and education Vladimir Ashkenazy was born in Gorky, Soviet Union (now Nizhny Novgorod, Russia), to pianist and composer David Ashkenazi and to actress Yevstolia Grigorievna (born Plotnova). His father was Jewish and his mother came from a Russian Orthodox family. Ashkenazy was christened in a Russian Orthodox church. [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Claudio Arrau
Claudio Arrau León (; February 6, 1903June 9, 1991) was a Chilean and American pianist known for his interpretations of a vast repertoire spanning the baroque music, baroque to 20th-century classical music, 20th-century composers, especially Bach, Wolfgang Amadeus Mozart, Mozart, Ludwig van Beethoven, Beethoven, Franz Schubert, Schubert, Frédéric Chopin, Chopin, Robert Schumann, Schumann, Franz Liszt, Liszt and Johannes Brahms, Brahms. He is widely considered one of the greatest pianists of the twentieth century. Life Arrau was born in Chillán, Chile, to Carlos Arrau, an ophthalmologist who died when Claudio was only one year old, and Lucrecia León Bravo de Villalba, a piano teacher. He belonged to an old, prominent family of Southern Chile. His ancestor Lorenzo de Arrau was a Spanish people, Spanish engineer who was sent to Chile by King Charles III of Spain, Carlos III of Spain. Through his great-grandmother, María del Carmen Daroch del Solar, Arrau was a descendant of t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Alfred Cortot
Alfred Denis Cortot ( , ; 26 September 187715 June 1962) was a French pianist, conductor, and teacher who was one of the most renowned classical musicians of the 20th century. A pianist of massive repertory, he was especially valued for his poetic insight into Romantic piano works, particularly those of Chopin, Franck, Saint-Saëns and Schumann. For Éditions Durand, he edited editions of almost all piano music by Chopin, Liszt and Schumann. A central figure of the French musical culture in his time, he was well known for his piano trio with violinist Jacques Thibaud and cellist Pablo Casals. Biography Early life Cortot was born in Nyon, Vaud, in the French-speaking part of Switzerland, to a French father and a Swiss mother. His nationality was French. His first cousin was the composer Edgard Varèse. He studied at the Paris Conservatoire with Émile Decombes (a student of Frédéric Chopin), and with Louis Diémer, taking a ''premier prix'' in 1896. He made his d ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sébastien Érard
Sébastien Érard (; 5 April 1752 – 5 August 1831) was a French instrument maker who specialised in the production of pianos and harps, developing the capacities of both instruments and pioneering the modern piano. Biography Érard was born in Strasbourg. While a boy he showed great aptitude for practical geometry and architectural drawing, and in the workshop of his father, who was an upholsterer, he found opportunity for the early exercise of his mechanical ingenuity. When he was sixteen his father died, and he moved to Paris where he obtained employment with a harpsichord maker. Here his remarkable constructive skill, though it speedily excited the jealousy of his master and procured his dismissal, almost instantly attracted the notice of musicians and musical instrument makers of eminence. EB says he built his first pianoforte in 1780. Before he was twenty-five he set up in business for himself, his first workshop being a room in the hotel of the duchesse de Villeroi, wh ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Martha Goldstein
Martha Goldstein (born Martha Svendsen; June 10, 1919 – February 14, 2014) was an American harpsichordist and pianist, who gave concerts in the United States, North Africa, the Middle East, and Europe. She performed works by George Frideric Handel, Frédéric Chopin, Georg Philipp Telemann, Franz Liszt, Ferruccio Busoni, Johann Sebastian Bach, and others. Biography Born in Baltimore, Maryland, Goldstein was trained at the Peabody Conservatory and the Juilliard School and studied with Audrey Plitt, Eliza Woods, James Friskin and Mieczysław Munz. She taught at the Peabody Conservatory for 20 years and at the Cornish College of the Arts. She also performed as a guest artist with the Soni Ventorum Wind Quintet, wind quintet-in-residence at the University of Washington School of Music since 1968. Many of Goldstein's recordings were first released on LP by Pandora Records, which was founded in 1973 and active for more than ten years. The company went out of business with the adv ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Études (Chopin)
The Études by Frédéric Chopin are three sets of études (solo studies) for the piano published during the 1830s. There are twenty-seven compositions overall, comprising two separate collections of twelve, numbered Op. 10 and Op. 25, and a set of three without opus number. History Composition Chopin's Études formed the foundation for what was then a revolutionary playing style for the piano. They are some of the most challenging and evocative pieces of all the works in concert piano repertoire. Because of this, the music remains popular and often performed in both concert and private stages. Some are so popular they have been given nicknames; among the most popular are Op. 10, No. 3, sometimes identified by the names ''Tristesse'' ("Sadness") or "Farewell" (''L'Adieu''), as well as the "Revolutionary Étude" ( Op. 10, No. 12), “Black Keys” ( Op. 10, No. 5), and "Winter Wind" ( Op. 25, No. 11). No nicknames are of Chopin' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Theme (music)
In music, a subject is the material, usually a recognizable melody, upon which part or all of a musical composition, composition is based. In forms other than the fugue, this may be known as the theme. Characteristics A subject may be perceivable as a complete musical expression in itself, separate from the work in which it is found. In contrast to an idea or Motif (music), motif, a subject is usually a complete phrase (music), phrase or period (music), period. The ''Encyclopédie Fasquelle'' defines a theme (subject) as "[a]ny element, motif, or small musical piece that has given rise to some variation becomes thereby a theme". Thematic changes and processes are often musical form, structurally important, and theorists such as Rudolph Reti have created analysis from a purely thematic perspective. Fred Lerdahl describes thematic relations as "associational" and thus outside his cognitive-based generative music, generative theory's scope of analysis. In different types of mus ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
