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Étude In D-sharp Minor, Op
An étude (; ) or study is an instrumental musical composition, designed to provide practice material for perfecting a particular musical skill. The tradition of writing études emerged in the early 19th century with the rapidly growing popularity of the piano. Of the vast number of études from that era some are still used as teaching material (particularly pieces by Carl Czerny and Muzio Clementi), and a few, by major composers such as Frédéric Chopin, Franz Liszt and Claude Debussy, achieved a place in today's concert repertory. Études written in the 20th century include those related to traditional ones (György Ligeti) and those that require wholly unorthodox technique (John Cage). 19th century Piano Studies, lessons, and other didactic instrumental pieces composed before the 19th century are extremely varied, without any established genres. Domenico Scarlatti's ''30 Essercizi per gravicembalo'' ("30 Exercises for harpsichord", 1738) do not differ in scope from his ot ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Johann Sebastian Bach
Johann Sebastian Bach (German: Help:IPA/Standard German, [ˈjoːhan zeˈbasti̯an baχ]) ( – 28 July 1750) was a German composer and musician of the late Baroque music, Baroque period. He is known for his prolific output across a variety of instruments and forms, including the orchestral ''Brandenburg Concertos''; solo instrumental works such as the Cello Suites (Bach), cello suites and Sonatas and Partitas for Solo Violin (Bach), sonatas and partitas for solo violin; keyboard works such as the ''Goldberg Variations'' and ''The Well-Tempered Clavier''; organ works such as the ' and the Toccata and Fugue in D minor, BWV 565, Toccata and Fugue in D minor; and choral works such as the ''St Matthew Passion'' and the Mass in B minor. Since the 19th-century Reception of Johann Sebastian Bach's music, Bach Revival, he has been widely regarded as one of the greatest composers in the history of Western music. The Bach family had already produced several composers when Joh ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Luigi Boccherini
Ridolfo Luigi Boccherini (, also , ; 19 February 1743 – 28 May 1805) was an Italian composer and cellist of the Classical era whose music retained a courtly and '' galante'' style even while he matured somewhat apart from the major classical musical centers. He is best known for a minuet from his String Quintet in E, Op. 11, No. 5 ( G 275), and the Cello Concerto in B flat major (G 482). The latter work was long known in the heavily altered version by German cellist and prolific arranger Friedrich Grützmacher, but has recently been restored to its original version. Boccherini's output also includes several guitar quintets. The final movement of the Guitar Quintet No. 4 in D (G 448) is a fandango, a lively Spanish dance. Biography Boccherini was born into a musical family in Lucca, Italy in 1743. He was the third child of Leopoldo Boccherini, a cellist and double-bass player, and the brother of Giovanni Gastone Boccherini, a poet and dancer who wrote libretti for Ant ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bernhard Romberg
Bernhard Heinrich Romberg (November 13, 1767 – August 13, 1841) was a German cellist and composer. Life Romberg was born in Dinklage. His father, Anton Romberg, played the bassoon and cello and gave Bernhard his first cello lessons. He first performed in public at the age of seven. In addition to touring Europe with his cousin Andreas Romberg, Bernhard Romberg also joined the Münster Court Orchestra. Together with his cousin, he later joined the court orchestra of the Prince Elector Archbishop of Cologne in Bonn (conducted by the Kapellmeister Andrea Luchesi) in 1790, where they met the young Beethoven. Beethoven admired and respected Bernhard Romberg as a musician. Romberg made several innovations in cello design and performance. He lengthened the cello's fingerboard and flattened the side under the C string, thus giving it more freedom to vibrate.Raychev (2003), P23. He also invented what is known as the Romberg bevel, a flat section beneath the E string of the dou ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Friedrich Grützmacher
Friedrich Wilhelm Ludwig Grützmacher (1 March 1832 – 23 February 1903) was a German cellist and composer in the second half of the 19th century. He composed mostly for cello (including several concertos and many technical studies), but also wrote orchestral pieces, chamber music, piano music and songs. Life Grützmacher was born in Dessau, Anhalt, and was first taught by his father. Soon he began studying cello with Dotzauer's pupil, Karl Drexler (1800–1873). In 1848, he was discovered in Leipzig by the famous violinist, Ferdinand David, who arranged some concerts for him. In 1850, he became solo cellist in the Leipzig theatre orchestra, the Gewandhaus Concerts, and professor at the Leipzig Conservatory. He played in the David String Quartet. In 1860, Grützmacher moved to Dresden to be principal cellist of the court orchestra, and head of the Dresden Musical Society. In 1877, he became a professor at the Dresden Conservatory. He concertized all over Europe and Imperial ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
OhioLINK
The Ohio Library and Information Network (OhioLINK) is a consortium of Ohio's college and university libraries and the State Library of Ohio. Serving more than 800,000 students, faculty, and staff at 88 institutions with 117 libraries, OhioLINK's membership includes 16 public universities, 23 community/technical colleges, 48 private colleges and the State Library of Ohio. OhioLINK serves faculty, students, staff and other researchers via campus-based integrated library systems, the OhioLINK central site, and Internet resources. OhioLINK's mission is to create a competitive advantage for Ohio's higher education community by cooperatively and cost-effectively acquiring, providing access to, and preserving an expanding array of print and digital scholarly resources in order to advance teaching, learning, research, and the growth of Ohio's knowledge-based economy. History OhioLINK, a cooperative venture of university libraries and the Ohio Board of Regents, grew out of a 1987 reco ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Friedrich Dotzauer
Justus Johann Friedrich Dotzauer (20 January 1783 – 6 March 1860) was a German cellist and composer. Life Early life and career Dotzauer was born in 1783 in , near Hildburghausen. His father, a pastor, encouraged his interest in music. In early years he played piano, violin and cello, also horn and clarinet, and studied theory and composition with the organist , a pupil of Johann Christian Kittel. In Meiningen he studied the cello with , Konzertmeister of the Meiningen Court Orchestra; from 1801 Dotzauer was a member of the orchestra."The Dresden School" (from ''History of the Violoncello'' by Lev Ginsburg (Paginiana Publications, 1983)) www.celloheaven.com. Retrieved 22 April 2021. [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Transcendental Études
The ''Transcendental Études'' (), S.139, is a set of twelve compositions for piano by Franz Liszt. They were published in 1852 as a revision of an 1837 set (which had not borne the title "d'exécution transcendante"), which in turn were – for the most part – an elaboration of a set of studies written in 1826. History The genesis of the ''Transcendental Études'' goes back to 1825, when 14-year-old Liszt wrote a set of youthful exercises called the ''Étude en douze exercices'' (Study in twelve exercises), S.136. These pieces were not particularly technically demanding. Liszt then returned to these pieces for thematic ideas, elaborating on them considerably, in the composition of the ''Douze Grandes Études'' (Twelve Grand Studies), S.137, which were published in 1837. The ''Transcendental Études'', S.139, are revisions of the ''Douze Grandes Études''. The fourth was altered and published alone as ''Mazeppa'' in late 1846, and the collection as a whole was published ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Études (Chopin)
The Études by Frédéric Chopin are three sets of études (solo studies) for the piano published during the 1830s. There are twenty-seven compositions overall, comprising two separate collections of twelve, numbered Op. 10 and Op. 25, and a set of three without opus number. History Composition Chopin's Études formed the foundation for what was then a revolutionary playing style for the piano. They are some of the most challenging and evocative pieces of all the works in concert piano repertoire. Because of this, the music remains popular and often performed in both concert and private stages. Some are so popular they have been given nicknames; among the most popular are Op. 10, No. 3, sometimes identified by the names ''Tristesse'' ("Sadness") or "Farewell" (''L'Adieu''), as well as the "Revolutionary Étude" ( Op. 10, No. 12), “Black Keys” ( Op. 10, No. 5), and "Winter Wind" ( Op. 25, No. 11). No nicknames are of Chopin' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ignaz Moscheles
Isaac Ignaz Moscheles (; 23 May 179410 March 1870) was a Bohemian piano virtuoso and composer. He was based initially in London and later at Leipzig, where he joined his friend and sometime pupil Felix Mendelssohn as professor of piano in the Conservatory. Life Early life and career Moscheles was born 1794 in Prague, Bohemia, the son of Klara Popper (Lieben) and Joachim Moises Moscheles. He was from an affluent German-speaking Jewish merchant family. His first name was originally Isaac. His father played the guitar and was keen for one of his children to become a musician. Initially his hopes fixed on Ignaz's sister, but when she demurred, her piano lessons were transferred to her brother. Ignaz developed an early passion for the (then revolutionary) piano music of Beethoven, which the Mozartean Bedřich Diviš Weber, his teacher at the Prague Conservatory, attempted to curb, urging him to focus on Bach, Mozart and Muzio Clementi. After his father's early death, Moscheles sett ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Maria Szymanowska
Maria Szymanowska (Polish pronunciation: ; born Marianna Agata Wołowska; Warsaw, 14 December 1789 – 25 July 1831, St. Petersburg, Russia) was a Polish composer and one of the first professional virtuoso pianists of the 19th century. She toured extensively throughout Europe, especially in the 1820s, before settling permanently in St. Petersburg. In the Russian imperial capital, she composed for the court, gave concerts, taught music, and ran an influential salon. Her compositions—largely piano pieces, songs, and other small chamber works, as well as the first piano concert etudes and nocturnes in Poland—typify the ' of the era preceding Frédéric Chopin. She was the mother of Celina Szymanowska, who married the Polish Romantic poet Adam Mickiewicz. Biography Marianna Agata Wołowska was born in Warsaw, Poland, on 14 December 1789 into a prosperous Polish family with Frankist Jewish roots, one of her ancestors being Salomon Ben Elijah (or Jacob ben Judah Leib/Jacob Lei ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
