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Étincelles (Moszkowski)
Étincelles, Op. 36 No. 6 ''(Sparks)'' is a piece for solo piano by Moritz Moszkowski. It is the sixth piece from Moszkowski's ''8 Characteristic Pieces'' set. Analysis This flashy showpiece, as the name suggests, conveys images of flashing sparks through the use of a staccato theme and extremely fast scale passages, which require a great deal of technical ability. The piece is written in the key of B-flat major and in 3/8 time. A happy and lively mood is consistent throughout the piece although the dynamics are nearly always quiet. ''Étincelles'' has a duration of about three minutes. Performances ''Étincelles'' is a popular piece and many famous pianists have recorded it. In particular the pianist Vladimir Horowitz played the piece frequently as an encore at many of his later concerts. He also composed his own coda to the piece. See also * List of compositions by Moritz Moszkowski References External linksScore at the IMSLP [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Dynamics (music)
In music, the dynamics of a piece are the variation in loudness between notes or phrases. Dynamics are indicated by specific musical notation, often in some detail. However, dynamics markings require interpretation by the performer depending on the musical context: a specific marking may correspond to a different volume between pieces or even sections of one piece. The execution of dynamics also extends beyond loudness to include changes in timbre and sometimes tempo rubato. Purpose and interpretation Dynamics are one of the expressive elements of music. Used effectively, dynamics help musicians sustain variety and interest in a musical performance, and communicate a particular emotional state or feeling. Dynamic markings are always relative. (''piano'' - "soft") never indicates a precise level of loudness; it merely indicates that music in a passage so marked should be considerably quieter than (''forte'' - "loud"). There are many factors affecting the interpretati ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Compositions By Moritz Moszkowski
Composition or Compositions may refer to: Arts and literature *Composition (dance), practice and teaching of choreography *Composition (language), in literature and rhetoric, producing a work in spoken tradition and written discourse, to include visuals and digital space *Composition (visual arts), the plan, placement or arrangement of the elements of art in a work * ''Composition'' (Peeters), a 1921 painting by Jozef Peeters *Composition studies, the professional field of writing instruction * ''Compositions'' (album), an album by Anita Baker *Digital compositing, the practice of digitally piecing together a still image or video *Musical composition, an original piece of music, or the process of creating a new piece Computer science *Compose key, a key on a computer keyboard *Compositing window manager a component of a computer's graphical user interface that draws windows and/or their borders *Function composition (computer science), an act or mechanism to combine simple functi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
List Of Compositions By Moritz Moszkowski
The following is the complete List of compositions by Moritz Moszkowski. MoszWV means ''Moszkowski Werkverzeichnis'' (=Moszkowski work directory). Genre Works with opus number Works without opus number Additional information External links Moritz Moszkowski's compositionsselected by Work Types at Category Walker - IMSLP The International Music Score Library Project (IMSLP), also known as the Petrucci Music Library after publisher Ottaviano Petrucci, is a subscription-based digital library of public domain, public-domain sheet music, music scores. The project use ... {{Authority control Moszkowski, Moritz ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Coda (music)
In music, a coda (; ; plural ) is a passage (music), passage that brings a piece (or a movement (music), movement) to an end. It may be as simple as a few bar (music), measures, or as complex as an entire section (music), section. In classical music The presence of a coda as a structural element in a movement is especially clear in works written in particular musical forms. Codas were commonly used in both sonata form and Variation (music), variation movements during the Classical era. In a sonata form movement, the recapitulation (music), recapitulation section will, in general, follow the exposition (music), exposition in its thematic content, while adhering to the home key (music), key. The recapitulation often ends with a passage that sounds like a termination, paralleling the music that ended the exposition; thus, any music coming after this termination will be perceived as extra material, i.e., as a coda. In works in variation form, the coda occurs following the last va ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Encore (concert)
An encore is an additional performance given by performers at the conclusion of a show or concert, usually in response to extended applause from the audience.Lalange Cochrane, in ''Oxford Companion to Music'', Alison Latham, ed., Oxford University Press, 2002, 2003 They are regarded as the most complimentary kind of applause for performers. Multiple encores are not uncommon, and they initially originated spontaneously, when audiences continued to applaud and demand additional performance from the artists after they had left the stage. However, in modern times they are rarely spontaneous and are usually a pre-planned part of the show. Origin of the encore Encores are believed to have originated from Italian operas in the 18th century. One of the earliest recorded encores was in 1786 at the premiere of Mozart's '' Marriage of Figaro.'' Contrary to modern encores, encores were traditionally spontaneous and followed a singular piece or movement. Performers would often perform an en ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Vladimir Horowitz
Vladimir Samoylovich Horowitz (November 5, 1989) was a Russian and American pianist. Considered one of the greatest pianists of all time, he was known for his virtuoso technique, timbre, and the public excitement engendered by his playing. Life and early career Horowitz was born on October 1, 1903, in Kiev, then in the Russian Empire (now Ukraine).Schonberg, 1992. According to Nicolas Slonimsky, Horowitz was born in Berdichev, a city near Zhitomir in the Volhynian Governorate. However, his birth certificate states that Kiev was his birthplace. He was the youngest of four children of Samuil Horowitz and Sophia (''née'' Bodik), who were Jewish assimilation, assimilated Jews. His father was a well-to-do electrical engineer and a distributor of electric motors for German manufacturers. His grandfather Joachim was a merchant (and an arts-supporter), belonging to the First Merchant's Guild, which exempted him from having to reside in the Pale of Settlement. In order to make him appea ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
MIDI
Musical Instrument Digital Interface (; MIDI) is an American-Japanese technical standard that describes a communication protocol, digital interface, and electrical connectors that connect a wide variety of electronic musical instruments, computers, and related audio devices for playing, editing, and recording music. A single MIDI cable can carry up to sixteen channels of MIDI data, each of which can be routed to a separate device. Each interaction with a key, button, knob or slider is converted into a MIDI event, which specifies musical instructions, such as a note's pitch, timing and velocity. One common MIDI application is to play a MIDI keyboard or other controller and use it to trigger a digital sound module (which contains synthesized musical sounds) to generate sounds, which the audience hears produced by a keyboard amplifier. MIDI data can be transferred via MIDI or USB cable, or recorded to a sequencer or digital audio workstation to be edited or played back. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Time Signature
A time signature (also known as meter signature, metre signature, and measure signature) is an indication in music notation that specifies how many note values of a particular type fit into each measure ( bar). The time signature indicates the meter of a musical movement at the bar level. In a music score the time signature appears as two stacked numerals, such as (spoken as ''four–four time''), or a time symbol, such as (spoken as ''common time''). It immediately follows the key signature (or if there is no key signature, the clef symbol). A mid-score time signature, usually immediately following a barline, indicates a change of meter. Most time signatures are either simple (the note values are grouped in pairs, like , , and ), or compound (grouped in threes, like , , and ). Less common signatures indicate complex, mixed, additive, and irrational meters. Time signature notation Most time signatures consist of two numerals, one stacked above the other: * ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Opus Number
In music, the opus number is the "work number" that is assigned to a musical composition, or to a set of compositions, to indicate the chronological order of the composer's publication of that work. Opus numbers are used to distinguish among compositions with similar titles; the word is abbreviated as "Op." for a single work, or "Opp." when referring to more than one work. Opus numbers do not necessarily indicate chronological order of composition. For example, posthumous publications of a composer's juvenilia are often numbered after other works, even though they may be some of the composer's first completed works. To indicate the specific place of a given work within a music catalogue, the opus number is paired with a cardinal number; for example, Beethoven's Piano Sonata No. 14 in C-sharp minor (1801, nicknamed ''Moonlight Sonata'') is "Opus 27, No. 2", whose work-number identifies it as a companion piece to "Opus 27, No. 1" ( Piano Sonata No. 13 in E-flat major, 1800 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
B-flat Major
B-flat major is a major scale based on B, with pitches B, C, D, E, F, G, and A. Its key signature has two flats. Its relative minor is G minor and its parallel minor is B-flat minor. The B-flat major scale is: Changes needed for the melodic and harmonic versions of the scale are written in with accidentals as necessary. The B-flat harmonic major and melodic major scales are: Many transposing instruments are pitched in B-flat major, including the clarinet, trumpet, tenor saxophone, and soprano saxophone. As a result, B-flat major is one of the most popular keys for concert band compositions. Scale degree chords The scale degree chords of B-flat major are: * Tonic – B-flat major * Supertonic – C minor * Mediant – D minor * Subdominant – E-flat major * Dominant – F major * Submediant – G minor * Leading-tone – A diminished History Joseph Haydn's Symphony No. 98 is often credited as the first symphony written in that key, includ ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Key (music)
In music theory, the key of a piece is the group of pitches, or scale, that forms the basis of a musical composition in Western classical music, jazz music, art music, and pop music. A particular key features a '' tonic (main) note'' and its corresponding '' chords'', also called a ''tonic'' or ''tonic chord'', which provides a subjective sense of arrival and rest. The tonic also has a unique relationship to the other pitches of the same key, their corresponding chords, and pitches and chords outside the key. Notes and chords other than the tonic in a piece create varying degrees of tension, resolved when the tonic note or chord returns. The key may be in the major mode, minor mode, or one of several other modes. Musicians assume major when this is not specified; for example, "this piece is in C" implies that the key of the piece is C major. Popular songs and classical music from the common practice period are usually in a single key; longer pieces in the classical repe ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
