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Étienne Moreau-Nélaton
Adolphe Étienne Auguste Moreau-Nélaton (2 December 1859 – 25 April 1927) was a French painter, art collector and art historian. His large collection is today held in its entirety by French national museums. Family Moreau-Nélaton was born and died in Paris. His family's art collecting began with his grandfather Adolphe Moreau (1800–1859). As a stockbroker he possessed ample capital with which to buy the work of artists with whom he was personally acquainted, including Eugène Delacroix and Alexandre-Gabriel Decamps. Moreau-Nélaton's father, who was also named Adolphe Moreau (1827–1882), was a high government official and led the railroad company Chemins de fer de l'Est. In 1856 he married the ceramic artist Camille Nélaton (1840–1897), with whom he further expanded the family's collection. As artist After an 1882 visit to the École Normale Supérieure, Moreau-Nélaton decided to become a painter. He began his artistic education by studying with the artists Henri-Jose ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Painting
Painting is a Visual arts, visual art, which is characterized by the practice of applying paint, pigment, color or other medium to a solid surface (called "matrix" or "Support (art), support"). The medium is commonly applied to the base with a brush. Other implements, such as palette knives, sponges, airbrushes, the artist's fingers, or even a dripping technique that uses gravity may be used. One who produces paintings is called a painter. In art, the term "painting" describes both the act and the result of the action (the final work is called "a painting"). The support for paintings includes such surfaces as walls, paper, canvas, wood, glass, lacquer, pottery, leaf, copper and concrete, and the painting may incorporate other materials, in single or multiple form, including sand, clay, paper, cardboard, newspaper, plaster, gold leaf, and even entire objects. Painting is an important form of visual arts, visual art, bringing in elements such as drawing, Composition (visual art ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Constant Troyon
Constant Troyon (; August 28, 1810 РFebruary 21, 1865) was a French painter of the Barbizon school. In the early part of his career, he painted mostly landscapes. It was only comparatively late in life that Troyon found his ''m̩tier'' as a painter of animals, and achieved international recognition. Early years He was born in S̬vres, near Paris, where his father was connected with the famous manufactory of porcelain. Troyon entered the ateliers very young as a decorator, and until he was twenty, he labored assiduously at the minute details of porcelain ornamentation; and this kind of work he mastered so thoroughly that it was many years before he overcame its limitations. By the time he reached twenty-one, he was travelling the country as an artist, and painting landscapes so long as his finances lasted. Then when pressed for money, he made friends with the first china manufacturer he met and worked steadily at his old business of decorator until he had accumulated enough ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pierre Puvis De Chavannes
Pierre Puvis de Chavannes (; 14 December 1824 – 24 October 1898) was a French painter known for his mural painting, who came to be known as "the painter for France". He became the co-founder and president of the Société Nationale des Beaux-Arts, and his work influenced many other artists, notably Robert Genin, and he aided Medalist, medallists by designs and suggestions for their works. Puvis de Chavannes was a prominent painter in the early French Third Republic, Third Republic. Émile Zola described his work as "an art made of reason, passion, and will". Early life Puvis de Chavannes was born Pierre-Cécile Puvis in a suburb of Lyon, France, on December 14, 1824. He was the son of a mining engineer and descended from an old noble family of Burgundy (region), Burgundy. He later added the ancestral "de Chavannes" to his name. Throughout his life, he spurned his Lyon origins, preferring to identify himself with the 'strong' blood of the Burgundians, where his father originated. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Luncheon On The Grass
''The'' is a grammatical article in English, denoting nouns that are already or about to be mentioned, under discussion, implied or otherwise presumed familiar to listeners, readers, or speakers. It is the definite article in English. ''The'' is the most frequently used word in the English language; studies and analyses of texts have found it to account for seven percent of all printed English-language words. It is derived from gendered articles in Old English which combined in Middle English and now has a single form used with nouns of any gender. The word can be used with both singular and plural nouns, and with a noun that starts with any letter. This is different from many other languages, which have different forms of the definite article for different genders or numbers. Pronunciation In most dialects, "the" is pronounced as (with the voiced dental fricative followed by a schwa) when followed by a consonant sound, and as (homophone of the archaic pronoun ''thee' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Camille Pissarro
Jacob Abraham Camille Pissarro ( ; ; 10 July 1830 – 13 November 1903) was a Danish-French Impressionist and Neo-Impressionist painter born on the island of St Thomas (now in the US Virgin Islands, but then in the Danish West Indies). His importance resides in his contributions to both Impressionism and Post-Impressionism. Pissarro studied from great forerunners, including Gustave Courbet and Jean-Baptiste-Camille Corot. He later studied and worked alongside Georges Seurat and Paul Signac when he took on the Neo-Impressionist style at the age of 54. In 1873 he helped establish a collective society of fifteen aspiring artists, becoming the "pivotal" figure in holding the group together and encouraging the other members. Art historian John Rewald called Pissarro the "dean of the Impressionist painters", not only because he was the oldest of the group, but also "by virtue of his wisdom and his balanced, kind, and warmhearted personality". Paul Cézanne said "he was a fa ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Alfred Sisley
Alfred Sisley (; ; 30 October 1839 – 29 January 1899) was an Impressionist landscape painter who was born and spent most of his life in France, but retained British citizenship. He was the most consistent of the Impressionists in his dedication to painting landscape ''en plein air'' (i.e., outdoors). He deviated into figure painting only rarely and, unlike Renoir and Pissarro, he found that Impressionism fulfilled his artistic needs. Among his important works are a series of paintings of the River Thames, mostly around Hampton Court, executed in 1874, and landscapes depicting places in or near Moret-sur-Loing. The notable paintings of the Seine and its bridges in the former suburbs of Paris are like many of his landscapes, characterised by tranquillity, in pale shades of green, pink, purple, dusty blue and cream. Over the years Sisley's power of expression and colour intensity increased. Richard Shone: ''Sisley.'' London: Phaidon Press 1999. Biography Sisley was born ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Claude Monet
Oscar-Claude Monet (, ; ; 14 November 1840 – 5 December 1926) was a French painter and founder of Impressionism painting who is seen as a key precursor to modernism, especially in his attempts to paint nature as he perceived it. During his long career, he was the most consistent and prolific practitioner of Impressionism's philosophy of expressing one's perceptions of nature, especially as applied to ''En plein air, ''plein air'''' (outdoor) landscape painting. The term "Impressionism" is derived from the title of his painting ''Impression, Sunrise, Impression, soleil levant'', which was exhibited in 1874 at the First Impressionist Exhibition, initiated by Monet and a number of like-minded artists as an alternative to the Salon (Paris), Salon. Monet was raised in Le Havre, Normandy, and became interested in the outdoors and drawing from an early age. Although his mother, Louise-Justine Aubrée Monet, supported his ambitions to be a painter, his father, Claude-Adolphe, disa ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Impressionism
Impressionism was a 19th-century art movement characterized by visible brush strokes, open Composition (visual arts), composition, emphasis on accurate depiction of light in its changing qualities (often accentuating the effects of the passage of time), ordinary subject matter, unusual visual angles, and inclusion of movement as a crucial element of human perception and experience. Impressionism originated with a group of Paris-based artists whose independent exhibitions brought them to prominence during the 1870s and 1880s. The Impressionists faced harsh opposition from the conventional art community in France. The name of the style derives from the title of a Claude Monet work, ''Impression, soleil levant'' (''Impression, Sunrise''), which provoked the critic Louis Leroy to coin the term in a Satire, satirical 1874 review of the First Impressionist Exhibition published in the Parisian newspaper ''Le Charivari''. The development of Impressionism in the visual arts was soon foll ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Olympia (Manet)
''Olympia'' is an 1863 oil painting by Édouard Manet, depicting a nude white woman ("Olympia") lying on a bed being attended to by a black maid. The French government acquired the painting in 1890 after a public subscription organized by Claude Monet. The painting is now in the Musée d'Orsay, Paris. The figure of Olympia was modeled by Victorine Meurent, and that of her servant by Laure (art model), Laure. Olympia's confrontational gaze caused shock and controversy when the painting was first exhibited at the 1865 Salon (Paris), Paris Salon, especially because a number of details in the picture identified her as a Prostitution, prostitute. The title of the painting is generally attributed to Manet's close friend Zacharie Astruc, an art critic and artist, since an excerpt from one of Astruc's poems was included in the catalogue entry along with ''Olympia'' when it was first exhibited in 1865. Content Contemporary audiences were shocked by Olympia's confrontational gaze, combi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hommage à Delacroix
Homage (Old English) or Hommage (French) may refer to: History *Homage (feudal), the medieval oath of allegiance *Commendation ceremony, medieval homage ceremony Arts *Homage (arts), an allusion or imitation by one artist to another *Homage Comics, a comics imprint * ''Homage'' (sculpture), by Haydn Davies, created 1975 and destroyed in 2005 Music * ''Homage'' (Jimmy Somerville album), a Jimmy Somerville album *''Homage'', a 1992 album by the Blues Band * ''Hommage'' (album), a 1975 album by American jazz pianist Andrew Hill *''Hommage'', an album by Yannick Noah *''Hommages'', 1997 album by Nana Mouskouri Film * ''Homage'' (film), a 1995 American film * ''Hommage'' (film), a 2022 South Korean film See also *''Homage to Catalonia ''Homage to Catalonia'' is a 1938 memoir by English writer George Orwell, in which he accounts his personal experiences and observations while fighting in the Spanish Civil War. Covering the period between December 1936 and June 1937, Orwell re .. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Henri Fantin-Latour
Henri Fantin-Latour (; 14 January 1836 – 25 August 1904) was a French painter and lithographer best known for his flower paintings and group portraits of Parisian artists and writers. Early life Born in Grenoble, Isère, Ignace Henri Jean Théodore Fantin-Latour first had drawing lessons with his father Théodore Fantin-Latour (1805-1875), who was a painter.Poulet & Murphy 1979, p. 73. In 1850 he moved to Paris where he enrolled in the small Paris School of Drawing, where he studied with Louis-Alexandre Péron and Horace Lecoq de Boisbaudran, an innovative and non-traditional instructor who developed his own teaching method based on painting and drawing from memory. He entered the École des Beaux-Arts, in Paris, in 1854, where he had for classmates, Edgar Degas, Alphonse Legros and Jean-Charles Cazin. After studying there, he spent long time copying the works of the old masters in the Musée du Louvre. Although Fantin-Latour befriended several of the young artists who would ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Charles-François Daubigny
Charles-François Daubigny ( , , ; 15 February 181719 February 1878) was a French painter, one of the members of the Barbizon school, and is considered an important precursor of impressionism. He was also a prolific printmaker, mostly in etching, and one of the main artists who used the cliché verre technique. Biography Daubigny was born in Paris, into a family of painters; taught art by his father, , and his uncle, Portrait miniature, miniaturist Pierre Daubigny (1793-1858). He was also a pupil of Jean-Victor Bertin, Jacques Raymond Brascassat and Paul Delaroche, from whom he would quickly emancipate himself. Though best known for his painted landscapes, Daubigny survived for many years as a graphic artist, illustrating books, magazines and travel guides for publication. In 1838, he set up, at the Rue des Amandiers-Popincourt, a community of artists, a phalanstery, with Adolphe-Victor Geoffroy-Dechaume, Hippolyte Lavoignat, Ernest Meissonnier, Auguste Steinheil, Louis Joseph T ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
