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Étienne Maurice Falconet
Étienne Maurice Falconet (1 December 1716 – 24 January 1791) was a French baroque, rococo and Neoclassical sculpture, neoclassical sculptor, best-known for his equestrian statue of Peter the Great, the ''Bronze Horseman'' (1782), in St. Petersburg, Russia, and for the small statues he produced in series for the Manufacture nationale de Sèvres, Royal Sévres Porcelain Manufactory Life and work Falconet was born to a poor family in Paris. He was at first apprenticed to a marble-cutter, but some of his clay and wood figures, with the making of which he occupied his leisure hours, attracted the notice of the sculptor Jean-Baptiste Lemoyne, who made him his pupil. One of his most successful early sculptures was of Milo of Croton, which secured his admission to the membership of the Académie royale de peinture et de sculpture in 1754. He came to prominent public attention in the Paris Salon, Salons of 1755 and 1757 with his marbles of ''L'Amour'' (Cupid) and the ''Nymphe desce ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jean-Baptiste Lemoyne
Jean-Baptiste Lemoyne (; 15 February 1704 – 25 May 1778) was a French sculptor of the 18th century who worked in both the rococo and neoclassical style. He made monumental statuary for the Gardens of Versailles but was best known for his expressive portrait busts. Life Jean-Baptiste Lemoyne was born in Paris in 1704. His father Jean-Louis Lemoyne, was also a sculptor, and was first teacher. He later became a student of another prominent sculptor, Robert Le Lorrain. He is sometimes referred to as Jean-Baptiste II Lemoyne or "the younger" to distinguish him from his uncle of the same name, another sculptor, Jean-Baptiste Lemoyne the Elder. He received the prix de Rome awarded by the Académie royale de peinture et de sculpture, but remained in Paris to aid his blind father. He became a member of the Academy in 1838, and, later became its director. Like the other royal sculptors, made statuary for the Gardens of Versailles. He was a particular favorite of Madame de Pompadour, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Paris Salon
The Salon (), or rarely Paris Salon (French: ''Salon de Paris'' ), beginning in 1667 was the official art exhibition of the in Paris. Between 1748 and 1890 it was arguably the greatest annual or biennial art event in the Western world. At the Salon of 1761, thirty-three painters, nine sculptors, and eleven engravers contributed. Levey, Michael. (1993) ''Painting and sculpture in France 1700–1789''. New Haven: Yale University Press, p. 3. From 1881 onward, it was managed by the Société des Artistes Français. Origins In 1667, the royally sanctioned French institution of art patronage, the (a division of the Académie des beaux-arts), held its first semi-public art exhibit at the Salon Carré. The Salon's original focus was the display of the work of recent graduates of the École des Beaux-Arts, which was created by Cardinal Mazarin, chief minister of France, in 1648. Exhibition at the Salon de Paris was essential for any artist to achieve success in France for at le ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Peter I Of Russia
Peter I (, ; – ), better known as Peter the Great, was the Tsar of all Russia from 1682 and the first Emperor of all Russia from 1721 until his death in 1725. He reigned jointly with his half-brother Ivan V until 1696. From this year, Peter was an absolute monarch, an autocrat who remained the ultimate authority and organized a well-ordered police state. Much of Peter's reign was consumed by lengthy wars against the Ottoman and Swedish empires. His Azov campaigns were followed by the foundation of the Russian Navy; after his victory in the Great Northern War, Russia annexed a significant portion of the eastern Baltic coastline and was officially renamed from a tsardom to an empire. Peter led a cultural revolution that replaced some of the traditionalist and medieval social and political systems with ones that were modern, scientific, Westernized, and based on radical Enlightenment. In December 1699, he introduced the Julian calendar, and in 1703, he introdu ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
St Petersburg
Saint Petersburg, formerly known as Petrograd and later Leningrad, is the List of cities and towns in Russia by population, second-largest city in Russia after Moscow. It is situated on the Neva, River Neva, at the head of the Gulf of Finland on the Baltic Sea. The city had a population of 5,601,911 residents as of 2021, with more than 6.4 million people living in the Saint Petersburg metropolitan area, metropolitan area. Saint Petersburg is the List of European cities by population within city limits, fourth-most populous city in Europe, the List of cities and towns around the Baltic Sea, most populous city on the Baltic Sea, and the world's List of northernmost items#Cities and settlements, northernmost city of more than 1 million residents. As the former capital of the Russian Empire, and a Ports of the Baltic Sea, historically strategic port, it is governed as a Federal cities of Russia, federal city. The city was founded by Tsar Peter the Great on 27 May 1703 on the s ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Catherine The Great
Catherine II. (born Princess Sophie of Anhalt-Zerbst; 2 May 172917 November 1796), most commonly known as Catherine the Great, was the reigning empress of Russia from 1762 to 1796. She came to power after overthrowing her husband, Peter III. Under her long reign, inspired by the ideas of the Enlightenment, Russia experienced a renaissance of culture and sciences, which led to the founding of many new cities, universities, and theatres, along with large-scale immigration from the rest of Europe and the recognition of Russia as one of the great powers of Europe. In her accession to power and her rule of the empire, Catherine often relied on her noble favourites, most notably Count Grigory Orlov and Grigory Potemkin. Assisted by highly successful generals such as Alexander Suvorov and Pyotr Rumyantsev, and admirals such as Samuel Greig and Fyodor Ushakov, she governed at a time when the Russian Empire was expanding rapidly by conquest and diplomacy. In the south, the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Falconet - Pygmalion & Galatee (1763)-black Bg
Falconet may refer to: Birds of prey * Typical falconets (genus ''Microhierax'') * Spot-winged falconet (genus ''Spiziapteryx'') People * Étienne Maurice Falconet (1716–1791), French sculptor * John Falconet (fl. 1350–1400), English noble * Peter Falconet (1741–1791), French portrait painter Other uses * '' The Falconet'', a 1975 Iranian film * Falconet (cannon), a light cannon developed in the late 15th century * ''Falconet'' (novel), an unfinished novel by Benjamin Disraeli See also * Atlanta Falcons Cheerleaders The Atlanta Falcons are a professional American football team based in Atlanta. The Falcons compete in the National Football League (NFL) as a member of the National Football Conference (NFC) South division. The Falcons were founded on June 30, ..., originally known as "The Falconettes" * Falcon (other) * {{Falcon-surname ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Putti
A putto (; plural putti ) is a figure in a work of art depicted as a chubby male child, usually naked and very often winged. Originally limited to profane passions in symbolism,Dempsey, Charles. ''Inventing the Renaissance Putto''. University of North Carolina Press, Chapel Hill and London, 2001. the putto came to represent a sort of baby angel in religious art, often called a cherub (plural cherubim), though in traditional Christian theology a cherub is actually one of the most senior types of angel. The same figures were also seen in representations of classical myth, and increasingly in general decorative art. In Baroque art the putto came to represent the omnipresence of God. A putto representing a cupid is also called an amorino (plural amorini) or amoretto (plural amoretti). Etymology The more commonly found form ''putti'' is the plural of the Italian word ''putto''. The Italian word comes from the Latin word ''putus'', meaning "boy" or "child". Today, in Italian, '' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Garniture
A garniture is a number or collection of any matching, but usually not identical, decorative objects intended to be displayed together. Frequently made of metal, ormolu, often with gilded wood stands, porcelain (both European and Asian), garnitures became popular during the latter half of the 17th century and remained in vogue throughout the 19th century. A very common placement is on the mantelpiece over a fireplace, but garnitures were very often placed on various pieces of furniture, and on ledges or niches around the walls of a room, especially over doors or above fireplaces. Garnitures may contain pieces made together with a view to being used as a set, or may be "assembled" by the decorator from pieces of different origin. Most commonly a garniture is a collection of three matching pieces designed for the adornment of a mantlepiece; for example: a clock and two flanking vases or candelabra. Often a large central piece is flanked by pairs of smaller ones. Factory records ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Biscuit Porcelain
Biscuit porcelain, bisque porcelain or bisque is unglazed, white porcelain treated as a final product, with a matte appearance and texture to the touch. It has been widely used in European pottery, mainly for sculptural and decorative objects that are not tableware and so do not need a glaze for protection. The term "biscuit" refers to any type of fired but unglazed pottery in the course of manufacture, but only in porcelain is biscuit or bisque a term for a final product. Unglazed earthenware as a final product is often called terracotta, and in stoneware equivalent unglazed wares (such as jasperware) are often called "dry-bodied". Many types of pottery, including most porcelain wares, have a glaze applied, either before a single firing, or at the biscuit stage, with a further firing. Small figurines and other decorative pieces have often been made in biscuit, as well as larger portrait busts and other sculptures; the appearance of biscuit is very similar to that of carved a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
François Boucher
François Boucher ( , ; ; 29 September 1703 – 30 May 1770) was a French painter, draughtsman and etcher, who worked in the Rococo style. Boucher is known for his idyllic and voluptuous paintings on classical themes, decorative allegories, and pastoral scenes. He was perhaps the most celebrated painter and decorative artist of the 18th century. Life A native of Paris, Boucher was the son of a lesser known painter Nicolas Boucher, who gave him his first artistic training. At the age of seventeen, a painting by Boucher was admired by the painter François Lemoyne. Lemoyne later appointed Boucher as his apprentice, but after only three months, he went to work for the engraver Jean-François Cars.Alastair Laing. "Boucher, François." Grove Art Online. Oxford Art Online. Oxford University Press. Web. 16 June 2016 In 1720, he won the elite Grand Prix de Rome for painting, but did not take up the consequential opportunity to study in Italy until five years later, due to fina ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Vincennes Porcelain
The Vincennes porcelain manufactory was established in 1740 in the disused royal Château de Vincennes, in Vincennes, east of Paris, which was from the start the main market for its wares. History The entrepreneur in charge at first, Claude-Humbert Gérin, established workshops and employed craftsmen from the Chantilly manufactory, whose patron, the duc de Bourbon, had recently died. Notable defectors from Chantilly were the debt-ridden brothers Gilles and Robert Dubois, one a sculptor, the other a painter. When early trial pieces were shown to the marquis du Châtelet, he arranged with Orry de Fulvy, brother of a superintendent of royal buildings, that a factory be set up in the premises of the disused royal château to manufacture a brilliantly white soft-paste porcelain. The Chinese manufacturing secrets for porcelain manufacturing were revealed by the Jesuit Father Francois Xavier d'Entrecolles in 1712, and openly published in 1735. One ingredient for porcelain was kaoli ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Soft-paste Porcelain
Soft-paste porcelain (sometimes simply "soft paste", or "artificial porcelain") is a type of ceramic material in pottery, usually accepted as a type of porcelain. It is weaker than "true" hard-paste porcelain, and does not require either its high firing temperatures or special mineral ingredients. There are many types, using a range of materials. The material originated in the attempts by many European potters to replicate hard-paste Chinese export porcelain, especially in the 18th century, and the best versions match hard-paste in whiteness and translucency, but not in strength. But the look and feel of the material can be highly attractive, and it can take painted decoration very well. The ingredients varied considerably, but always included clay, often ball clay, and often ground glass, bone ash, soapstone (steatite), flint, and quartz. They rarely included the key ingredients necessary for hard-paste, china clay including kaolin, or the English china stone, although some manu ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
