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Étienne Jourdan
Étienne Jourdan (? – Paris, 9 March 1847), was a 19th-century French playwright, engraver and chansonnier. An engraver, member of the , he wrote some theatre plays given at the Théâtre de l'Ambigu-Comique, the Théâtre du Vaudeville and the Théâtre de la Gaîté as well as a collection of songs of which the best known is La Goguette'. Some of his couplets, published in the Paris press, were famous political diatribes.''Dictionnaire des Protées modernes'', 1815, (p. 147) Works *1813: ''Le Boghey renversé, ou Un point de vue de Longchamp'', croquis en vaudevilles, with Emmanuel Théaulon and Armand d'Artois Armand d'Artois (3 October 1788 – 28 March 1867) was a 19th-century French playwright and librettist A libretto (From the Italian word , ) is the text used in, or intended for, an extended musical work such as an opera, operetta, masque ... *1814: ''La cocarde blanche'', one-act comedy in prose *1834: ''Artiste et artisan, ou les Deux expositions'', ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Paris
Paris () is the Capital city, capital and List of communes in France with over 20,000 inhabitants, largest city of France. With an estimated population of 2,048,472 residents in January 2025 in an area of more than , Paris is the List of cities in the European Union by population within city limits, fourth-most populous city in the European Union and the List of cities proper by population density, 30th most densely populated city in the world in 2022. Since the 17th century, Paris has been one of the world's major centres of finance, diplomacy, commerce, culture, Fashion capital, fashion, and gastronomy. Because of its leading role in the French art, arts and Science and technology in France, sciences and its early adoption of extensive street lighting, Paris became known as the City of Light in the 19th century. The City of Paris is the centre of the ÃŽle-de-France region, or Paris Region, with an official estimated population of 12,271,794 inhabitants in January 2023, or ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Playwright
A playwright or dramatist is a person who writes play (theatre), plays, which are a form of drama that primarily consists of dialogue between Character (arts), characters and is intended for Theatre, theatrical performance rather than just Reading (process), reading. Ben Jonson coined the term "playwright" and is the first person in English literature to refer to playwrights as separate from Poet, poets. The earliest playwrights in Western literature with surviving works are the Ancient Greeks. William Shakespeare is amongst the most famous playwrights in literature, both in England and across the world. Etymology The word "play" is from Middle English , from Old English ("play, exercise; sport, game; drama, applause"). The word ''wikt:wwright'' is an archaic English term for a Artisan, craftsperson or builder (as in a wheelwright or Wagon, cartwright). The words combine to indicate a person who has "wrought" words, themes, and other elements into a dramatic form — a play. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Engraving
Engraving is the practice of incising a design on a hard, usually flat surface by cutting grooves into it with a Burin (engraving), burin. The result may be a decorated object in itself, as when silver, gold, steel, or Glass engraving, glass are engraved, or may provide an Intaglio (printmaking), intaglio printing plate, of copper or another metal, for printing images on paper as prints or illustrations; these images are also called "engravings". Engraving is one of the oldest and most important techniques in printmaking. Wood engravings, a form of relief printing and stone engravings, such as petroglyphs, are not covered in this article. Engraving was a historically important method of producing images on paper in artistic printmaking, in mapmaking, and also for commercial reproductions and illustrations for books and magazines. It has long been replaced by various photographic processes in its commercial applications and, partly because of the difficulty of learning the techni ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Chansonnier (singer)
A ''chansonnier'' (; female: ''chansonnière'', ) was a poet songwriter, a solitary singer, who sang his or her own songs (''chansons'') with a guitar, prominent in French language, francophone countries during the 1960s and 1970s. Unlike popular singers, ''chansonniers'' need no artifice to sing their soul poetry. They performed in "''Les Boites à Chansons''" which flourished during those years. The themes of their songs varied but included nature, love, simplicity and a social interest to improve their world. Canada In Canada, the ''chansonnier'' tradition played a prominent role in the development of Quebec's social and political awareness during the Quiet Revolution, (''la Révolution tranquille'') that led to the affirmation of national identity of Québécois people. One prominent ''chansonnier'', Robert Charlebois, transformed the province's musical culture when he moved from traditional ''chansonnier'' pop to a more rock music, rock-oriented sound with his fourth album, ''L ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Play (theatre)
A play is a form of drama that primarily consists of dialogue between Character (arts), characters and is intended for theatre, theatrical performance rather than mere Reading (process), reading. The creator of a play is known as a playwright. Plays are staged at various levels, ranging from London's West End theatre, West End and New York City's Broadway theatre, Broadway – the highest echelons of commercial theatre in the English-speaking world – to Regional theater in the United States, regional theatre, community theatre, and academic productions at universities and schools. A stage play is specifically crafted for performance on stage, distinct from works meant for broadcast or cinematic adaptation. They are presented on a stage before a live audience. Some dramatists, notably George Bernard Shaw, have shown little preference for whether their plays are performed or read. The term "play" encompasses the written texts of playwrights and their complete theatrical renditio ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Théâtre De L'Ambigu-Comique
The (, literally, Theatre of the Comic-Ambiguity), a former Parisian theatre, was founded in 1769 on the boulevard du Temple immediately adjacent to the Théâtre de Nicolet. It was rebuilt in 1770 and 1786, but in 1827 was destroyed by fire. A new, larger theatre with a capacity of 2,000 as compared to the earlier 1,250 was built nearby on the at its intersection with the rue de Bondy and opened the following year. The theatre was eventually demolished in 1966. History of the first theatre in the boulevard du Temple It was founded in 1769 on the boulevard du Temple, originally known as the Promenades des Ramparts, in Paris by Nicolas-Médard Audinot, formerly a comedian of the Opéra-Comique, which he had left to become a puppet-master at the Paris fairs. Audinot had already been a success in one of the sites of the Saint-Germain Fair, where his large marionettes (called "bamboches") were in vogue. Under the name of his foundation, the "Comédiens de bois", the Opéra-C ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Théâtre Du Vaudeville
The Théâtre du Vaudeville () was a theatre company in Paris. It opened on 12 January 1792 on rue de Chartres. Its directors, Pierre-Antoine-Augustin de Piis, Piis and Yves Barré, Barré, mainly put on "petites pièces mêlées de couplets sur des airs connus", including Comédie en vaudeville, vaudevilles. After the theatre on the rue de Chartres burned down in 1838, the Vaudeville temporarily based itself on boulevard de Bonne-Nouvelle before in 1841 setting up in the Salle de la Bourse on the Place de la Palais Brongniart, Bourse in the 2nd arrondissement of Paris, 2e arrondissement. This building was demolished in 1869. Eugène Labiche and Henri Meilhac put on several of their works there, and it also hosted Jules Verne's play ''Onze jours de siège'' (1861). Other writers whose works were put on there were Edmond Gondinet, Alexandre Bisson, Théophile Marion Dumersan, Jean-François Bayard, Narcisse Fournier and Gaston Arman de Caillavet. In 1852, ''La Dame aux camél ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Théâtre De La Gaîté (boulevard Du Temple)
The Théâtre de la Gaîté (), a former Parisian theatre company, was founded in 1759 on the boulevard du Temple by the celebrated Théâtre de la foire, Parisian fair-grounds showman Jean-Baptiste Nicolet as the Théâtre de Nicolet, ou des Grands DanseursMcCormick 1993, p. 16.Whittaker 1827vol. 2, p. 520 (). The company was invited to perform for the royal court of Louis XV in 1772 and thereafter took the name of Grands-Danseurs du Roi (). However, with the fall of the monarchy and the founding of the First French Republic in 1792, the name was changed to the politically correct, less politically risky Théâtre de la Gaîté."Grands-Danseurs du Roi (Spectacle des)" in Campardon 1877vol. 1, p. 384 The company's theatre on the boulevard du Temple was replaced in 1764 and 1808, and again in 1835 due to a fire. As a result of Haussmann's renovation of Paris, the company relocated to a new theatre on the rue Papin in 1862, and the 1835 theatre (pictured) was subsequently demolished. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Couplet
In poetry, a couplet ( ) or distich ( ) is a pair of successive lines that rhyme and have the same metre. A couplet may be formal (closed) or run-on (open). In a formal (closed) couplet, each of the two lines is end-stopped, implying that there is a grammatical pause at the end of a line of verse. In a run-on (open) couplet, the meaning of the first line continues to the second. Background The word "couplet" comes from the French word meaning "two pieces of iron riveted or hinged together". The term "couplet" was first used to describe successive lines of verse in Sir P. Sidney's ''Arcadia ''in 1590: "In singing some short coplets, whereto the one halfe beginning, the other halfe should answere." While couplets traditionally rhyme, not all do. Poems may use white space to mark out couplets if they do not rhyme. Couplets in iambic pentameter are called '' heroic couplets''. John Dryden in the 17th century and Alexander Pope in the 18th century were both well known for their w ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Emmanuel Théaulon
Marie-Emmanuel-Guillaume-Marguerite Théaulon de Lambert (14 August 1787, Aigues-Mortes – 16 November 1841) was a French playwright. A customs inspector, then an inspector of military hospitals, he composed an ''Ode'' on the birth of the King of Rome which brought him thanks from Napoleon himself. In 1814 he sang for the Bourbons and put on his first play, ''Les Clefs de Paris, ou le Dessert d’Henri IV'' (The Keys of Paris, or the Deservings of Henry IV), in their honour. In 1815, he composed and organised the posting of proclamations in honour of Louis XVIII. He collaborated on the royalist journals ''Le Nain rose'', ''La Foudre'', ''L’Apollon''. Selected works Above all during the Bourbon restoration, he wrote and put on a large number (sometimes alone, sometimes with collaborators), 250 according to one account. Written extremely quickly, most of them are only sketches, whose style often leaves something to be desired but which do not lack wit and beauty. He wrote two f ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Armand D'Artois
Armand d'Artois (3 October 1788 – 28 March 1867) was a 19th-century French playwright and librettist A libretto (From the Italian word , ) is the text used in, or intended for, an extended musical work such as an opera, operetta, masque, oratorio, cantata or musical. The term ''libretto'' is also sometimes used to refer to the text of major .... He is fellow librettist Achille d'Artois's brother. Biography Trained for the bar, he first worked as an attorney. The success of his play ''Les Finacés'' in 1808 caused him to devote himself entirely to literature. In 1814, he joined the guards of the king of Belgium. He left military service after receiving the Legion of Honour in 1818. A very prolific author, he wrote under various collective pseudonyms such as Emmanuel, Emmanuel Arago, M. Sapajou, with Francis baron d'Allarde and Gabriel de Lurieu. As managing director of the Théâtre des Variétés from 1830 to 1836, he also directed ''Le Nain couleur de rose'', a poli ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
19th-century French Dramatists And Playwrights
The 19th century began on 1 January 1801 (represented by the Roman numerals MDCCCI), and ended on 31 December 1900 (MCM). It was the 9th century of the 2nd millennium. It was characterized by vast social upheaval. Slavery was Abolitionism, abolished in much of Europe and the Americas. The First Industrial Revolution, though it began in the late 18th century, expanded beyond its British homeland for the first time during the 19th century, particularly remaking the economies and societies of the Low Countries, France, the Rhineland, Northern Italy, and the Northeastern United States. A few decades later, the Second Industrial Revolution led to ever more massive urbanization and much higher levels of productivity, profit, and prosperity, a pattern that continued into the 20th century. The Catholic Church, in response to the growing influence and power of modernism, secularism and materialism, formed the First Vatican Council in the late 19th century to deal with such problems an ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
