Étienne-Gaspard Robert
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Étienne-Gaspard Robert
Étienne-Gaspard Robert (15 June 1763 – 2 July 1837), often known by the stage name of "Robertson", was a prominent physicist, magic (illusion), stage magician and influential developer of phantasmagoria from the Prince-Bishopric of Liège. He was described by Charles Dickens as "an honourable and well-educated showman".Zeitler, William. E.G. Robertson". Accessed 29 July 2007. Alongside his pioneering work on projection techniques for his shows Robert was also a physics lecturer and a keen balloon (aircraft), balloonist at a time of great development in aviation. Early work Born in Liège, Prince-Bishopric of Liège, Robert studied at Leuven and became a professor of physics specialising in optics. He was an avid painter and intended to move to France to pursue a career in art. He moved to Paris in the 1791 and maintained a living as a painter and draughtsman. While there he attended lectures in natural science at the Collège de France as well as those by Jacques Charles, ...
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Magic (illusion)
Magic, which encompasses the subgenres of close-up magic, parlor magic, and stage magic, among others, is a performing art in which audiences are entertained by tricks, effects, or illusions of seemingly impossible feats, using natural means. It is to be distinguished from Magic (supernatural), paranormal magic which are effects claimed to be created through supernatural means. It is one of the oldest performing arts in the world. Modern entertainment magic, as pioneered by 19th-century magician Jean-Eugène Robert-Houdin, has become a popular theatrical art form. In the late 19th and early 20th centuries, magicians such as John Nevil Maskelyne and David Devant, Howard Thurston, Harry Kellar, and Harry Houdini achieved widespread commercial success during what has become known as "the Golden Age of Magic", a period in which performance magic became a staple of Broadway theatre, vaudeville, and music halls. Meanwhile, magicians such as Georges Méliès, Gaston Velle, Walter R. B ...
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Burning-glass
A burning glass or burning lens is a large convex lens that can concentrate the Sun's rays onto a small area, heating up the area and thus resulting in ignition of the exposed surface. Burning mirrors achieve a similar effect by using reflecting surfaces to focus the light. They were used in 18th-century chemical studies for burning materials in closed glass vessels where the products of combustion could be trapped for analysis. The burning glass was a useful contrivance in the days before electrical ignition was easily achieved. History Burning glass technology has been known since antiquity, as described by Greek and Roman writers who recorded the use of lenses to start fires for various purposes. Pliny the Elder noted the use of glass vases filled with water to concentrate sunlight heat intensely enough to ignite clothing, as well as convex lenses that were used to cauterize wounds. Plutarch refers to a burning mirror made of joined triangular metal mirrors installed at the ...
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Bordeaux
Bordeaux ( ; ; Gascon language, Gascon ; ) is a city on the river Garonne in the Gironde Departments of France, department, southwestern France. A port city, it is the capital of the Nouvelle-Aquitaine region, as well as the Prefectures in France, prefecture of the Gironde department. Its inhabitants are called "''Bordelais'' (masculine) or "''Bordelaises'' (feminine). The term "Bordelais" may also refer to the city and its surrounding region. The city of Bordeaux proper had a population of 259,809 in 2020 within its small municipal territory of , but together with its suburbs and exurbs the Bordeaux Functional area (France), metropolitan area had a population of 1,376,375 that same year (Jan. 2020 census), the sixth-most populated in France after Paris, Lyon, Marseille, Lille, and Toulouse. Bordeaux and 27 suburban municipalities form the Bordeaux Métropole, Bordeaux Metropolis, an Indirect election, indirectly elected Métropole, metropolitan authority now in charge of wi ...
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Jean-Jacques Rousseau
Jean-Jacques Rousseau (, ; ; 28 June 1712 – 2 July 1778) was a Republic of Geneva, Genevan philosopher (''philosophes, philosophe''), writer, and composer. His political philosophy influenced the progress of the Age of Enlightenment throughout Europe, as well as aspects of the French Revolution and the development of modern political, economic, and educational thought. His ''Discourse on Inequality'', which argues that private property is the source of inequality, and ''The Social Contract'', which outlines the basis for a legitimate political order, are cornerstones in modern political and social thought. Rousseau's sentimental novel ''Julie, or the New Heloise'' (1761) was important to the development of preromanticism and romanticism in fiction. His ''Emile, or On Education'' (1762) is an educational treatise on the place of the individual in society. Rousseau's autobiographical writings—the posthumously published ''Confessions (Rousseau), Confessions'' (completed in 17 ...
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Voltaire
François-Marie Arouet (; 21 November 169430 May 1778), known by his ''Pen name, nom de plume'' Voltaire (, ; ), was a French Age of Enlightenment, Enlightenment writer, philosopher (''philosophe''), satirist, and historian. Famous for his wit and his criticism of Christianity (especially Criticism of the Catholic Church, of the Roman Catholic Church) and of slavery, Voltaire was an advocate of freedom of speech, freedom of religion, and separation of church and state. Voltaire was a versatile and prolific writer, producing works in almost every literary form, including Stageplay, plays, poems, novels, essays, histories, and even scientific Exposition (narrative), expositions. He wrote more than 20,000 letters and 2,000 books and pamphlets. Voltaire was one of the first authors to become renowned and commercially successful internationally. He was an outspoken advocate of civil liberties and was at constant risk from the strict censorship laws of the Catholic French monarchy. H ...
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Jean-Paul Marat
Jean-Paul Marat (, , ; born Jean-Paul Mara; 24 May 1743 â€“ 13 July 1793) was a French political theorist, physician, and scientist. A journalist and politician during the French Revolution, he was a vigorous defender of the ''sans-culottes'', a radical voice, and published his views in pamphlets, placards and newspapers. His periodical ''L'Ami du peuple'' (''The Friend of the People'') made him an unofficial link with the radical Jacobin group that came to power after June 1793. His journalism was known for its fierce tone and uncompromising stance toward the new leaders and institutions of the revolution. Responsibility for the September massacres has been attributed to him, given his position of renown at the time, and a paper trail of decisions leading up to the massacres. Others posit that the collective mentality which made them possible resulted from circumstances and not from the will of any particular individual.#Lefebvre, Lefebvre, p. 236 Marat was assassinated by ...
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Gauze
Gauze is a thin, translucent Textile, fabric with a wikt:loose, loose open Weaving, weave. In technical terms, "gauze" is a weave structure in which the weft yarns are arranged in pairs and are crossed before and after each Warp (weaving), warp yarn, keeping the weft firmly in place. This weave structure is used to add stability to the fabric, which is important when using fine yarns loosely spaced. However, this weave structure can be used with any weight of yarn, and can be seen in some rustic textiles made from coarse hand-spun plant fiber yarns. Gauze is widely used for medical dressings. Gauze can also be made of non-woven fabric. Etymology and history The word ''gauze'' came into English in the 16th century via French ''gaze'', beyond which its history is uncertain. Most scholars trace ''gauze'' to a Persian language, Persian word for thin cloth or an Arabic word for raw silk. The Philip III, Bishop of Fermo#Hungary, 1279 Council of Baden banned clergy from wearing " ...
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Rear Projection Effect
Rear projection (background projection, process photography, etc.) is one of many in-camera effects cinematic techniques in film production for combining foreground performances with pre-filmed backgrounds. It was widely used for many years in driving scenes, or to show other forms of "distant" background motion. Technique Actors stand in front of a screen while a projector positioned behind the screen casts a reversed image of the background. This requires a large space, as the projector needs to be placed some distance from the back of the screen. Frequently the background image may initially appear faint and washed out compared to the foreground. The image that is projected can be still or moving, but is always called the ''plate.'' One might hear the command "Roll plate" to instruct stage crew to begin projecting. These so-called ''process shots'' were widely used to film actors as if they were inside a moving vehicle, who in reality are in a vehicle mock-up on a sound s ...
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Ventriloquism
Ventriloquism or ventriloquy is an act of stagecraft in which a person (a ventriloquist) speaks in such a way that it seems like their voice is coming from a different location, usually through a puppet known as a "dummy". The act of ventriloquism is ventriloquizing, and in English it is commonly called the ability to "throw" one's voice. History Origins Originally, ventriloquism was a religious practice. The name comes from the Latin for 'to speak from the belly': (belly) and (speak). The ancient Greeks called engastrimythos () or engastrimantis () a person (mostly women) who delivered oracles by this means. The noises produced by the stomach were thought to be the voices of the unliving, who took up residence in the stomach of the ventriloquist. The ventriloquist would then interpret the sounds, as they were thought to be able to speak to the dead, as well as foretell the future. One of the earliest recorded group of prophets to use this technique was the Pythia, the pr ...
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Athanasius Kircher
Athanasius Kircher (2 May 1602 â€“ 27 November 1680) was a German Society of Jesus, Jesuit scholar and polymath who published around 40 major works of comparative religion, geology, and medicine. Kircher has been compared to fellow Jesuit Roger Joseph Boscovich and to Leonardo da Vinci for his vast range of interests, and has been honoured with the title "Master of a Hundred Arts".Woods, p. 108. He taught for more than 40 years at the Roman College, where he set up a wunderkammer or cabinet of curiosities that would become the Kircherian Museum. A resurgence of interest in Kircher has occurred within the scholarly community in recent decades. Kircher claimed to have deciphered the Egyptian hieroglyphs, hieroglyphic writing of the ancient Egyptian language, but most of his assumptions and translations in the field turned out to be wrong. He did, however, correctly establish the link between the ancient Egyptian and the Coptic language, Coptic languages, and some com ...
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Precursors Of Film
Precursors of film are concepts and devices that have much in common with the later art and techniques of cinema. Precursors of film are often referred to as precinema, or 'pre-cinema'. Terms like these are disliked by several historians, partly because they seem to devalue the individual qualities of these media by presenting them as a small step in the development of a later invention. For instance: the flip book, zoetrope and phenakistiscope are very tactile devices that allow study and play by manipulating the motion by hand, while the projected image in cinema is intangible. Such devices as the zoetrope were not replaced by cinema: they were still used after the breakthrough of film. Furthermore, many early media examples are also part of a tradition that not only shaped cinema, but also home video, video games, computer-generated imagery, virtual reality and much more. The study of early media devices is also part of a wider and less teleological approach called media archae ...
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Magic Lantern
The magic lantern, also known by its Latin name , is an early type of image projector that uses pictures—paintings, prints, or photographs—on transparent plates (usually made of glass), one or more lens (optics), lenses, and a light source. Because a single lens inverts an image projected through it (as in the phenomenon which inverts the image of a camera obscura), slides are inserted upside down in the magic lantern, rendering the projected image correctly oriented. It was mostly developed in the 17th century and commonly used for entertainment purposes. It was increasingly used for education during the 19th century. Since the late 19th century, smaller versions were also mass-produced as toys. The magic lantern was in wide use from the 18th century until the mid-20th century when it was superseded by a compact version that could hold many 35 mm photographic slides: the slide projector. Technology Apparatus The magic lantern used a concave mirror behind a light so ...
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