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Épinette Festival
The ''épinette des Vosges'' () is a traditional plucked-string instrument of the zither family, whose use was confined to two areas in the Vosges mountains of France approximately 50 km apart: around Val-d'Ajol and around Gérardmer. Origins The ''épinette'' has been attested as early as the 18th century in the Val-d'Ajol and Plombières-les-Bains regions of southern Vosges, whence comes its name. The earlier origins of the ''épinette des Vosges'' remain unknown, though some believe the instrument was introduced by the Swedes during the Thirty Years' War. It is, however, also possible that it is descended from the medieval psaltery. Types of epinette and geographical areas Instruments of this family, formerly widespread throughout Europe, are now primarily found in Norway (the langeleik), Iceland (the langspil), Flanders (the hummel), Hungary, as well as France. A parallel instrument, the Appalachian dulcimer is found in rural mountain areas of the Eastern Unite ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Zither
Zither (; , from the Greek ''cithara'') is a class of stringed instruments. The modern instrument has many strings stretched across a thin, flat body. Zithers are typically played by strumming or plucking the strings with the fingers or a plectrum. In the Hornbostel–Sachs classification system, the term refers to a larger family of similarly shaped instruments that also includes the hammered dulcimer family and piano and a few rare bowed instruments like the bowed psaltery, bowed dulcimer, and streichmelodion. Like an acoustic guitar or lute, a zither's body serves as a resonating chamber ( sound box), but, unlike guitars and lutes, a zither lacks a distinctly separate neck assembly. The number of strings varies, from one to more than fifty. In modern usage the term "zither" usually refers to three specific instruments: the concert zither (), its variant the Alpine zither (each of which uses a fretted fingerboard), and the chord zither (more recently described as a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
C Major
C major is a major scale based on C, consisting of the pitches C, D, E, F, G, A, and B. C major is one of the most common keys used in music. Its key signature has no flats or sharps. Its relative minor is A minor and its parallel minor is C minor. The C major scale is: Changes needed for the melodic and harmonic versions of the scale are written in with accidentals as necessary. The C harmonic major and melodic major scales are: On the piano, the C major scale can be played by playing only the white keys starting on C. Scale degree chords The scale degree chords of C major are: * Tonic – C major * Supertonic – D minor * Mediant – E minor * Subdominant – F major * Dominant – G major * Submediant – A minor * Leading-tone – B diminished Compositions Twenty of Joseph Haydn's 106 symphonies are in C major, making it his second most-used key, second to D major. Of the 134 symphonies mistakenly attributed to Haydn that H. C. Robbins Landon lis ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Langeleik
The ''langeleik'', also called langleik, is a Norwegian stringed folklore musical instrument, a droned zither. Description The langeleik has only one melody string and up to 8 drone strings. Under the melody string there are seven frets per octave, forming a diatonic major scale. The drone strings are tuned to a triad. The langeleik is tuned to about an A, though on score the C major key is used, as if the instrument were tuned in C. This is for simplification of both writing and reading, by circumventing the use of accidentals. Since the instrument can not play a chromatic scale, nor be easily tuned to other pitches, it is very limited in its ability to play along with other instruments and/or more harmonically complex music. The combination of the lone melody string and the multiple drone strings gives the langeleik a distinctively rich sound. History There exists a variety of box zithers in Europe. The German ''scheitholt'' and the Swedish Hummel have been suggested ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mirecourt
Mirecourt () is a Communes of France, commune in the Vosges (French department), Vosges Departments of France, department in Grand Est in northeastern France. Mirecourt is known for lace-making and the manufacture of musical instruments, particularly those of the violin family. Geography Mirecourt is the administrative capital of a Canton of Mirecourt, canton positioned in the Xantois district at the heart of the Vosges plain, at the confluence of the Madon, River Madon with the Arol Valley. Most of the town is laid out on the west side of the Madon on a succession of levels. Visitors are attracted by the richness of the town's architecture and by the natural advantages of the site. Mirecourt is also at the heart of a road crossing, from Vittel, from Épinal to the east by southeast, from Neufchâteau, Vosges, Neufchâteau and from Nancy, France, Nancy. For much of the twentieth century Mirecourt was a staging post on the :fr:Route nationale 66, RN66, a major road towards Pari ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Dommartin-lès-Remiremont
Dommartin-lès-Remiremont (, literally ''Dommartin near Remiremont'') is a commune in the Vosges department in Grand Est in northeastern France. The archivist-palaeographer Michel François (1906–1981) was born in Dommartin. See also *Communes of the Vosges department The following is a list of the 506 communes of the Vosges department of France. Intercommunalities The communes cooperate in the following intercommunalities (as of 2025):Official site Communes of Vosges (department) {{Vosges-geo-stub ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jean-François Dutertre
Jean-François Dutertre (31 March 1948 - 10 March 2017) was a French singer-songwriter and player of the hurdy-gurdy, épinette des Vosges, and traditional French music. He also played the bodhran and the bouzouki. He had been a member of the band Mélusine and a house collaborator on the disk ''Le Chant du Monde''. He was a great proponent of modal music and conducted numerous workshops. He was an advocate of the professionalisation of traditional musicians and singers and defended their rights in the CIMT (Centre d’information des musiques traditionnelles et du monde). Life and career Born in 1948 to Norman parents, he studied literature and also taught. He worked as a ''phonothécaire'' at the department of ethnomusicology at the musée de l'homme, and became enamored of traditional music, particularly French. He became involved in the Folk Revival of the 1960s, and joined the first French folk-club, ''Le Bourdon'' ("the drone"), and traveled to collect music in Quebec and ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Modal Music
Modal may refer to: * Modal (textile) * Modal (drug) * Modal (company) See also * Mode (other) Mode ( meaning "manner, tune, measure, due measure, rhythm, melody") may refer to: Arts and entertainment * MO''D''E (magazine), a defunct U.S. women's fashion magazine * ''Mode'' magazine, a fictional fashion magazine which is the setting fo ... * Modality (other) * {{disambig ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Chromatic
Diatonic and chromatic are terms in music theory that are used to characterize scales. The terms are also applied to musical instruments, intervals, chords, notes, musical styles, and kinds of harmony. They are very often used as a pair, especially when applied to contrasting features of the common practice music of the period 1600–1900. These terms may mean different things in different contexts. Very often, ''diatonic'' refers to musical elements derived from the modes and transpositions of the "white note scale" C–D–E–F–G–A–B. In some usages it includes all forms of heptatonic scale that are in common use in Western music (the major, and all forms of the minor). ''Chromatic'' most often refers to structures derived from the chromatic scale in 12-tone equal temperament, which consists of all semitones. Historically, however, it had other senses, referring in Ancient Greek music theory to a particular tuning of the tetrachord, and to a rhythmic notational co ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Glissando
In music, a glissando (; plural: ''glissandi'', abbreviated ''gliss.'') is a wikt:glide, glide from one pitch (music), pitch to another (). It is an Italianized Musical terminology, musical term derived from the French ''glisser'', "to glide". In some contexts, it is equivalent to portamento, which is a continuous, seamless glide between notes. In other contexts, it refers to discrete, stepped glides across notes, such as on a piano. Some terms that are similar or equivalent in some contexts are slide, sweep bend, smear, rip (for a loud, violent glissando to the beginning of a note), lip (in jazz terminology, when executed by changing one's embouchure on a wind instrument), plop, or falling hail (a glissando on a harp using the back of the fingernails). On wind instruments, a scoop is a glissando ascending to the onset of a note achieved entirely with the embouchure, except on instruments that have a slide (such as a trombone). Notation The glissando is indicated by following the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bowed Psaltery
The bowed psaltery is a type of psaltery or zither that is played with a bow (music), bow. In contrast with the centuries-old plucked psaltery, the bowed psaltery appears to be a 20th-century invention. History Violin zither In 1925, a German patent was issued to the Clemens Neuber Company for a bowed psaltery which also included a set of strings arranged in chords, so that one could play the melody on the bowed psaltery strings, and strum the accompaniment with the other hand. These are usually called "violin zithers". Ukelin-type instruments Similar instruments were being produced by American companies of the same time period, often with Hawaiian-inspired names, such as ''Hawaiian Art Violin'' or ''Violin-Uke'', and marketed for use in playing the Hawaiian music, which was popular in the United States in the 1920s. These instruments are not typically referred to as psalteries, but by the various trade names they were sold under, such as ''Ukelin''. The conventional bowed ps ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hammered Dulcimer
The hammered dulcimer (also called the hammer dulcimer) is a percussion-string instrument which consists of String (music), strings typically stretched over a trapezoidal resonant sound board (music), sound board. The hammered dulcimer is set before the musician, who in more traditional styles may sit cross-legged on the floor, or in a more modern style may stand or sit at a wooden support with legs. The player holds a small spoon-shaped Percussion mallet, mallet or ''hammer'' in each hand to strike the strings. The Greco-Roman world, Graeco-Roman word ''dulcimer'' (sweet song) derives from the Latin ''dulcis'' (sweet) and the Greek ''melos'' (song). The dulcimer, in which the strings are beaten with small hammers, originated from the psaltery, in which the strings are plucked. Hammered dulcimers and other similar instruments are traditionally played in Iraq, India, Iran, Southwest Asia, China, Korea, and parts of Southeast Asia, Central Europe (Hungary, Slovenia, Romania, Slovaki ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
