|
Émile Verhaeren
Émile Adolphe Gustave Verhaeren (; 21 May 1855 – 27 November 1916) was a Belgian poet and art critic who wrote in the French language. He was one of the founders of the school of Symbolism and was nominated for the Nobel Prize in Literature on six occasions. Early life Émile Verhaeren was born into a middle-class French-speaking family in Sint-Amands, a rural commune in Belgium's Province of Antwerp, although he also spoke the local Dutch dialect. At the age of eleven, he was sent to a strict boarding school in Ghent run by Jesuits, the Jesuit College of Sainte Barbe, where he formed a friendship with Georges Rodenbach. He then studied law at the then French-speaking Catholic University of Leuven, where he produced his first literary efforts in a student paper, ''La Semaine'' (''The Week''), which he edited in conjunction with the opera singer Ernest van Dyck. ''La Semaine'' was suppressed by the authorities, as was its successor, ''Le Type'', where his colleagu ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Théo Van Rysselberghe
Théophile "Théo" van Rysselberghe (23 November 1862 – 13 December 1926) was a Belgian Neo-impressionism, neo-impressionist Painting, painter, who played a pivotal role in the European art scene at the turn of the twentieth century. Biography Early years Born in Ghent to a French-speaking bourgeois family, he studied first at the Academy of Ghent under Theo Canneel and from 1879 at the Académie Royale des Beaux-Arts in Brussels under the directorship of Jean-François Portaels. The North African paintings of Portaels had started an orientalist fashion in Belgium. Their impact would strongly influence the young Théo van Rysselberghe. Between 1882 and 1888, he made three trips to Morocco, staying there in total a year and a half. Age only eighteen, he had already participated at the Salon of Ghent, showing two portraits. Soon afterwards followed his ''Self-portrait with pipe'' (1880), painted in somber colours in the Belgian realistic tradition of the times. His ''Ch ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Iwan Gilkin
Iwan Gilkin (7 January 1858 – 28 September 1924) was a Belgian poet. Born in Brussels, Gilkin was associated with the Symbolist school in Belgium. His works include ''Les ténèbres'' (1892, featuring a frontispiece by Odilon Redon) and ''Le Sphinx'' (1907). Linked with the development of the literary revue the ''Parnasse de la Jeune Belgique'', he was an early appreciator of the Comte de Lautréamont's infamous work, ''Les Chants de Maldoror'', and sent several copies of the book to his friends, including fellow poet Léon Bloy. His mature works, which often concerned difficult religious and philosophical themes, reflect a highly pessimistic, spiritual and anti-positivistic outlook, influenced by Charles Baudelaire and Arthur Schopenhauer Arthur Schopenhauer ( ; ; 22 February 1788 – 21 September 1860) was a German philosopher. He is known for his 1818 work ''The World as Will and Representation'' (expanded in 1844), which characterizes the Phenomenon, phenomenal ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Naturalism (literature)
Naturalism is a literary movement beginning in the late nineteenth century, similar to literary realism in its rejection of Romanticism, but distinct in its embrace of determinism, detachment, scientific objectivism, and social commentary. Literary naturalism emphasizes observation and the scientific method in the fictional portrayal of reality. Naturalism includes detachment, in which the author maintains an impersonal tone and disinterested point of view; determinism, which is defined as the opposite of free will, in which a character's fate has been decided, even predetermined, by impersonal forces of nature beyond human control; and a sense that the universe itself is indifferent to human life. The novel would be an experiment where the author could discover and analyze the forces, or scientific laws, that influenced behavior, and these included emotion, heredity, and environment. The movement largely traces to the theories of French author Émile Zola. Background Literary ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jan Steen
Jan Havickszoon Steen ( – buried 3 February 1679) was a Dutch Golden Age painter, one of the leading genre painters of the 17th century. His works are known for their psychological insight, sense of humour and abundance of colour. Life Steen was born in Leiden, a town in Southern Holland, where his well-to-do, Catholic family were brewers who ran the tavern ''The Red Halbert'' for two generations. Steen's father even leased him a brewery of his own in Delft from the years 1654 until 1657. He was the eldest of eight or more children. Like his even more famous contemporary Rembrandt van Rijn, Jan Steen attended the Latin school and became a student in Leiden. Though no official records of Steen's artistic training are preserved, contemporary sources tell us he received his painterly education from three men, Nicolaes Knupfer (1603–1660), a German painter of historical and figurative scenes in Utrecht, Adriaen van Ostade, and Jan van Goyen, who would later become hi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
David Teniers The Elder
David Teniers the Elder (158229 July 1649), Flemish painter, was born at Antwerp of a family originally from Ath. Biography The Teniers family of painters came from Ath, a town in Hainaut.About his family, see Jules Dewert, ''Origine wallonne des peintres Teniers'', in the ''Bulletin de la Commission royale d'Histoire'', 1911, n° 80, pp. 287-319, ''on line'' in the Portail Persé Having received his first training in the painter's art from his brother Juliaan Teniers, Juliaen, he studied under Rubens in Antwerp, and subsequently under Elsheimer in Rome; he became a member of the Antwerp guild of painters in 1606. Though his ambition led him at times to try his skill in large religious, historical and mythological compositions, his claim to fame depends chiefly on his landscapes and paintings of peasants carousing, of kermesse scenes and the like, which are marked by a healthy sense of humour, and which are not infrequently confused with the early works of his son Dav ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jacob Jordaens
Jacques (Jacob) Jordaens (19 May 1593 – 18 October 1678Jacques Jordaens in the Netherlands Institute for Art History) was a Flemish people, Flemish painter, Drawing, draughtsman and a designer of tapestries and prints. He was a prolific artist who created biblical, mythological, and allegorical compositions, genre scenes, landscapes, illustrations of Flemish sayings and portraits. After the death of Peter Paul Rubens, Rubens and Anthony van Dyck, he became the leading Flemish Baroque painting, Flemish Baroque painter of his time. Unlike those illustrious contemporaries he never travelled abroad to study the Antique and Italian painting and, except for a few short trips to locations elsewhere in the Low Countries, he resided in Antwerp his entire life. He also remained largely indifferent to Rubens and van Dyck's intellec ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Fernand Khnopff
Fernand Edmond Jean Marie Khnopff (12 September 1858 – 12 November 1921) was a Belgian symbolist painter. Life Youth and training Fernand Khnopff was born to a wealthy family that was part of the high bourgeoisie for generations. Khnopff's ancestors had lived in the Vossenhoek area of Grembergen Flanders since the early 17th century but were of Austrian and Portuguese descent. Most male members of his family had been lawyers or judges, and young Fernand was destined for a juridical career. In his early childhood (1859–1864), he lived in Bruges where his father was appointed Substitut Du Procureur Du Roi. His childhood memories of the medieval city of Bruges would play a significant role in his later work. In 1864, the family moved to Brussels. In his childhood Khnopff spent part of his summer holidays in the hamlet of Tillet not so far from Bastogne in the Luxemburg province where his maternal grandparents owned an estate. He painted several views of this village. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
James Ensor
James Sidney Edouard, Baron Ensor (13 April 1860 – 19 November 1949) was a Belgian painter and printmaker, an important influence on expressionism and surrealism who lived in Ostend for most of his life. He was associated with the artistic group Les XX. Biography Ensor's father, James Frederic Ensor, born in Brussels to English parents, was a cultivated man who studied engineering in England and Germany. Ensor's mother, Maria Catherina Haegheman, was Belgian. Ensor spent his childhood in a souvenir shop run by his parents. He was fascinated by the carnival masks sold at the shop and these masks would become a source of inspiration in his works. Ensor himself lacked interest in academic study and left school at the age of fifteen to begin his artistic training with two local painters. From 1877 to 1880, he attended the Académie Royale des Beaux-Arts in Brussels, where one of his fellow students was Fernand Khnopff. Ensor first exhibited his work in 1881. From 1880 until ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
L'Art Moderne
''L'Art Moderne'' was a weekly review of the arts and literature published in Brussels from March 1881 until the outbreak of the First World War in August 1914. It was established by a number of lawyers based in Brussels who felt the need for a regular overview of the cultural life of the capital. The leading figures in the founding group were Edmond Picard and Octave Maus.Jane Block, "Les XX and La Libre Esthétique", in ''Impressionism to Symbolism: The Belgian Avant-Garde, 1880-1900'', edited by MaryAnne Stevens with Robert Hoozee (Royal Academy of Arts, London, in association with Ludion Press, Ghent, 1994), p. 41. The poet and art critic Émile Verhaeren (also a lawyer) soon became a frequent contributor. Each issue was eight pages long, and reviews were unsigned. Initially the review's editorial line opposed "Art for art's sake" (promoted by the rival ''La Jeune Belgique'') under the alternative slogan ''l'art social'' ("social art"), insisting that art should serve progr ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Les XX
''Les XX'' ( French; "''Les Vingt''"; ; ) was a group of twenty Belgian painters, designers and sculptors, formed in 1883 by the Brussels lawyer, publisher, and entrepreneur Octave Maus. For ten years, they held an annual exhibition of their art; each year 20 other international artists were also invited to participate in their exhibition. Painters invited include Camille Pissarro (1887, 1889, 1891), Claude Monet (1886, 1889), Georges Seurat (1887, 1889, 1891, 1892), Paul Gauguin (1889, 1891), Paul Cézanne (1890), and Vincent van Gogh (1890, 1891 retrospective). ''Les XX'' was in some ways a successor to another group, L'Essor. The rejection of James Ensor's '' The Oyster Eater'' in 1883 by L'Essor Salon, following the earlier rejection by the Antwerp Salon, was one of the events that led to the formation of ''Les XX''. The ideal of the group responded to the theories of Viollet le Duc, in particular that of the integration of the so-called minor arts (decorative arts) with ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Fin De Siècle
"''Fin de siècle''" () is a French term meaning , a phrase which typically encompasses both the meaning of the similar English idiom '' turn of the century'' and also makes reference to the closing of one era and onset of another. Without context, the term is typically used to refer to the end of the 19th century. This period was widely thought to be a period of social degeneracy, but at the same time a period of hope for a new beginning. The "spirit" of ''fin de siècle'' often refers to the cultural hallmarks that were recognized as prominent in the 1880s and 1890s, including ennui, cynicism, pessimism, and "a widespread belief that civilization leads to decadence." The term is commonly applied to French art and artists, as the traits of the culture first appeared there, but the movement affected many European countries. The term becomes applicable to the sentiments and traits associated with the culture, as opposed to focusing solely on the movement's initial recogni ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Brussels
Brussels, officially the Brussels-Capital Region, (All text and all but one graphic show the English name as Brussels-Capital Region.) is a Communities, regions and language areas of Belgium#Regions, region of Belgium comprising #Municipalities, 19 municipalities, including the City of Brussels, which is the capital of Belgium. The Brussels-Capital Region is located in the central portion of the country. It is a part of both the French Community of Belgium and the Flemish Community, and is separate from the Flemish Region (Flanders), within which it forms an enclave, and the Walloon Region (Wallonia), located less than to the south. Brussels grew from a small rural settlement on the river Senne (river), Senne to become an important city-region in Europe. Since the end of the Second World War, it has been a major centre for international politics and home to numerous international organisations, politicians, Diplomacy, diplomats and civil servants. Brussels is the ''de facto' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
