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Émile Schuffenecker
Claude-Émile Schuffenecker (8 December 1851 – 31 July 1934) was a French Post-Impressionism, Post-Impressionist artist, painter, art teacher and art collector. A friend of Paul Gauguin and Odilon Redon, and one of the first collectors of works by Vincent van Gogh, Schuffenecker was instrumental in establishing The Volpini Exhibition, 1889, The Volpini Exhibition, in 1889. Biography Claude-Émile Schuffenecker, son of Nicolas Schuffenecker (1829–1854) and Anne Monnet (1836–1907) was born in Fresne-Saint-Mamès (Haute-Saône). His father, a tailor originating from Guewenheim (Alsace, today Haut-Rhin), died when Émile was little more than two years old; the same year his brother Amédée was born in Charentenay (Haut-Rhin). The widow with her two boys moved to Meudon, close to Paris, where part of her mother's family lived, and where she had found work at a laundry. In the years to follow Émile was raised by his mother's sister, Anne Fauconnet Monnet, and her husband ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Paris Bourse Crash Of 1882
The Paris Bourse crash of 1882 was a stock market crash in France, and was the worst crisis in the French economy in the nineteenth century. The crash was triggered by the collapse of l'Union Générale in January. Around a quarter of the brokers on the bourse were on the brink of collapse. The closure of the exchange was prevented by a loan from the Banque de France which enabled sufficient liquidity to support settlement. Causes The stock price of l’Union Générale rose from 500 francs a share in 1879 to over 3,000 francs at its peak. Investors saw the booming market for new securities and jumped into the forward market. Speculators also printed counterfeit money; they renewed their forward contracts in hopes for a continuous rise in prices. As the market grew, so did the demand for cash, and interest rates began to rise to the point where lenders began demanding a premium. This situation foretold that a collapse would occur when investors would repay their loans, not want ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Roulin Family (Van Gogh Series)
''The Roulin Family'' is a group of portrait paintings Vincent van Gogh executed in Arles in 1888 and 1889 of Joseph, his wife Augustine and their three children: Armand, Camille, and Marcelle. This series is unique in many ways. Although Van Gogh loved to paint portraits, it was difficult for financial and other reasons for him to find models. So, finding an entire family that agreed to sit for paintings — in fact, for several sittings each — was a bounty. Joseph Roulin became a particularly good loyal and supportive friend to Van Gogh during his stay in Arles. To represent a man he truly admired was important to him. The family, with children ranging in age from four months to seventeen years, also gave him the opportunity to produce works of individuals in several different stages of life. Rather than making photographic-like works, Van Gogh used his imagination, colours, and themes artistically and creatively to evoke desired emotions from the audience. Background In ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Yellow Christ
''The Yellow Christ'' (in French: ''Le Christ jaune'') is a painting executed by Paul Gauguin in 1889 in Pont-Aven. Together with '' The Green Christ'', it is considered to be one of the key works of Symbolism in symbolic mythological paintings of the older era as represented by Symbolism. Gauguin first visited Pont-Aven in 1886. He returned to the village in early 1888 to stay until mid-October, when he left to join Vincent van Gogh in Arles, for little more than two months. Early in 1889, Gauguin was back to Pont-Aven to stay there until spring 1890. It was only for a short visit in summer 1889 to Paris to see the Exposition universelle and to arrange the Volpini Exhibition that Gauguin interrupted this sojourn. Soon after his return to Pont-Aven he painted ''The Yellow Christ''. The painting is a symbolic piece that shows the crucifixion of Jesus Christ taking place in 19th-century northern France as Breton women are gathered in prayer. Gauguin relies heavily on bold lines t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Impressionists
Impressionism was a 19th-century art movement characterized by visible brush strokes, open composition, emphasis on accurate depiction of light in its changing qualities (often accentuating the effects of the passage of time), ordinary subject matter, unusual visual angles, and inclusion of movement as a crucial element of human perception and experience. Impressionism originated with a group of Paris-based artists whose independent exhibitions brought them to prominence during the 1870s and 1880s. The Impressionists faced harsh opposition from the conventional art community in France. The name of the style derives from the title of a Claude Monet work, ''Impression, soleil levant'' ('' Impression, Sunrise''), which provoked the critic Louis Leroy to coin the term in a satirical 1874 review of the First Impressionist Exhibition published in the Parisian newspaper '' Le Charivari''. The development of Impressionism in the visual arts was soon followed by analogous styles in ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Société Des Artistes Indépendants
The Société des Artistes Indépendants (, ''Society of Independent Artists'') or Salon des Indépendants was formed in Paris on 29 July 1884. The association began with the organization of massive exhibitions in Paris, choosing the slogan "''sans jury ni récompense''" ("without jury nor reward"). Albert Dubois-Pillet, Odilon Redon, Georges Seurat and Paul Signac were among its founders. For the following three decades their annual exhibitions set the trends in art of the early 20th century, along with the Salon d'Automne. This is where artworks were often first displayed and widely discussed. World War I brought a closure to the salon, though the ''Artistes Indépendants'' remained active. Since 1920, the headquarters has been located in the vast basements of the Grand Palais (next door to the ''Société des Artistes Français'', the ''Société Nationale des Beaux Arts, Société Nationale des Beaux-Arts'', the Salon d'Automne, Société du Salon d'Automne, and others). Histo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Paris Salon
The Salon (), or rarely Paris Salon (French: ''Salon de Paris'' ), beginning in 1667 was the official art exhibition of the in Paris. Between 1748 and 1890 it was arguably the greatest annual or biennial art event in the Western world. At the Salon of 1761, thirty-three painters, nine sculptors, and eleven engravers contributed. Levey, Michael. (1993) ''Painting and sculpture in France 1700–1789''. New Haven: Yale University Press, p. 3. From 1881 onward, it was managed by the Société des Artistes Français. Origins In 1667, the royally sanctioned French institution of art patronage, the (a division of the Académie des beaux-arts), held its first semi-public art exhibit at the Salon Carré. The Salon's original focus was the display of the work of recent graduates of the École des Beaux-Arts, which was created by Cardinal Mazarin, chief minister of France, in 1648. Exhibition at the Salon de Paris was essential for any artist to achieve success in France for at le ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Carolus-Duran
Charles Auguste Émile Durand, known as Carolus-Duran (4 July 1837 – 17 February 1917), was a French painter and art instructor. He is noted for his stylish depictions of members of Upper class, high society in French Third Republic, Third Republic France. Biography The son of a hotel owner, his first drawing lessons were with a local sculptor named Augustin-Phidias Cadet de Beaupré (1800–?) at the Academy of Lille, Académie de Lille; then took up painting with François Souchon, a student of Jacques-Louis David. He went to Paris in 1853, where he adopted the name "Carolus-Duran". In 1859, he had his first exhibition at the Salon (Paris), Salon. That same year, he began attending the Académie Suisse, where he studied until 1861. One of his early influences was the Realism (art), Realism of Gustave Courbet. From 1862 to 1866, he travelled to Rome and Spain, thanks to a scholarship granted by his hometown. During that time, he moved away from Courbet's style and became mor ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Paul Baudry
Paul may refer to: People * Paul (given name), a given name, including a list of people * Paul (surname), a list of people * Paul the Apostle, an apostle who wrote many of the books of the New Testament * Ray Hildebrand, half of the singing duo Paul & Paula * Paul Stookey, one-third of the folk music trio Peter, Paul and Mary * Billy Paul, stage name of American soul singer Paul Williams (1934–2016) * Vinnie Paul, drummer for American Metal band Pantera * Paul Avril, pseudonym of Édouard-Henri Avril (1849–1928), French painter and commercial artist * Paul, pen name under which Walter Scott wrote ''Paul's letters to his Kinsfolk'' in 1816 * Jean Paul, pen name of Johann Paul Friedrich Richter (1763–1825), German Romantic writer Places *Paul, Cornwall, a village in the civil parish of Penzance, United Kingdom *Paul (civil parish), Cornwall, United Kingdom *Paul, Alabama, United States, an unincorporated community *Paul, Idaho, United States, a city *Paul, Nebraska, United Sta ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Académie Suisse
The Académie Suisse () was a very popular, informal art school founded by Martin François Suisse (1781–1859)From Filae.com, 23 juin 2021. Source: Registres journaliers d'inhumation des cimetières parisiens. Les documents d'origine sont consultables sur le site des Archives de Paris, archives.paris.fr: Registres d'inhumations – Archives de Paris –Sépulture, Inhumation: Cimetière de Montparnasse (14e), Martin François Suisse, Novembre 1859, p. 17 (pp. 1–194) in 1815, and was located at the corner of the Quai des Orfévres (No. 4) and the Boulevard du Palais, in Paris, France. From Delacroix to Cézanne, most major French artists frequented this venue to meet colleagues and to study after male and female models. History Early years Martin François Suisse started his career as a baker or baker's apprentice, but then took up a career as artist's model. As D’Ivol notes, he posed for the celebrated artist Pierre-Narcisse Guérin (1774–1833) in 1796. Suisse was also ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Notre-Dame Par La Neige - Émile Schuffenecker - Wallraf-Richartz-Museum & Fondation Corboud-8621 (without Frame)
Notre Dame, French for "Our Lady", a title of Mary, mother of Jesus, most commonly refers to: * Notre-Dame de Paris, a cathedral in Paris, France * University of Notre Dame, a university in Indiana, United States ** Notre Dame Fighting Irish, the university's athletics teams Notre Dame may also refer to: Churches and cathedrals Algeria * Notre-Dame d'Afrique, Algiers Cambodia * Notre Dame Cathedral (Phnom Penh) Canada * Camp Val Notre-Dame, a recreational camp in Hérouxville, Mékinac Regional County Municipality, Mauricie, Quebec * Notre-Dame Basilica (Montreal), in the historic district of Old Montreal ** Notre-Dame Church (Montreal) (1682-1830), historically in Old Montreal * Notre-Dame Basilica-Cathedral (Quebec City), the primate church of Canada * Notre-Dame Cathedral Basilica (Ottawa), an ecclesiastic basilica * Notre-Dame-de-Bon-Secours Chapel, Montreal * Notre Dame Convent and Boarding School, also known as Leipzig Convent, in Leipzig, Saskatchewan * Notr ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Émile Bernard (painter)
Émile Henri Bernard (; 28 April 1868 – 16 April 1941) was a French Post-Impressionist painter and writer, who had artistic friendships with Vincent van Gogh, Paul Gauguin and Eugène Boch, and at a later time, Paul Cézanne. Most of his notable work was accomplished at a young age, in the years 1886 through 1897. He is also associated with Cloisonnism and Synthetism, two late 19th-century art movements. Less known is Bernard's literary work, comprising plays, poetry, and art criticism as well as art historical statements that contain first-hand information on the crucial period of modern art to which Bernard had contributed. Biography Émile Henri Bernard was born in Lille, France, in 1868. As in his younger years his sister was sick, Émile was unable to receive much attention from his parents; he therefore stayed with his grandmother, who owned a laundry in Lille, employing more than twenty people. She was one of the greatest supporters of his art. The family moved to Pa ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
