Émile Paladilhe
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Émile Paladilhe
Émile Paladilhe (3 June 1844 – 6 January 1926) was a French composer of the late romantic period. Biography Émile Paladilhe was born in Montpellier. He was a musical child prodigy, and moved from his home in the south of France to Paris to begin his studies at the Conservatoire de Paris at age 10. He became an accomplished pianist, and was the youngest winner of the Prix de Rome, three years after Bizet, in 1860. For a time Galli-Marié was his lover, and she helped create some of his works. Paladilhe married the daughter of the librettist Ernest Legouvé. He formed a friendship with the elderly Charles Gounod. Works He wrote a number of compositions for the stage, a symphony, over a hundred mélodies, piano works, and a wide range of sacred music, including cantatas, motets, masses, chorales, and a noted oratorio, ''Les Saintes-Marie de la mer''. His opera ''Patrie!'' of 1886 was his greatest success, and was one of the last grand operas to premiere at the Paris Opéra. ...
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Emile Paladilhe
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Oratorio
An oratorio () is a musical composition with dramatic or narrative text for choir, soloists and orchestra or other ensemble. Similar to opera, an oratorio includes the use of a choir, soloists, an instrumental ensemble, various distinguishable characters (e.g. soloists), and arias. However, opera is musical theatre, and typically involves significant theatrical spectacle, including sets, props, and costuming, as well as staged interactions between characters. In oratorio, there is generally minimal staging, with the chorus often assuming a more central dramatic role, and the work is typically presented as a concert piece – though oratorios are sometimes staged as operas, and operas are not infrequently presented in concert form. A particularly important difference between opera and oratorio is in the typical subject matter of the text. An opera libretto may deal with any conceivable dramatic subject (e.g. history, mythology, Richard Nixon, Anna Nicole Smith an ...
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Patrie! (opera)
''Patrie!'' is an 1886 French-language opera in five acts by Émile Paladilhe with a libretto by Victorien Sardou and Louis Gallet based on the play by Sardou about a 16th-century revolt of Flemish nobles in Brussels. The opera was Paladilhe's greatest popular success and was one of the last in the style of grand opera to premiere at the Paris Opéra. Performance history The opera was premiered on 16 December 1886 by the Opéra at the Palais Garnier in Paris. The ''mise-en-scène'' was by Pedro Gailhard, and the choreography, by Louis Merante. The opera was last performed at the Garnier on 9 August 1919, its 93rd performance.Stéphane Wolff (1962; reprint 1983). ''L'Opéra au Palais Garnier (1875–1962)''. Paris: Deposé au journal L'Entr'acte . Paris: Slatkine (1983), . . The opera has also been performed outside of France, in Prague (28 April 1887, in Czech), Ghent (25 January 1888), Antwerp (6 March 1888), Rome (23 November 1889, in Italian), Hamburg (1 January 1890, in Ge ...
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Lockroy
Joseph-Philippe Simon, called Lockroy (February 17, 1803 – January 19, 1891)Death notice
in '''', 20 January 1891 was a French actor and playwright.


Life

Born in as the son of Baron General Henri Simon, who forbade his son's use of his surname in an artistic career, Joseph-Philippe Simon began as an actor under the pseudonym Lockroy at the and the

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Opéra-Comique
The Opéra-Comique () is a Paris opera company which was founded around 1714 by some of the popular Théâtre de la foire, theatres of the Parisian fairs. In 1762 the company was merged with – and for a time took the name of – its chief rival, the Comédie-Italienne at the Hôtel de Bourgogne (theatre), Hôtel de Bourgogne. It was also called the Théâtre-Italien up to about 1793, when it again became most commonly known as the Opéra-Comique. Today the company's official name is Théâtre national de l'Opéra-Comique, and its theatre, with a capacity of around 1,248 seats, sometimes referred to as the Salle Favart (the third on this site), is located at Place Boïeldieu in the 2nd arrondissement of Paris, not far from the Palais Garnier, one of the theatres of the Paris Opéra. The musicians and others associated with the Opéra-Comique have made important contributions to operatic history and tradition in France and to French opera. Its current mission is to reconnect with ...
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Voice
The human voice consists of sound made by a human being using the vocal tract, including talking, singing, laughing, crying, screaming, shouting, humming or yelling. The human voice frequency is specifically a part of human sound production in which the vocal folds (vocal cords) are the primary sound source. (Other sound production mechanisms produced from the same general area of the body involve the production of unvoiced consonants, clicks, whistling and whispering.) Generally speaking, the mechanism for generating the human voice can be subdivided into three parts; the lungs, the vocal folds within the larynx (voice box), and the articulators. The lungs, the "pump" must produce adequate airflow and air pressure to vibrate vocal folds. The vocal folds (vocal cords) then vibrate to use airflow from the lungs to create audible pulses that form the laryngeal sound source. The muscles of the larynx adjust the length and tension of the vocal folds to 'fine-tune' pit ...
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Woodwind
Woodwind instruments are a family of musical instruments within the greater category of wind instruments. Common examples include flute, clarinet, oboe, bassoon, and saxophone. There are two main types of woodwind instruments: flutes and Reed aerophones, reed instruments (otherwise called reed pipes). The main distinction between these instruments and other wind instruments is the way in which they produce sound. All woodwinds produce sound by splitting the air blown into them on a sharp edge, such as a reed (mouthpiece), reed or a fipple. Despite the name, a woodwind may be made of any material, not just wood. Common examples of other materials include brass, silver, cane, and other metals such as gold and platinum. The saxophone, for example, though made of brass, is considered a woodwind because it requires a reed to produce sound. Occasionally, woodwinds are made of earthen materials, especially ocarinas. Flutes Flutes produce sound by directing a focused stream of air ...
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Le Guide Musical
''Le Guide musical'' (English: The Music Guide) was a weekly French-language Belgian and French classical music periodical founded 1 March 1855 in Brussels by Peter Bernhard Schott (1821–1873), of the Brussels music publishing house Schott frères (Schott brothers). Editors and history Maurice Kufferath (1852–1919) was editor from 1887 to 1891. In 1889, the editorial office relocated to Paris and began publishing from both Paris and Brussels. In 1892, Otto Junne, director of Schott frères, sold the periodical to Kufferath, the editor. From 1894 to 1905, Hugues Imbert (1842–1905) became editor-in-chief, then Henri de Curzon (1861–1942). Kufferath preserved the publication's Franco-Belgium character. The periodical ceased publication in 1918. References General references * Worldcat No. Inline citations {{DEFAULTSORT:Guide musical 1855 establishments in Belgium Magazines published in Belgium Weekly magazines published in Belgium Classical music magazines Defunc ...
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Louis Gallet
Louis Gallet (14 February 1835 in Valence, Drôme – 16 October 1898) was a French writer of operatic libretti, plays, romances, memoirs, pamphlets, and innumerable articles, who is remembered above all for his adaptations of fiction —and Scripture— to provide librettos of cantatas and opera, notably by composers Georges Bizet, Camille Saint-Saëns and Jules Massenet. Life and career By day Gallet supported himself by a minor post in the Administration of Assistance to the Poor and positions, first as treasurer then as general administrator, at the Beaujon hospital, Paris, and other hospitals (ref. Saint-Saëns). In 1871, Camille du Locle, the manager of the Paris Opéra-Comique, offered to produce a one-act work of Camille Saint-Saëns. He proposed as collaborator Louis Gallet, whom Saint-Saëns did not know, and the result was the slight piece '' La princesse jaune''; it was notable as the first '' japonerie'' on the operatic stage, Japan having only very recentl ...
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Victorien Sardou
Victorien Sardou ( , ; 5 September 1831 – 8 November 1908) was a French dramatist. He is best remembered today for his development, along with Eugène Scribe, of the well-made play. He also wrote several plays that were made into popular 19th-century operas such as ''La Tosca'' (1887) on which Giacomo Puccini's opera ''Tosca'' (1900) is based, and ''Fédora'' (1882) and ''Madame Sans-Gêne (play), Madame Sans-Gêne'' (1893) that provided the subjects for the lyrical dramas ''Fedora (opera), Fedora'' (1898) and ''Madame Sans-Gêne (opera), Madame Sans-Gêne'' (1915) by Umberto Giordano. His play ''Gismonda'', from 1894, was also adapted into an opera of the same name by Henry Février. Early years Victorien Sardou was born at 16 rue Beautreillis (), Paris on 5 September 1831. The Sardous were settled at Le Cannet, a village near Cannes, where they owned an estate, planted with olive trees. A night's frost killed all the trees and the family was ruined. Victorien's father, Antoin ...
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Cambridge Companions To Music
The Cambridge Companions to Music form a book series published by Cambridge University Press Cambridge University Press was the university press of the University of Cambridge. Granted a letters patent by King Henry VIII in 1534, it was the oldest university press in the world. Cambridge University Press merged with Cambridge Assessme .... Each book is a collection of essays on the topic commissioned by the publisher. The first was published in 1993, the ''Cambridge Companion to the Violin''. Since then numerous volumes have been published nearly every year, covering a variety of instruments, composers, performers, compositions genres and traditions. Volumes References External links Cambridge music series {{DEFAULTSORT:Cambridge Companions Book series introduced in 1993 Cambridge University Press books Book series Music guides Lists of books ...
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